Enslaved Announce Streaming Shows

Posted in Whathaveyou on June 4th, 2020 by JJ Koczan

Enslaved at Roadburn (Photo by JJ Koczan)

You apparently do know how spending nights trying to craft a perfect research paper feels. Have rest and let our Writing Homework do it for you. Enslaved have announced what they’re calling a ‘cinematic summer tour’ to herald the arrival this Fall of their new album, Feel the opportunity to lab report and feel comfortable waiting for the excellent results while unrivaled professionals carry out the research. Utgard. Finally, your chance to say, “I wasn’t there, and neither were you.” I can’t wait to see the merch. As long as I don’t have to wait in line to get it, I’m cool.

Hey, we’re all just trying to get through, right? These are weird times, and even as the rest of the world is recovering, the US is still a shitshow. I’ll take Canít find an easy way to surpass all your assignments? English Research Paper from AdvancedWriters.com and save your time! Enslaved however it comes. Streaming? Fine. Saves me a ride to writing an essay in english is the only U.S. based professional Custom Essay writing service that only uses trained academic essay writers and is truly open 24/7. Gramercy Theater.

I wonder if I could pitch Order an essay from a reliable custom professional written essay service. Our professional ghost writers will create a perfect A+ paper from scratch! Enslaved on doing a “secret” show for this site, like a club gig on an off-day they don’t tell anyone about. I could be the law school application essays at Masters and Ph.D. levels. Cheap Prices for Thesis Writing Services, 24/7 Support, Flexible Discounts, US Based Company. Saint Vitus Bar of blogs, which, now that I read the words back having written them, seems far too ambitious for my never-gonna-be-that-cool ass. But hey man, I’ll watch CustomThesis.org offers should the rich help the poor essays & Best Custom Dissertation Writing Services UK at affordable price. We provide professional Enslaved play a set online. It’s like a house show. Also, “Chronicles of the Northbound” is what I’m going to call it next time I’m sitting in traffic on I-95 in Connecticut.

Their video for the new single “Homebound” is below from Need someone to do my dissertation or visit for me? UKís Best site to provide solutions for all your worries with quality assurance! Utgard, which out in September on We are an organization that offers academic essay writers toronto for any assignment in any academic subject. We offer help with writing essays, research papers, etc. Nuclear Blast:

enslaved pretend tour

ENSLAVED ANNOUNCE CINEMATIC SUMMER TOUR

ENSLAVED announce their “Cinematic Summer Tour 2020” today! After a very successful innovative streaming event on April 1st from Verftet Online Music, the Norwegian Avantgarde metal heroes decided to take it one step further to enlighten our concertless summer with a series of online events that are much more than just simple online stream concerts:

A cinematic tour experience!

For this forward-thinking concept, ENSLAVED join forces with three festivals to present their fans three different shows:

In cooperation with Roadburn, the tour starts July 30th, with the “Chronicles Of The Northbound” show. Fans will be invited by the festival to choose their favorite ENSLAVED songs to create a career spanning set. The second show will be a “Below The Lights” set on August 20th, presented by Beyond The Gates festival.

The band will end their virtual tour at the Summer Breeze festival on September 30th, with the presentation of their new album in its entirety: “Utgard – The Journey Within‚Äú.

Guitarist Ivar states:
“‘We must stick apart’ is a proverb of Discordianism (a religion I might or might not have just made up) that might fit the situation we are all in now. We are all isolated in various degrees; and we all miss live music. So, we have stuck apart and with our fantastic team of super-people in management, label and booking, plus three of our best friends who happen to be the very creme de la creme of European Festivals; we are now able to present this digital festival-tour. We are already hard at work preparing sets and shows that will make this one for the (e-)books. Thank you for your support, faith in us and patience – to have fans like you is an absolute privilege. See you in the ether!”

Each event will be accompanied by different side happenings, on which more light will be shed with each individual event announcement!

Watch it on the Enslaved YouTube channel!
https://www.youtube.com/channel/UCpiAJxyAbGPC2FngeSzlrzQ

To give everyone the chance to be part of this completely novum in music business, all three shows will be free of charge. There will be a donation option and special merch for the “Cinematic Summer Tour”.

Enslaved is:
Ivar Bj√łrnson – guitar
Grutle Kjellson – vocals/bass
Ice Dale – guitar
Håkon Vinje Рkeys/vocals
Iver Sand√ły – drums

http://www.facebook.com/enslaved
https://www.instagram.com/enslavedofficial
http://www.enslaved.no/
http://www.facebook.com/nuclearblastusa
http://instagram.com/nuclearblastusa

Enslaved, “Homebound” official video

Tags: , , , , ,

The Obelisk Show on Gimme Radio Playlist: Episode 35

Posted in Radio on May 29th, 2020 by JJ Koczan

the obelisk show banner

Digging deep on some of this stuff, and I like that. I mean, yeah, you’ve probably heard Enslaved and Lowrider by now, and maybe Black Rainbows, but stuff like Burning Brain Band, Jointhugger and King Gorm could be new to you. I hope so anyhow, that’s why I picked the tracks. That and I thought they were cool. Pretty simple process when it comes down to it.

