Emerald Haze 2017: Individual Day Lineups Announced; Sólstafir & Church of the Cosmic Skull to Headline

Posted in Whathaveyou on July 3rd, 2017 by JJ Koczan

It says something about the adventurous nature of the inaugural Emerald Haze festival — set for Sept. 1-2 in Dublin, Ireland and co-presented by The Obelisk — that it will be headlined by Sólstafir and Church of the Cosmic Skull. The former, a genreless Icelandic outfit, specialize in a highly individualized brand of melodic melancholia. The latter are an almost brand new UK outfit whose debut, Is Satan Real? (review here), came out last year and was rife with proggy flourish in keys and vocal arrangements. Both are legit choices, but neither is quite what you’d expect for a festival centered around heavy psych and rock, and as someone fortunate enough to be involved in the fest in the tiny, infinitesimally small fashion I am and who will also be fortunate enough to be there to cover it, I appreciate that unexpected nature of the goings on.

And as I’m pretty sure I’ve said in every single post about Emerald Haze 2017, I’m really, really looking forward to it.

Here’s the breakdown, courtesy of the fest:

EMERALD HAZE ANNOUNCE DAILY LINE-UPS

EMERALD HAZE, Dublin’s brand new heavy psych festival has announced the daily line-ups for the inaugural edition which takes place on Friday 1st and Saturday 2nd September.

Friday will see main stage headliners Church of the Cosmic Skull joined by The Cosmic Dead, Wild Rocket, Abrahma, Blaak Heat, Electric Octopus, Elder Druid, King Witch, Mount Soma and Zlatanera while Saturday sees Sólstafir, Belzebong, Lord Vicar, Dread Sovereign, Bad Boat, Nomadic Rituals, Gorilla Pulp, WitchSorrow, Electric Taurus, Ten Ton Slug, Iron Void, Mother Mooch, Death the Leveller, The Magnapinna, Vulpynes, Gourd and Korvid across two stages in Voodoo Lounge and On The Rox.

Day tickets and a limited number of early bird tickets are on sale now from www.tickets.ie
Direct link: https://secure.tickets.ie/Listing/EventInformation/35248/emerald-haze-dublin

Friday: €15 + €2.50 booking fee
Saturday: €25 + € 3.00 booking fee
Early Bird Weekend tickets: €35 + €3.50 booking fee

For more information see www.emeraldhazedublin.com
Event page: www.facebook.com/events/1321221147946613

EMERALD HAZE takes place on Friday 1st and Saturday 2nd September 2017 over two adjacent venues – Smithfield’s Voodoo Lounge and On The Rox. Performers will be a mix of Irish and international headline acts, alongside established and emerging talent from Ireland and abroad. EMERALD HAZE is a not-for-profit venture, supported by Dublin City Council.

https://www.facebook.com/events/1321221147946613/
https://www.facebook.com/emeraldhazedublin/
https://secure.tickets.ie/Listing/EventInformation/35248/emerald-haze-dublin

Church of the Cosmic Skull, Is Satan Real? (2016)

Sólstafir, Berdreyminn (2017)

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Emerald Haze 2017: Belzebong, The Cosmic Dead, Blaak Heat, Iron Void, Mother Mooch, Electric Taurus, Mount Soma & More Added

Posted in Whathaveyou on June 21st, 2017 by JJ Koczan

Thus far, the inaugural Emerald Haze fest has been pretty metered in posting its lineup additions, but in this final one, they’re pretty much going for broke in welcoming a range of acts from Ireland and beyond, including Poland’s Belzebong, Scottish jammers The Cosmic Dead, US/France-based desert progressives Blaak Heat, and UK doomers Iron Void among a vast slew of others. These as well as a swath of native Irish acts — Electric Taurus, Mother Mooch, Gourd, Vulpynes, Korvid, Death the Leveller, Nomadic Rituals, Bad Boat, Magnapinna and Mount Soma, to see the list below — will converge on Dublin the first weekend in September for the festival co-presented by The Obelisk, and as I’ve said all along, I could not be more thrilled to be involved in the fest in the very minimal way I am and to be able to be there to cover it as it happens. Very, very much looking forward to it.

