Windhand, Eternal Return: Chiaroscuro

Posted in Reviews on October 3rd, 2018 by JJ Koczan

windhand eternal return

A quick search through the album announcement and tour press releases thus far for Windhand‘s Eternal Return shows that, from either the label or the Richmond, Virginia, natives themselves, the word “doom” appears zero times. Listening to the nine-song/62-minute offering, that hardly feels like a coincidence. Instead, Eternal Return — which stands as Windhand‘s fourth album behind 2015’s Grief’s Infernal Flower (review here), their 2013 Relapse Records debut, Soma (review here), and their 2012 self-titled debut (streamed here) — has been positioned amid heavy psychedelia and seen highlighted an influence from ’90s alternative and grunge rock. Fair. There are definitely some of those elements at work tonally and in the songwriting, but as the group renews its collaboration with producer Jack Endino, who also recorded Grief’s Infernal Flower, and sees further continuity in Eternal Return‘s Arik Roper cover art, there’s still plenty of doom to the proceedings in songs like “First to Die,” “Eyeshine,” in which vocalist Dorthia Cottrell delivers the album’s title line, and “Red Cloud,” which nonetheless stands among the faster pieces here.

The tones of Garrett Morris and Parker Chandler are still molasses thick, and drummer Ryan Wolfe still pushes the atmospheric murk forward with consistent and creative rhythm. But there is a change as well. Between Grief’s Infernal Flower and Eternal ReturnWindhand have gone from a five- to a four-piece, losing guitarist Asechiah Bogdan. I don’t know how much Bogdan (also formerly of Alabama Thunderpussy) was involved in the songwriting for Windhand, but even if he wasn’t really at all, a change in dynamic is to be expected with any shift in lineup on the part of a given group, and that might be what’s happening with Windhand as different influences come to the surface. Certainly if the band were “bored” of doom, that would be well enough earned — it’s ground they’ve well covered across their three prior full-lengths and other releases like their earlier 2018 split with tourmates Satan’s Satyrs (discussed here) — and Eternal Return does on the whole play to the psychedelic aspects of their sound, but it’s not as if those aspects are appearing out of nowhere. Windhand‘s otherworldly sensibility has been there all along. It’s part of what’s stood them out from their early influences and helped define them stylistically.

Okay. But to listen to “Grey Garden” (video posted here), or even the eight-minute opener “Halcyon” that directly precedes it, there’s definitely something different happening. And the positioning is correct: it’s derived from grunge. Generationally speaking, the genre feels like fair enough game, and in “Red Cloud,” the mellow acoustic-led “Pilgrim’s Rest” and especially in closer “Feather,” in Cottrell‘s vocals and in the rhythmic lurch, there’s a reinterpretation of early ’90s aesthetics happening, but the key there is it’s reinterpretation. Windhand aren’t simply donning a flannel and tucking their jeans into their Doc Martens — they’re taking the influence of grunge and working it into their own sonic context, just as they’ve always done with their influences. The penultimate “Diablerie” (video posted here) shows this integration well and offers a fair summary of all sides that Eternal Return has on offer. Its leads are clean and shine through the low-end murk surrounding with a particularly spacious shimmer, Cottrell‘s voice leads the way through a resonant, said-as-plainly-as-possible hook with some subtly layered-in harmonies, and the overarching groove is fluid en route to a jangly finish that leads the way into “Feather.”

windhand

And though it’s relatively buried with 50 minutes of densely-weighted material before it and positioned way down at the end of side D, “Feather” is the truly standout moment on Eternal Return in terms of stylistic progression. It seems to follow directly the lead-in that “Diablerie” gives it, with a hard-strummed guitar line tapping into that particular downerism before a Cantrell-esque lead line enters the mix. Nirvana have been a strong presence throughout, but as “Feather” dips into minimalist atmospherics about four and a half minutes through its total 13, ahead of the full-tonal kick to come, it sets up a middle section of the track that seems especially geared toward Alice in Chains, with Cottrell playing both the Staley and Cantrell roles vocally, self-harmonizing over a lumbering riff. Though the track grows more mournful as it proceeds toward a long-fading noisy washout, I’d gladly argue that midpoint as the culmination of Windhand‘s expansion of style on Eternal Return, and it shows not only how far they’ve come — spoiler: they’ve come pretty far — but how far they can still go should they desire to do so.