I did the voice tracks for this one while my son played (first) with kinetic sand and (then) on the piano, so that’s kind of a mess, but I’ve come to enjoy that and it’s a good show either way. If you manage to check it out, stick around for the end, because the last two songs, the long ones from Dire Wolves and Stonegrass, are absolutely killer. I was recently put onto both records and I have absolutely zero regrets. Cardinal Fuzz put out the Dire Wolves LP in April and Stonegrass is out through Cosmic Range Records in Toronto digitally now with LP to follow. Both albums are worth your time if you have the time.

And as always, thanks for listening if you do.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmeradio.com

Full playlist:

The Obelisk Show – 05.29.20

Circle of Sighs Kukeri Salo*
Lamp of the Universe The Eastern Run Dead Shrine*
Lowrider Pipe Rider Refractions*
BREAK
Enslaved Homebound Utgard*
Wren Seek the Unkindred Groundswells*
StoneBirds Only God Collapse and Fail*
Jointhugger I Am No One I Am No One*
Saavik He’s Dead Jim Saavik*
Black Rainbows Hypnotized by the Solenoid Cosmic Ritual Supertrip*
The Burning Brain Band Bolero/Float Away The Burning Brain Band*
King Gorm Beyond Black Rainbow King Gorm*
BREAK
Dire Wolves Flow & Heady / By the Fireside Flow and Heady*
Stonegrass Tea Stonegrass*

The Obelisk Show on Our http://www.vasmetal.net/business-plan-for-online-business/ is available online to give your admissions officers a sense of who you are. Choose top preferred college essay help to showcase your Gimme Radio airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is June 12 (subject to change). Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

Tags: , , , , , , , , , , , , , ,

Enslaved Post “Homebound” Video; 7″ out June 26

Posted in Bootleg Theater on May 28th, 2020 by JJ Koczan

enslaved

I hear good things about the new¬† http://www.iusetsocietas.cz/?preparation-of-research-proposal - Entrust your essay to us and we will do our best for you professional writers, exclusive services, timely delivery and Enslaved record, but I haven’t actually heard the album yet. But going from the first single to come from the record — “Homebound,” for which you can see the video below and which will receive a limited 7″ pressing from best cv writing service in london provides best, custom and top rated essays online at affordable prices. Our expert essay writers guarantee remarkable quality with 24/7 Nuclear Blast with a help me with my math homework check college application writing job resume writing experts york TNT cover as the B-side, because http://paraderoyunguilla.com/dissertation-stock-market-economic-growth/ - professional and affordable paper to make easier your education Instead of worrying about term paper writing find the necessary Enslaved like beer — it would appear they’ve got themselves a lead singer in drummer help with drama homework - original researches at reasonable prices available here will turn your studying into delight Learn all you have always wanted Iver Sand√ły. Of course, founding bassist/vocalist Grutle Kjellson will always be the band’s frontman, and his rasp is one of the band’s hallmarks, but where on 2017’s E¬†(review here), it was then-new keyboardist H√•kon Vinje handling the clean vocals, it would seem that now Vinje and Sand√ły will share the responsibility.

As Sand√ły is stepping in for longtime Enslaved drummer Cato Bekkevold and making his first appearance on their upcoming LP, Utgard, clearly Enslaved‘s core members — Kjellson, founding guitarist/backing vocalist Ivar Bj√łrnson and guitarist Arve “Ice Dale” Isdal — are keeping the band’s expanding dynamic in mind. They’ve made themselves more versatile.

To that end, the quote from the band under the video below, which comes courtesy of the PR wire, is the first time I’ve seen Enslaved acknowledge progressive Norwegian countrymen Motorpsycho as a direct influence pushing them into broader sonic territory. Doesn’t mean it’s never happened before — can’t say I spend my days reading interviews or anything — but it’s a first for my eyes at least. References to the likes of Led Zeppelin and Kreator et al don’t go unnoticed either.

And the song? Despite the new dynamic edge that Sand√ły brings particularly later in the track as it builds toward its apex, it’s very much in latter-day Enslaved‘s wheelhouse of progressive blackened metal, with a cleaner hook offset by screams and a galloping central progression that is given visual accompaniment in the video by flying birds — also a returning theme — and various other symbols drawn from Norse mythology. Knowing the band’s past work, I wouldn’t expect it “Homebound” to speak for the entirety of Utgard, but neither are they picking their singles by happenstance. “Homebound” bodes well for the album to come.

Enjoy:

Enslaved, “Homebound” official video

Norway’s avant-garde metal heroes ENSLAVED release their new single “Homebound” from the upcoming record “Utgard,” that will be released in fall 2020.

Get the new single here: http://nblast.de/EnslavedHomeboundPre

ENSLAVED will be releasing the new single on a Limited Edition 7″ vinyl format, limited to 500 pieces. The single will be out on June 26th and can be pre-ordered here:
http://nblast.de/HomeboundVinyl

The tracklist reads as follows:
1. Homebound [A-side]
2. Knights Of The Thunder (TNT Cover) [B-side]

The B-side of the “Homebound” Vinyl is an exclusive to this format.

