Earthless & Harsh Toke, Acid Crusher / Mount Swan: Acidic Compounds

Posted in Reviews on May 31st, 2016 by H.P. Taskmaster

earthless harsh toke acid crusher mount swan

Whoever first had the idea to pair up Earthless and Harsh Toke for a split full-length, he or she was correct. Hardly the deepest critical insight I’ve ever had, but there it is. The San Diego longform heavy psychedelic rockers team exceedingly well on the 12″ platter, Acid Crusher / Mount Swan, each band offering a side-consuming single track immersion with a different take on similarly-intentioned righteousness. For the heads who will get it, this review is superfluous. Not only does Acid Crusher / Mount Swan sell itself to the already-converted, but comes across more as a victory lap than a release, Earthless‘ “Acid Crusher” and Harsh Toke‘s “Mount Swan” both taking ‘er easy all over lazy-day lysergics, unleashing instrumental chemistry between them the likes of which few others could claim as their own. That’s true of both bands, by the way, and not just Earthless.

Aside from the sonic commonalities, one reason Acid Crusher / Mount Swan works so well is that it brings together that landmark three-piece — whose last album was 2013’s From the Ages (review here) but who also had a new song out earlier this year on a Scion-sponsored multi-band EP — with a younger outfit who clearly on one level or another are working under their influence and successfully bringing their own personality to their approach. There’s little question that Earthless have been a key factor in the boom of West Coast heavy psych of the last five years or so, and their presence here alongside Harsh Toke both reinforces their position at the fore of that movement and demonstrates some of the best of what’s being done with the impact they’ve had.

It’s worth acknowledging as well that Acid Crusher / Mount Swan might be a listener’s first exposure to Harsh Toke, who made their debut on Tee Pee in 2014 with the grower-listen Light up and Live, touring Europe that same year including a stop at Roadburn and going back last fall alongside labelmates Sunder, and if that’s the cast, then all the better for the impression they give. Their “Mount Swan” clocks in at just a bit under 20 minutes and offers molten psychedelic flow, some early vocals acting as the ground from which the subsequent instrumental breadth takes off. I don’t know how much of it is improvised or plotted out beforehand, outlined or meticulously written out measure by measure, but the flow they enact feeds gorgeously from the laid back motion of Earthless‘ 15-minute “Acid Crusher,” which over on side A pulls back on some of the thrust for which the band is known in favor of a key-and-percussion-laced fusion-style rollout, steady funk groove underlying the straightforward, grounding drum progression from Mario Rubalcaba.

earthless harsh toke acid crusher mount swan vinyl

The fluidity there becomes the theme that unites both tracks, and though Harsh Toke start out with a somewhat foreboding nod, after the initial verses, by the time they’re two minutes in, they set to a for-its-own-sake meandering that defines the rest of the song, starting out with a wash of feedback and noise and tripping on slow-motion cosmic swirl marked by periodic upticks in pace and an increased push of kick drum late. Would be fair enough to call it a payoff toward the end, but “Mount Swan” is less about a linear progression upward than a liquefied spreading outward, and that remains true even as the wheels start to come off near the finish and the dual guitars chug and solo around the central rhythm when the drums have faded out. The guitars fade out too, as it happens, which leads me to believe that somewhere on this planet there exists and even longer version of “Mount Swan” than that which appears here.

I started with the B-side for a reason, and that reason might be that Earthless are almost a given at this point. Rubalcaba, guitarist Isaiah Mitchell (also of Golden Void) and bassist Mike Eginton, hit their 15th year together in 2016, and though they only put out albums sporadically, the mark they’ve left can be heard throughout the West Coast and beyond. With “Acid Crusher,” they make it plain that they’ve by no means finished their exploration. They waste no time getting down to the business of groove with serene key work and fuzzy tones marching in step backed by percussion, flourishes of tambourine and an underlying current of volume swells and other effects, what sound like Echoplex loops but may or may not actually be. As is their wont generally, “Acid Crusher” is entirely instrumental, but it’s more than a jam as well, setting its vibe in the first half and expanding it in the second as Mitchell takes an extended solo at the 10-minute mark and uses it to lead the band to the song’s peak, which subsides in the last minute or so — presumably by then the acid in question has been thoroughly crushed — and they return to the locked-in groove that’s been at the center all along.

