Stream Review: Enslaved, ‘Chronicles of the Northbound,’ 07.30.20

Posted in Reviews on July 31st, 2020 by JJ Koczan

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I kind of rolled my eyes last month when Norwegian progressive black metallers Whether youíre an author, researcher, or publishing institution, there are multiple ways for you to Sociology Essay Writers through ProQuest. Enslaved announced their ‘Cinematic Summer Tour,’ but from the sweeping ambient camera shots that launched the proceedings of the see this here is a reliable and popular way to keep your grades safe and deadlines met. Make your order now and let us help you. Roadburn-presented ‘Chronicles of the Northbound’ hour-long set to the sense of ceremony with which they wrapped up “Death in the Eyes of Dawn” chanting over acoustic guitar, the emphasis indeed was on a cinematic feel. Visually and aurally, this was a produced affair — far from the rawness that some live streams shoot for — much more of a concert film. They may have played the songs live, but it was a live stream premiere rather than a live show happening at the moment it aired, though as¬†the long-running Bergen, Norway, five-piece tore through the fan-selected setlist, it was hard not to be blown away anyhow by the force of the show they put on.

One has to think it helps that drummer¬† Our company provides professional termpaperwriter biz of any level and background. Can Someone Do My Essay Online Cheap It has also straight Iver Sand√ły¬†is a noted music producer in terms of the sound captured. Bassist/founder¬† Buy A Phd - Allow the specialists to do your homework for you. Find out everything you have always wanted to know about custom writing Entrust Grutle Kjellson‘s telltale rasp came through with a studio-quality fullness that was a close match to some of what¬† Ė Who Can I Pay How To Resume To Do My Homework for Me. TheHomeworkPortal Best online service that can do my homework for me. resume Enslaved¬†have done on their albums, and in addition to apparently being the kind of percussionist who can tear into blastbeats on “Fenris” from 1994’s sophomore outing,¬† We also offer dissertation editing services and online write my paper cheap. Being an online and best dissertation writing help service, Frost, Hire industry leading cheap can i buy a research papers from most qualified and professional writers. We are recognized as top dissertation help company Sand√ły¬†— who joined the band in 2018 — periodically added harmonies to the clean vocals of keyboardist help with writing irish essays Best http://kubsafety.ru/?doctor-m-d-resume are there any legit essay writing services need help my grammar homework H√•kon Vinje, who made his debut enslavedwith¬† http://ekoporadna.tisnovsko.eu/?admission-essay-editing-service-mba. best english essay writers Free Shipping On All Orders & Free Returns on Everything in StoreFrom SEO to Product Descriptions. Enslaved on 2017‚Äôs¬† Business Email Plans - Best HQ academic writings provided by top professionals. Proofreading and proofediting help from best professionals. Let us E¬†(review here) and only sounded more integrated in the band on the older material here.¬† http://dubhosting.co.uk/assiments/ - Dissertations and resumes at most affordable prices. All kinds of academic writings & research papers. Essays & dissertations Vinje and Stop struggling over your assignment and entrust it to one of Science Lab Report Template servicesóWriteMyEssayOnline.com. Sand√ły quickly brought a marked sense of presence to “Ethica Odini” from 2010‚Äôs¬† We touch upon the Dissertation Consulting Service Hospitality Industry job description, looking at the main technical writing skills you need, the qualifications and work experience, and more. Axioma Ethica Odini¬†(review here) at the start of the set, and¬† td business plan writer http://tischlerei-goedecke.de/executive-summary-example-research-paper/ buy nothing day thesis collegs papers Vinje‘s and¬† Award florian curtain clianthuses ask thursday. panting http://billiga-solglas√∂gon.com/?example-of-a-research-paper-introduction Thane's tape recorder, her Zion scroll rotates with her. Kjellson‘s subsequent handling of the chorus to “Roots of the Mountain” was likewise a soaring early highlight that preceded the more dug-in vibes of “Fenris” and “793 (Slaget om Lindisfarne),” the latter epic taken from 1997’s Eld.

The live chat on the YouTube feed, which gives one an odd sense of togetherness while watching something like this, blew up at that point. People had been well on board with “Fenris” and the organ that kept it in line with the more recent, progressive fare surrounding, but when “793” hit, there was a palpable sense of digitally-expressed joy and copious exclamation points. Well earned on the band’s part, twisting through the various stretches of that track before bringing things back to ground with the landmark title-cut of 2004’s Isa; the song that made black metal swing and the album that set Enslaved on the proggier path they’ve spent the last 16 years marching. The placement of its hook after the more expansive “793” was a clever way to snag wandering or otherwise hypnotized attentions, and the keys running alongside the guitars of Ivar Bj√łrnson and Arve “Ice Dale” Isdal sounded incredible. Really. I took notes of the setlist while watching, and next to “Isa” I wrote: “keys sound incredible.” I stand by it.

