Tomorrow’s Dream: 200+ of 2017’s Most Anticipated Releases

Posted in Features on January 23rd, 2017 by JJ Koczan

tomorrow's dream 2017

Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.

Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’

Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.

Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.

Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.

— Tomorrow’s Dream 2017 —

Presented Alphabetically

1. Abrahma, TBA

Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.

2. All Them Witches, Sleeping Through the War

all them witches sleeping through the warIf 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.

3. Alunah, Solennial

Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.

4. Arbouretum, TBA

I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.

5. Atavismo, Inerte

This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.

6. Bison Machine, TBA

In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.

7. Brothers of the Sonic Cloth, TBA

News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.

8. Cloud Catcher, Trails of Kosmic Dust

cloud catcher trails of kosmic dustOkay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.

9. Colour Haze, TBA

I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.

10. Corrosion of Conformity, TBA

Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?

11. Elder, TBA

I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.

12. Electric Wizard, TBA

Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.

13. John Garcia, The Coyote Who Spoke in Tongues

Out Jan. 28 on NapalmThe Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo BurnHermanoVista ChinoZun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.

14. Goya, Harvester of Bongloads

Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.

15. Ides of Gemini, TBA

Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.

16. Kind, TBA

Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.

17. Lo-Pan, In Tensions

lo-pan in tensionsYes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.

18. The Midnight Ghost Train, TBA

It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.

19. Monster Magnet, TBA

I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.

20. Mothership, High Strangeness

A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.

21. The Obsessed, Sacred

On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of WeinrichCostantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.

22. Orange Goblin, TBA

When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.

23. Pallbearer, Heartless

pallbearer heartlessDoomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.

24. Radio Moscow, TBA

Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.

25. Roadsaw, TBA

Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in KindWhite Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.

26. Rozamov, This Mortal Road

Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.

27. Samsara Blues Experiment, TBA

It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for DesertfestRiff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.

28. Seedy Jeezus, TBA

Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah MitchellTranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.

29. Shroud Eater, Strike the Sun

Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.

30. Sleep, TBA

If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.

31. Stoned Jesus, TBA

Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.

32. Stubb, TBA

Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.

33. Sun Blood Stories, It Runs Around the Room with Us

sun blood stories it runs around the room with usIt Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.

34. Ufomammut, TBA

Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.

35. Vokonis, The Sunken Djinn

Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.

Gonna Happen and/or Likely Candidates

Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.

Either way, while I’m spending your money, you might want to look into:

36. Against the Grain
37. Amenra
38. Atala
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
41. Beastmaker
42. Beaten Back to Pure
43. Blackout
44. Bretus
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
50. Cortez
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
54. Dealer
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
72. Greenbeard
73. Green Desert Water
74. Greenleaf
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
86. Mastodon
87. Merlin, The Wizard
88. Merchant
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
94. MotherSloth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
97. Orango
98. Papir
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
107. Sólstafir
108. The Sonic Dawn, Into the Long Night
109. Spelljammer
110. Spidergawd, IV
111. Steak
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
114. Summoner
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
118. Toke
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
121. Weedpecker
122. Youngblood Supercult, The Great American Death Rattle

Definitely Could Happen

Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.

So, you know, life.

Dig it:

123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
127. Bantoriak
128. Bask
129. BCAD
130. BoneHawk
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
139. Devil
140. Devil Worshipper
141. Duel
142. Dustrider
143. Egypt
144. Electric Moon
145. Elephant Tree
146. Farflung
147. The Flying Eyes
148. Freedom Hawk
149. Gozu
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
153. Horrendous
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
163. Mangoo
164. Mondo Drag
165. Monolord
166. Mountain God
167. The Munsens
168. Naxatras
169. Never Got Caught
170. Ommadon
171. Orchid
172. Ordos
173. Pilgrim
174. Poseidon
175. Purple Hill Witch
176. Ruby the Hatchet
177. Sasquatch
178. Satan’s Satyrs
179. Serpents of Secrecy
180. Shabda
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
188. Superchief
189. Tÿburn
190. YOB
191. Zone Six

Would be Awfully Nice

This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:

192. Across Tundras
193. Eggnogg
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
200. Kadavar
201. Kings Destroy
202. Lord Fowl
203. Lowrider
204. Masters of Reality
205. Om
206. Orodruin
207. Queens of the Stone Age

If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.

As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.

All the best.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

The Obelisk Presents: The Top 20 Singles, EPs, Splits and Demos of 2015

Posted in Features on December 29th, 2015 by JJ Koczan

top 20 short releases of 2015

Please note: This list is not culled in any way from the Readers Poll, which is ongoing. If you haven’t yet contributed your favorites of 2015 to that, please do.

What’s a short release? Anything that’s not a full-length. I’ve done this list in the past and given a small list — The Top 20 EPs, Splits, Demos and Singles, or whatever — but “Short Releases” seemed more concise, and believe it or not, that’s something I shoot for.

