Review & Full Album Premiere: Eternal Black, Slow Burn Suicide

Posted in audiObelisk, Reviews on June 7th, 2019 by JJ Koczan

eternal black slow burn suicide

[Click play above to stream Slow Burn Suicide by Eternal Black in its entirety. Album is out June 13.]

At least as regards rock and roll, the sound of New York City has always been one fueled by grit and concrete. From the speed-pop of the Ramones to the bruiser noise of Unsane, New York has always been at its best when it manifests the intensity of its surroundings in an almost unconscious fashion, and that would seem to be precisely what’s happening with Eternal Black‘s second full-length, Slow Burn Suicide. Because for sure while the trio, in following their 2017 debut, Bleed the Days (review here), speak directly to NYC-based influences like early Type O Negative, River Runs Red-era Life of Agony, Cro-Mags — right about when RoadRacer became Roadrunner — bringing that aggression and heft of presence into the context of the traditional doom of their first record, they do so in a manner that sounds overarchingly natural. It’s clear they were consciously pushing themselves as songwriters — the returning lineup is guitarist/vocalist Ken Wohlrob, bassist Hal Miller, and drummer Joe Wood — and in so doing, they’ve entered into conversation with influences beyond the standard fare for doom.

Across nine tracks bookended by the into “All These Things Destroy You…” and the outro “All These Things (Slight Return),” Eternal Black cast the identity for themselves that the debut and 2015 self-titled EP (review here), returning to record at Suburban Elvis Studios with Joe Kelly and Kol Marshall at the helm for a tonally consistent work that’s nonetheless a marked step forward from where they were two years ago. On tracks like the post-intro opener “Lost in the Fade” and the rolling “The Ghost,” they tap into this omnidirectional aggression, and even as “Sum of All Your Fears” hits into a chorus ripe for comparison to Deliverance-style C.O.C. — especially followed by the solo as it is — the band maintain their downtrodden atmosphere instrumentally and lyrically, taking what they want from the past and making it their own.

This is pretty much the ideal in all cases, but it especially suits Eternal Black to step into the role of representing trad doom from New York, where the style has never had the same foothold it’s enjoyed for decades a few hours south in Maryland. But from the moody, atmospheric notes and strums that launch the brief “All These Things Destroy You…” onward into the tom hits that build tension at the start of “Lost in the Fade” with feedback roiling behind, Eternal Black is both things: New York and doom. The gang-style shouts in the chorus of “Lost in the Fade” only further demonstrate the point, and the band retain a sense of impact to go along with the thickness in Wohlrob and Miller‘s tones, the hook coming around after a brash verse that keeps a raw feeling despite being produced for clarity.

eternal black

“Lost in the Fade” is the longest song on Slow Burn Suicide, and a highlight, but it doesn’t feel artificially extended or any longer than it needs to be to make its point, and “Below,” which follows, reinforces the core approach of the album, with Wohlrob‘s vocals offering a guttural, low-register melody and riding a groove that, had it been on the first record, I’d probably liken to The Obsessed, while keeping a more understated chorus en route to a sharp finish. This in turn brings “The Ghost,” with smooth hi-hat work from Wood in the nodding verses and more angular turns in the bridge, eventually leveling out to a longer instrumental section ahead of the solo and closing verse riffery, which is as fitting a march as one might make to “Sum of All Fears,” which is the centerpiece and a straightforward showcase of what Eternal Black are bringing to their second LP in terms of atmosphere, lyrical depth, largesse of groove and tone, and the focus on mood throughout. Four years on from their inception, they’ve succeeded in manifesting their sound from the roots of their inspiration, and “Sum of All Fears” might be the point on Slow Burn Suicide where that’s most palpable.

Though of course there’s plenty of competition in that regard, and as “A Desert of No Name” takes hold, it does so by renewing the rhythmic bounce early and moving in its middle third to a percussion-led instrumental break — not quite a jam, but not far off — as Wohlrob pulls a quick solo overtop. They move into a speedier section to finish as one last verse sneaks in at the end, and “Three Fates” provides an interplay of acoustic and electric guitar for an interlude leading to “Saints, Sinners and Madmen.” That track is also the last before the outro “All These Things (Slight Return),” which means essentially it’s surrounded on all sides. Think it’s meant to be a standout? The purposefulness of its positioning is met by its slow-crawling lurch — as with any doom worthy of the name, the bass is the secret weapon, and Miller locks in on “Sinners, Saints and Madmen” in an effective reminder of that — and Wohlrob tosses out the album’s title line amid further grim plodding.

