Desertfest London 2018: Graveyard, Elder, Weedeater, Freedom Hawk, Zeke, Miss Lava, Mountains and Trevor’s Head Added

Posted in Whathaveyou on November 13th, 2017 by JJ Koczan

Hey, look, don’t get me wrong. It was pretty impressive when Desertfest London 2018 came out of the gate in September and confirmed Monster Magnet, Eyehategod and Nebula in its first round of announcements. That was badass — no doubt about it. But it seems like with this next batch of acts confirmed, we’re starting to see more of the shape the festival will take. Weedeater will make a return that will no doubt be welcome, and likewise Graveyard have been confirmed as headliners, and Zeke will bring their inimitable speed rock to the proceedings as well.

Portugal’s Miss Lava hit the UK for the first time, Freedom Hawk head across the Atlantic from their Virginia home, Elder return as conquering heroes, and locals Mountains and Trevor’s Head give London a chance to get to know some of its own. If that already looks righteous to you, and it should, there’s a payment plan available. Might want to hit it up.

Here’s details from the PR wire:

desertfest london 2018 poster

DESERTFEST LONDON adds Graveyard and seven more bands to the 2018 lineup; tickets on sale now!

DESERTFEST LONDON are thrilled to reveal the next 8 acts for the 2018 edition of the festival, who will be joining the likes of MONSTER MAGNET, EYEHATEGOD, NEBULA & JEX THOTH to bring a battering ram of riffs down upon Camden next May.

If any band can claim responsibility for the surge of retro-infused, blues-stuffed rock n roll seeping through the underground over the past decade, it has to be GRAVEYARD. We are delighted to announce that following their brief hiatus, the band will make their long awaited UK return in the most deserving form – a headline set at Desertfest 2018. Rising to the top of the fertile Swedish (and indeed European) fuzz-drenched scene thanks to four immaculate albums, Graveyard quickly mastered their straight-down-the-middle rock foundation and built outwards. Effortlessly creating mind invading hooks just waiting to rattle around your brain for weeks and peppering them with doses of heavy psych, subdued moments and the soulful vocals of Joakim Nilsson, it isn’t hard to see why Graveyard are one of the best bands on the planet.

Goliathan sludge shovelers WEEDEATER, who are no strangers to the Desertfest, are finally returning to their spiritual home. Each time these stoner titans have played, the queues have been round the block. Their legendary status precedes them, and for good reason – as frontman Dave ‘Dixie’ Collins revels in stories to punters at the bar of shooting off his own big toe, they are a true DF family band and one of the most “please book them every year” acts in our remit. Weedeater are simply not to be missed this May – it’s going to be sweaty, loud and most importantly, smoky.

We’re pleased once again to be bringing ELDER back to London, hot on the heels of yet another mesmerising album in Reflections of a Floating World. There was no question that the trio had their work cut out in following-up 2015’s epic Lore. Evolving over the past five years, from one of heavy riffing’s most potential-filled practitioners to a progressive scope entirely of their own, each time they take the stage the crowd are undoubtedly blown away by their sheer musical talent.

Also on the bill are Seattle underground legends ZEKE, a band sandwiched somewhere between the rapid-fire, speed-guzzling lunacy of punk and the distinctly bourbon-scented outright abandon of heavy rock n’ roll. Zeke are finally upon our shores and we’re thrilled to announce they’ll be joining us in Camden next May.

We’ve also added the fuzz filled frenzy that is FREEDOM HAWK, Portugal’s stoner-grunge quartet MISS LAVA (making their first UK appearance), proggy Londoners MOUNTAINS and the chunky stoner riffs of TREVOR’S HEAD all lined up for the 2018 proceedings. This is just the tip of the iceberg – stay tuned for the next offering!

Desertfest London 2018
4th-6th May in Camden Town, London
3-day pass (£115) now on sale AT THIS LOCATION

Our special split payment plan is available until December 12th!
Pay half of your ticket now and the other half in January. Find more info HERE.

http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://twitter.com/DesertFest
https://www.instagram.com/desertfest_london/

Graveyard, “Too Much is Not Enough” official video

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Desertfest Berlin 2018: Church of Misery, Elder, Graveyard, The Black Wizards, Maidavale and Vonavibe Join Lineup

Posted in Whathaveyou on November 13th, 2017 by JJ Koczan

Desertfest Berlin 2018 welcomes its second round of bands, including the likes of Graveyard, Elder, The Black Wizards, Church of Misery, MaidaVale and Vonavibe. As is tradition, some of the bigger acts named here are shared with the London-based edition of the fest — Graveyard and Elder — though there’s usually some staggering, so while I don’t believe Church of Miseryhave joined the UK lineup, they may yet. As for the other three, to the best of my knowledge, they’re all Berlin’s as of now, so in keeping with the usual modus of the two Springtime Desertfests, they’re gradually beginning to distinguish themselves from each other even as they share groups between them in common cause. It’s always fun to see this happen over the few months that the lineups take shape.