And really, that’s the main question as regards Eternal Return: Cool, you can do this? How far are you going to take it? Invariably that’s not something that can be answered at this point or within the next album cycle or even two should they get there, but while the band got their start a decade ago, one of the steadiest aspects of their work has been the fact that it has always seemed to lead one to look ahead to what’s coming next, and in that regard, Eternal Return feels all the more transitional. With the change in lineup behind them and a thus-far busy tour schedule ahead, what will come of Windhand‘s foray into grunge and their retipping the balance toward psychedelia? Will their next album still have the same kind of bottom end one hears in the plodding “First to Die,” or is the swirling centerpiece interlude “Light into Dark” a tell for a continuing shift underway that will make them less immediately recognizable to their fanbase?

Because, if nothing else, Windhand are that, and it’s to their credit how much they’ve taken their early influences from the likes of Black SabbathElectric Wizard, etc., and internalized and reshaped them into an identity of their own. That’s never been more the case than it is on Eternal Return, but Windhand don’t sound like they’re finished coming into their own, and ultimately, this record may prove over the longer term to be as much departure as it is an arrival. If that’s the case, so be it. For the moment, these songs legitimately push Windhand onto new ground and move them into a niche all the more their own. There’s still doom in the heart of their sound, but increasingly, they’re defining for themselves just what that means and how it manifests.

Windhand, “Diablerie”

Windhand, “Grey Garden” official video

Windhand on Thee Facebooks

Windhand on Instagram

Windhand on Bandcamp

Relapse Records website

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Windhand Touring Southeast in January

Posted in Whathaveyou on October 1st, 2018 by JJ Koczan

windhand

This week marks the release of Windhand‘s new album, Eternal Return. It is the Richmond, Virginia, unit’s second full-length with Jack Endino at the board as producer — why go anywhere else? — and it marks something of a shift in their sound toward a more grunge-derived feel to their riffing, melded with a psychedelia born of their always murky approach to doom. They are already slated to supporting the living crap out of the record, with previously announced runs through the US (beginning a week from today) and Europe (beginning March 7), and now they’ve decided to do another short run through the Southeast, hitting D.C., North Carolina, Florida and Georgia on an eight-date stint that I guess amounts to a get-out-of-the-house warmup tour for Windhand but is still longer than many of the tours I post about here. It’s like their version of a weekender and it’s eight dates. Hilarious.

The PR wire has the details of their daunting schedule:

windhand winter tour

WINDHAND: Announce US Headlining Winter Tour Dates w/ GENOCIDE PACT

Eternal Return is due out October 5th on Relapse Records

Virginia’s WINDHAND announce US headlining tour dates throughout January 2019 with label-mates GENOCIDE PACT. The brief tour begins on January 24 in Washington D.C. and ends January 31 in Charlotte, NC. A full list of tour dates are available below. Tickets are on sale Friday, September 28th at 10am EST.

Stream WINDHAND’s recently released track “Diablerie” now on all streaming services. Embodying the album’s more reflective side, “Diablerie” fully captures the band’s artistic growth and the juxtaposition of genre-bending, heavy psychedelia that’s apparent throughout Eternal Return.

Additionally, watch WINDHAND’s previously released “Grey Garden” video, the lead single off their forthcoming album Eternal Return, AT THIS LOCATION.

WINDHAND’s 4th studio album Eternal Return is due out October 5th on CD/2xLP/CS/Digital on Relapse Records. Physical packages are available for pre-order HERE and Digital Downloads/Streaming AT THIS LOCATION.f

WINDHAND LIVE DATES:

— All Dates Jan 24-31 w/ Genocide Pact —
Jan 24 Washington, DC @ U Street Music Hall
Jan 25 Durham, NC @ Pinhook
Jan 26 Jacksonville, FL @ 1904 Music Hall
Jan 27 Miami, FL @ Las Rosas
Jan 28 Tampa, FL @ The Crowbar
Jan 29 Orlando, FL @ Will’s Pub
Jan 30 Savannah, GA @ The Jinx
Jan 31 Charlotte, NC @ Neighborhood Theatre