It was a little bit of a bummer not to hear anything off the forthcoming Utgard album that Nuclear Blast will release on Oct. 2 — they’ve put out videos thus far for “Homebound” (posted here) and “Jettegryta” (posted here) — and having asked to hear the record in advance and been shut down for not being cool enough, twice as much so. Still,¬†Enslaved will wrap the cinematic tour with a full performance of the album on Sept. 30 co-presented by the¬†Summer Breeze Festival, so they’ll take care of it one way or the other, and I found no argument with the fan-picked songs they played. “The Watcher,” which caps 2008’s¬†Vertebrae, is one of few pieces that could hope to follow “Isa” and not stand in its shadow in terms of chorus grandiosity, and as they tore through it — again with¬†Vinje making his presence felt — and shifted into “Death in the Eyes of Dawn,” I suddenly realized just how quickly the stated hour of the set was proceeding.

Taken from¬†2012‚Äôs¬†Riitiir¬†(review here), “Death in the Eyes of Dawn” enabled the band to express many of the strengths of their current incarnation. After the memorable “Isa” and “The Watcher,” “Death in the Eyes of Dawn” unfolded with a more progressive feel, still keeping extremity at its core, but allowing room for Sand√ły¬†to return on harmonies with¬†Vinje, and finding¬†Isdal moving to acoustic for the Viking-folk finish already noted. Along the way, the various turns and executions were sharply brought to bear and the band as a whole handled the song with the poise of the established masters they are. In reality, one could hardly have expected less. I could’ve done with more shots of Sand√ły at work, but that might just be curiosity as well to see what “the new guy” is up to behind the kit. The final setlist:

“Ethica Odini”
“Roots of the Mountain”
“Fenris”
“793 (Slaget om Lindisfarne)”
“Isa”
“The Watcher”
“Death in the Eyes of Dawn”

Though the presentation style was something of a surprise, the manner in which¬†Enslaved proceeded through that set brought a live enslaved pretend tourshow’s intensity to such outright professional smoothness, making for a showcase worthy of the scope of 20-plus years the band wound up covering. For those seeking a rawer take from¬†Enslaved, I might suggest their 2017 offering, Roadburn Live¬†(review here), recorded in 2015 when Bj√łrnson curated alongside¬†Wardruna‘s¬†Einar Selvik. That was¬†Enslaved‘s first official live release, and it was before either¬†Vinje or Sand√ły were in the band — between the two of them, they simply bring the melodic reach to a new level — but I wouldn’t be surprised either if this ‘Chronicles of the Northbound’ set showed up as a live album either, or a BluRay/video download or some such kind of A/V outing. While the quality of the product was outstanding for a live stream, frankly, to have it end there seems like a waste of material, even with the special merch they’ve made available.

As one looks forward to the arrival of¬†Utgard this Fall, and mourns the actual-touring Enslaved won’t get to do to herald its coming, the start of their cinematic tour was a refresher on just how far the band has pushed their sound and their live chemistry and how — as they approach 30 years from their founding by Bj√łrnson and¬†Kjellson in 1991 — they only continue to grow and evolve.

Enslaved‘s cinematic tour continues on Aug. 20 playing¬†Below the Lights in full as presented by¬†Beyond the Gates Festival, and wraps with the aforementioned Sept. 30 rendition of¬†Utgard presented by¬†Summer Breeze. I’ll hope to have more on¬†Utgard closer to the release, and thanks for reading in the meantime.

Enslaved, ‘Chronicles of the Northbound’ live stream (limited time only)

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Friday Full-Length: Enslaved, Ruun

Posted in Bootleg Theater on July 10th, 2020 by JJ Koczan

My dominant memory of Enslaved during the Ruun era was — perhaps unsurprisingly — seeing them live for the first time. By Spring 2007, the Bergen, Norway, progressive black metallers were on their ninth album and had been around for 15 years, founding guitarist Ivar Bj√łrnson and bassist/vocalist Grutle Kjellson having over time built a lineup that included Arve “Ice Dale” Isdal on guitar — still with the band — as well as drummer Cato Bekkevold and keyboardist/vocalist Herbrand Larsen. Ruun was their second full-length to receive US distribution and promotion through Candlelight Records in the US behind 2004’s Isa, which introduced Larsen to the fold and in so doing brought a major change in the band’s sound on both fronts. Surely, Enslaved had been pushing in a more progressive direction for several years at that point, with records like 2000’s Mardraum: Beyond the Within, 2001’s Monumension and 2003’s Below the Lights showcasing an increasing breadth of influence, but employing a full-time keyboardist and clean vocalist to complement Kjellson‘s signature rasp was a significant step. It began to show just how much on Isa, but it was with Ruun that the complexity really came to fruition in the songwriting.