To wit, this from the PR wire:

desertfest berlin 2018 poster

DESERTFEST BERLIN ANNOUNCES GRAVEYARD, ELDER, CHURCH OF MISERY & MANY MORE FOR 2018!

Today, a third announcement for DESERTFEST BERLIN 2018 has been revealed! Six new kick-ass bands have been added to next year’s line-up, including GRAVEYARD as second headliner! The Desertfest Berlin crew wanted the Swedes for many years, and it’s now finally happening! On top ELDER, CHURCH OF MISERY as well as many more exciting acts have been added to the 2018-festival edition, which will take place between May 4th – 6th 2018 at the Arena in the heart of Berlin:

GRAVEYARD (SWE)
ELDER (USA)
CHURCH OF MISERY (JP)
THE BLACK WIZARDS (POR)
MAIDAVALE (SWE)
VONAVIBE (GR)

But make no mistake: not even half of the entire line up is announced yet and way more great bands will be announced soon. DESERTFEST BERLIN 2018 will be outstanding, so better make sure to join the capital of the almighty Riff! Early bird tickets are already sold out, regular weekend tickets for the 7th DESERTFEST BERLIN can be purchased here: https://www.desertfest-tickets.de/produkte

DESERTFEST BERLIN @ Arena // 4th, 5th & 6th May 2018 – 2 STAGES in 1 MAIN HALL – No overlapping sets!

MONSTER MAGNET – GRAVEYARD – EYEHATEGOD – CHURCH OF MISERY – ELDER – PLANET OF ZEUS –
NEBULA – DOPELORD – YURI GAGARIN – DEATH ALLEY – JEX THOTH – THE BLACK WIZARDS – MAIDAVALE
THE NECROMANCERS – VONAVIBE – AND MANY MORE TO BE ANNOUNCED!

www.desertfest.de
www.facebook.com/desertfestberlin
www.facebook.com/events/128298847822160

Church of Misery, Live at Blowup Vol. 3, Oct. 13, 2017

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End Hip End It: Acid King, Elder, Dead Meadow, Josefus & Many More to Play

Posted in Whathaveyou on August 14th, 2017 by JJ Koczan

I’m not gonna discount the notion of seeing the likes of Josefus sharing the stage with The Well and Doomstress, or of watching the almighty Acid King roll out their riffly triumphs next to Dead MeadowElderMothership and a megaslew of others, but I think the fact that if you buy a ticket for the second day of End Hip End It you get two slices of pizza speaks volumes to the vibe the Spring, Texas-based festival is going for, and that’s a vibe with which I think just about anybody can get down.

The lineup is varied from Funeral Horse and Switchblade Jesus to King Buffalo and Stone Machine Electric, but there’s a heaping representation of the fertile Texan underground here, and that’s likewise respectable. My understanding is they’ve run into some branding issues — I guess repeating any word in your fest name in Texas is verboten because you’re making fun of SXSW? seems to me SXSW could stand to be taken down a peg or two, but couldn’t we all? — and might rename the event for 2018, but whatever you call it, it looks like a good time to me.

Lineup, other info and ticket link follow:

end-hip-end-it-2017

END HIP END IT MUSIC FESTIVAL

OCT 21 – OLD TOWN SPRING, TEXAS

DAY 1 will feature 25 bands in Old Town Spring, Texas. Preservation Park will have three stages of music as well as many interactive art projects thanks to the Generators Playground.

