Posted in Whathaveyou on December 26th, 2016 by H.P. Taskmaster
Long-running German festival Stoned from the Underground has announced that All Them Witches will headline the first of its three nights on Thursday, July 13, 2017. Presumably that means the Nashville outfit will be on a European tour supporting their now-impending fourth album, Sleeping Through the War, which is out in February, but either way, as they join a lineup that also features Elder, Monolord, Zeke, Steak, Karma to Burn, and somewhat curiously, CJ Ramone, they’re obviously keeping good company in Erfurt. I’ll keep an eye out for those tour dates and for more lineup announcements from Stoned from the Underground 2017 both, and hopefully be better at keeping up with fest than I admittedly was this time around.
Info follows as translated by robots from German into English:
STONED FROM THE UNDERGROUND 2017 – July 13-15
Hi guys, just before Christmas there are a couple of bands for 2017 the stoned from the underground.
Here we have all of them witches, which will be headlining on Thursdays. But that was not enough for us! We could also add the heavy Rock Heavyweights Sasquatch. And a little punk attitude hurts nobody and that’s why we have the cult-Speed Rocker Zeke booked for you. What, you guys that’s still not enough? Well, because Christmas is here let’s put another, cj ramone on it.
The Stoned From The Underground 2017 takes place from July 13th until July 15th 2017.
The first STONED FROM THE UNDERGROUND took place in 2001…the festival offers a platform for diverse kinds of bands within the underground and beyond. The STONED FROM THE UNDERGROUND is a pure scene festival…a festival made by fans for fans.
Posted in Features on December 23rd, 2016 by H.P. Taskmaster
Easthampton, MA, Dec. 22, 2016 — New England snow peppered the westward Masspike ride to Sonelab in Easthampton, MA, where Elder were working all week on their fourth album. Eight years ago, they made their self-titled debut (discussed here) as a youngling trio loaded with potential who’d already earned a reputation for blowing old dudes off stages. In less than a decade’s time and across the two follow-up records, 2011’s Dead Roots Stirring (review here) and 2015’s Lore (review here), they’ve traveled the world over and become arguably the most pivotal act in the American heavy underground. Released through Stickman Records and Armageddon Shop, Lore was nothing short of a landmark for Elder, as the three-piece of guitarist/vocalist Nick DiSalvo, bassist Jack Donovan and drummer Matt Couto found a way to be heavy and progressive without sacrificing the impact of the one for the nuance of the other, or vice versa. Their cake, had and eaten.
They’d been at Sonelab all week putting pieces together for a crucial follow-up to Lore that, when released in 2017, will also mark their fastest turnaround between albums. The bulk of the recording was done. I pulled into the parking lot outside the studio, which is in a big warehouse space by the American Legion Hall with an independent brewery on either side — Easthampton is a big college area and looks to be gentrifying — and followed the low-end hum into the live room, where Elder were mid-jam. Sonelab engineer Justin Pizzoferrato and graphic artist Adrian Dexter were in the control room, further down the hallway, but in the live room the band was well dug in. A space longer than it was wide, with high ceilings — Pizzoferrato‘s recordings have a distinct snare drum sound, and with the space in question I immediately recognized its origin as Couto played — rooms off to the right for guitar and bass cabinets, painted concrete floors with the requisite rugs, amps and cabinets and organs and pianos and other assorted instrumentation lining the walls and otherwise scattered about. Old couches here and there. I took a seat on a piano bench and watched the jam unfold.
One does not necessarily think of Elder as a band given to improvisation. Particularly as time has gone on, their work has been clean, meticulous in its arrangements, and from what I heard of their impending fourth LP, that remains true, but these jams — and there were over 80 minutes of them recorded, ultimately — were being tracked with the intent of adding ambience to the record and building more of a sense of atmosphere. Interludes, maybe, or at very least complements to the structured songs. Joining the core lineup of the band were Mike Samos on a slide steel guitar setup and electric mandolin and keyboardist/guitarist Mike Risberg (a bandmate of DiSalvo‘s in the Gold & Silver side-project) on a Wurlitzer, who indeed fleshed out the effects wash bring proffered by the guitar as various jams built, established themselves, were held together by Donovan and pushed ahead by Couto‘s inimitable swing, and finally receded one by one. At times spacious and hypnotic and at times more active, this five-piece version of Elder was genuinely attempting to offer something different than anything the band has done before, and depending on which pieces actually make it onto the finished product, they just might get there.