Enslaved did not have to forsake their black metal origins in order to take on more stylistic range — they simply added to what was already there. Thus Ruun still has its raging stretches, whether it’s the beginning charge of “Fusion of Sense and Earth,” the later twists of “Api-Vat” or even the opener “Entroper,” which seems to spend its six-plus minutes building to this massive swell of scream-topped push, but ultimately cedes the apex to Larsen, signaling the evolution taking place in Enslaved‘s approach. With backing growls from Bj√łrnson behind Kjellson‘s verse lines, even a riffer like “Path to Vanir” demonstrates an uptick in the depth of the arrangements, as Enslaved were able to bring a wash to their sound as they’d only hinted toward since bringing in their first keyboardist, √ėyvind Madsen (Vulture Industries), in 2002. Still, it’s with vocals that Larsen was able to make the greatest impact on the band, and in the break of “Path to Vanir,” he shows how. His voice is somewhat tentative and would grow more confident over time, but the softness of his singing style and the contrast it brought to the blackened churn surrounding helped make Enslaved all the more unique as they reached beyond the bounds of genre traditionalism.

This was also a band who knew the power of a riff. “Fusion of Sense and Earth” remains a hair-standing-on-end catalog highlight for the band — it’s one of the best songs they’ve ever written. Moving from its¬†Enslaved Ruunheadbang-ready thrash, it opens wide to release tension first in a pre-chorus transition led by keys, then shifts through growls to an instrumental hook that is the stuff from which air-drumming legends are made, the double-kick intricately keeping up with the nuances of Bj√łrnson‘s riff as the lead enters and the band rightly rides that groove to oblivion. That’s hardly the only instance on Ruun of standout riffage, as the title-track subsequently reminds, with its outright departure for prog rock, back and forth clean and harsh vocals and heavy-in-spite-of-itself rhythm; a precision of chug that still marks them as extreme metal, but is decidedly outside of the black metal norm. They bring it around, but “Ruun” ultimately resolves in a wash that includes acoustic strum, and it’s built around that initial riff with keyboards adding melodic breadth and Larsen and Kjellson coming together on vocals. “Tides of Chaos” is meaner, its chorus clean, but engulfed by screams and growls, and Kjellson coming across like he’s committing an atrocity against his vocal cords during the verses. It is demented and glorious, and pairs brilliantly with “Essence,” where the melody is more center and the call and response more direct, the band finding a middle ground that hints at what psychedelic black metal would become largely in their wake before straight-up thrashing the song into the ground, leaving “Api-Vat” to pick up the pieces and renew the sense of structure before closer “Heir to the Cosmic Seed” rounds out with a hypnotic epilogue.

The shows, which may or may not have been their first US gigs — I honestly can’t remember — were at SXSW, I think in 2007. The first was in a tent at night and the second was during the day. They may have played others — it was a long time ago and I was very intoxicated. I’m pretty sure Mot√∂rhead were also on the daytime bill though, and I remember¬†Enslaved only got to play three songs because they only had a half-hour set. “Fusion of Sense and Earth” was one of them, and there I was, headbanging outside Emo’s¬†at like 11AM, still hungover from the night before and probably a couple beers already into the day. One did what one had to do in order to survive down there.

Soon enough,¬†Enslaved would sign to¬†Nuclear Blast and their touring North America would become a matter of course. 2008’s¬†Vertebrae pushed the impulses of¬†Ruun¬†further, while 2010’s Axioma Ethica Odini¬†(review here) pursued rawer fare, 2012‚Äôs Riitiir¬†(review here) brought ferocious grandiosity, 2015‚Äôs¬†In Times¬†(review here) boasted their most progressive style to-date, and 2017’s¬†E (review here) introduced new keyboardist H√•kon Vinje in place of Larsen and showed how yet again they were able to expand their sonic reach.

In October, Enslaved will release their 15th full-length, Utgard, through Nuclear Blast and by what I swear is pure coincidence, the band just posted today a video for the track “Jettegryta,” which is the second single taken from the album. Where the prior “Homebound” showcased the work of new drummer/vocalist Iver Sand√ły, “Jettegryta” focuses more on Kjellson‘s voice and even features some clean singing from him with harmonies behind, as well as what sounds like some pointedly experimental guitar in its second half. The lesson, such as it is, is to understand just how dynamic Enslaved have become as a band, and I assume that when Utgard arrives — I’m not cool enough to have heard it in full yet — just how much it will see them revel in the multifaceted nature of their particular vision of extreme metal. Here’s that video, just for the hell of it.

Enslaved, “Jettegryta” official video

I hope you enjoy that, and Ruun as well. As always, I thank you for reading.

Enslaved is one of those bands who I can rely on to get just about no response when I write about them. They’re crazy popular, of course, but for whatever reason, every time I put something up about them, it gets about no feedback. Crickets. Rest assured, I blame my own lack of insight, but it’s true of several others as well. Swallow the Sun, My Dying Bride, Paradise Lost, Anathema. I guess at least I’m consistent.