Stage 1
Dead meadow 12:00 – 1:00
The Bright Light Social Hour 10:40 – 11:20
Golden Dawn Arkestra 9:20 – 10:00
Bayonne 8:00 – 8:40
The deer 6:40 – 7:20
AMERICAN SHARKS 5:20 – 6:00
ROSE ETTE 4:00 – 4:40
VANILLA WHALE 3:00 – 3:40
pyreship 2:00 – 2:30
JODY SEABODY & THE WHIRLS 1:00 – 1:30

Stage 2
Acid King 11:20 – 12:00
ELDER 10:00 – 10:40
MOTHERSHIP 8:40 – 9:20
king buffalo 7:20 – 8:00
eagle claw 6:00 – 6:40
greenbeard 4:40 – 5:20
funeral horse 3:30 – 4:00
SWITCHBLADE JESUS 2:30 – 3:00
WARLUNG 1:30 – 2:00

Stage 3
John Evans Band 8:20 – 9:00
Flower Graves 7:10 – 7:50
The Cuckoos 6:10 – 6:50
Ancient Cat Society 5:10 – 5:50
The Mammoths 4:10 – 4:50
Mantra Love 3:10 – 3:50
Howard & the Nosebleeds 2:10 – 2:40

OCT 22 – WALTER’S DOWNTOWN
SUNDAY at Walter’s Downtown there will be two stages with 13 bands on rotation. Ticket purchasers will receive two drink tickets and two pizza slices!

the well
L.A. Witch
doomstress
amplified heat
space villains*
white dog
josefus
crypt trip
stone machine electric
only beast
concrete heat
daze
shallow

KIP Passes get you…
Entry to both days
backstage access
FREE T-shirt on Saturday
access to hammock hangout
one extra beer on Sunday

At End Hip End It you will find a tightly tucked 20 acre plot of land filled with green grass, craft breweries, interactive art projects, live music, beer tasting events, auctions for charities, Light shows, food trucks, VIP access, local vendors, and more. Interactive art projects will be hosted by Bao Pham of the Generators Playground.

https://www.facebook.com/HoustonPsychFest/
https://www.facebook.com/events/444285199249564/
http://www.endhipendit.com/
http://www.endhipendit.com/tickets
https://www.instagram.com/end_hip_end_it/
http://www.twitter.com/endhipendit

Acid King, Live at Electric Funeral Fest, June 17, 2017

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The Obelisk Presents: The Top 20 of 2017 So Far

Posted in Features on June 12th, 2017 by JJ Koczan

the obelisk top-20-2017-so-far

The time has come to take a look at some of the best albums of 2017 so far. I hardly know where to start. In some ways, this list is harder to put together than the end-of-year one that comes out in December, because by then not only do you have the full year to draw on, but it’s easier to sort of put a narrative to the course of events of 12 months, whereas in this case, obviously, the story is half told. So I guess if the list feels incomplete, that might be part of why.

Even with just six months to work from, the list has become fairly immense. I’ve been keeping track of 2017 releases since about September of last year, and the amount of stuff that’s come through has been staggering. Every year brings good music, and the basic fact of the matter is that if you don’t think so it’s because you’re either unwilling to find it or unwilling to let yourself hear it, but 2017 has been a multi-tiered assault of sounds from all over the world, and it seems like whatever you might be into, the universe stands ready to accommodate.

There’s a lot to say about that — is the market flooded? — but it’s a topic for a different post. I’ll keep it short here and just say that as always, it’s an honor to be covering the stuff that I cover and that I deeply appreciate you taking the time to read. I hope if there’s a release you feel deeply passionate about that you don’t see on my list below that you’ll please let me know about it in the comments.

Also, please note that in order to qualify for this list, a record had to come out on or before June 9. That’s the cutoff.

Okay, here goes:

The Top 20 of 2017 So Far

elder reflections of a floating world

1. Elder, Reflections of a Floating World
2. All Them Witches, Sleeping Through the War
3. Samsara Blues Experiment, One with the Universe
4. Colour Haze, In Her Garden
5. Atavismo, Inerte
6. Sun Blood Stories, It Runs Around the Room with Us
7. Cloud Catcher, Trails of Kozmic Dust
8. Vokonis, The Sunken Djinn
9. The Obsessed, Sacred
10. Mothership, High Strangeness
11. Spaceslug, Time Travel Dilemma
12. Electric Moon, Stardust Rituals
13. Alunah, Solennial
14. Arc of Ascent, Realms of the Metaphysical
13. Rozamov, This Mortal Road
14. Siena Root, A Dream of Lasting Peace
15. PH, Eternal Hayden
16. Geezer, Psychoriffadelia
17. T.G. Olson, Foothills Before the Mountain
18. Telekinetic Yeti, Abominable
19. The Devil and the Almighty Blues, II
20. Lord, Blacklisted

Notes

If you keep up with this site at all, there probably aren’t a lot of surprises in there. These are all records that have been discussed at great length over the last six months, reviewed, streamed, analyzed, whathaveyou’d all the way. If you don’t believe me, search any of the names. Still, as far as my personal picks go and who I think has crafted something special over the last six months, this feels pretty representative to me. I managed to live for a full week with the list as you see it above, without making changes. That’s usually my standard.