Like, a lot.

My understanding is this is the last announcement for the lineup, but of course there’s always the possibility of some shakeup between now and September, so I’ll keep an eye out. Tickets are available in the meantime via the links below, so get on that. Meet me in Dublin. We’ll hang out. It’ll be awesome.

Here’s word from the PR wire:

emerald-haze-2017-final-poster

EMERALD HAZE: Final band announcements- Belzebong, The Cosmic Dead, Iron Void and more

For further information, interview requests and/or press passes, please contact: emeraldhazedublin@gmail.com

The final bands have been announced for the inaugural Emerald Haze, Dublin’s brand new heavy psych festival. Poland’s heavy doom/fuzz metallers Belzebong and Scottish psychonauts The Cosmic Dead head the list along with international acts Blaak Heat from France and British doomsters Iron Void. The last of the home grown talent to be announced come from all four corners of Ireland and spans the full spectrum of heavy psychedelic sounds – Bad Boat, Nomadic Rituals, Electric Taurus, Mother Mooch, Death The Leveller, The Magnapinna, Mount Soma, Vulpynes, Gourd and Korvid.

Early bird tickets are on sale now from www.tickets.ie priced at €35 + €3.50 booking fee.
Direct link: https://secure.tickets.ie/Listing/EventInformation/35248/emerald-haze-dublin

For more information see www.emeraldhazedublin.com
Event page: www.facebook.com/events/1321221147946613

EMERALD HAZE takes place on Friday 1st and Saturday 2nd September 2017 over two adjacent venues – Smithfield’s Voodoo Lounge and On The Rox. Performers will be a mix of Irish and international headline acts, alongside established and emerging talent from Ireland and abroad. EMERALD HAZE is a not-for-profit venture, supported by Dublin City Council.

The Mother Fuzzers Ball Stage has been an integral and very successful aspect to CANALAPHONIC Music & Culture Festival since its inception in 2015. EMERALD HAZE creates an opportunity to further develop and nurture Ireland’s contributions to the worldwide aesthetic of heavy psych, draw international attention to the high quality and quantity of acts emerging around the country and provide festival experience to these bands.

https://www.facebook.com/events/1321221147946613/
https://www.facebook.com/emeraldhazedublin/
https://secure.tickets.ie/Listing/EventInformation/35248/emerald-haze-dublin

Belzebong, Greenferno (2016)

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Emerald Haze 2017: Lord Vicar, Church of the Cosmic Skull, Wild Rocket and Witchsorrow Added

Posted in The Obelisk Presents, Whathaveyou on June 12th, 2017 by JJ Koczan

The second round of announcements from the inaugural Emerald Haze festival in Dublin (presented by The Obelisk, among others) brings further intrigue and anticipation. Also doom of the highest quality, and of course by that I mean Lord Vicar are playing. The Finnish masters released the righteous Gates of Flesh (review here) last year and join a bill already heralding the likes of Dread SovereignAbrahmaTen Ton Slug and Zlanatera. I am unbelievably stoked at the prospect of seeing them live.

Ditto that for Church of the Cosmic Skull, who had one of 2016’s best debut releases in their first full-length, Is Satan Real? (review here), which basked in a lush and classically progressive sensibility marked out by its vocal harmonies and generally fluid approach. Add Wild RocketWitchsorrowElectric OctopusGorilla Pulp and Elder Druid to the mix as well and Emerald Haze 2017 already seems to be taking shape nicely as a diverse, quality bill that, once again, I’m honored to be co-presenting.

And as I said last time, I’m planning on being in Dublin to cover it, so please come and please say hi. I’m super-awkward in person, but always appreciate a chance to shake hands, put faces to names and so on. I hope to see you there.

