The Obelisk Presents: The Top 20 of 2017 So Far

Posted in Features on June 12th, 2017 by JJ Koczan

the obelisk top-20-2017-so-far

The time has come to take a look at some of the best albums of 2017 so far. I hardly know where to start. In some ways, this list is harder to put together than the end-of-year one that comes out in December, because by then not only do you have the full year to draw on, but it’s easier to sort of put a narrative to the course of events of 12 months, whereas in this case, obviously, the story is half told. So I guess if the list feels incomplete, that might be part of why.

Even with just six months to work from, the list has become fairly immense. I’ve been keeping track of 2017 releases since about September of last year, and the amount of stuff that’s come through has been staggering. Every year brings good music, and the basic fact of the matter is that if you don’t think so it’s because you’re either unwilling to find it or unwilling to let yourself hear it, but 2017 has been a multi-tiered assault of sounds from all over the world, and it seems like whatever you might be into, the universe stands ready to accommodate.

There’s a lot to say about that — is the market flooded? — but it’s a topic for a different post. I’ll keep it short here and just say that as always, it’s an honor to be covering the stuff that I cover and that I deeply appreciate you taking the time to read. I hope if there’s a release you feel deeply passionate about that you don’t see on my list below that you’ll please let me know about it in the comments.

Also, please note that in order to qualify for this list, a record had to come out on or before June 9. That’s the cutoff.

Okay, here goes:

The Top 20 of 2017 So Far

elder reflections of a floating world

1. Elder, Reflections of a Floating World
2. All Them Witches, Sleeping Through the War
3. Samsara Blues Experiment, One with the Universe
4. Colour Haze, In Her Garden
5. Atavismo, Inerte
6. Sun Blood Stories, It Runs Around the Room with Us
7. Cloud Catcher, Trails of Cosmic Dust
8. Vokonis, The Sunken Djinn
9. The Obsessed, Sacred
10. Mothership, High Strangeness
11. Spaceslug, Time Travel Dilemma
12. Electric Moon, Stardust Rituals
13. Alunah, Solennial
14. Arc of Ascent, Realms of the Metaphysical
13. Rozamov, This Mortal Road
14. Siena Root, A Dream of Lasting Peace
15. PH, Eternal Hayden
16. Geezer, Psychoriffadelia
17. T.G. Olson, Foothills Before the Mountain
18. Telekinetic Yeti, Abominable
19. The Devil and the Almighty Blues, II
20. Lord, Blacklisted

Notes

If you keep up with this site at all, there probably aren’t a lot of surprises in there. These are all records that have been discussed at great length over the last six months, reviewed, streamed, analyzed, whathaveyou’d all the way. If you don’t believe me, search any of the names. Still, as far as my personal picks go and who I think has crafted something special over the last six months, this feels pretty representative to me. I managed to live for a full week with the list as you see it above, without making changes. That’s usually my standard.

And as always, it’s a combination of what I’ve listened to most and what I feel has had the greatest impact thus far into the year. Between the two, there was little doubt Elder would take the top spot. I’ve probably listened to the All Them Witches record more than anything else this year, including Elder’s Reflections of a Floating World, but the truth is the Massachusetts trio are working at a level of their own making in terms of their sonic progression, and that they’ve emerged as one of if not the most pivotal American underground heavy rock bands going. The situation was much the same when they put out Lore in 2015 and claimed that year’s top-album spot, but even since then their sound has expanded and they continue to demand ultimate respect.

As for the All Them Witches album — absolute stunner. The increased depth of their arrangements on Sleeping Through the War came at no expense of songwriting, resulting in ultra-memorable material that could either wash over you with melody or shove you out of your seat with the force of its rhythm, and that band continues to be a treasure. No other way to put it.

From there, we move into what I think are the four best heavy psych offerings of 2017 so far, with Samsara Blues Experiment, Colour Haze, Atavismo and Sun Blood Stories, in that order. Samsara Blues Experiment’s return has been a joy to witness and their first album in four years lived up to the occasion. Colour Haze expanded the palette from their last album with In Her Garden and proved as immersive as always. I’m still getting to know that record. Atavismo’s second full-length upped the progressive influences without losing fluidity or cohesion in songwriting, and Sun Blood Stories’ hypnotic shoegaze offered expansive thrills and a sense of varied, beautifully crafted exploration.