And as always, it’s a combination of what I’ve listened to most and what I feel has had the greatest impact thus far into the year. Between the two, there was little doubt Elder would take the top spot. I’ve probably listened to the All Them Witches record more than anything else this year, including Elder’s Reflections of a Floating World, but the truth is the Massachusetts trio are working at a level of their own making in terms of their sonic progression, and that they’ve emerged as one of if not the most pivotal American underground heavy rock bands going. The situation was much the same when they put out Lore in 2015 and claimed that year’s top-album spot, but even since then their sound has expanded and they continue to demand ultimate respect.

As for the All Them Witches album — absolute stunner. The increased depth of their arrangements on Sleeping Through the War came at no expense of songwriting, resulting in ultra-memorable material that could either wash over you with melody or shove you out of your seat with the force of its rhythm, and that band continues to be a treasure. No other way to put it.

From there, we move into what I think are the four best heavy psych offerings of 2017 so far, with Samsara Blues Experiment, Colour Haze, Atavismo and Sun Blood Stories, in that order. Samsara Blues Experiment’s return has been a joy to witness and their first album in four years lived up to the occasion. Colour Haze expanded the palette from their last album with In Her Garden and proved as immersive as always. I’m still getting to know that record. Atavismo’s second full-length upped the progressive influences without losing fluidity or cohesion in songwriting, and Sun Blood Stories’ hypnotic shoegaze offered expansive thrills and a sense of varied, beautifully crafted exploration.

A pair of exciting young bands thereafter in Colorado’s Cloud Catcher, whose boogie is right-on-right-on and whose development continues to hold much potential, and Vokonis, whose crushing riffs on The Sunken Djinn were met with an increased focus on structure and tightening of approach that maximized overall impact. The Obsessed’s unexpected return could only be called a triumphant one, and Mothership’s third long-player found them working in a richer sense of mood than previous outings, adding yet more character to what was still a blast of good-time rock and roll. They round out the top 10 in full command of who they are as players.

Granted, the next 10 releases are kind of all over the place, but I think that just shows the overarching quality of work being done across the board. From Spaceslug’s melodic stoner-psych to Electric Moon’s studio return — so, so, so good — to Alunah’s continued growth in nature-worshiping heavy and Arc of Ascent’s comebacker of rolling heavy riffs and metaphysical themes, there’s been so much to take in. I especially like the pairing of Rozamov and Siena Root as a sense of scope for 2017 so far; the former being so dark and crushing and the latter who lived up to calling their record A Dream of Lasting Peace. You want to know both ends of the spectrum? There they are.

PH’s Eternal Hayden gets a nod for its effective reset of the context of that band following the completion of their trilogy of albums, and Geezer’s Psychoriffadelia might have been something of a tossoff in the making, but the level at which the New York trio jams nonetheless assures it a spot here. Plus, a Nazareth cover. So duh.

I couldn’t help but include T.G. Olson’s Foothills Before the Mountain on the list as the Across Tundras frontman creeps closer to a full-band sound for his solo work, adding to his acoustic singer-songwriter foundations, and the crush of Telekinetic Yeti’s post-Sleep riffing evoked so many nods I thought they deserved one here as well. Placing The Devil and the Almighty Blues was difficult, but especially after seeing them live, I felt like I had a better idea of where they were coming from on II, so knew they belonged somewhere, even if it was tucked in at the end. And of course, Lord. Always killer, always experimenting, always chaotic. Never have grind and sludge sounded more cohesive together. They’re the band I wish Soilent Green had become, and yes, I mean that.

Honorable Mention

Let’s do another 10 releases, shall we?

21. Beastmaker, Inside the Skull
22. Arduini/Balich, Dawn of Ages
23. Brume, Rooster
24. John Garcia, The Coyote Who Spoke in Tongues
25. Six Sigma, Tuxedo Brown
26. Demon Head, Thunder on the Fields
27. Summoner, Beyond the Realm of Light
28. Steak, No God to Save
29. Six Organs of Admittance, Burning the Threshold
30. Dool, Here Now There Then

And just to make the point, here are even more worthy of note in this space:

Elbrus, Elbrus
Cortez, The Depths Below
Ecstatic Vision, Raw Rock Fury
Child, Blueside (a December 2016 release, maybe, but I think the vinyl was this year, so whatever)
Pallbearer, Heartless
Spidergawd, IV
Green Meteor, Consumed by a Dying Sun
Loss, Horizonless

There are of course other names as well that come to mind. Like I said at the outset, it’s a crowded field: Hymn, Arbouretum, Green Meteor, REZN, Demon Head, Galley Beggar, Devil’s Witches, Orango, Heavy Traffic, Coltsblood, Mt. Mountain, Vokonis, Solstafir, High Plains, on and on.