Essentially, what we’re taking a look at here is everything else a band might put out in a given year. No question that albums are where the greatest impact is made over the longer term, but from landmark 7″s to EPs that provide crucial experiments or serve notice of bands solidifying their sound or marking pivotal first impressions, the shorter offerings have tremendous value, and it’s worth considering them on their own merit, rather than in comparison to LPs directly.

I know for a fact that there are releases I’ve missed here. Particularly among the Bandcamp-only demos, there’s just so much out there that for any one person to keep up with all of it is even more impossible than it’s ever been before. Before you berate me immediately with, “Hey you forgot X Band!” and start throwing tomatoes at your computer or mobile device screen, please keep in mind The Obelisk is run by a single individual and there are only so many hours in the day. As always, I do the best I can.

Here we go:

foehammer foehammer

The Obelisk Presents: The Top 20 Short Releases of 2015

1. Foehammer, Foehammer EP
2. Mos Generator & Stubb, The Theory of Light and Matter Split
3. Sun Voyager, Lazy Daze EP
4. All Them Witches, A Sweet Release
5. Geezer & Borracho, The Second Coming of Heavy: Chapter 1 Split
6. Fatso Jetson & Farflung, Split
7. Eggnogg & Borracho, Sludgy Erna Bastard Split 7″
8. Shroud Eater, Face the Master EP
9. Bedroom Rehab Corporation, Fortunate Some EP
10. Stars that Move, Demo Songs
11. Wight, Helicopter Mama 7″
12. Thera Roya, Unraveling EP
13. Shatner, EP
14. Cities of Mars, Cyclopean Ritual EP
15. Pyramidal & Domo, Jams from the Sun Split
16. Sandrider & Kinski, Split
17. Mount Hush, Low and Behold! EP
18. Godhunter & Amigo the Devil, The Outer Dark Split
19. Groan, Highrospliffics EP
20. Rozamov & Deathkings, Split

Honorable Mention

The Sunburst EP by Valley continues to resonate, as do splits from Goya & Wounded Giant and King Buffalo & Lé Betre. plus Derelics‘ IntroducingTime Rift‘s demo, the Carpet 7″, Watchtower‘s EP, Eternal Black‘s debut demo, Dorre‘s half-hour single One Collapsed at the Altar, and Mount Desert‘s two-songer all deserve serious consideration, as well I’m sure as many others.

Notes

It’s something of a break in routine for me to put any kind of debut in a top spot (other, of course, than on the list of debuts), but Foehammer simply would not be denied. The Virginia trio’s three-song EP release on Grimoire Records (LP on Australopithecus Records), it was a self-titled that seemed to be telling you the name of the band twice as if in a warning against forgetting it. And that warning was one to heed. Foehammer‘s first outing brought the Doom Capitol region to new heights of extremity, and while at over half-an-hour long it could’ve just as easily have been called a full-length, part of the overarching threat is what the band will bring to bear when they actually get around to their first LP.

A good number of splits included here, with Mos Generator and Stubb‘s The Theory of Light and Matter (HeviSike Records), Geezer and Borracho‘s The Second Coming of Heavy: Chapter 1 (launching a series for Ripple Music), Fatso Jetson and Farflung‘s joint release (on Heavy Psych Sounds) and Eggnogg and Borracho‘s Sludgy Erna Bastard (on Palaver Records) all cracking the top 10. No coincidence that Washington D.C. heavy riffers Borracho show up twice in that mix. As Pyramidal and Domo‘s blissful Jams from the Sun, Sandrider and Kinski‘s one-two, Godhunter and Amigo the Devil‘s Battleground Records collaboration and Rozamov and Deathkings‘ joint single feature between #11-20, a total of eight out of the full included 20 releases here are splits. Last year it was only five.

Whether that means the form is growing in an attempt to capture fickle social-media-age attention spans while cutting individual vinyl pressing costs, I couldn’t say — likely a combination of the two and more besides — but it’s noteworthy that a split is more than just a toss-off, between-albums castaway at this point, something for songs to later be included on rare-tracks comps. One could easily say the same of EPs as a whole. To that end, Sun Voyager‘s Lazy Daze was a brutal tease for the NY psychgaze outfit’s first album, hopefully out in 2016. And while All Them WitchesA Sweet Release was over 50 minutes long — longer, actually, than their Dying Surfer Meets His Maker LP, which was also issued this year — they considered it an EP/live collection, and that indeed proved how it worked best, immersive though its stretch remained.

Shroud Eater and Bedroom Rehab Corporation both turned in impressive outings that showed marked progression from their last time out, while Shatner‘s first batch of tracks tipped off a songwriting process well-honed and Stars that Move, Cities of Mars, Thera Roya and Mount Hush — I’d put Mount Desert in this category as well — had compelling outings that, like Foehammer at the top, showed much potential at work in formative sounds. Not to be forgotten, Wight‘s Helicopter Mama 7″ gave listeners a heads up on the funkified stylistic turn their upcoming full-length, Love is Not Only What You Know, will take even further, and UK stoner miscreants Groan proved once and for all that, along with logic and reason, a constantly changing lineup can’t hold back their good times.