In showcasing their nuance and the fact that they can basically go wherever they want and make it work, “Acid Crusher” brings forward a different side of Earthless than some of the more raucous classic-style heavy psych for which they’re known, and Harsh Toke complement that well with “Mount Swan” while also affirming that Light up and Live‘s follow-up will be one worth anticipating. As I said at the outset, there will be many listeners who take on Acid Crusher / Mount Swan for whom its quality will be an absolute given, but even for those who might approach it on less sure footing, the delivery on the part of both acts winds up being pretty inarguable. These are two of the finest in heavy psych that California has to offer. They’re doing what they do.

Earthless, “Acid Crusher”

Harsh Toke, “Mount Swan”

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Friday Full-Length: Earthless, Live at Roadburn

Posted in Bootleg Theater on May 13th, 2016 by H.P. Taskmaster

Earthless, Live at Roadburn (2008)

Among the hallowed ranks of performances at the Netherlands-based festival, there are few that have earned the legendary status of that which would become EarthlessLive at Roadburn. Four songs, more than 80 minutes long, it’s a mammoth, beast of an undertaking. The year was 2008. I wasn’t there to see it, much to my chagrin, but Earthless had played earlier in the weekend and were taking somebody’s place or something like that, and next thing anyone standing at the 013 knew, the San Diego trio of guitarist Isaiah Mitchell, bassist Mike Eginton and drummer Mario Rubalcaba blew everyone’s ass out of the room. The proof is in the pudding and the pudding is pressed to plastic on Live at Roadburn — the three-piece rip into “Blue,” “From the Ages,” “Godspeed” and “Sonic Prayer” with authority well beyond what they showed on the prior Sonic Prayer Jam live outing or their two studio albums at that point, 2006’s Sonic Prayer and 2007’s Rhythms from a Cosmic Sky, which, like Live at Roadburn, was released on Tee Pee Records.

Though Earthless offered a number of splits in the interim, it would be another five years before Live at Roadburn got a proper follow-up in the 2013 studio album, From the Ages (review here), which not only featured a solid half-hour’s take on the title-track, which made its first appearance here, but fostered the same kind of command. In the years since, Earthless have been at the spearhead of a West Coast heavy psychedelic movement, touring the US, Europe, Australia — I don’t know off-hand if they’ve been to South America and Japan, but let’s assume yes — as one of its most essential bands and having a hand in influencing a new generation of acts grown up in their wake. If you think that’s overstating it, go and listen to those bands. Earthless‘ amorphous-seeming compositional sprawl is writ large on the jams of others, and while they’re not the only point of reference for the West Coast’s sun-baked vision of heavy — the heavy ’70s have certainly played a part in the development thereof — they are a key factor, inarguably.

It’s been over seven years since I last saw Earthless on their own — I did catch them with Heavy Blanket in 2014 (review here) — which by any measure is too long, but though their legacy has grown in that time and no doubt their chemistry as well and their methodology has shifted to include occasional vocals from Mitchell when it suits their purposes, the core of what has made Earthless so special is still present in Live at Roadburn, and I think it still comes through even eight years after the fact how utterly incredible this show must have been to see. Imagine being blindsided by witnessing the moment of this band’s arrival. It’s enough to give you chills.

Hope you enjoy.

I kept it pretty quiet, but I’ve been on a work trip all week. If all goes well, by the time this is posted I’ll be back, safe and sound, in Connecticut with The Patient Mrs., but as fingers hit keys I’m in Atlantic City, NJ. Spent the early part of the week in North Jersey, which was good since I got to see my family on the side, but came down to AC on Wednesday and have been here since, am very much looking forward to leaving. Not really my kind of town, haven’t been here since I saw Clutch half a decade ago or whenever it was. I don’t even know and I’m too exhausted to go chase down the link, but suffice it to say it was a long time before right now. Atlantic City is still a depressing place to be.

Being here for work hasn’t helped in that regard, frankly.

I’ve been short on time, haven’t even had a second to trim down the Greenleaf interview to be transcribed. I’ll get there. I promise I will. If not this weekend — because I might seriously put my laptop down after I finish typing this and not pick it up again until Sunday when I prep stuff to go up on Monday — then definitely next week. I’m just so friggin’ tired.

Monday: A full album stream from Atala. But wait, didn’t I already review the record with a track premiere? Yuppers. They asked if I wanted to do a stream of the full LP, so I said sure. Cool album, anyway, so screw it. I have no idea what I’ll write to go with it, but I’ve got a couple days to sort that. Also look for a Kaleidobolt track premiere on Tuesday and a King Buffalo review sometime before next week is done.

