Spaceslug Set Oct. 26 Release for Eye the Tide on Oak Island Records

Posted in Whathaveyou on October 2nd, 2018 by JJ Koczan

spaceslug

Polish trio Spaceslug took down a few genre barriers earlier this year when they issued their third album, Eye the Tide (review here), bringing in harsh vocals and extreme metal impulses to set against their warm-toned psychedelic wash. The album made these disparate influences not only coherent, but essential to each other, and ultimate brought Spaceslug‘s sound to its most thrilling realization to-date. It was also very, very, very heavy, and that never hurts either, but it was about more than just the weight of its riffs or the largesse in production value.

Oak Island Records has picked up the album — someone was bound to — for an LP release, and it’s set to come out Oct. 26, as the PR wire informs:

spaceslug eye the tide

SPACESLUG – EYE THE TIDE – OUT OCTOBER 26th

Poland’s mighty Spaceslug return with their third full-length studio album, “Eye The Tide”.

Fans of Spaceslug will not be disappointed, as the trio push forward into new territory, with perhaps their most aggressive and heavy record to date.

Each new song is expansive in both it’s sound and it’s progression. A conscious effort has been made here to lay all cards on the table and show exactly just how far this band can go in terms of song-craft and musicianship. It is a well thought out and beautifully delivered album that flows, capturing the listener and transporting them away from the noise of everyday life.

Eye The Tide will be released via Oak Island Records on the 26th of October and is available on heavyweight vinyl & CD.

VINYL FACTZ
– Plated & pressed on high performance vinyl at Pallas/Germany
– limited & coloured vinyl
– 300gsm gatefold cover
– special vinyl mastering

TRACKS
1. Obsolith
2. Spaced By One
3. Eternal Monuments
4. Words Like Stones
5. Vialys Part I
6. Vialys Part II
7. I, The Tide

Spaceslug are:
Bartosz Janik – Guitars/Voc
Jan Rutka – Bass/Voc
Kamil Zió?kowski – Drums/Voc

https://www.facebook.com/spaceslugband/
https://www.instagram.com/spaceslug_pl/
https://spaceslug.bandcamp.com/music
https://www.facebook.com/BSFD-records-247816545273558/
https://bsfdrecords.blogspot.co.uk/
https://www.facebook.com/oakislandrecords/
http://shop.bilocationrecords.com/index.php?k=1072&lang=eng

Spaceslug, “Obsolith” official video

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Review & Track Premiere: Spaceslug, Eye the Tide

Posted in audiObelisk, Reviews on June 29th, 2018 by JJ Koczan

spaceslug eye the tide

[Click play above to stream ‘Vialys Pt. I & II’ from Spaceslug’s Eye the Tide. Album is out July 20 on BSFD Records.]

Comprised of drummer/vocalist Kamil Ziólkowski, bassist/vocalist Jan Rutka and guitarist/backing vocalist Bartosz Janik, Poland’s Spaceslug have worked quickly to become a significant presence in the European heavy underground. Their 2016 debut, Lemanis (review here) and its 2017 follow-up, Time Travel Dilemma (review here), were both among their respective years’ best releases, and they even found room last year to squeeze in an EP release in the form of Mountains and Reminiscence (review here) before embarking on their third full-length and the final installment in a stated trilogy, which arrives as the six-song/54-minute Eye the Tide on BSFD Records. Their advantage has always been a decisive grip on their aesthetic — from the first album on, they’ve had a definite idea what Spaceslug should sound like in terms of tone, rhythm and melody, and after earning comparisons to Sungrazer early for their heavy psychedelic drift and blend of thick guitar and bass with floating vocal melodicism, they’ve worked over their releases to make that sound even more their own. It has never been more so than it is on Eye the Tide.