— 2018 US Tour Dates w/ Satan’s Satyrs —
Oct 08 Atlanta, GA @ The Earl
Oct 09 New Orleans, LA @ Gasa Gasa
Oct 10 Houston, TX @ White Oak Music Hall
Oct 11 Dallas, TX @ Club Dada
Oct 12 Austin, TX @ Barracuda
Oct 14 Albuquerque, NM @ Sister
Oct 15 Phoenix, AZ @ Valley Bar
Oct 16 Los Angeles, CA @ El Rey Theatre
Oct 17 Oakland, CA @ Starline Social Club
Oct 19 Portland, OR @ Aladdin Theatre
Oct 20 Vancouver, BC @ Venue
Oct 21 Seattle, WA @ Neumos
Oct 23 Denver, CO @ Larimer Lounge
Oct 24 Kansas City, MO @ The Riot Room
Nov 01 Philadelphia, PA @ Underground Arts
Nov 02 Brooklyn, NY @ Elsewhere
Nov 03 Boston, MA @ Brighton Music Hall
Nov 04 Montreal, QC @ Le Belmont
Nov 05 Toronto, ON @ The Legendary Horseshoe Tavern
Nov 07 Chicago, IL @ Subterranean
Nov 08 Minneapolis, MN @ Fine Line Music Cafe
Nov 09 Milwaukee, WI @ Cactus Club
Nov 10 Indianapolis, IN @ The Hi-Fi
Nov 11 Nashville, TN @ The Basement East
Nov 12 Louisville, KY @ Zanzabar
Nov 13 Columbus, OH @ Ace of Cups
Nov 15 Richmond, VA @ The Broadberry

— All Dates March 07-24 w/ Grime —
Mar 07 Vienna, AT @ Arena
Mar 08 Munich, DE @ Feierwerk
Mar 09 Lausanne, CH @ Le Romandie
Mar 10 Paris, FR @ Boule Noire
Mar 12 Bristol, UK @ Exchange
Mar 13 Manchester, UK @ Deaf Institute
Mar 14 Glasgow, UK @ Audio
Mar 15 Nottingham, UK @ Bodega
Mar 16 London, UK @ Underworld
Mar 17 Brussels, BE @ AB
Mar 19 Haarlem, NL @ Patronaat
Mar 20 Eindhoven, NL @ Effenaar
Mar 21 Cologne, DE @ MTC
Mar 22 Hamburg, DE @ Molotow
Mar 23 Berlin, DE @ Musik & Frieden
Mar 24 Leipzig, DE @ Werk 2

https://www.facebook.com/WindhandVA/
https://www.instagram.com/windhand/
http://windhandva.bandcamp.com/
http://store.relapse.com/

Windhand, “Diablerie”

Windhand, “Grey Garden” official video

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Windhand Announce March 2019 European Tour

Posted in Whathaveyou on August 24th, 2018 by JJ Koczan

windhand (Photo by Joey Wharton)

I usually try to keep myself distant from the din of new-album hype out there. The promo-speak and hyperbole is as endless as the string of new releases itself, and while I don’t always succeed — hey, we all get excited; that’s part of the fun — I do my best to keep my head on waiting for records to show up. I gotta say though, when it comes to the new Windhand, I’m feeling it. Sure, I’ve dug them all along and been continually intrigued as they’ve become one of the foremost acts in US doom, but with the sonic turn that seems to be heralded in their new one, Eternal Return — out Oct. 5 on Relapse as their second collaboration with producer Jack Endino — I’m really excited to hear where they take their sound.

The video that you can watch below for “Grey Garden” is a big part of the reason why. It’s the first real sampling they’ve given from Eternal Return and its ethereal doom grunge unfolds with a trippy spaciousness that adds even further depth and character to their by-now-trademark miasma. The Richmond outfit previously announced a US run for this Fall and they’ll be in Europe in March — interesting that they’d go before the Spring fest season begins; one wonders if they’ll be back that way in Autumn 2019 — touring with the gleefully filth-caked sludge extremists Grime.