Like I said — like I always say — if I left something out, let me know about it in the comments. Really let me have it. Call me a jerk. It’s cool. I can take it.

Please note: I can, in no way, take it.

Still, if I left something/someone out, I hope you’ll let me know. And please don’t forget that if you haven’t yet, you can still contribute your list of 2015 favorites to the year-end poll until Dec. 31. EPs, LPs, whatever, however many, it doesn’t matter. All entries are welcome there.

Thanks for reading.

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

audiObelisk Transmission 055

Posted in Podcasts on December 14th, 2015 by JJ Koczan

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

Before we get to all the tracks and this and that, I have to say, this double-size year-end podcast was an absolute pleasure to put together. Fun. Actual fun. I don’t know if it was the preponderance of excellent songs to work from that came out in 2015 or what, but I had a really good time making my way through the near-four-hour run, and I hope you feel that way too as you listen.

It should go without mentioning, but I’ll give the disclaimer anyway that this is in no way, shape or form a complete rundown of everything awesome produced this year. My own Top 10 has bands on it who aren’t represented here, so if you don’t see something you think belongs in the mix below — looking at you, Baroness fans — please keep in mind that it’s not my intent to offer anything more than a partial summary. Otherwise, I’d have to make it a year long.

Thanks for listening if you get the chance to do so, and if there’s something here you haven’t yet checked out, I hope you dig it. The flow is pretty easy front to back, but we get into some more extreme stuff in the third hour for a bit before going grand with Elder and the “Digestive Raga” from Øresund Space Collective, which seemed an appropriate way to end off giving everyone a chance to process what’s just been heard. Please enjoy.

Track details follow:

First Hour:
0:00:00 Acid King, “Red River” from Middle of Nowhere, Center of Everywhere
0:08:24 Clutch, “Firebirds” from Psychic Warfare
0:11:23 Bloodcow, “Crystals and Lasers” from Crystals and Lasers
0:14:28 Stoned Jesus, “Rituals of the Sun” from The Harvest
0:21:25 Ufomammut, “Plouton” from Ecate
0:24:33 Geezer, “So Tired” from The Second Coming of Heavy: Chapter One Split w/ Borracho
0:32:36 Wizard Eye, “Thunderbird Divine” from Wizard Eye
0:37:40 Mondo Drag, “Crystal Visions Open Eye” from Mondo Drag
0:42:08 Fogg, “Seasons” from High Testament
0:48:26 Goatsnake, “Grandpa Jones” from Black Age Blues
0:53:02 Snail, “Thou Art That” from Feral

Second Hour:
1:03:17 Sergio Ch., “Las Piedras” from 1974
1:06:40 All Them Witches, “Blood and Sand – Milk and Endless Waters” from Dying Surfer Meets His Maker
1:13:54 Death Hawks, “Ripe Fruits” from Sun Future Moon
1:18:45 Colour Haze, “Call” from To the Highest Gods We Know
1:26:46 Kadavar, “Last Living Dinosaur” from Berlin
1:30:50 Spidergawd, “Fixing to Die Blues” from Spidergawd II
1:35:02 The Machine, “Dry End” from Offblast!
1:38:01 The Midnight Ghost Train, “Straight to the North” from Cold was the Ground
1:42:00 Kind, “Pastrami Blaster” from Rocket Science
1:48:29 Valley, “Dream Shooter, Golden!” from Sunburst
1:54:22 Graveyard, “From a Hole in the Wall” from Innocence and Decadence
1:58:09 Demon Head, “Book of Changes” from Ride the Wilderness

Third Hour:
2:02:50 Egypt, “Endless Flight” from Endless Flight
2:12:29 Brothers of the Sonic Cloth, “Empires of Dust” from Brothers of the Sonic Cloth
2:20:09 With the Dead, “I am Your Virus” from With the Dead
2:25:45 Ahab, “Red Foam (The Great Storm)” from The Boats of the Glen Carrig
2:32:08 Kings Destroy, “Mr. O” from Kings Destroy
2:36:37 Sun and Sail Club, “Dresden Firebird Freakout” from The Great White Dope
2:38:33 Sunder, “Wings of the Sun” from Sunder
2:42:41 Weedpecker, “Into the Woods” from Weedpecker II
2:50:50 Uncle Acid and the Deadbeats, “Pusher Man” from The Night Creeper
2:56:26 Eggnogg, “Slugworth” from Sludgy Erna Bastard split w/ Borracho

Fourth Hour:
3:02:48 Golden Void, “Astral Plane” from Berkana
3:09:34 Elder, “Lore” from Lore
3:25:24 Øresund Space Collective, “Digestive Raga” from Different Creatures

Total running time: 3:55:26

 

Thank you for listening.