And sometime next week — not even gonna say when — I’ll announce two more bands for The Obelisk All-Dayer, which is Aug. 20 at the Saint Vitus Bar in Brooklyn. Get your tickets here.

I hope you have a great and safe weekend. I’ll be in full-on recovery mode until Sunday, at which point I have to take The Patient Mrs. to the airport so she can go to London for like 10 days with students. I’d be like mad about it if I hadn’t been to Roadburn for the last eight years. Ha.

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Earthless and Harsh Toke to Release Acid Crusher / Mount Swan Split LP in May

Posted in Whathaveyou on March 24th, 2016 by H.P. Taskmaster

Alright, Earthless. Alright, Harsh Toke. Whatever you guys want. You want to pair up for a split LP out May 27 on Tee Pee? Fine. Just take my money. It’s yours. 35 minutes of unparalleled heavy psych instrumental West Coast madness? Just take it. Take it all. Give me two copies: one to stare at and one to leave on the shelf while I stare at the other one so there can always be a copy on the shelf.

I missed Earthless on their recent East Coast run because I am, well, employed, but their last album, 2013’s From the Ages (review here), continues to resonate, and I recall vividly watching Harsh Toke jam the hell out of a late-night set at Roadburn a couple years back, so yeah, fine. Pair up. You guys win this round. And really all the rounds.

Next round’s on me.

To the PR wire:

earthless harsh toke split

EARTHLESS and HARSH TOKE to Release Split LP May 27

San Diego Heavy Psych Kings Unite for Titanic Team-Up!

Sound-sculpting San Diego heavy psych titans EARTHLESS and HARSH TOKE have joined forces to bring music fans a colossal battle of the beasts! Titled, Acid Crusher / Mount Swan, the two track, 35-minute release will see a May 27 release via Tee Pee Records.

Prepare yourself, as 20,000 volts of concentrated electricity will rip through your speakers as the rampaging, psychedelic rock ‘n’ roll flows like molten magma, destroying everything in its path! EARTHLESS brings to life the towering, 15-minute-long song “Acid Crusher”, which collides head-on with HARSH TOKE’s 20 minute creation, “Mount Swan”. Don’t miss this mind-bending, man-eating, winner-take-all mashup of two of modern psych’s most monstrous mongrels!

“Acid Crusher” will tide over EARTHLESS fans until the release of the band’s as-yet-untitled new LP, it’s first since 2013’s epic From the Ages. Fresh off of a sold out east coast headlining tour, EARTHLESS now dives back in to writing for their fourth full-length, which is expected to drop later this year. Formed in 2001 by drummer Mario Rubalcaba, guitarist Isaiah Mitchell and bassist Mike Eginton, EARTHLESS creates energetic, free-thinking instrumental music inspired by an eclectic mix of German krautrock and Japanese heavy blues rock.

“Mount Swan” represents the first new music from HARSH TOKE since the release of the acid rock band’s 2014 debut, Light Up and Live. Equal parts atmospheric and anarchic, HARSH TOKE merges raging, blind fury musicianship with unprecedented white-knuckle volume abuse.

Track listing:

1.) Acid Crusher (EARTHLESS)
2.) Mount Swan (HARSH TOKE)

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Earthless, “Uluru Rock” live in Cambridge, MA, March 16, 2016

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Earthless Post New Track “End to End” from Scion AV EP

Posted in Whathaveyou on January 13th, 2016 by H.P. Taskmaster

earthless-band

There’s like this little switch in my brain that goes off when new Earthless comes around. It’s like the okay-stop-what-you’re-doing-because-there’s-more-important-shit-happening-right-now-and-it’s-new-Earthless switch. Full groove immersion is warranted. Headphones, the whole bit. The San Diego power trio go straightforward boogie rock on “End to End,” chopping down their usual mega-instrumental modus to a crisp verse/chorus righteousness to take part in the Scion AV various artists release, The Baker Skateboards EP, which will be out at the end of this month as a free download with probably six or seven show-only vinyls pressed.

Look. It’s an event anytime Isaiah Mitchell, Mario Rubalcaba and Mike Eginton do anything. These dudes get together for a quiet lunch? It’s an event. A new song up for a free download that has Mitchell (also of Golden Void) singing on it? That definitely qualifies.