The band states:
“‘Homebound’ is about the greatest reward of exploring and traveling into unknown territory – to “go viking” if you will, turning Homebound at the end of the journey. It is a song that takes Enslaved on a musical journey that is as much an homage to those who dared so we could play our very own style of music: from nurturing blackened roots to nodding at zeppelins in the sky, beholding teutonic thrash titans and watching speeding motorpsychos take off into the futures.”

The band recently revealed new details about the upcoming record – propelling the listener deep into their world, the musicians explain:

“‘Utgard’ bears countless meanings to us; an image, metaphor, an esoteric ‘location’, a word on its own etc. ‚Äď on different levels and layers. From Norse mythology we know it as a landscape where the giants roam; where the gods of Asgard have no control; dangerous, chaotic, uncontrollable and where madness, creativeness, humour and chaos dwell.

The album is a journey into and through ‘Utgard.’ It is a place of unification of that which is above and that which lies below. It is not about avoiding fear of the pitch-black darkness (it will keep on growing until the next confrontation), but to go into the darkness itself. This is the rebirth of the individual. In a world that has become so obsessed with the false lights of greed, jealousy and egotism this is a necessary journey.

‘Utgard’ is not a fairytale, it is a vital part of both your mind and your surroundings, and it has been since the dawn of mankind. Acknowledging that this realm exists and is a vital part of the self, has inspired us deeply since the early days of our lives. Enjoy our journey to the outer limits.”

Enslaved on Thee Facebooks

Enslaved on Instagram

Enslaved website

Nuclear Blast on Thee Facebooks

Nuclear Blast on Instagram

Tags: , , , , ,

Enslaved to Release Utgard This Fall; Single Coming May 22

Posted in Whathaveyou on March 31st, 2020 by JJ Koczan

enslaved

There’s a new¬†Enslaved album. It’s called Utgard. It’ll be out this Fall. It’ll probably be brilliant. There’s a single. It’s coming out May 22. It’s not out yet. No. Not yet. Not today. Today’s not May 22. Unless it is. Then it’s out. In that case, I take it all back.

That’s pretty much the news though. After saying they were going to record an album and recording an album, they have recorded an they are releasing an album. Oh yeah, it has a cover. It’s kind of Mordor-esque, but also pretty great. It’s by Truls Espedal, who at this point is basically a member of the band and should probably be considered as such. Doing nine out of their now-15 record covers isn’t nothing. It’s more albums than at least 40 percent of the band have appeared on, for example.

Enslaved¬†are doing the streaming-gig thing on April 1 as part of a big Norwegian brewhaha. That’s cool. I’ve yet to ever watch them play and regret it, in-person or otherwise.

Here’s the album info they’re giving out thus far:

enslaved utgard

ENSLAVED ANNOUNCES NEW ALBUM, “UTGARD,” TO BE RELEASED THIS FALL

BAND REVEALS ARTWORK & ANNOUNCES ONLINE SHOW

Norway’s avantgarde metal heroes ENSLAVED reached out to their fans yesterday, to present them the cover artwork for their upcoming album “Utgard”:

ENSLAVED’s official statement:
“Due to the current situation, we took the decision together with our label Nuclear Blast to postpone the release of ‚ÄėUtgard‚Äô to the fall. Therefore, as you can imagine, the whole schedule had to be adjusted quickly! We understand that seeing a video teaser followed by nothing has been confusing. As of today, we can announce that our first single and video will be released on May 22nd, and we can‚Äôt wait to share this new music with you all! We are sure you understand that this is for the best.

In the meantime, we‚Äôd like to tell you a little more about the ‚ÄėUtgard‚Äô cover artwork! This is the 9th consecutive album cover artwork done by Truls Espedal – and like the album itself it is definitely on the wavelength of the long-distance pulse from the Enslaved generator. It is a piece of art that mirrors a massive concept and a band that is also more lyrically and philosophically inspired than ever before. That Truls is a master of his art is established a long time ago, but he has truly outdone himself on this interpretation of our Utgard. Just looking at how the colors and techniques are used to create the depth and grandiosity of the horizon. The perfect travelling companion into these uncharted territories.”

Furthermore, the band announces today to headline the Verftet online music festival in USF, Bergen, on April 1st.
The online event will be streamed via www.bt.no and www.youtube.com.

The band states:
“When the old Bergen ring-fox Mikal Telle asked us to join his and local venue USF’s fantastic initiative that is this festival, we pretty much said “yes and thanks for asking!” before he could finish the sentence. Of course we are itching in our fingers to play now that the world of live music is on halt, but we also saw a chance to get our live music out there to all the fantastic fans out there – the studio recordings is of course a pillar in what Enslaved is, but without the other pillar of playing high-energy shows and creating musical magick together with our magnificent audience – things get out of balance. Now we will have a chance to restore that balance for a virtual time with all of you – and time is time no matter what matter it moves through, right? See you in the ether!”