Dates came down the PR wire like so:

windhand euro tour

WINDHAND: Announce 2019 European March Headlining Tour Dates

Eternal Return is due out October 5th on Relapse Records

Richmond, Virginia’s psychedelic heavyweights WINDHAND announce 2019 European headlining tour dates with Italy’s Grime. The tour begins March 7th in Austria and ends March 24th in Germany. All confirmed tour dates are available below.

WINDHAND’s 4th studio album Eternal Return is due out October 5th on CD/2xLP/CS/Digital on Relapse Records. Physical packages are available for pre-order HERE and Digital Downloads/Streaming AT THIS LOCATION.

Artwork By Arik Roper

WINDHAND LIVE DATES:
— All Dates March 07-24 w/ Grime —

Mar 07 Vienna, AT @ Arena
Mar 08 Munich, DE @ FeierwerkM
Mar 09 Lausanne, CH @ Le Romandie
Mar 10 Paris, FR @ Boule Noire
Mar 12 Bristol, UK @ Exchange
Mar 13 Manchester, UK @ Deaf Institute
Mar 14 Glasgow, UK @ Audio
Mar 15 Nottingham, UK @ Bodega
Mar 16 London, UK @ Underworld
Mar 17 Brussels, BE @ AB
Mar 19 Haarlem, NL @ Patronaat
Mar 20 Eindhoven, NL @ Effenaar
Mar 21 Cologne, DE @ MTC
Mar 22 Hamburg, DE @ Molotow
Mar 23 Berlin, DE @ Musik & Frieden
Mar 24 Leipzig, DE @ Werk 2

— 2018 US Tour Dates w/ Satan’s Satyrs —

Oct 08 Atlanta, GA @ The Earl
Oct 09 New Orleans, LA @ Gasa Gasa
Oct 10 Houston, TX @ White Oak Music Hall
Oct 11 Dallas, TX @ Club Dada
Oct 12 Austin, TX @ Barracuda
Oct 14 Albuquerque, NM @ Sister
Oct 15 Phoenix, AZ @ Valley Bar
Oct 16 Los Angeles, CA @ El Rey Theatre
Oct 17 Oakland, CA @ Starline Social Club
Oct 19 Portland, OR @ Aladdin Theatre
Oct 20 Vancouver, BC @ Venue
Oct 21 Seattle, WA @ Neumos
Oct 23 Denver, CO @ Larimer Lounge
Oct 24 Kansas City, MO @ The Riot Room
Nov 01 Philadelphia, PA @ Underground Arts
Nov 02 Brooklyn, NY @ Elsewhere
Nov 03 Boston, MA @ Brighton Music Hall
Nov 04 Montreal, QC @ Le Belmont
Nov 05 Toronto, ON @ The Legendary Horseshoe Tavern
Nov 07 Chicago, IL @ Subterranean
Nov 08 Minneapolis, MN @ Fine Line Music Cafe
Nov 09 Milwaukee, WI @ Cactus Club
Nov 10 Indianapolis, IN @ The Hi-Fi
Nov 11 Nashville, TN @ The Basement East
Nov 12 Louisville, KY @ Zanzabar
Nov 13 Columbus, OH @ Ace of Cups
Nov 15 Richmond, VA @ The Broadberry

https://www.facebook.com/WindhandVA/
https://www.instagram.com/windhand/
http://windhandva.bandcamp.com/
http://store.relapse.com/

Windhand, “Grey Garden” official video

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Windhand Post “Grey Garden” Video; Eternal Return out Oct. 5

Posted in Bootleg Theater on August 7th, 2018 by JJ Koczan

Windhand_ photo by Sally Patti

It seemed doubtful that Virginia’s Windhand would’ve been lying when they said their upcoming album, Eternal Return, was taking them in a different direction, mostly because, why would they? Still, it’s awfully nice to have an example to go from as we head closer to the record’s Oct. 5 release through Relapse Records. And so, with the creepy-image-barrage of the “Grey Garden” video that some site way cooler than this one premiered last week, we get that example. Immediately, it’s the best vocal performance I’ve heard from Dorthia Cottrell. Hands down. She sounds amazing. And behind her, guitarist Garrett Morris, bassist Parker Chandler and drummer Ryan Wolfe unfurl a vision of psychedelic grunge-doom, putting new meaning to the words “produced by Jack Endino” even than those that applied to their last full-length, 2015’s Grief’s Infernal Flower (review here), which the venerable producer also helmed.

