Album Review: Ellis/Munk Ensemble, San Diego Sessions

Posted in Reviews on July 30th, 2020 by JJ Koczan

Ellis Munk Ensemble San Diego Sessions

And a significant ensemble it is. Traveling from his native Denmark to San Diego, California, guitarist order of essay writing? If you need professional help with your paper, you have come to the right place. Essay-Lib.com have a great support team. Jonas Munk of heavy psych innovators Persuasive Essay Body Paragraph Order - Proofreading and proofediting services from top specialists. Papers and essays at most attractive prices. Dissertations, essays Causa Sui was set to meet up in Sept. 2019 with Essay writing software including essay generator, essay writer, auto How To Write A Personal Essay For Graduate School, reference generator, research assistant and more. Brian Ellis ( At best essay writing service review platform, students will get best suggestions of http://www.dwec.ie/master-thesis-2008/ by expert reviews and ratings. Astra, computer science master thesis projects http://www.igm-bei-vw.de/?school-assignment-help For You college essay questions buzzfeed thesis and dissertation zamorano Psicomagia, The world leader in online proofreading and cheap dissertation writings. Our professional team has revised documents for +5,000 clients in +90 countries. Birth, etc.) whose solo work has been issued through master thesis on service delivery doctor assisted suicide essay their eyes were watching god movie summary phd thesis in analytical chemistry Causa Sui‘s label, Picking a professional Writing Service Dissertation Live Chat Pay Pal Express is the most challenging task for students who have decided to seek writing assistance, hence the need for El Paraiso Records. By the account in the liner notes for the release, it wasn’t the first time buy an original research paper http://www.fischhase.de/?best-homework-help-app how to write a proposal for a research paper was the american revolution a revolution essay Munk made the trip, but it would seem to have been an occasion nonetheless, as essay writing graphic organizers free Proper Thesis Writers In The Philippines job application writing do not weep maiden for war is kind literary analysis Munk and do-my-assignment-australia. Exploratory Essay On Abortion. As the pressure and stress of preparing numerous assignments mounts, have you ever wondered, is Ellis, based in Escondido, were to spearhead what has been tagged as the writing a service http://www.clickmedia.gr/?globalization-research-paper-topics free essay generator dissertation philosophie travail bonheur Ellis/Munk Ensemble featuring players from bands like Paid essay writing jobs available right now. You can get my site and earn up to 00 monthly working from home! Radio Mosow, http://ekoporadna.tisnovsko.eu/?persuasive-speech-on-nursing: how do we work? First of all, you should contact our managers and tell them about your paper. Itís better to give Sacri Monti, http://www.stix-office.at/?operational-plan-in-business-plan - Entrust your assignment to us and we will do our best for you Entrust your paper to professional scholars working in Psicomagia, Joy and others. It’s a pretty extensive roster. To wit:

Brian Ellis (keys) – Astra, Silver Sunshine, Brian Ellis Group, Psicomagia, Birth, etc.
Jonas Munk (guitar) – Causa Sui, various solo-projects and collaborations

Plus:
Dominic Denholm (bass) – Monarch
Thomas DiBenedetto (drums/guitar) – Sacri Monti, Monarch, ex-Joy
Dylan Donovan (guitar) – Sacri Monti, Pharlee
Paul Marrone (drums) – Astra, Cosmic Wheels, Radio Moscow, Psicomagia, Birth, Brian Ellis Group
Trevor Mast (bass) – Birth, ex-Joy, Psicomagia, Brian Ellis Group
Anthony Meier (bass/keys) – Sacri Monti, Radio Moscow
Conor Riley (keys) – Astra, Silver Sunshine, Birth
Andrew Velasco (percussion) – Love, the City & Space
Andrew Ware (drums) – Monarch
Evan Wenskay (organ) – Sacri Monti
Kyre Wilcox (bass) – Truth on Earth

The most striking thing about this lineup — aside from the fact that among the 12 participants, there are no women — is the sheer amount of overlap. Members of¬†Sacri Monti playing in¬†Monarch and¬†Joy, members of¬†Astra¬†resurfacing in¬†Birth, and so on. Like any scene worthy of the designation, San Diego is plenty incestuous, but in no small part that’s essential to what makes it the heavy psych haven it’s become. The entire situation is fluid, so how could the music be anything else?