Enslaved is:
Ivar Bj√łrnson – guitar
Grutle Kjellson – vocals/bass
Ice Dale – guitar
Håkon Vinje Рkeys/vocals
Iver Sand√ły – drums

http://www.facebook.com/enslaved
https://www.instagram.com/enslavedofficial
http://www.enslaved.no/
http://www.facebook.com/nuclearblastusa
http://instagram.com/nuclearblastusa

Enslaved, “What Else is There” (R√∂yksopp cover) official video

Tags: , , , , ,

Enslaved Begin Recording 15th Album for 2020 Release

Posted in Whathaveyou on December 5th, 2019 by JJ Koczan

What’s funny about this is that whenever a press release like this one comes in, the impulse is to picture the band¬†at that very moment recording the album. Like they’re all huddled over the board listening to the drums or basslines to make sure everything’s where it should be, and so on. “Enter studio” can mean a lot of things. Maybe they walked in that day, set up and walked out again. Maybe they’re in there for three days and out and that’s all the time they have. Maybe some are there and some aren’t. I don’t know. It’s a whole spectrum of possibilities. For example, I seem to recall last time the PR wire told me Enslaved were in the studio — beginning the process for what became 2017’s excellent¬†E (review here), I had just hours before seen bassist/vocalist¬†Grutle Kjellson walking around¬†Roadburn in the Netherlands, which, if you know anything about geography, is not at all Norway.

However — and it’s a big however, which is why I put it in italics — “enter studio” does at least mean that work has begun on the next¬†Enslaved¬†album, and whoever has shown up to get things started and however productive their first day or days might be, that’s a step in the right direction. I don’t know how many steps that means between now and release day — April, maybe? — but steps just the same. I’ll take it for now.

2020 is looking pretty sharp already.

Dig:

enslaved in studio

ENSLAVED ENTER STUDIO TO RECORD NEW ALBUM

Norwegian metal avant-gardists ENSLAVED have some big news for their fans: the band have just entered the studio and are currently working on new material for their upcoming album. This new gem will be released once again via Nuclear Blast Records and has a tentative release date of May 2020.

Band founding member and guitarist Ivar Bj√łrnson stated about the recordings:

“The days are growing darker in the Northern hemisphere – and Bergen is covered in a blanket of frost. This sets the scene as we have entered the studio to record the new Enslaved album. Since our last album, we have a “new” drummer – in quotation marks, since he has been with us behind the scenes for more than a decade. Together with me (Ivar Bj√łrnson and Grutle Kjellson) he constitutes the production team on this new album – and as before we will record in Bergen in Duper Studio and next door at Iver’s Solslottet Studio. Before crossing the mountains eastwards to √Ėrebro into Fascination Street where Jens Bogren will handle the mix.

The new material I feel is very powerful. The ENSLAVED signature is there, but there is a wild drive and a level of energy that makes me extremely excited. All five members have poured their dedication and souls into the preparations, and there are new sides to the band shown that will elevate this album. “

Just weeks ago, ENSLAVED renewed the bond with Nuclear Blast and re-signed to the label. With that, a successful collaboration lasting for more or less ten years continues. A collaboration that two years ago produced the universally lauded album E, in which the progressive metal masters once again reinvented themselves and brought ENSLAVED to a new level.

ENSLAVED also recently released a stunning new music video for their interpretation of ‚ÄėWhat Else Is There‚Äô by Norwegian electropop band R√ĖYSKOPP. The song is featured as a bonus track on the digital version of their latest album, E.

ENSLAVED live 2020:
20.03. NL Eindhoven – Prognosis Festival
25. – 27.06. N Ekeberg – Tons of Rock
11. – 12.07. USA Moran, WY – Fire In The Mountains Festival
7. ‚Äď 9.08. B Kortrijk ‚Äď Alcatraz Festival

Enslaved is:
Ivar Bj√łrnson – guitar
Grutle Kjellson – vocals/bass
Ice Dale – guitar
Håkon Vinje Рkeys/vocals
Iver Sand√ły – drums

http://www.facebook.com/enslaved
https://www.instagram.com/enslavedofficial
http://www.enslaved.no/
http://www.facebook.com/nuclearblastusa
http://instagram.com/nuclearblastusa

Enslaved, “What Else is There” (R√∂yksopp cover) official video

Tags: , , ,

Enslaved to Headline Fire in the Mountains MMXX in July; Ivar Bj√łrnson Curating

Posted in Whathaveyou on November 27th, 2019 by JJ Koczan

Ivar Bj√łrnson curating, you say? Sooner or later, it seems like the Enslaved guitarist is just going to have to get his own festival going, but in the meantime, he’ll helm Fire in the Mountains MMXX next July as he’s done for Roadburn in the past, with Enslaved headlining the event as well off in the Grand Tetons in Wyoming, which, if you’ve ever seen videos or photos from it looks like an absolutely astonishing. I’ve only been through Wyoming once in my life, but it’s seriously some of the most beautiful landscape I’ve ever seen, so yeah, I’d watch Enslaved there. Seems only fitting. Those guys should play on mountains pretty much exclusively.

“Oh, you have a stage? That’s cute. Is it on a mountain? No? Ah, sorry, can’t do the show. Check the rider. Mountains only.”

And so on.

Enslaved are newly re-signed to Nuclear Blast for their next record — maybe a release around July to coincide with this fest? nah, too convenient — and they’ve got a new video that you can see below.