Some meandering, some blending of progressive fuzzadelia and space rock, and some vital crash, the jams built from nothing into full-fledged explorations, each with their own personality. Arranged in a circle with a barrier setup behind Couto, they reveled in the process of creating this swirl, and though the going wasn’t always smooth — nor should it be — they held pieces together for as long as they wanted before letting them drift to a conclusion. The room was cold and bright, but the vibe warm and intimate, and standing outside some minutes later with the band and Dexter, whose designs for Elder have become an essential part of their presentation and whom I’ve had the pleasure of meeting several times over the years despite his being based in Denmark, the same chemistry could be found in their ease of conversation, laughing and tossing off stories about rest stops on the sides of mountains in Sweden and, with ski-worthy MassachusettsAppalachians in the distance, remarking about the relative altitudes in places like the Netherlands, Denmark, and so on. This is a band who have traveled continents together, who’ve created together for a decade now, and their bond — even with Samos and Risberg, who are clearly close friends — is familial. One imagines that when DiSalvo, who’s been living in Berlin for the last year-plus, returned to hit the studio, the transition back into this mode of working was no less fluid than the jams I was fortunate enough to watch unfold in the live room.
Following the break, it was time to hear a new track. Pizzoferrato had been setting up rough mixes in the control room, so the band, Dexter and I made our way there to listen. No title yet, but DiSalvo informed that the sweeping nine-minute cut would be one of five included (plus whatever they got out of the jams), and as its quick start got underway, I could immediately hear progression not only in his vocals but in the arrangements from where Elder left off with Lore. Parts swept through over careening rhythms, winding basslines, stellar lead guitar work, sung harmonies and other flourish. It was clear they were building out arrangements, and with the layers working on top of each other as they were, I understood why prior to hitting the studio they’d played several shows with a four-piece, two-guitar lineup. One key distinction? The title-track of Lore had a part in its middle where DiSalvo‘s guitar emulated a Mellotron sound. This time the Mellotrons are real. Featured in both pieces I’d ultimately hear, they added their particular progressive theatricality to the proceedings, and helped further a lush melodicism that, once again, was complemented by considerable heft. I took notes as quickly as I could to keep up with the transitions — a direct quote from them: “It’s amazing how identifiable their sound has become” — as the Mellotron led through a break into the next movement of the song that, when the band kicked back in, made me hope Donovan would be high in the final mix. One of several guitar solos propelled the gallop to a cold finish circa 9:40, and as sudden as it had started, it was over.
Dexter, while the song played, showed me some of the progress for the cover and inside-the-LP artwork on his laptop, which at least as of now moves away from the deep blue tones of Lore and into darker browns and earthy, forest-feeling colors. Still elemental, but land, not sea. It was, of course, beautiful. When the track was finished, the band decided to do some more jamming, so it was back into the live room with DiSalvo, Donovan, Couto, Risberg and Samos. They’d discussed a few beginnings and ends for where interludes might make sense, decided they needed something in ‘G’ and something in ‘C,’ and set to it. It was a little more business-like than the first portion of the session had been with that set goal in mind, but each of the two movements conjured — one more droning and trance-inducing (I swear I lost time), the other led by Couto‘s toms, which was a departure in itself — seemed like it would give them something to work from. When the second one was finished, it kind of devolved into a heavy metal Xmas song, Donovan picking up sleigh bells and growling carol lyrics, laughing all the way and so on. He’d been taking direction from Risberg and the line of communication seemed to come apart toward the end, but again, that became part of the process of feeling the way through what the jam turned out to be. There were more slide guitar overdubs for Samos to add to other finished tracks, so his gear was moved into the control room and set up so he’d be able to see the specific places within the songs where his parts would go.
I don’t know how familiar Samos had been previously with the material prior to playing on it, but by the third time through each of the two songs I watched him play on, he’d nailed it. The first take, was a listen, the second a feeling out, the third — done. A fourth shot on the second song seemed more perfunctory than necessary, but didn’t hurt anything either. Still, they’d decided the jamming was done and the afternoon was getting on. It had been a two-hour trip for me to the studio, which meant two hours back, but before I left, I asked if I could hear another full track, just to get a better sense of the course of the record overall to go with the pieces, snippets, jams, and song I’d already heard. The band and Pizzoferrato were kind enough to oblige with the cut on which Samos had just played. DiSalvo set it up by calling it an “outlier” on the album, and I wouldn’t have the chance to ask him in what way he meant that, but I could hear their prog leanings coming to the forefront, another quick start of a winding motion met with his lead guitar. Some almost peak-era Porcupine Tree-style swirl crashed into deeper low end, leading to an open verse marked by harmonies at the ends of lines, and the song moved into a chorus that would cycle through and into a solo before taking off on an instrumental stretch that would be where the slide featured. Tempo shifted, the chorus returned, the Mellotron appeared, the crunch came back at the end, and trying to keep “outlier” in mind, I was nonetheless taken by the depths of layering at work, the sense of arrangement at play and, again, the growth that has marked each of Elder‘s records to-date and which seems to be fully intact going into this one as well.