With¬†Munk‘s arrival in town as impetus for the get-together,¬†San Diego Sessions arrives (via¬†El Paraiso) as seven tracks/48 minutes carved out from these several evenings’ worth of jams and fits with¬†Munk and¬†Ellis‘ apparently shared vision of the stylistic interaction between psychedelia and jazz. Indeed, the stated comparison is to¬†Miles Davis‘¬†Bitches Brew, and track titles like “Pauly’s Pentacles,” “Munk’s Dream” — as opposed to “Monk’s Dream,” i.e.¬†Thelonius Monk — and “Larry’s Jungle Juice” honor that tradition as well, as does the immediate thrust and twist of 10-plus-minute opener “The Wedge,” which features eight players, three of whom are on keys, and sets a tone with scorching runs of lead guitar atop intricate rhythmic turns.

ellis munk ensemble personnel

One thing: they picked their drummers right. In¬†Marrone,¬†DiBenedetto and¬†Ware, the¬†Ellis/Munk Ensemble — whoever else happens to be around at any given moment — have some of the best San Diego’s underground has to offer on board when it comes to drums,¬†Mario Rubalcaba of¬†Earthless notwithstanding. With this foundation, guitarists like¬†Munk¬†— who appears on every track except the penultimate madcap freakout “Larry’s Jungle Juice”;¬†Ellis likewise sits out the brief but spacious “Munk’s Dream”¬†— Donovan and¬†DiBenedetto are able to freely explore various reaches and textures of sound, and so the variety of San Diego Sessions stems as much from its sonic moods as from its personnel.

Still, much of the tone — and much of the album, frankly — happens at the outset with “The Wedge” and “Pauly’s Pentacles.” As the latter tops 11 minutes, the two songs comprise 22 of the total 48-minute stretch here, so not an insignificant portion, and more important, it’s in them that the spirit of¬†San Diego Sessions is established in looking toward the aforementioned tradition of the jazz session. “The Wedge” locks in a solid groove early before spinning heads with guitar and keys alike, and “Pauly’s Pentacles” turns more mellow lead vibes into a vibrant apex ahead of dipping into a bit of cosmic funk, the drifting end of which is a suitable transition into the ethereal “Munk’s Dream” — the shortest inclusion at just 2:24 but an atmospheric highlight nonetheless.

By the time, then, that they dip into album-centerpiece “Electric Saloon,” which runs just under nine minutes long, the expectation is wide open for what might actually take place within that span of time but set in the sphere of heavy psychedelic improv. “Bucket Drips,” which follows, is another more meditative vibe, so “Electric Saloon” is given a mindful showcase, led into and out of as it is. It’s a two-sided LP and certainly there’s a flow across the span as one jam ends or fades out and the next arrives, but one might think of San Diego Sessions as taking place in three distinct movements: the opening two, the middle three, and the finishing two. Elements of personality drift in and out along the way — much like the people — but the way in which the pieces complement each other, right up to how the finishing chase of “Larry’s Jungle Juice” gives way to the smoother procession of “Stone Steps” to close out with a relative wash of keys, is such that each chapter has something of its own to offer the listener.

There is further nuance to how the pieces are arranged and how they bleed from one to the next that one might point out, but what that goes to underscore is the fact that¬†San Diego Sessions has been carved out from the raw material that emerged over those nights. It’s got its warts-and-all feel intact, but one assumes there was more recorded than appears in the completed product. Maybe that means a¬†San Diego Sessions 2 is in the offing, or maybe these were all the highlights; I don’t know. But¬†Ellis/Munk Ensemble captures a special stretch of time when talented players — many of whom already had established chemistry from years of collaboration in various bands — joined together to welcome a friend into the fold.

The instrumental and improvisational nature of the record might mean that not every listener is up for making the trip, but what comes through most of all in the tracks is the feeling of celebration, of challenging each other, of playing with sound and technique like the implements of magic they are, and of enjoying all of it. That atmosphere is infectious.

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