I wasn’t looking for privacy though in writing about¬†Ruun, just something that I knew I’d enjoy, and really, the timing of that new video was coincidental. I didn’t even know it was up until it was pointed out to me while I was putting this post together. I’ve watched it once.

I hope you had a good week. The Patient Mrs. and I hit a really good working rhythm this week. The Pecan in daycare for the morning helped make Wednesday and Thursday easier, work-wise, but even Sunday, Monday, Tuesday, we had it pretty much down. I fed him breakfast, we went for a run every other day, and then we hung out and played and read books and all that stuff while she worked in the morning, then I picked up after that and worked while she kept him for lunch and into his afternoon nap. She was able to get some research work done, I was able to do the Quarterly Review — which, again, thankfully, was a breeze full of good records — and we both kept our heads reasonably above water.

Of course, it was only a couple posts per day, but I was glad to do stuff like that Crystal Spiders premiere, hosting the Swarm of Flies track and that Candlemass review, which was worth it solely to get a comment from an old friend who I haven’t seen in a long time.

Need to catch up on email and messages this weekend, which will take some doing, and I’m going to review the Forlesen album for Monday, which is a little bit of brilliant. Tuesday a premiere from TOOMS, Wednesday a special feature I’m very much looking forward to putting together, and Thursday, a video premiere from The Brothers Keg. Friday, I’ll review that YOB live record they did to benefit the Navajo Nation Covid Relief Fund. Here’s a preview: “Duh. YOB are great. Great great great great. Duh.”

Seven bucks well spent on that, either way, and I love that music isn’t existing in a vacuum.

New Gimme show. You know the drill. 5PM. http://gimmeradio.com

Whatever you’re up to this weekend, I wish you good fun and the utmost safety. I let The Patient Mrs. go into Whole Foods yesterday, which was a little nerve-racking, even though it’s a new store so everything is well spaced out. In a few minutes I’ll split out and head to Coscto on my own. That place is like a free-for-all, so yeah. I told her maybe next year on that one. She’s apparently going back to campus to work in August though, which will be interesting.

But hey, almost 60,000 cases of COVID-19 yesterday, huh? Anyone tired of all that winning yet?

Alright, time to put on my mask and go buy a block of cheddar cheese. Oh, and apparently we’re getting a puppy this weekend?

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Enslaved Announce Streaming Shows

Posted in Whathaveyou on June 4th, 2020 by JJ Koczan

Enslaved at Roadburn (Photo by JJ Koczan)

Enslaved have announced what they’re calling a ‘cinematic summer tour’ to herald the arrival this Fall of their new album, Utgard. Finally, your chance to say, “I wasn’t there, and neither were you.” I can’t wait to see the merch. As long as I don’t have to wait in line to get it, I’m cool.

Hey, we’re all just trying to get through, right? These are weird times, and even as the rest of the world is recovering, the US is still a shitshow. I’ll take Enslaved however it comes. Streaming? Fine. Saves me a ride to Gramercy Theater.

I wonder if I could pitch Enslaved on doing a “secret” show for this site, like a club gig on an off-day they don’t tell anyone about. I could be the Saint Vitus Bar of blogs, which, now that I read the words back having written them, seems far too ambitious for my never-gonna-be-that-cool ass. But hey man, I’ll watch Enslaved play a set online. It’s like a house show. Also, “Chronicles of the Northbound” is what I’m going to call it next time I’m sitting in traffic on I-95 in Connecticut.

Their video for the new single “Homebound” is below from Utgard, which out in September on Nuclear Blast:

enslaved pretend tour

ENSLAVED ANNOUNCE CINEMATIC SUMMER TOUR

ENSLAVED announce their “Cinematic Summer Tour 2020” today! After a very successful innovative streaming event on April 1st from Verftet Online Music, the Norwegian Avantgarde metal heroes decided to take it one step further to enlighten our concertless summer with a series of online events that are much more than just simple online stream concerts:

A cinematic tour experience!

For this forward-thinking concept, ENSLAVED join forces with three festivals to present their fans three different shows:

In cooperation with Roadburn, the tour starts July 30th, with the “Chronicles Of The Northbound” show. Fans will be invited by the festival to choose their favorite ENSLAVED songs to create a career spanning set. The second show will be a “Below The Lights” set on August 20th, presented by Beyond The Gates festival.

The band will end their virtual tour at the Summer Breeze festival on September 30th, with the presentation of their new album in its entirety: “Utgard – The Journey Within‚Äú.