Up next for the band was to continue with mixing on a song Pizzoferrato referred to as “Staving,” and to comb through the improvised material and see what fit where. No doubt that would be as much of a creative process in editing as was the making of those jams in the first place, but if Elder have shown anything over the course of their career, it’s a burgeoning sense of mastery in their sound. Lore may prove over the longer term to have been a moment of arrival for them, and I won’t speak to this follow-up as a whole without having heard the entire thing, but it was obvious to me sitting in the control room that their interest in stagnation is nil. Rather, Elder are evolving willfully, expanding their palette and broadening their approach in the same way that they’ve become closer as people over the years. How that will ultimately manifest in their next album remains to be seen as the holidays and New Year take hold, but one consistent factor in Elder‘s tenure has been that the potential they showed on barroom stages when they were still too young to buy beer has remained and blossomed with them, and as they’ve realized a catalog on which to look back, they’ve never lost sight that the most fundamental direction must always be forward.
My deepest thanks to the band, to Dexter and Pizzoferrato for having me to Sonelab. Elder‘s fourth album will be released in 2017. Please find more pictures from the studio after the jump, and thanks for reading.
Posted in Whathaveyou on December 13th, 2016 by H.P. Taskmaster
Seems early yet for an event taking place next August, but even as Europe’s well-populated Spring festival scene is shoring up its various lineups for April and May, Portugal-based SonicBlast Moledo 2017 is getting the jump on the Summer set by announcing a trio of heavy hitters who will take part in the form of Elder, Kikagaku Moyo and Monolord.
No doubt the fest was looking to start out with a pretty sonically diverse range of bands, and I’d say they got there between these three. With Elder‘s progressive sprawl, the expansive psychedelia of Kikagaku Moyo and Monolord‘s riff-crush-skull lumbering doom largesse, SonicBlast Moledo 2017 gives itself a number of different avenues along which to continue to develop as it moves forward with the rest of its lineup and finding out where that balance ultimately will work out to be is part of the fun of this whole thing.
Here’s the announcement from the festival:
SonicBlast Moledo 2017 – First bands announcement!
With the dates already settled for August 11th and 12th, the seventh edition of SonicBlast Moledo starts to take shape with its first confirmations. To begin with the revelations, we will be welcoming the Bay Staters Elder, the Tokyoites Kikagaku Moyo and the Gothenburgers Monolord!
Coming directly from the East Coast of United States of America, we proudly announce the long-awaited first visit of Elder to Portugal’s lands, bringing with them the ultimate blend of Progressive Heavy Rock, Psychedelic Rock and Stoner Doom Metal, who are always pushing themselves further in the fields of musical creation. This unique sound signature, took them to major stages, like Keep it Low Festival, Roadburn Festival (which resulted in the album Live at Roadburn 2013), DesertFest Belgium or Freak Valley Festival. Their most recent album, the extraordinary “Lore”, was considered by many ,as a truly transcendental work of art, a masterpiece which we can’t wait to experience live.
Kikagaku Moyo, which is literally translated to “Geometric Patterns”, will be returning to Portugal to deliver a righteous dose of “feeling good music”, clearly the finest sounds of Japanese psychedelic world. Passing through festivals like Eindhoven Psych Lab, Duna Jam or Austin Psych Fest, it is now time to live the sitar folk psych right by Moledo’s beach. Close your eyes, clear your mind and prepare to embrace the cosmic acid folk universe, with the supreme jams of Geometric Patterns.
We gladly welcome back to Portugal the Swedish Doomers Monolord, who after performing at Barroselas Metal Fest 2016, return to spread the colossal heaviness, always worshipping the almighty riff, keeping the sounds fuzzy and haunted, as we like them. It goes without saying that their shows are completely demolishers and mesmerizing, so we all know what to expect.