The song is only four and a half minutes long, which is kind of surprising given the ceremony leading into and out of it, but it picks up its pace somewhat to give a fair-enough end, though the outro’s arrival — worth noting the “Slight Return,” at 2:22, is a minute longer than the intro — does much to underscore the true message of Slow Burn Suicide in terms of the consciousness and forward-moving will of Eternal Black‘s work. That can be heard in their songwriting here all the more with the consistency in terms of production, and what while what they do remains thoroughly doomed, it’s their doom. Listening to “All These Things (Slight Return)” as it dissembles at the finish, one does not at all get the sense that Eternal Black have finished exploring the parameters of what “their doom” is, but they take important steps here and find themselves exploring new ground even as they plunge deeper into the foundations of their approach.

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Eternal Black Announce June 13 Release for Slow Burn Suicide; New Song Posted

Posted in Whathaveyou on May 21st, 2019 by JJ Koczan

eternal black

Preorders are up now for Eternal Black‘s second album, Slow Burn Suicide, which is fair enough because the June 13 release date is coming up faster than you (or I, anyhow) think. In accordance with the order of things, the Brooklyn-centered three-piece are streaming the track “The Ghost” from the record as an initial teaser for what the entirety holds, and its sound is true to what their 2017 debut, Bleed the Days (review here), set forth, while drawing at the same time toward a rawer approach. The guitar has more bite. The bass seems to hit with more force. The drums crash and roll with a barely-restrained intensity. It’s doom, make no mistake, but it’s fascinating to hear Eternal Black purposefully trying to bring something of their own to the traditions of the style, let alone openly discussing doing so as they do in the PR wire info below. The edge suits them.

I have to think that if Hellhound Records was a going concern in 2019, these guys would get a serious look.

To the announcement:

eternal black slow burn suicide

Eternal Black To Release New Album, Slow Burn Suicide, on June 13th, 2019

Pre-order available on Bandcamp; Includes a New Track, “The Ghost,” for Immediate Download and Streaming

Brooklyn-based doom band ETERNAL BLACK will release their second full length album, Slow Burn Suicide, on Thursday, June 13, 2019. Comprised of nine new songs, Slow Burn Suicide is the follow-up to their debut album, Bleed the Days. Fans can pre-order the album on Eternal Black’s Bandcamp page (eternalblack.bandcamp.com) and download or stream a new track titled “The Ghost” right away. The album will also be available on iTunes, Spotify, Apple Music, and other streaming services. Details about CD and vinyl versions will be coming soon.

Official statement from the band:

“Our mission on this album was ‘Keep Doom Ugly.’ We felt the raw edge of foundation Doom has been lost. Everything has become too self-indulgent. The meandering 12-minute tracks have been done to death. We wanted to push back against that trend. Restore the grit and grime to a sound that used to make the hair stand up on your arms. As before, we looked to the foundation Doom bands and dragged that sound back into the present. It can still be raw and innovative. On this album, the heavy parts are heavier and the grooves are groovier. In places, we’ve given the songs a little more light and made the dark parts darker. Slow Burn Suicide is a step forward while still honoring what came before.”

For the new album, Eternal Black again worked with the production team of Joe Kelly and Kol Marshall (Mercyful Fate, King Diamond, Ministry, Begotten) at Suburban Elvis Studios in New York. The duo has produced all of Eternal Black’s studio recordings including Bleed the Days and their self-titled EP. The album was mastered by Tony Reed of Mos Generator, who also mastered their previous album.

Formed in late 2014, Eternal Black is made up of Ken Wohlrob (End of Hope) on guitar and vocals, Joe Wood (Borgo Pass, Bloody Sabbath) on drums, and Hal Miller on bass. The group came together out of a desire to create dark songs driven by fuzz-drenched riffs and old-school heavy grooves.

http://eternalblackdoom.com
https://eternalblack.bandcamp.com
https://www.facebook.com/blackhanddoom
https://instagram.com/eternalblackdoom/
https://soundcloud.com/eternalblackdoom

Eternal Black, “Ghost”

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