Info follows:

fire in the mountains ivar

ENSLAVED TO HEADLINE “FIRE IN THE MOUNTAINS” FESTIVAL 2020

*IVAR BJORNSON ANNOUNCED AS FIRST GUEST CURATOR EVER*

ENSLAVED and “Fires In The Mountains” festival announce an unique collaboration for 2020: The band is not only announced for the first band playing the ‚ÄúFires In The Mountains‚ÄĚ festival next year. Guitarist Ivar Bjornson will also be the first guest curator ever organizing elements of the festival as a whole. The‚ÄúFire In The Mountains‚ÄĚ festival takes place before the Grand Tetons at Heart Six Ranch in Moran, Wyoming on 11th and 12th July.

The festival about this collaboration:
‚ÄúFew bands reflect the incredible music legacy that Enslaved has built over the last three decades, as a band that is constantly reinventing itself and exploring new heights and territories for its music, while always maintaining a steadfast sense of identity and integrity. Their music and the forward thinking ethic and honesty of the people behind it have always been a huge influence on us as founders of this event, and thus we are honored to have them as a headliner for 2020. The audience will be in for quite a unique treat to witness the Nordic metal lords performing this special set below the stars, surrounded by the beautiful Rocky Mountains, and we are as well.‚ÄĚ

Ivar Bjornson states:
“Our Northern hearts rejoice as we are part of this announcement for Fire in the Mountains 2020! To come to these beautiful parts of good ol’ Vinland and headline an outdoor festival is nothing short of a dream come through. We will present a very special show and cannot wait to share this weekend with the other artists, audience and the hard working folks behind the festival! To the mountains!”

Alongside with this exclusive experience, Ivar Bjornson as a guest curator will present a feature showcase of the event, titled ‚ÄúOn Wings Over Utgard‚ÄĚ what already promises to become a memorable event. This feature presentation will consist of a handful of musical acts handpicked by Ivar, as well as several other elements of the festival that will be revealed over time.

Ivar Bjornson adds: “It is a massive honor to be asked to be the first guest curator for the Fire in the Mountain festival. I have decided to name my curator showcase “On Wings Over Utgard”; inspired by the thematic from the coming ENSLAVED album. Modern man is a being that has forgotten how chaos, darkness and decay are as important and beautiful parts of existence as all the bliss, youth and light we over-feed ourselves in the (dis-)Information Age. What better scenic metaphor to realize this part of the overall vision than at Fire in the Mountains; surrounded by wild, chaotic nature. Where life is how it was meant to be; uncontrolled, balanced and unified. I cannot wait to start showing you all the artists I am inviting to sonically and lyrically illustrate all this! Thank you Shane and festival team for giving me this opportunity.”

ENSLAVED released their studio album “E.” in October 2017. Recently, the band from Norway unleashed a music video for their cover version of R√ĖYKSOPP’s “What Else Is There”, featured as bonus track on the digital version of “E.”.

Enslaved is:
Ivar Bj√łrnson – guitar
Grutle Kjellson – vocals/bass
Ice Dale – guitar
Håkon Vinje Рkeys/vocals
Iver Sand√ły – drums

http://www.facebook.com/enslaved
https://www.instagram.com/enslavedofficial
http://www.enslaved.no/
http://www.facebook.com/nuclearblastusa
http://instagram.com/nuclearblastusa

Enslaved, “What Else is There” (R√∂yksopp cover) official video

Tags: , , ,

Enslaved Post “What Else is There” Video; Re-Sign with Nuclear Blast

Posted in Bootleg Theater on November 15th, 2019 by JJ Koczan

enslaved

If you were Norwegian progressive black metallers Enslaved, why wouldn’t you re-up your deal with Nuclear Blast? And if you were the label, why wouldn’t you re-sign the band? It’s a pairing that’s worked for both sides, with the long-running Bergen outfit expanding their reach and influence across the globe while giving the imprint another act to hang its hat on and say, “fuck yes we put that stuff out.” Enslaved just finished a two-year touring cycle for their more-or-less-brilliant 14th album, E¬†(review here).

That was their third long-player for Nuclear Blast behind 2015‚Äôs¬†In Times¬†(review here) and 2012‚Äôs¬†Riitiir¬†(review here) — they signed after issuing 2010‚Äôs¬†Axioma Ethica Odini¬†(review here) on¬†Indie Recordings and in the meantime have established their own label,¬†By Norse Music, which has stood behind reissues of their own work as well as the 2017 live album, Roadburn Live¬†(review here) — and even as recent years have found bassist/vocalist¬†Grutle Kjellson¬†and guitarists Ivar Bj√łrnson and Arve “Ice Dale” Isdal recruiting new drummer Iver Sand√ły and, crucially, keyboardist/clean-vocalist H√•kon Vinje, their relentless sonic pursuit has pushed forward unabated. Plus, as evidenced by the two years they’ve just spent on the road, they tour like bastards.

Again, if you’re the label, they’re very much a band you want to continue working with.