Guitarist Ivar states:
“‘We must stick apart’ is a proverb of Discordianism (a religion I might or might not have just made up) that might fit the situation we are all in now. We are all isolated in various degrees; and we all miss live music. So, we have stuck apart and with our fantastic team of super-people in management, label and booking, plus three of our best friends who happen to be the very creme de la creme of European Festivals; we are now able to present this digital festival-tour. We are already hard at work preparing sets and shows that will make this one for the (e-)books. Thank you for your support, faith in us and patience – to have fans like you is an absolute privilege. See you in the ether!”

Each event will be accompanied by different side happenings, on which more light will be shed with each individual event announcement!

Watch it on the Enslaved YouTube channel!
https://www.youtube.com/channel/UCpiAJxyAbGPC2FngeSzlrzQ

To give everyone the chance to be part of this completely novum in music business, all three shows will be free of charge. There will be a donation option and special merch for the “Cinematic Summer Tour”.

Enslaved is:
Ivar Bj√łrnson – guitar
Grutle Kjellson – vocals/bass
Ice Dale – guitar
Håkon Vinje Рkeys/vocals
Iver Sand√ły – drums

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Enslaved, “Homebound” official video

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The Obelisk Show on Gimme Radio Playlist: Episode 35

Posted in Radio on May 29th, 2020 by JJ Koczan

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Digging deep on some of this stuff, and I like that. I mean, yeah, you’ve probably heard Enslaved and Lowrider by now, and maybe Black Rainbows, but stuff like Burning Brain Band, Jointhugger and King Gorm could be new to you. I hope so anyhow, that’s why I picked the tracks. That and I thought they were cool. Pretty simple process when it comes down to it.

I did the voice tracks for this one while my son played (first) with kinetic sand and (then) on the piano, so that’s kind of a mess, but I’ve come to enjoy that and it’s a good show either way. If you manage to check it out, stick around for the end, because the last two songs, the long ones from Dire Wolves and Stonegrass, are absolutely killer. I was recently put onto both records and I have absolutely zero regrets. Cardinal Fuzz put out the Dire Wolves LP in April and Stonegrass is out through Cosmic Range Records in Toronto digitally now with LP to follow. Both albums are worth your time if you have the time.

And as always, thanks for listening if you do.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmeradio.com

Full playlist:

The Obelisk Show – 05.29.20

Circle of Sighs Kukeri Salo*
Lamp of the Universe The Eastern Run Dead Shrine*
Lowrider Pipe Rider Refractions*
BREAK
Enslaved Homebound Utgard*
Wren Seek the Unkindred Groundswells*
StoneBirds Only God Collapse and Fail*
Jointhugger I Am No One I Am No One*
Saavik He’s Dead Jim Saavik*
Black Rainbows Hypnotized by the Solenoid Cosmic Ritual Supertrip*
The Burning Brain Band Bolero/Float Away The Burning Brain Band*
King Gorm Beyond Black Rainbow King Gorm*
BREAK
Dire Wolves Flow & Heady / By the Fireside Flow and Heady*
Stonegrass Tea Stonegrass*

The Obelisk Show on Gimme Radio airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is June 12 (subject to change). Thanks for listening if you do.

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Enslaved Post “Homebound” Video; 7″ out June 26

Posted in Bootleg Theater on May 28th, 2020 by JJ Koczan

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I hear good things about the new¬†Enslaved record, but I haven’t actually heard the album yet. But going from the first single to come from the record — “Homebound,” for which you can see the video below and which will receive a limited 7″ pressing from Nuclear Blast with a TNT cover as the B-side, because Enslaved like beer — it would appear they’ve got themselves a lead singer in drummer Iver Sand√ły. Of course, founding bassist/vocalist Grutle Kjellson will always be the band’s frontman, and his rasp is one of the band’s hallmarks, but where on 2017’s E¬†(review here), it was then-new keyboardist H√•kon Vinje handling the clean vocals, it would seem that now Vinje and Sand√ły will share the responsibility.

As Sand√ły is stepping in for longtime Enslaved drummer Cato Bekkevold and making his first appearance on their upcoming LP, Utgard, clearly Enslaved‘s core members — Kjellson, founding guitarist/backing vocalist Ivar Bj√łrnson and guitarist Arve “Ice Dale” Isdal — are keeping the band’s expanding dynamic in mind. They’ve made themselves more versatile.

To that end, the quote from the band under the video below, which comes courtesy of the PR wire, is the first time I’ve seen Enslaved acknowledge progressive Norwegian countrymen Motorpsycho as a direct influence pushing them into broader sonic territory. Doesn’t mean it’s never happened before — can’t say I spend my days reading interviews or anything — but it’s a first for my eyes at least. References to the likes of Led Zeppelin and Kreator et al don’t go unnoticed either.