Download audiObelisk Transmission 055

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

GIVEAWAY: Win Borracho & Eggnogg Split 7″ Vinyl from Palaver Records!

Posted in Features on March 23rd, 2015 by JJ Koczan

borracho eggnogg vinyl

[TO ENTER GIVEAWAY: Leave a comment on this post with your email address in the form. You’ll be contacted at that address if you win.]

Easily one of the best short releases I’ve heard so far this year, I’m stoked to be able to giveaway TWO copies of the brand new Sludgy Erna Bastard split 7″ by Borracho and Eggnogg. The vinyl was released on March 19 by Palaver Records, and to win a copy all you have to do is leave a comment on this post. Make sure your email address is in the form provided so if your name is drawn, I actually have a way to contact you. Would be helpful. Winners will be drawn and notified on (or around) Monday, March 30.

Sludgy Erna Bastard (review here) brings new material from both outfits, Washington D.C. trio Borracho‘s “King’s Disease” offering a taste of what the follow-up to 2013’s Oculus might hold and their progression as a riff-riding three-piece after a likewise encouraging split last year with Boston’s Cortez, while Eggnogg provide a reminder of their elephantine stomp and gleefully weirdo vibe with “Slugworth,” their first new studio track since 2012’s Louis EP and released ahead of the coming full-length, You’re all Invited.

I feel like past the words “free vinyl,” this one doesn’t really need me to sell it, but both cuts are quality work on the part of the bands, and I’m thrilled to be able to host the giveaway. Vinyl is limited to 300 copies with art from Eggnogg‘s Justin M. Karol, and if you need a refresher of the badassery on hand, here’s the full stream of both tracks:

Once again, how to enter:

Leave a comment on this post with your email address in the form provided. Please note: I neither have the interest nor the capacity to save or sell any personal information given to me. You will not be added to any email lists as a result of entering. It’s really just free vinyl.

Good luck to all who enter and thanks to Palaver Records for the giveaway! Please check them out and the bands as well.

Palaver Records

Borracho on Thee Facebooks

Eggnogg on Thee Facebooks

Tags: , , , , , , ,

audiObelisk Transmission 045

Posted in Podcasts on February 20th, 2015 by JJ Koczan

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

A real blend this time around. Some of this stuff is straight up riffs and crash, and some of it gets pretty far out, even in the first hour, let alone by the time we get to the last two tracks, with Papir’s live prog freakery and Earthling Society’s trippy experimentalism. There’s a lot to dig here and, perhaps unsurprisingly, I dig it a lot. These are all, I think with the exception just of Stonebride, 2015 releases. Some, like Monolord and Blackout and Stoned Jesus, aren’t out yet, and others, like Corsair, or Elbrus, or Sandrider, are newly released.

All told, the balance works between the more straight-ahead stuff and the weirdness, but my head’s been pulled pretty hard in the direction lately of things generally more on the outer edges of genre, so it seemed only right to be honest to that impulse. It’s not too long, and if there’s something here you haven’t heard before, then of course I hope you dig it. Actually, I hope you dig it anyway, new or not. Cheers.

First Hour:
Stoned Jesus, “Here Come the Robots” from The Harvest
Black Rainbows, “The Prophet” from Hawkdope
Sandrider, “Rain” from Sandrider + Kinski
Eggnogg, “Slugworth” from Sludgy Erna Bastard Vol. 1: Borracho & Eggnogg 7”
Blackout, “Cross” from Blackout
Chubby Thunderous Bad Kush Masters, “Devil’s Buttermilk” from Earth Hog
Shepherd, “Turdspeak” from Stereolithic Riffalocalypse
Corsair, “Coriolis” from One Eyed Horse
Kooba Tercu, “Pebble” from Kooba Tercu
Stonebride, “Sokushinbutsu” from Heavy Envelope
Monolord, “Cursing the One” from Vaenir

Second Hour:
Elbrus, “Far Away and into Space Pt. 2” from Far Away and into Space Pt. 2
King Buffalo, “Providence Eye” from split with Lé Betre
Papir, “Monday” from Live at Roadburn 2014
Earthling Society, “It’s Your Love that’s Sound” from It’s Your Love that’s Sound

Total running time: 1:53:18

 

Thank you for listening.