Also worth highlighting several really, really quality live records that have surfaced so far this year. I didn’t really know where to place them among the other studio offerings, but they deserve note for sure:

Causa Sui, Live in Copenhagen
Death Alley, Live at Roadburn
My Sleeping Karma, Mela Ananda – Live
Enslaved, Roadburn Live

More to Come

Of course, we’re still just barely halfway through the year, so keep on the lookout for more to follow. If you didn’t see my massive 200+ albums to watch for list in January, it has many that have come out and many more still to surface, but here are a few highlight names as well that you’re going to want to keep an eye on in the months ahead:

Queens of the Stone Age
Radio Moscow
The Atomic Bitchwax
Kadavar
Ufomammut
The Midnight Ghost Train
Moon Rats
Clamfight
Egypt
the Melvins
Bison Machine
Seedy Jeezus
High on Fire
Monster Magnet

Thanks for Reading

Before I check out, I’d like to give special mention to Lo-Pan’s In Tensions EP as the best short release of the year thus far. Along with EPs from Godhunter, Kings Destroy, Solace and Shroud Eater, it has assured those seeking a quick fix are handed their ass in return for asking.

Well, that’s about where I’m at with it. As per usual, I’m sure there are things I forgot and/or left off here, because I’m human and whatnot, so please if you have something to add, feel free to do so in the comments so long as you can keep it cordial. No name calling. I’m sensitive and you’ll ruin my whole day. I mean that.

Thanks again for being a part of this and here’s to an excellent rest of 2017.

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SonicBlast Moledo 2017: Colour Haze, Acid King, Black Bombaim & Bar de Monjas Added

Posted in Whathaveyou on May 31st, 2017 by JJ Koczan

sonicblast-moledo-2017-banner

If you had a two-band festival, and those two bands were Colour Haze and Acid King — and that’s it — no one else — I’d still call it an awesome time. Accordingly, kudos to SonicBlast Moledo 2017 for signing up both acts and setting my mind immediately adrift on a daydreaming course of Portuguese wonders that could be had. Of course, Colour Haze and Acid King aren’t the only bands playing — see also Elder, Sasquatch, The Machine, Monolord, Death Alley, Blaak Heat, Orange Goblin, Kadavar, and so on — but yeah, that’s a special couple days right there when you can get those groups together. “Kudos” is probably an understatement.

The PR wire has the latest:

sonicblast moledo 2017 colour haze

SonicBlast Moledo 2017 | Haze of acid in sight!

With the dates settled for August 11th and 12th, the seventh edition of SonicBlast Moledo closes the two-day lineup with Colour Haze, Acid King, Black Bombaim, Stone Dead, It Was the Elf, Ana Paris and Bar de Monjas !

They’ll be joining the previously confirmed Orange Goblin, Kadavar, Elder, Sasquatch, Kikagaku Moyo/?????, Dead Witches, Monolord, The Machine, Yuri Gagarin, The Well, Death Alley, Blaak Heat, Toxic Shock, Löbo, Vinnum Sabbathi and Holy Mushroom!

Now heading to its seventh edition, the festival located at the small beach village of Moledo, North of Portugal, includes two stages (the smaller one with a pool), free camping (to ticket holders) right by the beach and an amazing ambient for any heavy rock, psych, doom or stoner fan.

Colour Haze

With more than twenty years on the road, almost twenty studio records and a relentless will to keep going, it’s more than comprehensible that Colour Haze are easily considered one of the highest exponents within the European Psychedelic Stoner culture. On their course, they count with innumerable presences throughout all Europe and also on USA, although, they never had the chance to debut on Lusitanian territory. Following the release of their newest full-length album “In Her Garden”, the German trio embraces themselves to descend upon Portuguese lands for the first time ever in their career, received with all the enthusiasm for this seventh edition of SonicBlast Moledo.