Here’s the latest announcement from the fest:

emerald haze 2017 poster

Church of the Cosmic Skull, Lord Vicar added to line up for EMERALD HAZE

Rising stars of the UK psych scene Church of the Cosmic Skull and international doom supergroup Lord Vicar are among the bands to be added to the bill for EMERALD HAZE, Dublin’s brand new heavy psych festival on Friday 1st and Saturday 2nd September.

Church of the Cosmic Skull, Nottingham’s seven-piece multi-vocal prog/psych superstars in the making and self professed new religious movement will headline the opening night of Dublin’s inaugural EMERALD HAZE.

After gaining widespread critical acclaim with the 2016 release of their debut album “Is Satan Real?”, Church of the Cosmic Skull embarked on a a highly commended headline tour of the UK in April, and will perform at a number of European festivals over the summer including Freak Valley Festival and Desertfest Antwerp.

Lord Vicar – whose international line up includes former members of Reverend Bizarre, Count Raven and Saint Vitus – along with Dublin-based space punks Wild Rocket, U.K. doomsters WitchSorrow, Italian rockers Gorilla Pulp and two more bands from the fertile Northern Irish scene, Elder Druid and Electric Octopus have all been added to the previously announced line up of Sólstafir, Dread Sovereign, Abrahma, Ten Ton Slug and Zlatanera, with more Irish and international acts to be named in the coming weeks.

Early bird tickets are on sale now from www.tickets.ie priced at €35 + €3.50 booking fee.
Direct link: https://secure.tickets.ie/Listing/EventInformation/35248/emerald-haze-dublin

https://www.facebook.com/events/1321221147946613/
https://www.facebook.com/emeraldhazedublin/
https://secure.tickets.ie/Listing/EventInformation/35248/emerald-haze-dublin

Lord Vicar, “Birth of Wine”

Church of the Cosmic Skull, “Black Slug” official video

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Elder Druid Post “Rogue Mystic” Video

Posted in Bootleg Theater on April 6th, 2017 by JJ Koczan

elder druid

“Rogue Mystic” is the second video from Elder Druid‘s 2016 debut EP, Magicka (review here), which despite sharing its title with the 2000 narrative concept album from Dio — that was Magica, minus the ‘k’ — actually pulls way more influence from the Sleepy end of tonally-dense stoneralia. Like its visually represented predecessor “The Warlock” (posted here), “Rogue Mystic” finds the Northern Irish five-piece roughing up this central influence, as vocalist Gregg McDowell brings a harsher edge to the song’s tale of a wizard who betrays his coven by stealing an amulet and is subsequently hunted down for his efforts.

That story is told over a rolling groove heavy enough that it caught the attention of Conan guitarist/vocalist Jon Davis, who issued Magicka through his Black Bow Records imprint last fall. If you needed a compliment to the tones of guitarists Jake Wallace and Mikey Scott and bassist Dale Hughes, who’s joined in the rhythm section by Brien Gillen — whose almost bouncing plod can be heard pushing this track forward — I can’t think of a better one than that. As you can hear in “Rogue Mystic,” though, they well earn it. Elder Druid have some local shows coming up this weekend and over the next few months, but I’m curious to see how long they’ll ultimately be in putting together a follow-up to Magicka and perhaps a first long-player. Revisiting this track, they certainly seem ready for that step.

You can take a listen to “Rogue Mystic” and check out the clip below, and see if you agree.

Hope you enjoy:

Elder Druid, “Rogue Mystic” official video

We’re very happy to announce the release of our brand new music video for ‘Rogue Mystic’ from our latest EP ‘Magicka. Huge thanks to Gryphus Visuals for the incredible job. Prepare yourself for some very trippy, occult viewing. Cheers!