A pair of exciting young bands thereafter in Colorado’s Cloud Catcher, whose boogie is right-on-right-on and whose development continues to hold much potential, and Vokonis, whose crushing riffs on The Sunken Djinn were met with an increased focus on structure and tightening of approach that maximized overall impact. The Obsessed’s unexpected return could only be called a triumphant one, and Mothership’s third long-player found them working in a richer sense of mood than previous outings, adding yet more character to what was still a blast of good-time rock and roll. They round out the top 10 in full command of who they are as players.

Granted, the next 10 releases are kind of all over the place, but I think that just shows the overarching quality of work being done across the board. From Spaceslug’s melodic stoner-psych to Electric Moon’s studio return — so, so, so good — to Alunah’s continued growth in nature-worshiping heavy and Arc of Ascent’s comebacker of rolling heavy riffs and metaphysical themes, there’s been so much to take in. I especially like the pairing of Rozamov and Siena Root as a sense of scope for 2017 so far; the former being so dark and crushing and the latter who lived up to calling their record A Dream of Lasting Peace. You want to know both ends of the spectrum? There they are.

PH’s Eternal Hayden gets a nod for its effective reset of the context of that band following the completion of their trilogy of albums, and Geezer’s Psychoriffadelia might have been something of a tossoff in the making, but the level at which the New York trio jams nonetheless assures it a spot here. Plus, a Nazareth cover. So duh.

I couldn’t help but include T.G. Olson’s Foothills Before the Mountain on the list as the Across Tundras frontman creeps closer to a full-band sound for his solo work, adding to his acoustic singer-songwriter foundations, and the crush of Telekinetic Yeti’s post-Sleep riffing evoked so many nods I thought they deserved one here as well. Placing The Devil and the Almighty Blues was difficult, but especially after seeing them live, I felt like I had a better idea of where they were coming from on II, so knew they belonged somewhere, even if it was tucked in at the end. And of course, Lord. Always killer, always experimenting, always chaotic. Never have grind and sludge sounded more cohesive together. They’re the band I wish Soilent Green had become, and yes, I mean that.

Honorable Mention

Let’s do another 10 releases, shall we?

21. Beastmaker, Inside the Skull
22. Arduini/Balich, Dawn of Ages
23. Brume, Rooster
24. John Garcia, The Coyote Who Spoke in Tongues
25. Six Sigma, Tuxedo Brown
26. Demon Head, Thunder on the Fields
27. Summoner, Beyond the Realm of Light
28. Steak, No God to Save
29. Six Organs of Admittance, Burning the Threshold
30. Dool, Here Now There Then

And just to make the point, here are even more worthy of note in this space:

Elbrus, Elbrus
Cortez, The Depths Below
Ecstatic Vision, Raw Rock Fury
Child, Blueside (a December 2016 release, maybe, but I think the vinyl was this year, so whatever)
Pallbearer, Heartless
Spidergawd, IV
Green Meteor, Consumed by a Dying Sun
Loss, Horizonless

There are of course other names as well that come to mind. Like I said at the outset, it’s a crowded field: Hymn, Arbouretum, Green Meteor, REZN, Demon Head, Galley Beggar, Devil’s Witches, Orango, Heavy Traffic, Coltsblood, Mt. Mountain, Vokonis, Solstafir, High Plains, on and on.

Also worth highlighting several really, really quality live records that have surfaced so far this year. I didn’t really know where to place them among the other studio offerings, but they deserve note for sure:

Causa Sui, Live in Copenhagen
Death Alley, Live at Roadburn
My Sleeping Karma, Mela Ananda – Live
Enslaved, Roadburn Live

More to Come

Of course, we’re still just barely halfway through the year, so keep on the lookout for more to follow. If you didn’t see my massive 200+ albums to watch for list in January, it has many that have come out and many more still to surface, but here are a few highlight names as well that you’re going to want to keep an eye on in the months ahead:

Queens of the Stone Age
Radio Moscow
The Atomic Bitchwax
Kadavar
The Midnight Ghost Train
Moon Rats
Clamfight
Egypt
the Melvins
Bison Machine
Seedy Jeezus
High on Fire
Monster Magnet

Thanks for Reading

Before I check out, I’d like to give special mention to Lo-Pan’s In Tensions EP as the best short release of the year thus far. Along with EPs from Godhunter, Kings Destroy, Solace and Shroud Eater, it has assured those seeking a quick fix are handed their ass in return for asking.