Info and audio below. You know the drill:

the baker skateboards ep

SCION PARTNERS WITH BAKER SKATEBOARDS FOR TEAM CURATED SCION AV PRESENTS THE BAKER SKATEBOARDS EP FEATURING NEW MUSIC FROM EARTHLESS, PELL, ZIG ZAGS, DENMARK VESSEY AND THE GOAT AND THE OCCASIONAL OTHERS

FULL EP AVAILABLE FOR FREE DOWNLOAD ON JAN. 26; NEW EARTHLESS TRACK, “END TO END,” AVAILABLE NOW

Scion has partnered with Baker Skateboards for the Scion AV Presents The Baker Skateboard EP, a free five-song release curated by the skateboarding team featuring new music from Earthless, Pell, Zig Zags, Denmark Vessey and The Goat and The Occasional Others. The EP will be available as a free download on Jan. 26.

The collection is a varied mix, featuring not only the new Earthless track (the San Diego outfit’s first new music since 2013), but New Orleans rapper Pell, Los Angeles’ Zig Zags, Detroit’s rising hip hop star Denmark Vessey, and The Goat and The Occasional Others, which includes Baker Skateboards’ founder Andrew Reynolds and veteran skateboarders Shane Heyl, Kevin Long, Beagle One-ism as well as skateboard photographer Atiba Jefferson.

The Baker skate team recently took a road trip with a Scion iA and a Scion iM as part of the Scion x Baker Skateboards project (https://youtu.be/2SvRmIlsRdI). The journey started off at the Buttonwillow Raceway in Buttonwillow, California, where they met up with professional race car driver Ken Gushi. The crew showed what type of speed they could get on the vast expanses of asphalt, with or without an engine. Then they brought out the ramp so Baker boss Reynolds could go big over the bright yellow Scion TRD FR-S Project Car. Next they headed to San Francisco for a huge demo at the SoMa West Skate Park.

Scion AV Presents The Baker Skateboards EP track list:

1. Earthless “End To End”
2. Pell “Friday”
3. Zig Zags “Giving Up The Ghost”
4. Denmark Vessey “Wave Function”
5. The Goat and The Occasional Others “Goatshow”

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Earthless, “End to End”

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Various Artists, Electric Ladyland [Redux] & The Best of James Marshall Hendrix: Scope Worthy of the Source

Posted in Reviews on August 24th, 2015 by H.P. Taskmaster

12inchJacket_offset

Even before you press play on Electric Ladyland [Redux] or its companion piece, The Best of James Marshall Hendrix, it’s hard not to admire the coordinating prowess of Magnetic Eye Records in making it all happen. Most people couldn’t corral three bands to put together a single show bill, and the label’s Mike Vitali has wrangled 20 acts from the US and European heavy rock underground to pay homage to Jimi Hendrix in time for what would’ve been the supra-legendary guitarist’s 75th birthday, topped it of with artwork by David Paul Seymour, whose piece for Electric Ladyland [Redux] easily stands among the best covers of 2015, and Caitlin Hackett, whose three-eyed-bird portraiture perfectly suits Hendrix‘s groundbreaking psychedelic blues. Packaged separately on 2CD and 2LP but clearly intended as complements, both tribute collections showcase staggering ambition on the part of the label putting them together, and the fact that Electric Ladyland [Redux] and The Best of James Marshall Hendrix materialized at all is an automatic, unqualified triumph. Here are the full tracklistings:

VA, Electric Ladyland [Redux]
1. Elephant Tree, “…And the Gods Made Love” 01:44
2. Open Hand, “Have You Ever Been (To Electric Ladyland)” 03:01
3. Superchief, “Crosstown Traffic” 03:32
4. All Them Witches, “Voodoo Chile” 14:59
5. Origami Horses, “Little Miss Strange” 03:52
6. The Heavy Eyes, “Long Hot Summer Night” 04:17
7. Earthless, “Come On (Let the Good Times Roll)” 05:03
8. Wo Fat, “Gypsy Eyes” 04:34
9. Mos Generator, “Burning of the Midnight Lamp” 03:34
10. Gozu, “Rainy Day, Dream Away” 08:07
11. Summoner, “1983… (A Merman I Should Turn to Be)” 12:56
12. Claymation, “Moon, Turn the Tides… Gently Gently Away” 01:24
13. Mothership, “Still Raining, Still Dreaming” 06:20
14. King Buffalo, “House Burning Down” 04:44
15. Tunga Moln, “All Along the Watchtower” 03:28
16. Elder, “Voodoo Child (Slight Return)” 07:08