DRACONIAN MASTER OF THE ARCANE
A MYSTIC ENIGMA WITHOUT A NAME

Elder Druid formed in early 2015 in Ballymena, Northern Ireland. Five lovers of heavy riffs and molten fuzz came together to add their stamp to the world of stoner rock and doom metal. With heavy influences from Black Sabbath, Electric Wizard, Kyuss and Sleep, the riffs began to take shape and all the elements started to fuse.

After gigging through the summer of 2016 across Northern Ireland, the band went into the studio with Andy Shields (Hornets) and recorded a 5-track EP entitled ‘Magicka’ which was released via Black Bow Records in October 2016.

Elder Druid is:
Gregg McDowell – Vocals
Jake Wallace – Lead Guitar
Mikey Scott – Rhythm Guitar
Dale Hughes – Bass Guitar
Brien Gillen – Drums

Elder Druid on Thee Facebooks

Elder Druid on Bandcamp

Elder Druid on Instagram

Black Bow Records website

Gryphus Visuals on Thee Facebooks

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Quarterly Review: Bus, Them Bulls, Stinkeye, Buzzard Canyon, Motherbrain, Elder Druid, The Crazy Left Experience, The Watchers, Of the Horizon, Raj

Posted in Reviews on December 28th, 2016 by JJ Koczan

the obelisk winter quarterly review

Today is the day the Quarterly Review passes the halfway point. This will be 21-30 of the total 60 for the six days, so there’s still a ways to go — you might say 50 percent — but it’s a milestone nonetheless. Once again it’s another roundup of cool stuff, kind of all over the place a little more than the last two days were, but as we go further along with these things, it’s good to mix it up after a while. There’s only so many times you can throw the word “lysergic” around and talk about jamming. That said, you’re getting some of that today as well from Portugal, so when it pops up, don’t be surprised. Much to do, so no need to delay.

Quarterly Review #21-30:

Bus, The Unknown Secretary

bus-the-unknown-secretary

Athenian double-guitar four-piece Bus execute a stylistically cohesive, crisp debut with The Unknown Secretary (on Twin Earth Records), presenting classic heavy rock elements without going full-retro in their sound itself and marking songs like “Masteroid” as immediately distinct through the harmonized vocals of guitarist Bill City, joined in the band by guitarist Johnnie Chez, bassist Chob D’oh and drummer Aris. Together they run through a clean two sides that play back and forth between proto-metallic and doom shading – “Don’t Fear Your Demon” touches on slower Pentagram – while sounding perhaps most comfortable in rockers like “Withered Thorn” or the earlier stomper “New Black Volume,” which puts its two guitars to excellent use ahead of and between unabashedly poppy (not sure a full Ghost comparison is warranted) verse, and craft a highlight in the 7:38 arena-ready thrust of “Rockerbus” prior to the surprisingly nodding finale of “Jimi.” A strikingly efficient and clear-headed first full-length that would seem to hold much promise of things to come from yet another player in Greece’s emergent heavy scene.

Bus on Thee Facebooks

Twin Earth Records on Bandcamp

 

Them Bulls, Them Bulls

them-bulls-them-bulls.jpg

With the start-stop riff of opener “As Fangs in Stone,” a mastering job by Mathias Schneeberger and the breadth of pop melodicism in cuts that one, the swinging “Made of Ghosts,” and the more percussive “Through the Sun,” Italian four-piece Them Bulls make a pretty strong beeline for early-Queens of the Stone Age-style heavy desert rock. Their self-titled Small Stone debut isn’t without individualized flourish, but the 10-track/41-minute offering makes it clear from the start what its intentions are and then sets about living up to them, whether on the careening Songs for the Deaf-ery of “Pot Gun” or the penultimate “We Must Live Up” itself. Vocal interplay from guitarists Daniele Pollio and Franscesco Pasi – joined by the rhythm section of bassist Paolo Baldini and drummer Giampaolo Farnedi – provides an opportunity for future growth, but it’s worth noting that for a band to take on such a specific stylization, their songwriting needs to be in check, and Them Bulls’ is.