The doom-via-grungegaze suits the Richmond four-piece. And “Grey Garden” seems to hold onto the thick low end tonality that’s been crucial to Windhand‘s approach since their first record. But this doesn’t sound like Electric Wizard. Really at all. And that’s a big difference, since even though Windhand had come into their own, they still had that nod at their foundation, and while I wouldn’t necessarily expect “Grey Garden” to represent the entirety of Eternal Return given past variety in their songwriting, it’s telling that it’s the first track they’re breaking out from the album and letting the public hear. They very obviously are trying something new here, and they very obviously want their audience to be prepared for it. Listening to the drift in the midsection and the reemergence of the more weighted tone that follows beneath the scorching, swirling lead, the potential seems to be there for the band to really make a stylistic mark on the greater sphere of doom itself.

I’d recommend you listen twice to really let the hook sink in, to hear the depth in Wolfe‘s snare, to get a handle on the arrival in murk, the departure from it, and the return. I was looking forward to Eternal Return already. My expectations are even higher now.

PR wire info and tour dates follow the video below.

Please enjoy:

Windhand, “Grey Garden” official video

Eternal Return is a complete life-to-death journey. As unplanned things go, it’s an observation of as well as a reflection on life’s ups and downs, joys and sorrows, beginnings and ends. Between the band’s 2015, highly acclaimed Grief’s Infernal Flower, and 2018’s Eternal Return, WINDHAND welcomed new life, survived lineup changes, and mourned unexpected death. The songs and song ordering are the direct result of those experiences. Where “Halcyon” is assured in its opening, the closing track “Feather” is its funeral march.

WINDHAND wrote Eternal Return all throughout the winter. Out of the sessions, “Halcyon,” “Grey Garden,” “Red Cloud,” and the monstrous “Eyeshine” emerged as the heaviest tracks, while “Pilgrim’s Rest,” “Diablerie,” and “Feather” embodied the more reflective side of WINDHAND. The juxtaposition of heavy, psychedelic and pensive is less like Black Sabbath or Sleep and more like Soundgarden or Veruca Salt. But the name-drops aren’t absolute so much as signals of WINDHAND’s ability to stretch beyond genre confines.

Eternal Return represents a new era for the group, a chrysalis moment that takes them to new and unforeseen heights. Boosted by Garrett Morris’ consistently cool riffs-forged at the crossroads of Iommi’s otherworldly import and Kurt Cobain’s spontaneous precocity-powered by Ryan Wolfe and Parker Chandler’s groove-laden rhythms, and propelled by Dorthia Cottrell’s smoky yet wistful vocals, WINDHAND’s new album is a two-step jump for Richmond’s finest purveyors of the psycho-actively heavy. Adorned by Arik Roper’s (Sleep, High on Fire) impressive cover art, Eternal Return not only looks the part of WINDHAND’s artistic growth but sounds the part.

WINDHAND brought Jack Endino back into the fold. Together, they spent two weeks recording at Soundhouse Recording in Seattle. Described as “smooth” and “intense,” the sessions with the famed producer were just what WINDHAND wanted. Endino also understood the group’s artistic progression, chiefly the admiration of and blending in late ’80s/early ’90s grunge. Out of it all, WINDHAND continued to refactor and refine their vision of heavy. A new era of psychedelic heaviness is upon us with WINDHAND’s genre-blurring Eternal Return. Sweet, fuzzed-out oblivion has never been closer…