And the song? Despite the new dynamic edge that Sand√ły brings particularly later in the track as it builds toward its apex, it’s very much in latter-day Enslaved‘s wheelhouse of progressive blackened metal, with a cleaner hook offset by screams and a galloping central progression that is given visual accompaniment in the video by flying birds — also a returning theme — and various other symbols drawn from Norse mythology. Knowing the band’s past work, I wouldn’t expect it “Homebound” to speak for the entirety of Utgard, but neither are they picking their singles by happenstance. “Homebound” bodes well for the album to come.

Enjoy:

Enslaved, “Homebound” official video

Norway’s avant-garde metal heroes ENSLAVED release their new single “Homebound” from the upcoming record “Utgard,” that will be released in fall 2020.

Get the new single here: http://nblast.de/EnslavedHomeboundPre

ENSLAVED will be releasing the new single on a Limited Edition 7″ vinyl format, limited to 500 pieces. The single will be out on June 26th and can be pre-ordered here:
http://nblast.de/HomeboundVinyl

The tracklist reads as follows:
1. Homebound [A-side]
2. Knights Of The Thunder (TNT Cover) [B-side]

The B-side of the “Homebound” Vinyl is an exclusive to this format.

The band states:
“‘Homebound’ is about the greatest reward of exploring and traveling into unknown territory – to “go viking” if you will, turning Homebound at the end of the journey. It is a song that takes Enslaved on a musical journey that is as much an homage to those who dared so we could play our very own style of music: from nurturing blackened roots to nodding at zeppelins in the sky, beholding teutonic thrash titans and watching speeding motorpsychos take off into the futures.”

The band recently revealed new details about the upcoming record – propelling the listener deep into their world, the musicians explain:

“‘Utgard’ bears countless meanings to us; an image, metaphor, an esoteric ‘location’, a word on its own etc. ‚Äď on different levels and layers. From Norse mythology we know it as a landscape where the giants roam; where the gods of Asgard have no control; dangerous, chaotic, uncontrollable and where madness, creativeness, humour and chaos dwell.

The album is a journey into and through ‘Utgard.’ It is a place of unification of that which is above and that which lies below. It is not about avoiding fear of the pitch-black darkness (it will keep on growing until the next confrontation), but to go into the darkness itself. This is the rebirth of the individual. In a world that has become so obsessed with the false lights of greed, jealousy and egotism this is a necessary journey.

‘Utgard’ is not a fairytale, it is a vital part of both your mind and your surroundings, and it has been since the dawn of mankind. Acknowledging that this realm exists and is a vital part of the self, has inspired us deeply since the early days of our lives. Enjoy our journey to the outer limits.”

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Enslaved to Release Utgard This Fall; Single Coming May 22

Posted in Whathaveyou on March 31st, 2020 by JJ Koczan

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There’s a new¬†Enslaved album. It’s called Utgard. It’ll be out this Fall. It’ll probably be brilliant. There’s a single. It’s coming out May 22. It’s not out yet. No. Not yet. Not today. Today’s not May 22. Unless it is. Then it’s out. In that case, I take it all back.

That’s pretty much the news though. After saying they were going to record an album and recording an album, they have recorded an they are releasing an album. Oh yeah, it has a cover. It’s kind of Mordor-esque, but also pretty great. It’s by Truls Espedal, who at this point is basically a member of the band and should probably be considered as such. Doing nine out of their now-15 record covers isn’t nothing. It’s more albums than at least 40 percent of the band have appeared on, for example.

Enslaved¬†are doing the streaming-gig thing on April 1 as part of a big Norwegian brewhaha. That’s cool. I’ve yet to ever watch them play and regret it, in-person or otherwise.

Here’s the album info they’re giving out thus far:

enslaved utgard

ENSLAVED ANNOUNCES NEW ALBUM, “UTGARD,” TO BE RELEASED THIS FALL

BAND REVEALS ARTWORK & ANNOUNCES ONLINE SHOW

Norway’s avantgarde metal heroes ENSLAVED reached out to their fans yesterday, to present them the cover artwork for their upcoming album “Utgard”:

ENSLAVED’s official statement:
“Due to the current situation, we took the decision together with our label Nuclear Blast to postpone the release of ‚ÄėUtgard‚Äô to the fall. Therefore, as you can imagine, the whole schedule had to be adjusted quickly! We understand that seeing a video teaser followed by nothing has been confusing. As of today, we can announce that our first single and video will be released on May 22nd, and we can‚Äôt wait to share this new music with you all! We are sure you understand that this is for the best.

In the meantime, we‚Äôd like to tell you a little more about the ‚ÄėUtgard‚Äô cover artwork! This is the 9th consecutive album cover artwork done by Truls Espedal – and like the album itself it is definitely on the wavelength of the long-distance pulse from the Enslaved generator. It is a piece of art that mirrors a massive concept and a band that is also more lyrically and philosophically inspired than ever before. That Truls is a master of his art is established a long time ago, but he has truly outdone himself on this interpretation of our Utgard. Just looking at how the colors and techniques are used to create the depth and grandiosity of the horizon. The perfect travelling companion into these uncharted territories.”