Well, that’s about where I’m at with it. As per usual, I’m sure there are things I forgot and/or left off here, because I’m human and whatnot, so please if you have something to add, feel free to do so in the comments so long as you can keep it cordial. No name calling. I’m sensitive and you’ll ruin my whole day. I mean that.

Thanks again for being a part of this and here’s to an excellent rest of 2017.

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Elder, Reflections of a Floating World: Building on the Moment

Posted in Reviews on May 23rd, 2017 by JJ Koczan

Elder-Reflections-of-a-Floating-World

It would be impossible and improper to separate Reflections of a Floating World from the context of its predecessor. 2015’s Lore (review here) was a bold statement of arrival by Massachusetts trio Elder, a no-doubter Album of the Year, and a marked stylistic leap from 2011’s Dead Roots Stirring (review here) into a bright-toned and progressive vision of heavy rock and roll that even the 2012 Spires Burn/Release EP (review here) did not fully foretell. It paid off the potential that guitarist/vocalist Nick DiSalvo, bassist Jack Donovan and drummer Matt Couto have shown since their 2008 self-titled debut (discussed here), and though the six-track/67-minute Reflections of a Floating World doesn’t represent the same kind of broad stylistic shift overall, it nonetheless pushes further along the richly individualized path they found their last time out and expands both the sonic palette and the lineup itself in key ways.

Like LoreReflections of a Floating World arrives with lush, beautiful cover art by Adrian Dexter on Armageddon Shop and Stickman Records, and like Lore, it was recorded by Justin Pizzoferrato at Sonelab in Easthampton, MA (feature here), so listeners shouldn’t necessarily be surprised at some commonalities between the two records, but in composing and piecing together these tracks, Elder also brought in keyboardist/guitarist Mike Risberg — a bandmate of DiSalvo‘s in the side-project Gold & Silver, who released their debut, Azurite & Malachite (review here), in 2014 — who’ll also tour with the band as a fourth member, as well as Mike Samos, who contributed lap steel guitar, electric mandolin, theremin and other sources of flourish to the textures of tracks like “Staving off Truth” and the penultimate atmospheric stretch, “Sonntag”; essentially a five-man jam edited into a lengthy interlude between the band’s more common, fluid part-barrage process of songcraft. The additional arrangement elements were something hinted at in Lore‘s title-track, but it’s on Reflections of a Floating World that these ideas are more completely brought to fruition, and Elder are a more complete and, frankly, a better band for refusing to do anything other than make the songs they want to make by any means necessary.

That alone could be taken as a sign of the maturity that in part defines the course of Reflections of a Floating World, but the album’s prevailing sensibility comes through in the graceful manner in which it moves from part to part, song to song, while building toward a cohesive whole that offers the listener a guided immersion few acts in the US or elsewhere can match. They begin with a half-hour opening salvo of three extended tracks in “Sanctuary” (11:41), “The Falling Veil” (11:40) and “Staving off Truth” (10:43) before digging even further into proggy textures with “Blind” (13:39), “Sonntag” (9:01) and closer “Thousand Hands” (10:01), and the consciousness of the flow they craft isn’t to be understated. “Sanctuary” starts with guitar establishing a full-toned riff joined in seconds by bass and crashing drums and in under 20 seconds an album that will do nothing if not take its time to say what it wants to say is quickly in motion. One does find that Elder have grown more patient in their execution, but also more clever. They tease payoffs and turn elsewhere in “Sanctuary” to buck expectation; a sign of compositional confidence and the knowledge that their audience will follow them on their winding paths, which, if past is prologue, they of course will.