Download audiObelisk Transmission 045

 

Tags: , , , , , , , , , , , , , , , , , , , ,

Borracho and Eggnogg Announce Sludgy Erna Bastard Split; Both Tracks Streaming

Posted in audiObelisk on February 18th, 2015 by JJ Koczan

borracho

eggnogg

Today — pretty much right now, if you want to be technical about it — Palaver Records has launched preorders for the first in a series of split 7″s it’s calling Sludgy Erna Bastard. Say the title out loud and with just the right accent and it becomes a play on “sludgier than a bastard,” which is a standard that the first installment, featuring Washington D.C. heavy rockers Borracho and Brooklyn’s own Eggnogg, easily lives up to across its relatively brief span. Both bands contribute one song, topped off with cover art by Eggnogg guitarist Justin M. Karol, and between the two of them it’s more or less 11 minutes of choice, thick-cut riffing and heavy, rolled-out grooves, Borracho‘s “King’s Disease” finding that trio pushing further its modus of hooks and badass swing, while Eggnogg‘s “Slugworth” unleashes an elephantine stomp that’s bound to turn some heads their way.

borracho king's diseaseWhat the two bands have in common is that they’re both in the process of settling into their current configuration. For BorrachoSludgy Erna Bastard Vol. 1 is another step forward from last year’s split with Boston’s Cortez (review here) and their second full-length, 2013’s Oculus (review here), and as one can hear on the track, guitarist/vocalist Steve Fisher, bassist Tim Martin and drummer Mario Trubiano sound not only cohesive but dynamic, the chemistry between the three of them having been honed across a bevvy of short tours, around the Eastern Seaboard, in Europe last year (including a stop at Desertfest), and most recently for three shows in California last month. As their reach has expanded — they’ll also have a split out on Ripple in April/May with Volume IV — their riffy style has solidified, and after starting as a four-piece on their first album, 2011’s grower Splitting Sky (review here), they’ve progressed into one of the finest three-pieces East Coast heavy rock has to offer. “King’s Disease” has a touch of Southern-styled raucousness to it, but is right in line with the kind of roll that Borracho does best.

While Borracho went from four to three, Eggnogg have gone from three to four in the last couple years. Bassist Corey Dozier joined in 2013 as Bill O’Sullivan (also vocals) moved from bass to guitar alongside Karol, and drummer Jason Prushko (also of math-rockers Mean Little Blanket and numerous other projects) came aboard in 2012, following the recording of Eggnogg‘s most recent studio outing, the Louis EP (review here) — though they also had a compilation of material, Apocrypha, out in 2013. As the first recorded track with both Prushko and Dozier eggnogg slugworthinvolved, “Slugworth” bodes remarkably well for what might come when Eggnogg get down to releasing their awaited next full-length, You’re all Invited, as their nod has never sounded more righteous. “Slugworth” starts out all quiet an unassuming, but once the full tonal thickness kicks in, it’s an enviable push of low end, Prushko‘s kick drum the hard foot landing each crater-making marker of time. Palaver says Eggnogg‘s You’re all Invited is due to release later this year. Listening to “Slugworth,” I hope even more that turns out to be the case.

Sludgy Erna Bastard Vol. 1: Borracho & Eggnogg is out March 19 and can be ordered now from Borracho‘s Bandcamp and Eggnogg‘s Bandcamp. Please enjoy the premiere of “King’s Disease” and “Slugworth” below, followed by the official announcement from Palaver:

Palaver Records announce split 7” featuring Borracho & Eggnogg

Palaver Records announce the release of a new split 7” single featuring Washington, DC riff monopolizers Borracho and Brooklyn, New York-based genre-bending heavy rockers Eggnogg, to be released on March 19. The record will feature a brand new Borracho original “King’s Disease” and new Eggnogg tripper “Slugworth.” The limited edition of 300 copies will be available on black vinyl, with original artwork by Eggnogg’s own Justin Karol. Both tracks can now be streamed at TheObelisk.net, and preorders are available from Palaver Records.

The record is the first in Palaver Records’ new “Sludgy Erna Bastard” series, that aims to pair up and highlight some of the best heavy underground acts today. Palaver Records representative Gary Branigan said “We’ve been working with Eggnogg for 4-5 years now and really want to embrace this scene. We’ve never seen such a responsive audience. Sludgy Erna Bastard will cater to fans of heavy rock (desert, stoner, doom, sludge, psychedelic), specifically those that love vinyl. The name Sludgy Erna Bastard is a play on words from an American phrase. This is the first of many Sludgy Erna Bastard releases. All of which will feature two bands with artwork by Justin Karol from Eggnogg.”

Sludgy Erna Bastard will be Eggnogg’s first release since 2013’s Eggnogg Apocrypha. After a break in studio recording following the departure of drummer Ryan Quinn, Eggnogg is proud to present the “Slugworth” single, a fascinating excerpt from their forthcoming LP You’re All Invited. Featuring the drumming of Jason Prushko, who joined Eggnogg’s ranks in the summer of 2012, “Slugworth” marks a new height of creative achievement for the band. “Slugworth” is an indication of things to come from a newly resurrected Eggnogg—one which promises to be “sludgier than a bastard.” Eggnogg’s part in the split single Sludgy Erna Bastard will pave the way for their full-length You’re All Invited, which will be released in 2015.