Posted in Whathaveyou on September 28th, 2016 by H.P. Taskmaster
The final addition to the lineup for Up in Smoke 2016, which starts this Friday at Z7 in Pratteln, Switzerland? Camping space. Namely the floor of the venue, which will be cleaned after the last band finishes each night so that fest goers can grab their sleeping bags and bed down for the night, only to find breakfast waiting when they roll back to consciousness the next morning. I’ve never slept on a venue floor before. That would be a new one. But provided they get the beer/other fluids up, which I’ve no doubt they’ll be able to do because it’s Switzerland and things like that increase the likelihood that anyone gives a shit about what they’re doing, it seems like a cool way to achieve total immersion in a festival atmosphere. I’ve never gone camping either, though, so don’t necessarily take my word as an expert or anything.
With the festival’s most massive lineup yet, Up in Smoke 2016 kicks off this Friday. A new trailer for the fest with some 1000mods in it has been posted and you can find that under the camping info and complete billing below:
SOUND OF LIBERATION and Z7 KONZERTFABRIK PRATTELN proudly present the 4th edition of UP IN SMOKE INDOOR FESTIVAL on September 30th and October 1st 2016! Musical Highlights include Electric Wizard, Yob, Truckfighters, Pentagram and many many more.
Many of you asked for the chance to sleep over in the venue, like we offered in the last editions. Here´s the procedure:
After the last band is done playing, we will go on partying with Dj music for another hour. Then afterwards, we will ask everybody to step out of the main hall for a few minutes. The floor will be cleaned and covered with a sheet so that the place gets clean for all our “in site – campers”. If you want to sleep over in the venue, you should bring your sleeping bag and camping mat. Upon your arrival on the festival site you can store your belongings in the wardrobe and get it back for the night.
In the morning, we will offer you a nice breakfast with coffee/tea, bread and breadrolls, meat and cheese and sweet stuff to get you in shape for the next festival day! The price for sleep over and breakfast is 15.- CHF per person/night. There´s no option of separate bookings like ” only sleep over and no breakfast” or “only breakfast”.
Up in Smoke 2016 Final Line Up Electric Wizard Pentagram Truckfighters YOB Elder Greenleaf Monkey 3 Cough Black Cobra 1000mods Yawning Man Fatso Jetson Dyse Wucan Desert Mountain Tribe Giobia High Fighter Mother’s Cake Ephedra
Also not to forget: No overlapping set times, sleep over/breakfast possibiity in the venue + some more specials to be announced soon to sweeten you the “TWO NOT TO BE MISSED DAYS OF VOLUME WORSHIP” !!! Grab your ticket (2-day passes) right now on our website, on www.z-7.ch and on our Facebook (tab ‘Buy Tickets’). If you prefer to buy an original, real hard-ticket, our partner Woolheads is selling them!
Posted in Whathaveyou on September 12th, 2016 by H.P. Taskmaster
With the final addition of Cough, the lineup for Desertfest Athens 2016 is complete. The fest is set for Oct. 7 and 8 — less than a month from now — and Cough join the bill as they’ll be on tour at the time with Elder (dates here) supporting their new album, Still They Pray (review here), which was released by Relapse.
The roster of bands they join, including Red Fang and Greek forerunners 1000mods, whose new song “The Son” you can hear below (more to come on that album), is ridiculously strong, and seems to draw from the history of Desertfest itself in various ways, Steak representing London’s incarnation, Colour Haze that of Berlin (though they’re from Munich), and really any number of these acts the Belgian edition. It’s a great mix that does well to represent its home country as well in Automaton (who’ll be joined by Dr. Space himself), Sadhus, and the aforementioned 1000mods.
Looks like a great show, and particularly as it’s the first one, I wish them all the best of luck with it.
Final announcement and lineup follow:
Doom/Sludge masters COUGH joining the bill for Desertfest Athens 2016 1st edition!
This is the full line up for the 1st ever Desertfest Athens!
Red Fang 1000mods Pentagram Torche Colour Haze Truckfighters My Sleeping Karma Karma to Burn Elder Cough Black Rainbows House of Broken Promises Steak Beggars Sadhus Black Hat Bones Automaton with Dr. Space We Own the Sky
Enjoy desert army!
After London, Berlin and Antwerp, the Desertfest franchise is keeping up its conquest of Europe by launching the very first Greek edition of the famous stoner, doom and psych festival. DESERTFEST ATHENS will take place over the second weekend of October, as a sister event of the autumnal Belgium edition.