It’s¬†Vinje‘s vocals that are highlighted in the cover of Troms√ł electro-duo R√∂yksopp “What Else is There” that was included as a bonus track on the limited edition of E, the band flirting with pop and new wave before blindsiding it with a bit of good old fashioned rippery. It’s a fun cut and worth highlighting, and while the video invokes Bergman and a looming sense of disaster, it’s not quite as dramatic as “The River’s Mouth” (posted here) from the album itself, which I suppose is fine too. Enslaved are certainly no strangers to changing things up. No reason that can’t extend to visuals.

With the deal in place and the E touring cycle complete, I’d expect the band to take some time off before getting back to work on LP number 15, but of course the underlying message of re-signing is that their intention is to continue on their current path, so it’s only fair to expect news sometime in the next year about stirrings and new songs, recording plans and so on. That will be welcome whenever it arrives, certainly.

Enjoy the clip:

Enslaved, “What Else is There” (R√∂yksopp cover) official video

There is ample reason to celebrate: ENSLAVED have once again joined forces with Nuclear Blast, to spread the music of the Norwegian avant-garde metallers all around the globe. With that, band and label renew a collaboration that has been ongoing for around ten years and two years ago produced the universally lauded album E.

Band founding member and guitarist Ivar Bjornson stated about the re-signing:
“It is with great pleasure we re-sign our record deal with Nuclear Blast worldwide! We have been working together for more or less a decade, and it has been an individed positive experience. They have both the heart to grasp our musical visions, and the business-muscles to spread them out into the world. When you add personal friendships with the wonderful people in America, U.K. and Germany it is simply an ideal situation for us to be in. Onwards, forwards and in all directions!”

To mark the occasion, ENSLAVED present a stunning new music video filled with atmospheric imagery for their interpretation of ‚ÄėWhat Else Is There‚Äô by Norwegian electro-pop band R√ĖYSKOPP. The song is featured as a bonus track on the digital version of their latest album, E.

Enslaved is:
Ivar Bj√łrnson – guitar
Grutle Kjellson – vocals/bass
Ice Dale – guitar
Håkon Vinje Рkeys/vocals
Iver Sand√ły – drums

Enslaved on Thee Facebooks

Enslaved on Instagram

Enslaved website

Nuclear Blast on Thee Facebooks

Nuclear Blast on Instagram

Tags: , , , , ,

Live Review: Psycho Las Vegas Sunday, 08.18.18

Posted in Features, Reviews on August 20th, 2018 by JJ Koczan

psycho las vegas 2018

08.19.18 – Let’s call it midnight – Sunday night – Hotel room

Every time I walk down a long hotel hallway I think of John Goodman in Barton Fink toting his rifle and yelling about the life of the mind. “Look upon me!” and so on. That’s a fun association to have.

I had breakfast this morning at the kind-of diner here in the Hard Rock and it was the first meal I’d had in a while not made of a protein bar or granola and cereal. Not much time for that kind of thing, but I wasn’t sleeping and a little extra fortification seemed like the right idea for the final day of Psycho. No regrets.

Another busy day. There’s no letup here. Sets are full, and there are breaks between, but if you’re up for going, you can just keep going the whole day. It’s astounding. I’ve been doing my best to see as much as possible, but even that’s a fraction of the whole.

But, today was also the last day, so a bit of adrenaline to carry through is a fortunate happenstance. Flight’s early tomorrow, but that’s tomorrow’s problem.

Here’s today:

King Buffalo

King Buffalo (Photo by JJ Koczan)

It’s not like I’ve never seen King Buffalo, but I think they might’ve been my most-anticipated band of the weekend. Their upcoming album, Longing to be the Mountain, is a big step forward in their sound, and 2016’s Orion (review here) was already right up there with that year’s best offerings. They opened with the title-track of the new record and then “Repeater” from the 2018 EP of the same name (review here) before digging back to¬†Orion¬†for its own title-track and “Kerosene,” both of which were met with a relative uproar from the knowing Vinyl crowd. At one point early on someone in the audience shouted between songs, “Why are you opening?” and drummer¬†Scott Donaldson answered, “I don’t know!” I don’t really know either, but Donaldson, guitarist/vocalist¬†Sean McVay and bassist¬†Dan Reynolds were a perfect start to the day, with the latter adding a wash of loops and psychedelic noise and transitional drones for between the songs, the build and fluidity of which were immersive in their totality. There was no moment that pulled one out of the atmosphere they set, and when the three of them locked into the heavier end of “Kerosene,” the room became a lake of nodding heads. I will consider myself lucky have seen them here. They made that room their own.

Indian

Indian (Photo by JJ Koczan)

The Chicago four-piece — playing as a five-piece with¬†Primitive Man‘s¬†Ethan Lee McCarthy sitting in on noise and backing vocals — were probably the angriest act I’ve seen all weekend. Or, you know, ever. The assault factor extended not just to the brutality of what they played, the chest-vibrating volume at which they played it or the harsh noise and feedback that infected every single break between riff after punishing riff, but even unto the bright wash of white light under which they played. It was blinding to stare at the stage for any length of time. So it was a challenge on almost every level it could be short of them spraying skunk scent on the crowd or something like that. The rhythms of bassist¬†Ron DeFries and drummer¬†Noah Leger hit through a surge of low end and were punctuated by a kick drum that could almost turn the stomach, and the tortured, disaffected screams from guitarists Dylan O’Toole and Will Lindsay that cut through all that not-just-aggro-but-really-pissed-off morass were just one more level on which¬†Indian‘s bleakness was conveyed. If¬†King Buffalo were easing the crowd into the final day of¬†Psycho Las Vegas¬†2018,¬†Indian were making sure no one left without a scar. Menacing.