WINDHAND LIVE DATES:
10/08: Atlanta, GA – The Earl #
10/09: New Orleans, LA – Gasa Gasa #
10/10: Houston TX – White Oak Music Hall #
10/11: Dallas, TX – Club Dada #
10/12: Austin, TX – Barracuda #
10/14: Albuquerque, NM – Sister #
10/15: Phoenix, AZ – Valley Bar #
10/16: Los Angeles, CA – El Rey Theatre #
10/17: Oakland, CA – Starline Social Club #
10/19: Portland, OR – Aladdin Theatre #
10/20: Vancouver, BC – Venue #
10/21: Seattle, WA – Neumos #
10/23: Denver, CO – Larimer Lounge #
10/24: Kansas City, MO – The Riot Room #
11/01: Philadelphia, PA – Underground Arts #
11/02: Brooklyn, NY – Elsewhere #
11/03: Boston, MA – Brighton Music Hall #
11/04: Montreal, QC – Le Belmont #
11/05: Toronto, ON – The Legendary Horseshoe Tavern #
11/07: Chicago, IL – Subterranean #
11/08: Minneapolis, MN – Fine Line Music Cafe #
11/09: Milwaukee, WI – Cactus Club #
11/10: Indianapolis, IN – The Hi-Fi #
11/11: Nashville, TN – The Basement East #
11/12: Louisville, KY – Zanzabar #
11/13: Columbus, OH – Ace of Cups #
11/15: Richmond, VA – The Broadberry #
# – w/ Satan’s Satyrs

Windhand on Thee Facebooks

Windhand on Instagram

Windhand on Bandcamp

Relapse Records website

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Windhand Post Eternal Return Teaser & Cover Art; Fall Tour Dates Announced

Posted in Whathaveyou on July 12th, 2018 by JJ Koczan

Windhand photo by Sally Patti

October 5 is the set release date for Windhand‘s new album, Eternal Return. Everyone got their calendars marked? Good. I mean, you probably won’t actually need to mark your calendar unless you’re old as dirt like me and haven’t come around to the notion of preordering things rather than simply being frustrated at yourself later for not having bought them yet — you know I just picked up the Sleep record like two days ago? ridiculous — but even figuratively speaking, it’s a date you’ll want to note. Three days later, the Richmond, Virginia, doom forerunners will hit the road for a month-plus of touring covering bigger markets on both coasts and between as well as a couple stops in Canada, playing alongside their splitmates/past-tourmates and apparent best buds Satan’s Satyrs all the while. That’s pretty much what you’d expect from Windhand around an album release, and it seems likely a European tour won’t be too far off either. Maybe during the Spring 2019 festival season? Or maybe they’ll go to Australia. Not like I know anything. Because I don’t. Actually. Nothing. Really about anything.

Okay. Kind self-talk.

Given the return to Jack Endino for recording, the title, and the on-stylistic-theme art from Arik Roper, I can’t help but wonder how much Eternal Return is intended as a sequel or at least direct follow-up to 2015’s Grief’s Infernal Flower (review here), but even if it is, that would hardly be a strike against it, particularly with a band whose track record for sonic progression is as well established as Windhand‘s. That is, even if they’re responding to the 2015 record, it seems likely they’ll bring something new to the proceedings anyhow.

I look forward to finding out. Calendar is marked.

Note how quick the PR wire is below to designate them a “heavy psychedelic” band. Fascinating. There’s a reason I include these things word-for-word. Check it out. Teaser clip is at the bottom:

windhand eternal return

WINDHAND: Announce North American Fall Tour; Unveil Artwork & Teaser For New Album Eternal Return

Eternal Return is due out October 5th on Relapse Records

Virginia’s heavy psychedelic quartet WINDHAND have announced a full fall North American tour with Satan’s Satyrs and give us a glimpse of what’s to come on their forthcoming album, Eternal Return, coming October 5th on Relapse.

Eternal Return represents a new era for the group, a chrysalis moment that takes them to new and unforeseen heights. Once again the band have joined forces with producer Jack Endino (Nirvana, Soundgarden) with vivid artwork by Arik Roper (Sleep, High on Fire). Equally informed by heavy, fuzzed-out psych along with the iconic grunge / alternative groups of the 90s, WINDHAND have crafted a record brilliant in scope, powerful in execution, and perfect for an era of increasingly blurry yet still heavy borders.

Check below for a full list of dates, tour poster and stay tuned for more. Listen to WINDHAND’s full discography via Bandcamp.