Over the years, DESERTFEST has become one of the most popular events in Europe for everything heavy, stoner, doom and psyche. “Made by fans for the fans”, the festival gathers thousands of people from across the globe each year by hosting the finest headliners, while also constantly stretching the limits of its own niche with dozens of quality live acts throughout a weekend. Nurturing a friendly atmosphere since the very beginning, DESERTFEST is a urban festival that has won the loyalty of heavy music lovers, so expect your Greek holiday to be a unique and memorable music and human experience!
Posted in Whathaveyou on August 9th, 2016 by H.P. Taskmaster
I like a tour with an element of contrast, and to pair Virginia’s Cough with Massachusetts trio Elder strikes me as particularly brilliant. It’s a classic light and dark. Cough head overseas behind their new album, Still They Pray (review here), a massive slab of full-on bum-you-the-fuck-out doom that rolls its grooves like boulders. Elder? Still supporting 2015’s album of the year Lore (review here), they lead the charge with fleet-footed progressive heavy rock that even as it maintains its tonal crunch only seems to be becoming brighter in its tone.
So yeah, like I say: Some contrast. Awesome.
From the PR wire:
COUGH Announce EU Tour Dates With Elder
Fresh off the release of their highly-acclaimed new record Still They Pray, Richmond stoner/doom veterans COUGH have announced a European tour with contemporaries Elder set to begin this coming October. The band will be performing throughout Western Europe and the UK, including appearances at Up In Smoke Festival in Switzerland and Desertfest in Belgium. The band will also be performing select US dates before their departure – see a full list of dates below.
COUGH Live: Aug 12 Philadelphia, PA Kung Fu Necktie Aug 13 Brooklyn, NY Union Pool
***European Tour*** Oct 01 Pratteln, CH Up In Smoke Festival @ Z7 Oct 02 Nürnberg, DE Kunstverein / Z – Bau Oct 03 Budapest, HU Dürer Kert Oct 04 Berlin, DE SO 36 Oct 06 Nantes, FR TBD Oct 07 Lyon, FR TBD Oct 10 London, UK Underworld Oct 11 Edinburgh, UK Bannermans Oct 12 Manchester, UK Rebellion Oct 13 Coventry, UK The Phönix Oct 14 Bristol, UK Exchange Oct 15 Antwerp, BE Desertfest Belgium @ Trix
Nov 12 Long Beach, CA Di Piazza’s – Midnite Communion Festival Nov 18 Indianapolis, IN 5th Quarter – Doomed and Stoned Festival
COUGH’s new album Still They Pray is out now via Relapse Records on CD/2xLP/Digital. Physical orders and bundle deals are available via Relapse.com here, and digital copies can be ordered through COUGH’s Bandcamp page at this location.
Posted in Whathaveyou on May 17th, 2016 by H.P. Taskmaster
It’s a considerable update from the camp of Desertfest Belgium 2016, so I won’t delay too much before letting you have at it — if anyone reads this stuff anyway — but before you jump in, take special note that the following seven bands have been added to the festival as a “build-up” to its first headliner announcement. That means that while YOB, Pentagram, Torche, Elder, My Sleeping Karma, Castle, etc., will play Desertfest Belgium 2016, none of them are actually among the three-day festival’s headlining acts. Very curious to see what that first headliner announcement will bring, but in the meantime, anywhere that brings in YOB and Elder on the same weekend is the place to be that weekend.
The build-up towards our first headliner announcement continues with a batch of no less than SEVEN new names for the 2016 Desertfest Antwerp line-up… We’re pretty certain that the Oregon Doom Institution YOB requires no further introduction, and the formidable trio of melodic doom rockers ELDER, German Nautik Doom outsiders AHAB and sludge nihilists COUGH are sure to delight any Desertfester worth their salt. Rounding off we have Hangman’s Chair from Paris and Castle for more doom/sludge badass-ness, and the shamanic grooves of Tau throws in a fresh if deeply psychedelic vibe.
We hope you like what we have on offer here, and just remember: this is still all just the beginning of much more goodness to come!
YOB – The ethereal mists of Eugene, Oregon no doubt provide the perfect catalyst for founding member and vocalist Mike Scheidt to call up the signature of surging doom that has brought YOB to their current position as one of the most respected and revered bands in all of heavy metal. Their latest outing ‘Clearing The Path To Ascend’ (2014) was hailed as the crowning achievement for a band whose journey now nears 2 decades of creating cathartic music that demands the full attention of mind, body, and soul.