elder

Turning through gentler breaks, heavy roll and a vast-sounding lead, “Sanctuary” hits the six-minute mark and moves into a psychedelic stretch it will build from twice-over, and its poise in doing so becomes an important factor in the album as a whole — something that the slow, soundscaping intro of “The Falling Veil” takes up immediately. If “Sanctuary” was the rocking opener, “The Falling Veil” is where Elder introduce more of Reflections of a Floating World‘s progressive elements, with Risberg making himself known on Mellotron as the song begins its post-midpoint instrumental push into the plotted known-unknown, finding there a winding dose of riffing that brings a sudden stop and move into the drifting intro to “Staving off Truth,” which further works to unite the heft and the scope of presentation thus far brought to bear, and I’d gladly argue, succeeds in that, representing a moment of balance for Reflections of a Floating World and emphasizing in a not-overblown manner the way in which Elder have continued to develop over the last two years, expanding rather than remaking, but committed as ever to their sonic and stylistic growth, shown as much in the lush depth of their mix as in the sweeping current that runs under all of it.

Performance is also a factor in this. As crisp as Reflections of a Floating World sounds with the spaciousness in Couto‘s drums, the resonant push of Donovan‘s bass, Risberg and Samos‘ contributions and DiSalvo‘s alternately airy and dense guitar work and more-confident-than-ever-before vocals — he features in the initial verses of “Blind” in a braver way than he ever has — the album is vital in spirit. It explores, but doesn’t linger, and while their live show has always been somewhat rawer than their studio offerings, it’s clear Elder are retooling that balance somewhat as they revamp their lineup and expand their overarching scope as they do in the second half of this record. “Blind” is the longest inclusion at just under 14 minutes and starts with blown-out drums before moving into organ-topped rhythmic and melodic sway, a long and engaging instrumental midsection providing the crux and a winding finish easing into “Sonntag” with a dead stop similar to “Sanctuary” and “The Falling Veil” earlier. “Sonntag” starts quietly but pulses and quickly introduces its improvised-seeming course, which unfolds patiently as a languid, almost Euro-style prog jam marked out by guitar noodling over a steady line of bass and drums.

If there’s a point of utter departure for Elder on Reflections of a Floating World, “Sonntag” would be it, and though it would be strange to call a track that’s nine minutes long an interlude, the effect is basically the same: A moment for the listener to catch their breath before they head into closer “Thousand Hands.” It just so happens that with Elder, that moment lasts longer and finds the band adventuring into sonic territory they’ve never before covered. Go figure. They fadeout the jam and cap “Sonntag” with a drone before the shimmering guitar line that starts “Thousand Hands” launches, reviving the earlier momentum but still affected by the peaceful context of the stretch before it. One would expect “Thousand Hands” to be the payoff for Reflections of a Floating World as a whole, and it indeed does hit that mark in its late crescendo, but it also effectively summarizes the progressive ideology that is truly at heart in the narrative of the album: Elder mature, established, quickly becoming one of the most important American heavy bands of their generation.

That’s the story here. And if the question coming into Reflections of a Floating World was just how Elder would emerge from the considerable shadow cast by Lore, the answer is they emerge shining. Their aesthetic movement has always been forward-directed, and though it seemed like they found the answer they were looking for with their previous record in terms of sound, they’ve apparently embarked on an entirely different subset of questions. As a fan, I still have no idea what Reflections of a Floating World might portend for Elder‘s future, and I’d no more suggest that their next record might build directly off this one than I would’ve suggested this one would build off the last, but one way or another, three-piece or four-piece, proggy meander or crushing riffs, Elder remain a special band whose sound has only become more their own over time, and Reflections of a Floating World is another Album of the Year candidate that finds them at the to-date height of their collective power.