Them Bulls on Thee Facebooks

Them Bulls at Small Stone Records

 

Stinkeye, Llantera Demos

stinkeye-llantera-demos

What seems to be Stinkeye’s debut recording, Llantera Demos, arrives as a free download of four tracks and 16 minutes rife with thickened boogie and dense mecha-stoner fuzz, reminding of Dead Meadow immediately in the echoing vocals and rhythmic bounce of “Orange Man” but moving into some shuffle on the subsequent “Fink Ployd” and “Llantera,” the latter a well-earned showcase of bass tone. While out on the coast, ‘70s vibes reign supreme, the Phoenix, Arizona, trio are on a different tip, looser in their swing and apparently more prone to drift. For what it’s worth, they call it “hash rock,” and fair enough as “Pink Clam,” which closes Llantera Demos, rides more of a grunge-laden nod to an immersive but still relatively quick five-minute finish, building after three minutes in to a satisfying final instrumental push. Loaded with potential in tone, execution, vibe and dynamic between the three-piece, Llantera Demos immediately marks Stinkeye out as a band to watch and is just begging for the right person to come along and press it to tape.

Stinkeye on Thee Facebooks

Stinkeye on Bandcamp

 

Buzzard Canyon, Hellfire and Whiskey

buzzard-canyon-hellfire-and-whiskey.jpg

Want to grab attention with your debut long-player? Calling a song “Louder than God” might be a good way to go. That track, at seven minutes, is the longest on Connecticut five-piece Buzzard Canyon’s Hellfire and Whiskey (on Salt of the Earth), and following a quiet initial stretch, it launches into Down-style Southern chug, the dual vocals of Amber Leigh and guitarist Aaron Lewis (the latter also of When the Deadbolt Breaks) veering into and out of more metallic impulses to build on the initial momentum established on the earlier “Highway Run” and “SomaBitch.” The two-minute “For the End” basks in some nightmarish vision of rockabilly, while “Red Beards Massacre” and “Wyoming” dig into more straightforward stylistic patterning, but if Buzzard Canyon want to get a little weird either here or going forward, that’s clearly not about to hurt them. Closer “Not My Cross” hints at some darker visions to come in how it moves into and out of a droning interlude, adding yet more intrigue to their deceptively multifaceted foundation.

Buzzard Canyon on Thee Facebooks

Salt of the Earth Records website

 

Motherbrain, Voodoo Nasty

motherbrain voodoo nasty

Though “Atomic Rodeo” dips into some Queens of the Stone Age-style groove, Motherbrain’s third album, Voodoo Nasty (on Setalight Records), comes across as more defined by its nasty than its voodoo as the Berlin four-piece demonstrate a penchant for incorporating harsher sludge tendencies, especially in vocal shouts peppered in amid the otherwise not-unfriendly proceedings. That gives the nine-song/48-minute offering a meaner edge but does little ultimately to take away from the groove on offer in the opening title-track or “Ghoul of Kolkata,” and though it retains its raw spirit, Voodoo Nasty digs into some more complex fare later in longer cuts like “Baptism of Fire” and “Half Past Human,” having found a place in centerpiece “Dismantling God” where blown-out noise aggression and semi-psychedelic swirl can coexist, if not peacefully then at least for a while until Motherbrain decide it’s time to give Kyuss-style desert rock another kick in its ass, as on “Sons of Kong,” which, yes, does proclaim a lineage.