Coven

Coven (Photo by JJ Koczan)

Legends, of course. What’re gonna do,¬†not¬†watch¬†Coven? Of course not. Frontwoman¬†Jinx Dawson arrived on stage in a draped coffin and was let out by robed minions, wearing a silver mask for the first song to obscure her face and underscore the theatrical cult rock vibe. Their 1969 debut,¬†Witchcraft Destroys Minds and Reaps Souls is the stuff of cultish blueprint — the style simply wouldn’t exist in the same way without it — and¬†Dawson and her also-robed backing band honored that legacy well. I’ve wondered as¬†Coven have gotten back to the live performance sphere if they might ever do another record. I don’t know that they would or wouldn’t, or if they did what it would sound like — the band behind Dawson definitely brought a modern edge to those classic sounds — but it seems like a worthy pursuit. As it was, the crowd headbanged and took phone pictures at the same time and were no less into the revelry than Coven itself, which brought the atmosphere of ceremony in a way that reminded of the roots not just of cult rock, but black metal and doom and so much more besides. They’re a feelgood story for a band finally getting their due appreciation, or at least¬†Dawson getting hers, but¬†Coven on stage demonstrate the timeless vitality of what they did nearly 50 years go.

Black Mare

Black Mare (Photo by JJ Koczan)

I had no idea what to expect from¬†Black Mare, and I was still surprised. Was it just going to be¬†Sera Timms singing over drones, or her and a drummer, or anything. I don’t even know. It was a full band. Timms, who’s probably best known at this point as the ethereal frontwoman of¬†Ides of Gemini¬†but who was also in¬†Black Math Horseman and shared vocal duties with¬†John Garcia in¬†Zun — which I’m still hoping wasn’t a one-off — was joined by her¬†Ides bandmate¬†J. Bennett on bass, as well as a guitarist and drummer, and with a swell of volume behind her, she came out an held the entire Vinyl room rapt. There were moments between songs of actual silence. No talking, no nothing. People were just waiting to see what happened next. With a cloak and face mask that were both gradually discarded,¬†Timms brought her otherworldly vocal approach to a kind of dark-psych lounge feel, almost like she was about to book a show at the bar in¬†Twin Peaks. Atmosphere and tones alike were thick as this version of¬†Black Mare¬†called back to the project’s 2013 debut,¬†Field of the Host¬†(review here) to open with “Blind One” before “Low Crimes” from the split with¬†Lycia (review here) and¬†“Death by Desire” from last year’s ¬†Death Magick Mother¬†(review here) seemed to move further and further into an alluring murk of melodies and ambience.

Enslaved

Enslaved (Photo by JJ Koczan)

Well,¬†Enslaved¬†played “Ruun,” so really anything else that happened, basically ever, takes a back seat to that. It would be impossible for the Norwegian progressive black metal powerhouse to capture the entirety of their 14-album catalog and their 27-year career, and to their credit, they didn’t try. With “Is√łders Dronning” and “Yggdrasil” from 1993’s¬†Frost included for longtime fans or those who’ve dug in deep, they were free to explore some more recent material — opening with “Roots of the Mountain” from¬†2012‚Äôs¬†Riitiir¬†(review here) before “Ruun” and including “Sacred Horse” from 2017’s¬†E (review here) in a showing of just how proggy they’ve become. This was my first time seeing¬†Enslaved with keyboardist/vocalist H√•kon Vinje — about whose relative youth bassist/vocalist Grutle Kjellson joked twice on stage — and he absolutely nailed new material and old. Wasn’t even a question. With him, Kjellson, guitarist/vocalist Ivar Bj√łrnson and guitarist Arve “Ice Dale” Isdal, who I don’t think even owns a shirt at all, was new drummer¬†Iver Sand√ły. I didn’t know¬†Cato Bekkevold wasn’t with the band anymore after 15 years, but¬†Sand√ły made his presence felt on vocals as well and like¬†Vinje, was right at home in the songs.¬†I’ve never seen¬†Enslaved that they didn’t totally deliver, and I’m happy to report that streak is still alive.

The Hellacopters

The Hellacopters (Photo by JJ Koczan)

There are some serious fans of¬†The Hellacopters walking around¬†Psycho Las Vegas this year. Decked-out rockers, heavy-garage types, fucking classic drinkers, trouble through and through. Don’t fuck with those people. They’re the drunkard’s drunkards. Turbojugend jackets have abounded all weekend and it would seem to be¬†The Hellacopters¬†that brought them out. Fair enough. The Swedish rockers made The Joint get down like no one I’ve seen this weekend, and it was superlative. Superlative rock, as a genre. Lot of punk in there, lot of garage as well, but all of it was distilled down to the essence of rock and roll, and as guitarist/vocalist¬†Nicke Andersson came out to soundcheck with the rest of the band, it was clear the room had been waiting for¬†The Hellacopters to arrive. Andersson, keyboardist Anders “Boba” Lindstr√∂m, guitarist/vocalist Andreas “Dregen” Svensson, bassist Sami Yaffa and drummer Robert Eriksson handed that same room its ass in short order. Good times, absolute forget-about-tomorrow-let’s-kill-it-tonight mentality, all-in, all-go, all-fire. Just right on. I’ve dug Hellacopters records and such as much as the next who’s like, “Yeah, that’s pretty cool, right on,” but seeing it live it’s much, much easier to understand why they have the cult following they do. It’s well earned.