This release is Borracho’s second split 7” in the past year, following 2014’s split with Cortez. In that time the band has taken their live show to Europe and back, and will be kicking off a schedule of winter and spring dates in the eastern US starting tomorrow. The dates include some familiar stops, and team the band up with some powerhouses and rising stars of the US stoner/doom scene. Their March 20 hometown show at The Pinch in Washington DC will serve as the official 7” release show, and will also feature Columbus OH fuzz-freaks Lo-Pan and Detroit’s Against the Grain. Expect more news and new music from Borracho very soon.

Borracho Eastern US dates
February 19 – Washington, DC @ Velvet Lounge w/ Carousel, Joy & Caustic Casanova
March 20 – Washington, DC @ The Pinch w/ Lo-Pan & Against the Grain
March 26 – Philadelphia, PA @ Kung Fu Necktie w/ Doctor Smoke, Wasted Theory & Heavy Temple
March 27 – York, PA @ The Depot w/ Doctor Smoke & Wasted Theory
March 28 – Baltimore, MD @ Metro Gallery w/ Elder, Fortress & The Convocation
April 25 – Stroudsburgh, PA @ The Livingroom
June 7 – Washington, DC @ The Pinch w/ Mos Generator, Wounded Giant & Wasted Theory

Borracho on Thee Facebooks

Borracho on Bandcamp

Eggnogg on Thee Facebooks

Eggnogg on Bandcamp

Palaver Records’ store

Palaver Records

Tags: , , , , , , ,

Revisiting 2014’s Most Anticipated Albums

Posted in Features on December 11th, 2014 by JJ Koczan

tomorrows-dream-REVISITED-Original-etching-by-Wenceslas-Hollar

[PLEASE NOTE: This is not my Top Albums of 2014 list. That’s coming later in the month.]

First of all, the math was wrong. The list went to 42, not 40…

I did two major “stuff is coming out” posts this year. The first was January’s Tomorrow’s Dream: 42 of 2014’s Most Anticipated Albums, and the second was July’s 30 Before ’15: Records Not to Miss Before the New Year Hits. Apparently I have thing for cumbersome titles.

At best, this stuff is a crapshoot. Until something’s just about in your hand, you never really know when or if it’s going to come out. But they’re fun, and it’s exciting to think of good music being released, so you do it anyway. On the whole, I don’t think I did that badly between the two lists. Of course there was stuff that wasn’t anticipated — Colour Haze‘s new album, To the Highest Gods We Know, walks by and waves en route to its Dec. 15 release date — but for what we got, it worked out well.

That’s the general overview, but because I hold myself to a standard of accountability more rigorous than, say, my nation’s torture-happy secret police, here’s a full rundown of the list as it was, now (as then), presented alphabetically and with the titles listed as they were at the time:

42 of 2014’s Most Anticipated Albums — REVISITED!

 

1. Acid King, TBA: Word is Acid King‘s first in 10 years was mastered last month and will be out in Feb. 2015 on Svart.
 

2. Alcest, Shelter: Was way less post-black metal than their prior stuff, and I think it threw a lot of people off. Not a bad record (review here), but worked against lofty expectations.
 

3. All Them Witches, TBA: I remember including this because they said they were going back into the studio. Turned out they were recording the Effervescent EP/jam (review here). No regrets.
 

4. Alunah, TBA: Their new one was their Napalm Records debut, Awakening the Forest (review here). It was awesome. Score one for the list.
 

5. Blackwolfgoat, Drone Maintenance: Yeah, it was cheating to include this since I was there when it was recorded. Still a killer record though.
 

6. Causa Sui, Live at Freak Valley: Ruled. Reviewed and streamed here. Made me want to see them even more.
 

7. Conan, Blood Eagle: What does complete dominance sound like? Sounds like Conan to me.
 

8. Eggnogg, You’re all Invited: Was dying to hear what the Brooklyn trio came up with. No word on it yet.
 

9. Elder, Live at Roadburn 2013: Still don’t have a copy of this. Maybe I can pick one up when I get their forthcoming third studio album, Lore, out early next year.
 

10. 40 Watt Sun, TBA: More like “MIA” than TBA. Anyone heard from these guys?
 

11. The Golden Grass, TBATheir self-titled debut (review here) was one of the finest first-albums I heard all year.
 

12. Greenleaf, Trails and Passes: Any Greenleaf is a treat. Trails and Passes (review here) was no exception.
 

13. Grifter, The Return of the Bearded Brethren: Solid follow-up (review here). Grifter‘s humor and lack of pretense serves them well.
 

14. Hull, TBA: Well, they had the Legend of the Swamp Goat single (review here) to coincide with their Euro tour. Waiting on the album.
 

15. Lowrider, TBA: I wouldn’t mind if this materialized right now. Or now. Or now. Or 2015. Or 2016.
 

16. The Machine, TBA: Might’ve jumped the gun on this. Hopefully in 2015.
 

17. Mars Red Sky, TBA: Easily one of the year’s best records. Stranded in Arcadia (review here) continues to get regular spins.
 