Elder, Reflections of a Floating World (2017)

Elder on Thee Facebooks

Elder on Bandcamp

Armageddon Shop

Stickman Records

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audiObelisk Transmission 061

Posted in Podcasts on May 15th, 2017 by JJ Koczan

the obelisk podcast 61

Click Here to Download

 

Yes! A new podcast! Are you stoked? I’m stoked. If you’re not, you will be when you look at the list of bands included. In any case, let’s be stoked together, because rock and roll, and heavy psych and good music and, well, yeah. That’s pretty much stuff to be stoked about. It’s been absurdly long since the last time we did one of these. Too long. I don’t really have an excuse other than… gainful employment? Don’t worry, though. That’ll be over soon enough. Then it’ll be podcasts out the ass.

There’s some killer goods here though. Yeah, I decided to do a “Yeti” double-shot with Green Yeti into Telekinetic Yeti. That’s my version of me being clever. But both bands are righteous, and if you haven’t heard the Savanah record, or that new Tia Carrera jam, or the Cachemira or Big Kizz or Yagow or Vokonis or the Elder — oh hell, frickin’ all of it — it’s worth your time. That Emil Amos track just premiered the other day and I think will surprise a lot of people, and I liked the way it paired with the dark neofolk of Hermitess. And of course we get trippy in the second hour, as is the custom around here. But first a moment of prog clarity from the aforementioned Elder. That’s a good time as well.

As always, I hope you enjoy.

Track details follow:

First Hour:

0:00:00 Vokonis, “The Sunken Djinn” from The Sunken Djinn
0:06:47 Tia Carrera, “Laid Back (Frontside Rock ‘n’ Roll)” from Laid Back (Frontside Rock ‘n’ Roll)
0:16:33 Supersonic Blues, “Supersonic Blues Theme” from Supersonic Blues Theme / Curses on My Soul
0:19:28 Emil Amos, “Elements Cycling” from Filmmusik
0:22:28 Hermitess, “Blood Moon” from Hermitess
0:26:24 Savanah, “Mind” from The Healer
0:34:22 Yagow, “Non-Contractual” from Yagow
0:42:35 Big Kizz, “Eye on You” from Eye on You
0:45:53 Cachemira, “Jungla” from Jungla
0:52:05 Green Yeti, “Black Planets (Part 2)” from Desert Show
0:58:02 Telekinetic Yeti, “Stoned and Feathered” from Abominable

Second Hour:

1:02:10 Elder, “The Falling Veil” from Reflections of a Floating World
1:13:20 Riff Fist, “King Tide” from King Tide
1:24:15 Cavra, “Montaña” from Cavra
1:39:18 Causa Sui, “A Love Supreme” from Live in Copenhagen

Total running time: 1:55:53

 

Thank you for listening.

Download audiObelisk Transmission 061

 

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Elder Post Reflections of a Floating World Cover Art; Announce European Tour with King Buffalo

Posted in Whathaveyou on April 3rd, 2017 by JJ Koczan

elder

Is your calendar marked for June 2 yet? Do people still mark calendars? Am I the only one? Well, set a reminder or, I don’t know, get a preorder in or something, because June 2 is the release date for Elder‘s fourth album, Reflections of a Floating World, and I know that for a lot of you as well as for me, it’s a potential album of the year. The follow-up to 2015’s Lore (review here), it will be released by Armageddon Shop and Stickman Records, and to support it this summer, the four-piece have announced a stretch of European tour dates on which they’ll be supported by King Buffalo.

Hard to think of better company for King Buffalo on their first Euro run than their labelmates in Elder, who by now have moved themselves to the forefront of the American heavy sphere. This tour will find them at fests like Stoned from the Underground, Red Smoke, Bukta, Lake on Fire and SonicBlast, and they’ll come back to the US for a corresponding run in October — they also play Stumpfest in Oregon this month — as they support the record, for which the righteous Adrian Dexter cover art has newly been unveiled. You can check that out below, followed by the tour announcement, and the previously-posted album teaser Reflections of a Floating World.

From the social medias:

Elder-Reflections-of-a-Floating-World

ELDER – REFLECTIONS OF A FLOATING WORLD ALBUM ART / TOUR ANNOUNCEMENT!

We can’t wait any more to start rolling out some more news regarding the new album and upcoming tours so… we won’t.

Here is the cover for our upcoming album “Reflections of a Floating World”, handled by our resident visual magician Adrian Dexter, who again used album’s double LP format in a unique and beautiful way. We’ll reveal some more of his stunning work for the album and format details later.