Acid King

Formed by the charismatic Lori S. during the year of 1993, Acid King are, without any doubt, one of the classic acts of the Stoner Doom’s genre. Their intense and powerful sound, turn them into one of the most influential band within this musical circuit, only having passed through Portugal once. On 2017, they make their debut on Moledo and we can only wait for a triumphant presence.

Bar de Monjas

The Mexican / German duo Bar de Monjas promises a thunderous discharge of agitated rhythms, always heavy and filled with fuzz. On the road since 2010, they already count with one full-length studio record, two EP’s and an amazing split, released in collaboration with the already confirmed Vinnum Sabbathi.

Black Bombaim

After being obliged to cancel their presence at the last edition, Black Bombaim are ready to return to Moledo to spread their contagious psychotropic Rock.

We also receive the fresh Rock n Roll of Stone Dead, as well as the energetic Stoner Metal of It was the Elf and the return of Ana Parisw ith their characteristic Stoner Rock force.

Tickets Price:
2nd pre-sale : 42€ | From 01/03/17 to 30/06/17
3rd pre-sale : 48€ | From 01/07/17 to 31/07/17
4th pre-sale: 55€ | From 01/08/17 to the event’s final

https://sonicblastmoledo.bol.pt/
https://www.facebook.com/SonicBlast-Moledo-242619262427066/
https://www.facebook.com/events/1818493011695737/
https://sonicblastmoledo.wordpress.com/

Colour Haze, In Her Garden (2017)

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Elder, Reflections of a Floating World: Building on the Moment

Posted in Reviews on May 23rd, 2017 by JJ Koczan

Elder-Reflections-of-a-Floating-World

It would be impossible and improper to separate Reflections of a Floating World from the context of its predecessor. 2015’s Lore (review here) was a bold statement of arrival by Massachusetts trio Elder, a no-doubter Album of the Year, and a marked stylistic leap from 2011’s Dead Roots Stirring (review here) into a bright-toned and progressive vision of heavy rock and roll that even the 2012 Spires Burn/Release EP (review here) did not fully foretell. It paid off the potential that guitarist/vocalist Nick DiSalvo, bassist Jack Donovan and drummer Matt Couto have shown since their 2008 self-titled debut (discussed here), and though the six-track/67-minute Reflections of a Floating World doesn’t represent the same kind of broad stylistic shift overall, it nonetheless pushes further along the richly individualized path they found their last time out and expands both the sonic palette and the lineup itself in key ways.

Like LoreReflections of a Floating World arrives with lush, beautiful cover art by Adrian Dexter on Armageddon Shop and Stickman Records, and like Lore, it was recorded by Justin Pizzoferrato at Sonelab in Easthampton, MA (feature here), so listeners shouldn’t necessarily be surprised at some commonalities between the two records, but in composing and piecing together these tracks, Elder also brought in keyboardist/guitarist Mike Risberg — a bandmate of DiSalvo‘s in the side-project Gold & Silver, who released their debut, Azurite & Malachite (review here), in 2014 — who’ll also tour with the band as a fourth member, as well as Mike Samos, who contributed lap steel guitar, electric mandolin, theremin and other sources of flourish to the textures of tracks like “Staving off Truth” and the penultimate atmospheric stretch, “Sonntag”; essentially a five-man jam edited into a lengthy interlude between the band’s more common, fluid part-barrage process of songcraft. The additional arrangement elements were something hinted at in Lore‘s title-track, but it’s on Reflections of a Floating World that these ideas are more completely brought to fruition, and Elder are a more complete and, frankly, a better band for refusing to do anything other than make the songs they want to make by any means necessary.

That alone could be taken as a sign of the maturity that in part defines the course of Reflections of a Floating World, but the album’s prevailing sensibility comes through in the graceful manner in which it moves from part to part, song to song, while building toward a cohesive whole that offers the listener a guided immersion few acts in the US or elsewhere can match. They begin with a half-hour opening salvo of three extended tracks in “Sanctuary” (11:41), “The Falling Veil” (11:40) and “Staving off Truth” (10:43) before digging even further into proggy textures with “Blind” (13:39), “Sonntag” (9:01) and closer “Thousand Hands” (10:01), and the consciousness of the flow they craft isn’t to be understated. “Sanctuary” starts with guitar establishing a full-toned riff joined in seconds by bass and crashing drums and in under 20 seconds an album that will do nothing if not take its time to say what it wants to say is quickly in motion. One does find that Elder have grown more patient in their execution, but also more clever. They tease payoffs and turn elsewhere in “Sanctuary” to buck expectation; a sign of compositional confidence and the knowledge that their audience will follow them on their winding paths, which, if past is prologue, they of course will.