Elder – Elder melds the familiar sounds of Sleep‘s colossal riffage with an ever-evolving vision of soaring melodies and sonic soundscapes. The songs on their 3rd album ‘Lore’ cross the heavy rock and doom genre boundaries into krautrock and prog territory. Powered equally by riffs and atmosphere, Elder’s penchant for progressive songwriting and melody shines more brightly than ever, but they still hold true to their original methodology: all heavy, no filler.
Ahab – With their outsider brand of Nautik Doom, AHAB have effectively thrown out all preconceived notions of what doom metal is supposed to be. As much as they can crush the listener into submission with epic arrangements, they can just easily revert to clean breaks and contemplative whispers. Drawing inspiration from books and painting as well as music, AHAB create something that gets into your mind through all levels of reception.
Cough – Cough brings together the most savage aspects of extreme music, from crushing doom metal and grimy sludge to early black metal. We’re anxiously awaiting the June release of ‘Still They Pray’, which must be one of the most anticipated metal albums of 2016 in a production by Electric Wizard’s Jus Oborn. Rest assured that it will fulfill their long-term ambition to remain the heaviest sludge band in existence.
Hangman’s Chair – Somewhere between the dirge of grunge and the grind of doom, you will find the Paris combo Hangman’s Chair. Their world is a place of darkness and cold, but you’ll inevitably be pulled in by its eerie atmosphere. Across 4 full length albums and 3 split albums they’ve toured from Hellfest to Iceland, Russia, Benelux, Germany and Switzerland with the likes of Eyehategod, High On Fire, Crowbar, and The Devil’s Blood.
Tau – The collective project by Shaun Mulrooney (Dead Skeletons) and the Venezuelan multi instrumentalist Gerald Pasqualin was inspired by Shaun’s shamanic experiences in the magical desert of Real De Catorce. This resulted in the deeply psychedelic mind-trip EP ‘Wirikuta’ (recorded with Christoph “Tiger” Bartlett from Kadavar), providing some true Desert music that will shake your senses and spirit.
Castle – Doom-tinged metal outfit Castle will release their 4th album in July 2016. Since their inception in 2009, they have steadily climbed the metal ranks with a succession of critically acclaimed releases. Their live reputation is equally solid, having played hundreds of shows worldwide alongside The Sword, Conan, Intronaut and Pentagram and festivals like Roadburn and the London and Berlin Desertfests.
Posted in Whathaveyou on April 27th, 2016 by H.P. Taskmaster
Seems I missed a recent announcement from Keep it Low 2016 — aka Keep it Low Issue #4 — whereby the Munich-based autumnal gathering added Kind, 1000mods and Duel to its lineup. All three interesting picks. It’ll be Kind‘s first time abroad, and working with Duel means involvement from Heavy Psych Sounds, so it’s not such a surprise that in the latest round of additions, we also get Black Rainbows joining on. Elder take their place at/near the top of the bill as well, and probably the biggest question there is for Keep it Low 2016 at this point is whether or not the new Elder LP, which I hear is in the works, will be out by the time October gets here. I know I’m curious as hell to know what the trio have come up with this time around.
Also bringing their formidable presence to Keep it Low 2016 are Greenleaf, whose new album, Rise Above the Meadow, stands tall among the finest heavy rockers of the year so far, and the previously announced Monkey3, Colour Haze and Toner Low. It already looked like a good time. Now it looks like an even better one.
Keep It Low – Festival 2016 gets even better with the addition of:
– Massachusetts’ ultimate progressive stoner rock trio Elder (whose last album “Lore” is considered as one of the best releases of 2015),
– Sweden´s fantastic Heavy Rockers Greenleaf (who released their new album “Rise Above The Meadow” via Napalm Records in February),
– and Italian fuzz-fueled rockers BLACK RAINBOWS (who released a few weeks ago their fifth LP “Stellar Prophecy” via HeavyPsych Sounds)!
– the Hellenic grooviest psychedelic quartet 1000mods,
– the brand new Texas-based southern heavy rock outfit DUEL (featuring 2 ex Scorpion Child members)
– and Boston’s tripped out stoner doom supergroup KIND_band (featuring members of Elder, Black Pyramid, Sasquatch, Roadsaw and Rozamov).
Kind released their debut album “Rocket Science” last year via Ripple Music, Duel unleashed their first full length “Fears Of The Dead” in February via Heavy Psych Sounds, and 1000Mods are currently working on their third one, to be released next fall.