WINDHAND LIVE DATES:
07/29: Chicago, IL – Wicker Park Fest
10/08: Atlanta, GA – The Earl #
10/09: New Orleans, LA – Gasa Gasa #
10/10: Houston TX – White Oak Music Hall #
10/11: Dallas, TX – Club Dada #
10/12: Austin, TX – Barracuda #
10/14: Albuquerque, NM – Sister #
10/15: Phoenix, AZ – Valley Bar #
10/16: Los Angeles, CA – El Rey Theatre #
10/17: Oakland, CA – Starline Social Club #
10/19: Portland, OR – Aladdin Theatre #
10/20: Vancouver, BC – Venue #
10/21: Seattle, WA – Neumos #
10/23: Denver, CO – Larimer Lounge #
10/24: Kansas City, MO – The Riot Room #
11/01: Philadelphia, PA – Underground Arts #
11/02: Brooklyn, NY – Elsewhere #
11/03: Boston, MA – Brighton Music Hall #
11/04: Montreal, QC – Le Belmont #
11/05: Toronto, ON – The Legendary Horseshoe Tavern #
11/07: Chicago, IL – Subterranean #
11/08: Minneapolis, MN – Fine Line Music Cafe #
11/09: Milwaukee, WI – Cactus Club #
11/10: Indianapolis, IN – The Hi-Fi #
11/11: Nashville, TN – The Basement East #
11/12: Louisville, KY – Zanzabar #
11/13: Columbus, OH – Ace of Cups #
# – w/ Satan’s Satyrs

https://www.facebook.com/WindhandVA/
https://www.instagram.com/windhand/
http://windhandva.bandcamp.com/
http://store.relapse.com/

Windhand, Eternal Return album teaser

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Windhand Begin Recording New Album Eternal Return for Fall Release

Posted in Whathaveyou on April 4th, 2018 by JJ Koczan

Richmond, Virginia, doomers Windhand have announced they’ve begun work on their next full-length, Eternal Return, returning to the studio with producer Jack Endino, who helmed their 2015 album, Grief’s Infernal Flower (review here). The band also released a split with steady tourmates Satan’s Satyrs this past Spring and have spent the last couple years going around the world in support of the last record. Between recording again with Endino and getting Arik Roper, it seems like the five-piece-turned-four-piece aren’t trying to fix what wasn’t broken from Grief’s Infernal Flower, which is fair since, you know, that shit was way not broken.

One expects they’ll start announcing a massive round of tour dates for Eternal Return before the record even comes out, so I’ll go ahead and keep an eye open for that. In the meantime, here’s the latest fresh from the PR wire:

Windhand_ photo by Sally Patti

Windhand Enter Studio To Record New Full-Length Album, ‘Eternal Return’ Coming Fall 2018 on Relapse Records

Spring West Coast Tour Approaches

Virginia’s WINDHAND have entered the studio to record their 4th studio album. The album, entitled Eternal Return, is being recorded and engineered at Soundhouse Studios in Seattle, WA with legendary producer Jack Endino (Nirvana, Soundgarden, High on Fire). Album artwork will once again be handled by Arik Roper (Sleep, High on Fire). The album is expected to be released Fall 2018 via Relapse Records. Stay tuned for more information in the near future.

Additionally, WINDHAND kick off a short West Coast tour with Ruby The Hatchet on April 19th which includes appearances at Stumpfest and Levitation Fest. WINDHAND is also confirmed for Maryland Doom Fest on June 23 in Frederick, MD. A complete list of dates is available below.

WINDHAND LIVE DATES:
Apr 19: Neumos – Seattle, WA #
Apr 20: Stumpfest – Portland, OR
Apr 22: Great American Music Hall – San Francisco, CA #
Apr 23: Roxy Theatre – Los Angeles, CA #
Apr 26: Levitation at Barracuda – Austin, TX
Jun 23: Maryland Doom Fest 2018 – Frederick, MD
# w/ Ruby The Hatchet

https://www.facebook.com/WindhandVA/
https://www.instagram.com/windhand/
http://windhandva.bandcamp.com/
http://store.relapse.com/

Windhand, “Old Evil” official video

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