elder

Turning through gentler breaks, heavy roll and a vast-sounding lead, “Sanctuary” hits the six-minute mark and moves into a psychedelic stretch it will build from twice-over, and its poise in doing so becomes an important factor in the album as a whole — something that the slow, soundscaping intro of “The Falling Veil” takes up immediately. If “Sanctuary” was the rocking opener, “The Falling Veil” is where Elder introduce more of Reflections of a Floating World‘s progressive elements, with Risberg making himself known on Mellotron as the song begins its post-midpoint instrumental push into the plotted known-unknown, finding there a winding dose of riffing that brings a sudden stop and move into the drifting intro to “Staving off Truth,” which further works to unite the heft and the scope of presentation thus far brought to bear, and I’d gladly argue, succeeds in that, representing a moment of balance for Reflections of a Floating World and emphasizing in a not-overblown manner the way in which Elder have continued to develop over the last two years, expanding rather than remaking, but committed as ever to their sonic and stylistic growth, shown as much in the lush depth of their mix as in the sweeping current that runs under all of it.

Performance is also a factor in this. As crisp as Reflections of a Floating World sounds with the spaciousness in Couto‘s drums, the resonant push of Donovan‘s bass, Risberg and Samos‘ contributions and DiSalvo‘s alternately airy and dense guitar work and more-confident-than-ever-before vocals — he features in the initial verses of “Blind” in a braver way than he ever has — the album is vital in spirit. It explores, but doesn’t linger, and while their live show has always been somewhat rawer than their studio offerings, it’s clear Elder are retooling that balance somewhat as they revamp their lineup and expand their overarching scope as they do in the second half of this record. “Blind” is the longest inclusion at just under 14 minutes and starts with blown-out drums before moving into organ-topped rhythmic and melodic sway, a long and engaging instrumental midsection providing the crux and a winding finish easing into “Sonntag” with a dead stop similar to “Sanctuary” and “The Falling Veil” earlier. “Sonntag” starts quietly but pulses and quickly introduces its improvised-seeming course, which unfolds patiently as a languid, almost Euro-style prog jam marked out by guitar noodling over a steady line of bass and drums.

If there’s a point of utter departure for Elder on Reflections of a Floating World, “Sonntag” would be it, and though it would be strange to call a track that’s nine minutes long an interlude, the effect is basically the same: A moment for the listener to catch their breath before they head into closer “Thousand Hands.” It just so happens that with Elder, that moment lasts longer and finds the band adventuring into sonic territory they’ve never before covered. Go figure. They fadeout the jam and cap “Sonntag” with a drone before the shimmering guitar line that starts “Thousand Hands” launches, reviving the earlier momentum but still affected by the peaceful context of the stretch before it. One would expect “Thousand Hands” to be the payoff for Reflections of a Floating World as a whole, and it indeed does hit that mark in its late crescendo, but it also effectively summarizes the progressive ideology that is truly at heart in the narrative of the album: Elder mature, established, quickly becoming one of the most important American heavy bands of their generation.

That’s the story here. And if the question coming into Reflections of a Floating World was just how Elder would emerge from the considerable shadow cast by Lore, the answer is they emerge shining. Their aesthetic movement has always been forward-directed, and though it seemed like they found the answer they were looking for with their previous record in terms of sound, they’ve apparently embarked on an entirely different subset of questions. As a fan, I still have no idea what Reflections of a Floating World might portend for Elder‘s future, and I’d no more suggest that their next record might build directly off this one than I would’ve suggested this one would build off the last, but one way or another, three-piece or four-piece, proggy meander or crushing riffs, Elder remain a special band whose sound has only become more their own over time, and Reflections of a Floating World is another Album of the Year candidate that finds them at the to-date height of their collective power.

Elder, Reflections of a Floating World (2017)

Elder on Thee Facebooks

Elder on Bandcamp

Armageddon Shop

Stickman Records

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audiObelisk Transmission 061

Posted in Podcasts on May 15th, 2017 by JJ Koczan

the obelisk podcast 61

Click Here to Download

 

Yes! A new podcast! Are you stoked? I’m stoked. If you’re not, you will be when you look at the list of bands included. In any case, let’s be stoked together, because rock and roll, and heavy psych and good music and, well, yeah. That’s pretty much stuff to be stoked about. It’s been absurdly long since the last time we did one of these. Too long. I don’t really have an excuse other than… gainful employment? Don’t worry, though. That’ll be over soon enough. Then it’ll be podcasts out the ass.