Motherbrain on Thee Facebooks

Setalight Records website

 

Elder Druid, Magicka

elder druid magicka

Sludge-rolling five-piece Elder Druid riff forth with their debut studio offering, the five-song/33-minute Magicka EP, which one might be tempted to tag as a demo were it not for a few prior live-tracked short releases that appear to have served that purpose, the latest of which, The Attic Sessions (discussed here), came out in Jan. 2016. The experience of putting that together as well as their prior singles clearly benefited the Northern Irish outfit on Magicka, and while they retain a shouty spirit on opener “Rogue Mystic,” middle cut “The Warlock” offers nod that reminds of The Kings of Frog Island’s “Welcome to the Void,” and that’s about all I ever need. Ever. Served up with bloated tones and geared toward establishing a blend of gruff vocals and consuming fuzz, Elder Druid’s first studio recording has a solid footing in what it wants to accomplish sound-wise and plainly showcases that, and while they have some growing to do and patience to learn in their songcraft, nothing I hear on Magicka argues against their getting there in time.

Elder Druid on Thee Facebooks

Elder Druid on Bandcamp

 

The Crazy Left Experience, Bill’s 108th Space Odyssey

the-crazy-left-experience-bills-108th-space-odyssey

The Crazy Left Experience – the moniker seeming to refer to the side of the brain at work in their processes – present Bill’s 108th Space Odyssey almost as an album within an album. The framework from the at-least-party-improvised Portuguese cosmic jammers on the seven-track/56-minute outing centers around William Millarc, who in 1955 was documented while taking part in LSD experiments. Samples of Millarc are peppered into opener “Subject Bill,” the later “Funky Meteor Drop” and the closing duo “Bill Sided Flashback” and “God of the Outer Rings,” but between the opener and the latter trio of cuts comes “Unarius,” a three-part excursion listed as “Part V” through “Part VII” that presumably is the representation of when our friend Bill has left his body behind. So be it. One can hardly call that departure incongruous either sonically or in terms of The Crazy Left Experience’s chosen theme – though there are some unrelated samples spliced into “Unarius – Part VII (Space Brothers)” that are somewhat jarring – and the entire flow of the record is so hypnotic that the band can basically go wherever they want, which of course they do.

The Crazy Left Experience on Thee Facebooks

The Crazy Left Experience on Bandcamp

 

The Watchers, Sabbath Highway

the watchers sabbath highway

Were it not for the context of knowing that vocalist Tim Narducci and bassist Cornbread hail from SpiralArms and White Witch Canyon, drummer Carter Kennedy from Orchid and guitarist Jeremy Von Eppic from Black Gates, the Sabbath Highway debut EP (on Ripple Music) from California’s The Watchers would be almost impossibly coherent for a first outing. Classic in form but modern in its presentation, the five-tracker – four plus the church-organ interlude “Requiem” between the opening title-cut (video here) and “Call the Priest” – makes the most of Narducci’s ‘70s-style vocal push, reminding of one-time Ripple troupe Stone Axe in his oldschool feel, but as “Today” (premiered here) makes plain, The Watchers are much more focused on learning from the past than repeating it. The straightforward songwriting and all-we’re-here-to-do-is-kick-ass sentiment behind Sabbath Highway might well prove formative compared to what The Watchers do next – presumably that’s a full-length, but one never knows; they sound ready to get down to business  – but it makes its ambitions plain in its hooks and swiftly delivers on its promises.

The Watchers on Thee Facebooks

Ripple Music website

 

Of the Horizon, Of the Horizon

of the horizon self-titled

I can’t speak to the present status of California’s Of the Horizon, since last I heard bassist Kayt Vigil was in Italy working with Sonic Wolves, but their self-titled five-track debut full-length arrives via Kozmik Artifactz no less switched on for the half-decade that has passed since it was recorded. Guitarist Mike Hanne howls out throaty incantations to suit the post-Sleep riffing of opener “3 Feet” and drummer Shig pushes the roll of “Caravan” forward into its final crashing slowdown effectively as Vigil ensures the subsequent centerpiece “Unknown” is duly thick beneath its spacious, jammy strum. The two longest slabs hit at the end in “Gladhander” (8:55) and the righteously lumbering “Hall of the Drunken King” (10:31) and feel somewhat like an album unto themselves, but when/if Of the Horizon make a return, they’ve established a working modus on this first full-length that should well satisfy the nod-converted and that demonstrates the timelessness of well-executed tonal onslaught.