18. Mos Generator, Electric Mountain Majesty: A highlight of early 2014. Darker record (review here), but inarguable songwriting.
 

19. Mr. Peter Hayden, Archdimension NowFitting end to their trilogy and hopefully not their last outing.
 

20. Pallbearer, TBA: Their Foundations of Burden has topped year-end lists already. It’s still on my desktop. I’ve barely listened to it.
 

21. Papir, IIII: Very, very good. They seem to be developing, but IIII (review here) was a satisfying chronicle.
 

22. Pilgrim, TBA: Can’t say II: Void Worship (review here) wasn’t a win for the band since they did a month on the road with Spirit Caravan. Maybe overshadowed by more recent stuff, but a quality record.
 

23. Radio Moscow, Magical Dirt: Their incendiary heavy blues was in top form on Magical Dirt (review here). Glad I got to see them live once or twice (or 18 times) as well this year.
 

24. Sigiriya, Darkness Died Today: Also residing on my desktop. A vocalist switch caught me off guard and I feel like I still haven’t given it a fair shot.
 

25. Sixty Watt Shaman, TBA: Really? I had Sixty Watt on the list? That seems ambitious. No doubt they’ll have something new eventually, but that was a pretty high expectation it would be out this year.
 

26. Skraeckoedlan, Gigantos: If this came out, no one told me. Seems like not yet.
 

27. The Skull, TBA: A stunner. As much as I looked forward to it, For Those Which are Asleep (review here) exceeded the excitement.
 

28. Sleep, TBA: Included as wishful thinking. Their The Clarity single (review here) was something to celebrate.
 

29. Slough Feg, Digital Resistance: I was really looking forward to this one. Kind of fell off with Digital Resistance (review here) after a while. Hard to argue with Slough Feg though.
 

30. Snail, FeralWaiting on it for 2015.
 

31. Steak, TBAThe London four-piece followed two strong EPs with Slab City (review here), as heartfelt a showing of desert rock loyalty as I’ve heard.
 

Damn, this was a long list.
 

32. Stubb, TBA: I had my doubts it would arrive, but Stubb‘s Ripple Music debut, Cry of the Ocean (review here), found welcome when it did.
 

33. SunnO))) & Ulver, Terrestrials: One of two collaborations SunnO))) would have out in 2014. Heard a lot about it at the beginning of the year. Less now.
 

34. Tombs, Savage Gold: Good band, doing interesting stuff. I have a hard time transitioning from appreciating it to actually being a fan.
 

35. Triptykon, Melana ChasmataSorry, but when Tom G. Warrior puts out a record, you hop to. I didn’t review it to save myself having to buy a copy, but dug it anyway.
 

36. Truckfighters, Universe: I feel like this one picked up steam as the year went on. I didn’t go back to it as much as its predecessor, but Universe (review here) was a logical next step for them.
 

37. Valley of the Sun, Electric Talons of the Thunderhawk: Nothing to complain about with the Ohio three-piece’s debut (review here) or the effort they put into supporting it throughout the year.
 

38. Weedeater, TBA: Nope. At least I knew it at the time.
 

39. Wolves in the Throne Room, TBA: Surprised a lot of people when Celestite (review here) was a companion piece for their last record instead of a new album proper, myself included.
 

40. The Wounded Kings, Consolamentum: 2014 was quite a year for doom, and The Wounded Kings were right there at the start. This lineup may be gone, but Consolamentum (review here) holds up.
 

41. Yawning Man, Gravity is Good for You: Rumor is guitarist Gary Arce has a few projects in the works for next year. Not sure if this is one of them or not.
 

42. YOB, TBA: We certainly know how this worked out, don’t we? If the votes in the Readers Poll are anything to go by, yes. Clearing the Path to Ascend (review here) was a landmark, and this won’t be the last year-end list around here on which YOB make a showing.
 

The list from July had a few winners on it as well — Apostle of Solitude, Blues Pills, Bongripper, Brant Bjork, Earth, Lo-Pan, The Well, Witch Mountain, etc. — but I think we’ve probably got enough as it is.

With the year starting to wind down, I’ll be putting together my Top 30 Albums of 2014 in the next week or so. Please keep an eye out for that, and thanks for reading.
 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Live Review: Eggnogg and Mountain God in Brooklyn, 12.05.13

Posted in Reviews on December 6th, 2013 by JJ Koczan

By the time I rolled into Williamsburg’s The Grand Victory after a more-than-long-enough work day, 100 and Zero were already well into their set of aggressive NY-style noise punk. They were first on a four band bill shared with grinders Scowl, atmospheric sludge metallers Mountain God and thick riff specialists Eggnogg, all local to Brooklyn. Fair enough. Scowl followed shortly thereafter, with drummer Chris Dialogue recognizable as the former vocalist of Alkahest. He handled backing vocals in Scowl as well on the small Grand Victory stage, and put his microphone to use — as did bassist Derek Stephan and vocalist Matt Viel who paced pack and forth in front of the stage, leaving only guitarist Zack Birmingham mic-less — as much, if not more, for banter between the songs, which were mostly short, grinding blasts with the occasional stoner groove thrown in for good measure.