Furthermore, the band announces today to headline the Verftet online music festival in USF, Bergen, on April 1st.
The online event will be streamed via www.bt.no and www.youtube.com.

The band states:
“When the old Bergen ring-fox Mikal Telle asked us to join his and local venue USF’s fantastic initiative that is this festival, we pretty much said “yes and thanks for asking!” before he could finish the sentence. Of course we are itching in our fingers to play now that the world of live music is on halt, but we also saw a chance to get our live music out there to all the fantastic fans out there – the studio recordings is of course a pillar in what Enslaved is, but without the other pillar of playing high-energy shows and creating musical magick together with our magnificent audience – things get out of balance. Now we will have a chance to restore that balance for a virtual time with all of you – and time is time no matter what matter it moves through, right? See you in the ether!”

Enslaved is:
Ivar Bj√łrnson – guitar
Grutle Kjellson – vocals/bass
Ice Dale – guitar
Håkon Vinje Рkeys/vocals
Iver Sand√ły – drums

http://www.facebook.com/enslaved
https://www.instagram.com/enslavedofficial
http://www.enslaved.no/
http://www.facebook.com/nuclearblastusa
http://instagram.com/nuclearblastusa

Enslaved, “What Else is There” (R√∂yksopp cover) official video

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Enslaved Begin Recording 15th Album for 2020 Release

Posted in Whathaveyou on December 5th, 2019 by JJ Koczan

What’s funny about this is that whenever a press release like this one comes in, the impulse is to picture the band¬†at that very moment recording the album. Like they’re all huddled over the board listening to the drums or basslines to make sure everything’s where it should be, and so on. “Enter studio” can mean a lot of things. Maybe they walked in that day, set up and walked out again. Maybe they’re in there for three days and out and that’s all the time they have. Maybe some are there and some aren’t. I don’t know. It’s a whole spectrum of possibilities. For example, I seem to recall last time the PR wire told me Enslaved were in the studio — beginning the process for what became 2017’s excellent¬†E (review here), I had just hours before seen bassist/vocalist¬†Grutle Kjellson walking around¬†Roadburn in the Netherlands, which, if you know anything about geography, is not at all Norway.

However — and it’s a big however, which is why I put it in italics — “enter studio” does at least mean that work has begun on the next¬†Enslaved¬†album, and whoever has shown up to get things started and however productive their first day or days might be, that’s a step in the right direction. I don’t know how many steps that means between now and release day — April, maybe? — but steps just the same. I’ll take it for now.

2020 is looking pretty sharp already.

Dig:

enslaved in studio

ENSLAVED ENTER STUDIO TO RECORD NEW ALBUM

Norwegian metal avant-gardists ENSLAVED have some big news for their fans: the band have just entered the studio and are currently working on new material for their upcoming album. This new gem will be released once again via Nuclear Blast Records and has a tentative release date of May 2020.

Band founding member and guitarist Ivar Bj√łrnson stated about the recordings:

“The days are growing darker in the Northern hemisphere – and Bergen is covered in a blanket of frost. This sets the scene as we have entered the studio to record the new Enslaved album. Since our last album, we have a “new” drummer – in quotation marks, since he has been with us behind the scenes for more than a decade. Together with me (Ivar Bj√łrnson and Grutle Kjellson) he constitutes the production team on this new album – and as before we will record in Bergen in Duper Studio and next door at Iver’s Solslottet Studio. Before crossing the mountains eastwards to √Ėrebro into Fascination Street where Jens Bogren will handle the mix.

The new material I feel is very powerful. The ENSLAVED signature is there, but there is a wild drive and a level of energy that makes me extremely excited. All five members have poured their dedication and souls into the preparations, and there are new sides to the band shown that will elevate this album. “

Just weeks ago, ENSLAVED renewed the bond with Nuclear Blast and re-signed to the label. With that, a successful collaboration lasting for more or less ten years continues. A collaboration that two years ago produced the universally lauded album E, in which the progressive metal masters once again reinvented themselves and brought ENSLAVED to a new level.

ENSLAVED also recently released a stunning new music video for their interpretation of ‚ÄėWhat Else Is There‚Äô by Norwegian electropop band R√ĖYSKOPP. The song is featured as a bonus track on the digital version of their latest album, E.