Of the Horizon on Thee Facebooks

Of the Horizon at Kozmik Artifactz

 

Raj, Raj

raj self titled

Though it’s fair enough in terms of runtime, it almost seems like Milano sludge-rollers Raj (also written stylized in all-caps: RAJ) do the six tracks of their 20-minute self-titled debut EP a disservice by cramming them onto a single LP side. Not that one gets lost or the band fails to make an impression – far from it – but just that sounds so geared toward largesse and spaciousness beg for more room to flesh out. That, perhaps, is the interesting duality in Raj’s Raj, since even the massive plod of closer “Iron Matrix” lumbers through its course in a relatively short 4:45, never mind the speedier “Magic Wand” (2:47) or drone interlude “Black Mumbai” (1:51) – gone in a flash. The release moves through these, the earlier “Omegagame” and “Eurasia” and the penultimate “Kaluza” with marked fluidity and efficiency, giving Raj a mini-album feel, and with the atmosphere in “Black Mumbai” and in the surrounding material, their rumble sets up a dynamic that seems primed for further exploration.

Raj on Thee Facebooks

Raj on Bandcamp

 

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Elder Druid Post Video for “The Warlock”; New EP out Now

Posted in Bootleg Theater on June 9th, 2016 by JJ Koczan

elder druid (Photo by James Hughes)

Belfast five-piece Elder Druid released their The Attic Sessions four-tracker in the early going of 2016. Presumably that’s a change of venue for the heavy grooving outfit, as their two prior 2015 singles, “Otherworld” and “The Ides of March,” were tracked under the banner of “Live Loft Sessions,” though I suppose they could’ve just renamed the loft an attic and rolled with it. Rolling is a theme of the EP, as it happens. Shades of early Clutch and Orange Goblin show up in opener “Sellsword,” and the later “Red Priestess” — both titles commonly appearing in the George R.R. Martin pantheon — has a thickness to its double-guitar approach that lends an already heavy progression even more heft.

The band’s first outing, they obviously believe enough in The Attic Sessions enough to give it away as a means to entice listeners to check it out, and it doesn’t take me much more than that, frankly. To further spread the word, they’ve got a new clip for “The Warlock,” which is the longest cut on the EP at 6:31 — “Reigning Hell” rounds out with a sludgier take — that features some basic performance footage outside of the attic, the band spread around in the woods and some burnt out looking spaces as they dig into the track. It’s a kind of basic and encouragingly unpretentious beginning for the group, who got together early in 2015, but working from a place of clear motivation and with an intent toward making themselves heard.

So be it. Find the clip for “The Warlock” below, followed by more info from the band:

Elder Druid, “The Warlock” official video

ANNOUNCEMENT & VIDEO: To celebrate the fact that Elder Druid’s ‘The Attic Sessions’ is now available on Spotify, iTunes, Apple Music, Amazon Music amongst other online music outlets and streaming services, we’ve released the whole EP on Youtube! Now you can have the Druid with you wherever you are and it’s a pretty damn awesome feeling! Big cheers to everyone for the support. Keep enjoying this Live EP for the moment and keep an eye out for NEW music on the horizons!

The official music video for ‘The Warlock’ from The Attic Sessions Live EP.

Download for FREE @ http://elderdruid.bandcamp.com/album/the-attic-sessions

Filmed and directed by Brandon Kelly.

Massive thanks to Brandon and his crew for making this a possibility.

Gregg McDowell – Vocals
Jake Wallace – Lead Guitar
Mikey Scott – Rhythm Guitar
Dale Hughes – Bass Guitar
Brien Gillen – Drums

Elder Druid on Thee Facebooks

Elder Druid on Instagram

Elder Druid on Bandcamp

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