The big difference this time around? An uptick in the level of aggression. Opener “Obsolith” still casts post-rocking lead guitar lines out into the ether, but in its nod under the chorus, there’s just something more pointed about their approach, and that manifests even further in the post-midpoint bassy chug of second cut “Spaced by One” before the mostly-chill, mostly-patient “Eternal Monuments,” but is most prevalent as side B begins with the slamming “Words Like Stones” and the first harsher vocals arrive. Screams. They run at first alongside the laid back, clean-sung vocals that have become one of the hallmarks of Spaceslug‘s style, but at 3:35 into the track’s total 8:28, there’s a sudden pivot and the guitar goes full-on black metal and those screams come more to the forefront. Likewise, the drums take a more intense pulse, and as they move toward the halfway mark, seemingly all of a sudden, Spaceslug have cast an extreme vision of charred heavy psychedelia. They turn to a long instrumental stretch soon enough, but the context has shifted, and when the vocals return after the seven-minute mark, it’s both the throat-rippers and the clean singing, but the screams are definitely in the top position, whereas even just at the beginning of the song, they were in the background.

That back-to-front movement itself is important in understanding the poise and class with which Spaceslug carry out their ideas, and especially that with which they introduce a jarring new element to their audience. After a stretch of threatening-in-context squibbly guitars in the penultimate “Vialys Pt. I & II,” the screams come again on Eye the Tide closer “I, the Tide” as background and preface to the mountainous chug that will snow-cap the album’s 11:16 longest cut. But the second time is more a part of a summary of what the album as a whole has accomplished, and it’s really that first assault that’s more striking.

spaceslug

To-date, Spaceslug have been a pretty easy-going listen. Maybe not heavy-hippies, but not by any means abrasive. “Words Like Stones” changes that, and adds an undeniably metallic flair to the proceedings. It makes one want to go back to Time Travel Dilemma and Lemanis? Has that influence always been there, lurking beneath the surface of their ultra-molten psychedelic flow? Maybe it has. More likely than not, but it’s still a surprise when the screams hit if only because it brings that new aspect of Spaceslug‘s sound so far forward amid the still-relatively-peaceful surroundings.

Is it enough to turn listeners off? Probably not, unless they’re completely averse to any screamed vocals at any time, in which case that’s more about a policy position than this actual album’s use of an element in Spaceslug‘s sound. In the full scope of Eye the Tide as a whole, it works well to jar the experience after the band has dropped subtle instrumental hints of what’s coming on “Obsolith,” “Spaced by One” and “Eternal Monuments,” the latter a nine-minute patient unfolding that turns from its extended intro serenity to a cyclical riff that’s positively crushed in its tone and an apex that, until its side B mirror in the closer, is the most satisfying on the record. In the spirit of heavy rock tradition, they save the experimentation for the album’s second half, but when the time comes, they deliver with boldness and confidence alike, just as they always have, and the screams serve to enhance and broaden “Words Like Stones” rather than detract from it. Ultimately, they make Spaceslug a richer, less predictable band, and that’s never a bad thing. The anti-scream crowd will either have to come around or not. Spaceslug could just be getting started on their most important stylistic work yet, and as they haven’t yet, I wouldn’t expect them to let anything get in the way of their steamroller of a sound.

And it’s important to remember that as striking as those moments are, that’s just it. They’re moments. Parts of the whole impression Eye the Tide makes, and whether it’s the calm initial stretch or the later linear build in “Vialys Pt. I & II” or the push of Ziólkowski‘s drums behind the unfolding second half of “Obsolith” or the consuming motion of the finale in “I, the Tide” which manages to be as hypnotic as it is pummeling as it moves through its midsection to the instrumental second half and the megastomper riffing that caps the album as a whole, there’s much more to Spaceslug‘s third outing than “the part where the dude screams.” That becomes a piece of the larger picture, and the band do well to integrate it into their overall sphere. Will there be more? Is it indicative of some shift toward a more extreme direction? Is this to be their longer-standing contribution to psychedelia? Hell if I know. It works here, and that’s enough for right now. If nothing else Spaceslug have earned a certain element of trust via the quality of their songwriting and aesthetic execution over their now-complete trilogy, and if they can pull off such a sharp turn as they do on this third-of-three, it seems all the more worth continuing to follow them and see where they go next.