To kick off the release, we will hit Europe for a tour in July/August, playing for the first time as a four-piece. We are happy to announce that labelmates King Buffalo will be joining us. They released their killer debut album “Orion” last year and we’re looking forward to their jams live.

A US tour is in the works for October, as well as some other tours being planned. Can’t wait to share the album with you all and see some new and old faces on the road soon.

Elder / King Buffalo European Tour 2017:
14.07.2017 GER – Erfurt, Stoned From The Underground
15.07.2017 PL – Pleszew, Red Smoke Festival
16.07.2017 GER – Hannover, Chez Heinz
17.07.2017 DK – Copenhagen, Pumpehuset
18.07.2017 TBA
20.07.2017 NOR – Tromsö, Bukta Festival
21.07.2017 NOR – Oslo, Blå
22.07.2017 NOR – Fekkefjord, Fjellparkfestivalen
24.07.2017 GER – Hamburg, Hafenklang
25.07.2017 GER – Wiesbaden, Schlachthof
26.07.2017 GER – Berlin, Lido
27.07.2017 NL – Nijmegen, Merleyn
28.07.2017 GER – Siegen, Vortex
29.07.2017 TBA
30.07.2017 F – Paris, Glazart
31.07.2017 GER – Munich, TBA
01.08.2017 I – Milan, Magnolia
02.08.2017 RUS – Moscow, Volta*
03.08.2017 RUS – St.Petersburg, MOD*
04.08.2017 A – Waldhausen, Lake On Fire Festival
05.08.2017 GER – Beelen, Krach Am Bach
06.08.2017 UK – Bristol, The Fleece
07.08.2017 UK – Edinburgh, Studio 24
08.08.2017 UK – Manchester, Soup Kitchen
09.08.2017 UK – London, Underworld
10.08.2017 UK – Bournemouth
11.08.2017 P – Moledo, Sonic Blast Festival*
* only Elder

http://facebook.com/elderofficial
http://stickman-records.com
http://armageddonshop.com

Elder, Reflections of a Floating World teaser

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Elder Post New Album Teaser; Reflections of a Floating World Due June 2

Posted in Bootleg Theater on February 21st, 2017 by JJ Koczan

elder-photo-Jamie-Gouger

What, you thought I wasn’t going to post the first audio to be made public from Elder‘s new album? What’s been titled Reflections of a Floating World and given a June 2 release date through Armageddon Shop and Stickman Records gets its first peak in the teaser clip below, along with some of the art by Adrian Dexter that, from what I saw when I was fortunate enough to be in the studio with the band back in December, will be something of a highlight in and of itself among 2017 outings. And then we get to the music. Kind of.

It’s only a little over a minute long, and much of that is given to a showcase of texture — that is to say, the Massachusetts three-turned-four-piece aren’t giving away all the goods their first time out — but from what I got to hear of Reflections of a Floating World, texture is actually going to be a big part of the progressive step forward they’re taking from 2015’s Lore (review here). Seems fair to expect a good amount of ambience this time around, and late in the clip below there’s just a little slice of their more rocking side, which never felt particularly likely to go away, particularly after the shimmering display of balance they put on with the last record.

Elder, who celebrate 10 years as a band in 2017, were recently confirmed for the Days of Darkness Festival this October in Baltimore (info here), and you’ll have to forgive my assumption that many more tour dates will be announced in the months ahead. The big question in my mind at this point is what Elder will ultimately do with all that momentum they had coming off Lore, and how much will 2017 be their moment? Can they capture that kind of lightning in a bottle twice? If anyone could…

Ponder it while you watch the clip below, and enjoy.

More to come:

Elder, Reflections of a Floating World teaser

Our new album is entitled “Reflections of a Floating World”. It will be released on June 2nd, 2017 via Stickman Records and Armageddon Shop.

Here’s a short teaser featuring a preview of some music and artwork by Adrian Dexter. We are looking forward to sharing more details including the full album art, track listing, tour dates and a full song with you soon!

Elder on Thee Facebooks

Stickman Records website

Armageddon Shop website

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