There’s some killer goods here though. Yeah, I decided to do a “Yeti” double-shot with Green Yeti into Telekinetic Yeti. That’s my version of me being clever. But both bands are righteous, and if you haven’t heard the Savanah record, or that new Tia Carrera jam, or the Cachemira or Big Kizz or Yagow or Vokonis or the Elder — oh hell, frickin’ all of it — it’s worth your time. That Emil Amos track just premiered the other day and I think will surprise a lot of people, and I liked the way it paired with the dark neofolk of Hermitess. And of course we get trippy in the second hour, as is the custom around here. But first a moment of prog clarity from the aforementioned Elder. That’s a good time as well.

As always, I hope you enjoy.

Track details follow:

First Hour:

0:00:00 Vokonis, “The Sunken Djinn” from The Sunken Djinn
0:06:47 Tia Carrera, “Laid Back (Frontside Rock ‘n’ Roll)” from Laid Back (Frontside Rock ‘n’ Roll)
0:16:33 Supersonic Blues, “Supersonic Blues Theme” from Supersonic Blues Theme / Curses on My Soul
0:19:28 Emil Amos, “Elements Cycling” from Filmmusik
0:22:28 Hermitess, “Blood Moon” from Hermitess
0:26:24 Savanah, “Mind” from The Healer
0:34:22 Yagow, “Non-Contractual” from Yagow
0:42:35 Big Kizz, “Eye on You” from Eye on You
0:45:53 Cachemira, “Jungla” from Jungla
0:52:05 Green Yeti, “Black Planets (Part 2)” from Desert Show
0:58:02 Telekinetic Yeti, “Stoned and Feathered” from Abominable

Second Hour:

1:02:10 Elder, “The Falling Veil” from Reflections of a Floating World
1:13:20 Riff Fist, “King Tide” from King Tide
1:24:15 Cavra, “Montaña” from Cavra
1:39:18 Causa Sui, “A Love Supreme” from Live in Copenhagen

Total running time: 1:55:53

 

Thank you for listening.

Download audiObelisk Transmission 061

 

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Lake on Fire 2017 Sold Out; Brant Bjork, Ufomammut, Elder, Acid King & More to Play

Posted in Whathaveyou on May 11th, 2017 by JJ Koczan

lake-on-fire-2017-banner

Austria-based festival Lake on Fire 2017 — which, yes, takes place on a lake and which, yes, looks totally frickin’ awesome as a result — sold out in a matter of minutes earlier this week after putting tickets on sale. The lineup is splendid with Brant Bjork headlining a bill that also includes Asteroid, Elder, Ufomammut, Acid King, Sasquatch, Rotor, and others, but you want to know something even more impressive about it? The full lineup hasn’t even been announced yet. What you see below, with Tides from Nebula, Weedpecker, King Buffalo, Triptonus and all that? Yeah, they’re not even done yet.

Next time you’re searching for an example of how unbelievably righteous the festival scene is in Europe, go ahead and consider Lake on Fire 2017, which offers camping and hotel options, a unique setting, killer bands, and a clientele that trusts it enough to completely buy up all the tickets before the full lineup has been unveiled. My minescule American brain boggles at the thought. Not that I’ve been Mr. Goestoshows lately or anything, but if you’re also from the States, consider the cultural richness at work in making something like this come together in the way it has. It’s astounding. I can’t even get bands to return my emails about playing an All-Dayer a year from now.

Go figure.

From the festival:

lake-on-fire-2017-poster

This is unreal – SOLD OUT again – for the 4th time in a row! Even compared to last year this was kinda fast! Thank you so much for your support! We love you!

For all those who haven’t got their tickets, don’t be sad, there will be another chance in approx. 2 weeks. All pre-registered users in our webshop (newly registered users won’t be considered anymore) will have the chance to be part of our LUCKY BIRD TICKET lottery.

The Artwork is made by the Austrian Artist Missfelidae Illustration.

LINE UP:
Brant Bjork [USA]
UFOMAMMUT [ITA]
Elder [USA]
Acid King [USA]
Rotor [GER]
Asteroid [SWE]
Tides From Nebula [POL]
Sasquatch [USA]
Triptonus [AUT]
Weedpecker [POL]
King Buffalo [USA]

The rest of the line up will be announced within the next two weeks!

www.lakeonfirefestival.com
facebook.com/LOF.festival

Lake on Fire 2016 impressions

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