Hell, I can get down with a little stoner extremity every now and again and nothing says charm like when band members spend entire minutes before the next cut calling each other assholes, so yeah, right on. They said they were playing a short set, and it might’ve been in just the material involved, but there was the back-and-forth as well to coincide with saying the next song was about football, or about “sucking on that glass dick, whatever that means,” and such. It was almost an overdose of snark, but all in good fun. When they were done, Mountain God loaded on and were immediately a completely different vibe, their sludge given texture through the keyboard work of Jonathan Powell. Both Powell and Mountain God bassist Nikhil Kamineni used to be in Alkahest as well, but as was evident on their Experimentation on the Unwillingdemo tape reviewed last month, the new band is working from its own amalgam of influences.

I recognized some of what they played from that tape, which I always take as a good sign, but the real highlight of their set was the new song “Forest of the Lost,” which worked in multiple movements and got more to the core of their blend of doom riffing and ambient depth. The vocals of guitarist Ben Ianuzzi come across in a wash of echo throughout most of the studio versions of songs, but live he was inevitably clearer and that gave the set a more tangible resonance. Riff-wise, “Forest of the Lost” tapped into a classic metal malevolence — maybe some Cathedral in there, but thoroughly doomed either way — and though the bulk of the long, unfolding progression was instrumental, what vocals there were came across in a blend of screams and cleaner singing, a noise rock vibe cutting through the tonal morass of Kamineni‘s bass and his own guitar as drummer Ian Murray turned an otherwise chaotic churn into cohesive forward motion.

They’ve reportedly got a new release in the works centered around some incarnation of “Forest of the Lost,” which was well past 10 minutes long on stage, so I took that as a good sign, and when Mountain God finished, Eggnogg took the stage quickly as the last act of the night. It had been more than a year since the last time I saw them — my loss — and in the interim, the prior trio of Bill O’Sullivan, guitarist Justin Karol and drummer Jason Prushko added bassist Corey Dozier to make a four-piece. This move put O’Sullivan from bass to rhythm guitar — as well as vocals — resulting in Karol taking on more of a lead-player role, in which he excelled. In the past, seeing Eggnogg live, I’ve regretted that some of the funk influence that shows up in their studio output, be it last year’s LouisEP (review here) or 2011’s Moments in Vacuumsophomore full-length (review here), is somewhat lost in favor of their pure, unabashedly stoner stomp, enjoyable as that is.

Sure enough, the songs they played at The Grand Victory — a new one to start from their forthcoming, “mostly done” third full-length, You’re all Invited, plus “The God’s Will Destroy the Hive” and “Northern Lights” from their 2009 debut The Three, and an eponymous encore — carried that much more of the funk for the simple fact that Karol was able to devote his attention completely to his solos when they arose. “Northern Lights,” which was the elephantine highlight of their set, soulful as he plucked notes and even threw in a little stoner-rock softshoe, which as far as I’m concerned is always welcome. Together with O’Sullivan‘s low vocal register and the rumble of Dozier‘s six-string bass, Eggnogg were indeed another notch above the already heavy watermark that past shows I’ve seen from them had set. More importantly, Dozier — although he spent a decent amount of time off the stage, playing in front of it or to the side — blended well with the trio tonally and in terms of presence, and provided a thickened match for both guitars and the marching snare of Prushko, which impressed all the more with some subtle ghost notes and increasing character of play.

Of Eggnogg, you could say they seem to be getting to where they want to be in terms of their sound. I frickin’ loved Moments in Vacuumand put on Louis regularly as well, so the chance to see and hear new songs from them was thoroughly appreciated. I don’t know when You’re all Invitedwill see release, but as far as I’m concerned the sooner the better. I’d hoped to be able to pick up a CD copy of their Apocryphacompilation — the only physical pressing of Louis, which couples it with their 2010 NoggEP — but to no avail, and by that I mean there were none available. Still, well worth the trip to the city to catch them with Mountain God, also in a process of coming into their own, albeit in a much different fashion.

I thought maybe there was a late show happening afterwards, as for a time there were a few extra people walking around with instruments, but maybe they were playing across the street at Trash Bar or something and decided to walk over. When Eggnogg finished, the sound guy put on Songs for the Deaf to let the place clear out. I shuffled back to my car and made the trek back to Jersey to crash — a trip that seems even more arduous now than when I lived there — the dark and quiet roads of my former river valley rendered largely invisible by a dense, rolling fog.

Some more pics after the jump. Thanks for reading.

Read more »

Tags: , , , ,