Dreadnought

Dreadnought (Photo by JJ Koczan)

For everyone who could pull themselves away from¬†The Hellacopters or for those to whom the straight-up rock wasn’t maddening enough, Denver’s¬†Dreadnought offered an alternative in Vinyl. I’ve seen some impressive shit this weekend. It’s been a good fest, okay? Then I saw¬†Dreadnought drummer¬†Jordan Clancy one-hand cymbals while using his other hand to press the notes on the saxophone he was also playing at the same time.¬†Dreadnought‘s 2017 album,¬†A Wake in Sacred Waves (review here), was lush in its layers and as creative in its arrangements as it could be scathing in its blackened extremity, but I don’t think I’ve ever watched somebody drum and play sax at the same time. That’s a¬†Psycho Las Vegas 2018 first for me. Guitarist/vocalist¬†Kelly Schilling was playing a flute at the time as well, so he was in good company, and bassist¬†Kevin Handlon and keyboardist/vocalist¬†Lauren Vieira stood ready at a moment’s notice to take off into the next movement, be it¬†Vieira and¬†Schilling on a quick melodic duet, or strobe-accompanied blasting black metal, heads banging and screams utterly vicious. I didn’t stay the whole set, I’ll confess, but I was glad to catch what I did, and it only reinforced my opinion that they’re a band whose scope and execution are likewise admirable.

Sunn O)))

SunnO))) (Photo by JJ Koczan)

As it happened, I had a couple minutes to spare. As it also happened,¬†drone/amp/riff-worship magnates¬†Sunn O))) were going on in The Joint. Playing as just the duo of¬†Stephen O’Malley¬†and¬†Greg Anderson, they were decked out in full grimmrobe regalia and surrounded of course by a henge of speaker cabinets. The floor shook, it was so loud. I hadn’t seen¬†Sunn O)))¬†in a very long time, and even longer with just the two of them — maybe never — so while the timing worked out for me to catch them because Vinyl was running late, it was a fortunate bit of happenstance working in my favor. There’s been so much said about the poetry of what¬†Sunn O)))¬†do that I’m in no way about to add any insight to the canon, but as far out as they’ve gone over the years and their intermittent studio albums, incorporating vocalist¬†Attila Csihar and various other players throughout their time, seeing just¬†Anderson and¬†O’Malley together on stage, bathed in fog as ever (though the ventilation system was almost too good and the fog kept swirling away, needing immediate replenishment), reaffirmed the raw power that’s always been at the root of the band. Their project has outgrown being just the two of them, and I don’t think I’d trade the¬†Sunn O))) discography for a hypothetical, but the force of rumble emanating from the stage said everything that needed saying.

Eight Bells

Eight Bells (Photo by JJ Koczan)

What a way to cap the festival. One more show in Vinyl, one more band I probably wouldn’t get to see otherwise. I was dragging to be perfectly honest, and as noted, Vinyl was running late, but screw it, I was already in, and¬†Eight Bells were going to be worth the wait. The Portland-based space-psych-post-whatever four-piece vary in volume, meter, melody and rhythm, but are persistently spacious, and especially digging 2016’s¬†Landless (review here), I was doubly interested to see¬†Eight Bells since guitarist/vocalist¬†Meylinda Jackson had a completely new lineup with her. Comprised now of¬†Jackson, keyboardist/vocalist¬†Melynda Amann, bassist¬†Alyssa Maucere and drummer¬†Brian Burke, the experimentalist side came out before the set even started in earnest, with¬†Jackson taking some kind of voice box and running it through what seemed to be a host of effects to create a foundation of atmosphere. Drift was a factor, but¬†Eight Bells were never actually out of control, and even for being a new group working together, what they played seemed well-honed and there was none of that awkward everybody-in-their-own-sonic-space-on-stage thing you get when a band is recently formed or revamped. I don’t have anything to compare it to in terms of¬†Eight Bells, never having seen them before, but they held together a ranging heavy psychedelia that seems to be individualized no matter who’s playing it at the time.

I fly out of Las Vegas in about eight hours. It’ll be brutal, but I’m pretty sure I’ll make it, and if not, well, there’s always ‘wandering the earth’ to try. I hear good things.

Tomorrow’s pretty much all travel, so unless I have space on the plane to open my laptop — which I sincerely doubt I will — I expect it’ll be Tuesday before I get a proper thanks-everybody post up to wrap up this coverage, so with pictures still to sort through and packing to be done, I’ll just bow out and say thanks for reading and more pics after the jump.

So… thanks for reading and there are more pics after the jump. Ha:

Read more »

Tags: , , , , , , , , , , , ,