Spaceslug, “Obsolith” official video

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Spaceslug on Bandcamp

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Spaceslug Post “Obsolith” Video; Eye the Tide out July 20

Posted in Whathaveyou on May 25th, 2018 by JJ Koczan

spaceslug

Polish tonal-serenity bearers Spaceslug seem to work pretty quickly. Last year they had the Mountains and Reminiscence EP (review here) and their second LP, Time Travel Dilemma (review here), both out, and it was only in 2016 that their debut, Lemanis (review here), landed to such wide acclaim. A quick turnaround to their third long-player isn’t necessarily unexpected considering the thus-far track record, but in a year that’s already featured so much killer music, adding another one to the list certainly doesn’t seem like it’s going to hurt anything.

Spaceslug have a new video up now for “Obsolith” that you can see at the bottom of this post, and preorders for the album are coming soon. Here’s info from the PR wire:

spaceslug eye the tide

Prolific psychedelic metallers SPACESLUG return with new album | Premiere new video for ‘Obsolith’

Eye the Tide by Spaceslug is released worldwide on 20th July on BSFD Records

Pre-orders will be available soon at https://spaceslug.bandcamp.com/music

Formed in Wroc?aw, Poland in 2015 by guitarist Bartosz Janik and drummer Kamil Zió?kowski, Spaceslug was born a singularity; a rare and unusual discovery found deep amidst a cosmic multiverse of doom, stoner metal and progressive rock.

Completing their line-up shortly after that initial bang with the arrival of Jan Rutka on bass, the trio soon began their journey through space and time; writing, recording and releasing their debut album Lemanis in 2016 on BSFD Records/Oak Island Records to wide acclaim.

With the album enthusiastically received on terra firma, Spaceslug’s quite frankly supermassive sound served as a flawless introduction. A sound where moments of dark desolation sidled up neatly alongside light and hope, riffs and soar-away vocals, it opened a sonic gateway into the hard rock underground and pathed the way for their devastatingly brilliant follow-up, Time Travel Dilemma. Released just one year after their debut, the album kept the cosmic cannon firing on all cylinders and like their Mountains & Reminiscence EP (released later that same year) their ticket was deservedly stamped and valid beyond the stratosphere.

This July will see the official worldwide release of Eye the Tide, Spaceslug’s third full-length album and the closing entry in their personal trilogy:

“It took us just four months to create our first album, Lemanis, and we wanted it to be more than just a project. We wanted it to be a journey into another dimension,” explains guitarist Bartosz Janik. “With Eye the Tide, we want this third part of the cosmic journey to explore the deepest and darkest parts of that universe. The album itself is more progressive and post-rock than anything we’ve done before as we always want to turn that next corner when it comes to making music.”

Later this year, Spaceslug will also contribute their dark reimagining of Pink Floyd’s ‘Don’t Leave Me Now’ to THE WALL [Redux], Magnetic Eye Records’ end-to-end homage to the iconic Pink Floyd album, featuring heavy music luminaries including The Melvins, Pallbearer, Mark Lanegan, Scott Reeder and Ruby the Hatchet.

Eye the Tide by Spaceslug is released worldwide on 20th July via BSFD Records. Pre-orders will be available soon at https://spaceslug.bandcamp.com/music

TRACK LISTING:
1. Obsolith
2. Spaced By One
3. Eternal Monuments
4. Words Like Stones
5. Vialys Part I & II
6. I, The Tide

SPACESLUG:
Bartosz Janik – Guitar, Vocal
Jan Rutka – Bass, Vocal
Kamil Zió?kowski – Drums, Vocal

https://www.facebook.com/spaceslugband/
https://www.instagram.com/spaceslug_pl/
https://spaceslug.bandcamp.com/music
https://www.facebook.com/BSFD-records-247816545273558/
https://bsfdrecords.blogspot.co.uk/

Spaceslug, “Obsolith” official video

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