ENSLAVED live 2020:
20.03. NL Eindhoven – Prognosis Festival
25. – 27.06. N Ekeberg – Tons of Rock
11. – 12.07. USA Moran, WY – Fire In The Mountains Festival
7. ‚Äď 9.08. B Kortrijk ‚Äď Alcatraz Festival

Enslaved is:
Ivar Bj√łrnson – guitar
Grutle Kjellson – vocals/bass
Ice Dale – guitar
Håkon Vinje Рkeys/vocals
Iver Sand√ły – drums

http://www.facebook.com/enslaved
https://www.instagram.com/enslavedofficial
http://www.enslaved.no/
http://www.facebook.com/nuclearblastusa
http://instagram.com/nuclearblastusa

Enslaved, “What Else is There” (R√∂yksopp cover) official video

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Enslaved to Headline Fire in the Mountains MMXX in July; Ivar Bj√łrnson Curating

Posted in Whathaveyou on November 27th, 2019 by JJ Koczan

Ivar Bj√łrnson curating, you say? Sooner or later, it seems like the Enslaved guitarist is just going to have to get his own festival going, but in the meantime, he’ll helm Fire in the Mountains MMXX next July as he’s done for Roadburn in the past, with Enslaved headlining the event as well off in the Grand Tetons in Wyoming, which, if you’ve ever seen videos or photos from it looks like an absolutely astonishing. I’ve only been through Wyoming once in my life, but it’s seriously some of the most beautiful landscape I’ve ever seen, so yeah, I’d watch Enslaved there. Seems only fitting. Those guys should play on mountains pretty much exclusively.

“Oh, you have a stage? That’s cute. Is it on a mountain? No? Ah, sorry, can’t do the show. Check the rider. Mountains only.”

And so on.

Enslaved are newly re-signed to Nuclear Blast for their next record — maybe a release around July to coincide with this fest? nah, too convenient — and they’ve got a new video that you can see below.

Info follows:

fire in the mountains ivar

ENSLAVED TO HEADLINE “FIRE IN THE MOUNTAINS” FESTIVAL 2020

*IVAR BJORNSON ANNOUNCED AS FIRST GUEST CURATOR EVER*

ENSLAVED and “Fires In The Mountains” festival announce an unique collaboration for 2020: The band is not only announced for the first band playing the ‚ÄúFires In The Mountains‚ÄĚ festival next year. Guitarist Ivar Bjornson will also be the first guest curator ever organizing elements of the festival as a whole. The‚ÄúFire In The Mountains‚ÄĚ festival takes place before the Grand Tetons at Heart Six Ranch in Moran, Wyoming on 11th and 12th July.

The festival about this collaboration:
‚ÄúFew bands reflect the incredible music legacy that Enslaved has built over the last three decades, as a band that is constantly reinventing itself and exploring new heights and territories for its music, while always maintaining a steadfast sense of identity and integrity. Their music and the forward thinking ethic and honesty of the people behind it have always been a huge influence on us as founders of this event, and thus we are honored to have them as a headliner for 2020. The audience will be in for quite a unique treat to witness the Nordic metal lords performing this special set below the stars, surrounded by the beautiful Rocky Mountains, and we are as well.‚ÄĚ

Ivar Bjornson states:
“Our Northern hearts rejoice as we are part of this announcement for Fire in the Mountains 2020! To come to these beautiful parts of good ol’ Vinland and headline an outdoor festival is nothing short of a dream come through. We will present a very special show and cannot wait to share this weekend with the other artists, audience and the hard working folks behind the festival! To the mountains!”

Alongside with this exclusive experience, Ivar Bjornson as a guest curator will present a feature showcase of the event, titled ‚ÄúOn Wings Over Utgard‚ÄĚ what already promises to become a memorable event. This feature presentation will consist of a handful of musical acts handpicked by Ivar, as well as several other elements of the festival that will be revealed over time.

Ivar Bjornson adds: “It is a massive honor to be asked to be the first guest curator for the Fire in the Mountain festival. I have decided to name my curator showcase “On Wings Over Utgard”; inspired by the thematic from the coming ENSLAVED album. Modern man is a being that has forgotten how chaos, darkness and decay are as important and beautiful parts of existence as all the bliss, youth and light we over-feed ourselves in the (dis-)Information Age. What better scenic metaphor to realize this part of the overall vision than at Fire in the Mountains; surrounded by wild, chaotic nature. Where life is how it was meant to be; uncontrolled, balanced and unified. I cannot wait to start showing you all the artists I am inviting to sonically and lyrically illustrate all this! Thank you Shane and festival team for giving me this opportunity.”

ENSLAVED released their studio album “E.” in October 2017. Recently, the band from Norway unleashed a music video for their cover version of R√ĖYKSOPP’s “What Else Is There”, featured as bonus track on the digital version of “E.”.

Enslaved is:
Ivar Bj√łrnson – guitar
Grutle Kjellson – vocals/bass
Ice Dale – guitar
Håkon Vinje Рkeys/vocals
Iver Sand√ły – drums

http://www.facebook.com/enslaved
https://www.instagram.com/enslavedofficial
http://www.enslaved.no/
http://www.facebook.com/nuclearblastusa
http://instagram.com/nuclearblastusa

Enslaved, “What Else is There” (R√∂yksopp cover) official video

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