VA, The Best of James Marshall Hendrix
1. Child, “In from the Storm” 04:57
2. Elephant Tree, “Manic Depression” 04:10
3. Wo Fat, “Machine Gun” 12:49
4. Stubb, “Little Wing” 04:18
5. Rosy Finch, “Foxy Lady” 05:17
6. Geezer, “Little Miss Lover” 04:50
7. Wo Fat, “Gypsy Eyes (Extended)” 07:13

As I said, staggering. Even more so in the case of Electric Ladyland [Redux], since not only do the usual comp and tribute album concerns apply of getting everything together and turning it into a cohesive listening experience, but also because in paying homage to a full-length album specifically, it’s also pivotal that Electric Ladyland [Redux] flows front to back while being comprised of 16 separate recordings taking place in 16 separate studios with 16 separate performances and treading on some of rock and roll’s most sacred, pivotal ground. Covering Hendrix? Unless you’re Stevie Ray Vaughan — and hell, even if you are — it’s a tricky proposition for one song, let alone a full record. It’s like someone asked Magnetic Eye if they wanted to go mountain biking and the label built a rocket, went to Mars, terraformed the planet and then decided to tackle Olympus Mons, on a Huffy.

va the best of james marshall hendrix

Okay, an exaggeration, but you take my meaning. And Electric Ladyand [Redux] mostly succeeds in its decidedly Herculean mission. There are one or two changes that come across choppy — an early one in the jump from the groovy vibes of Elephant Tree and Open Hand into the burlier Superchief, who give an able showing of what they do but ultimately feel out of place — but on the whole, it’s hard to argue with the results as they’re presented throughout, whether it’s King Buffalo‘s dreamy “House Burning Down” or groups making the material their own, like Wo Fat‘s “Gypsy Eyes,” Summoner‘s re-envisioned “1983… (A Merman I Should Turn to Be)” and Gozu‘s adventurous “Rainy Day, Dream Away,” which leads off the second CD of the collection after Mos Generator‘s “Burning of the Midnight Lamp” finds the Washington-based act showing the roots of their own approach to landmark hooks, as do Mothership with their “Still Raining, Still Dreaming.”

Hearing Earthless with vocals is something of a surprise, and their take on “Come on (Let the Good Times Roll)” (an Earl King cover) not only is true to their Hendrix influence, but is a decided showcase of just how influential they’ve been on the West Coast underground — there are a good number of bands out there striving to sound like Earthless covering Jimi Hendrix — and having Swedish rockers Tunga Moln perform “All Along the Watchtower” in their native language puts an unexpected spin on arguably Electric Ladyland‘s most recognizable piece. All Them Witches are right in their element jamming on “Voodoo Chile,” and Elder do justice to the album’s closer in their “Voodoo Child (Slight Return),” capping the tribute with one last highlight to round out the many before it.

There are several acts who reappear on The Best of James Marshall Hendrix, including Wo Fat and Elephant Tree, but as the latter only had the intro “…And the Gods Made Love” to lead off Electric Ladyland [Redux], it seems fair enough. In the case of Texas fuzz forerunners Wo Fat, I’m not at all going to fight with their extended jam on “Gypsy Eyes” as it closes out The Best of James Marshall Hendrix, and their 12:49 run through “Machine Gun” suits just as well. Leading off the companion tribute are Australian blues rockers Child, who give “In from the Storm” due soul and sway, and after Elephant Tree‘s “Manic Depression” and Wo Fat‘s “Machine Gun,” hearing Stubb take on the sweet melodies of “Little Wing” couldn’t be more perfect, especially leading into Rosy Finch‘s stomping “Foxy Lady,” which in turn gives way to Geezer‘s “Little Miss Lover,” coated in wah and right in the New York band’s wheelhouse, even as it gives way to a deconstructing long-form fadeout.

Wo Fat‘s extended “Gypsy Eyes” picks up from that silence with a bonus track-style vibe, but really, both releases feel like a bonus the whole time through. There are some variances in sound and style and some bands are more suited to the source material than others, but the effort that has been put into Electric Ladyland [Redux] and The Best of James Marshall Hendrix and the passion that bleeds from every second of each of these tracks are simply inarguable. It may be preaching to the choir to have heavy rock and psych bands covering Hendrix tracks, but the vibe throughout both of these tribute comps is much more of a genre paying homage to one of its founders who, sadly, didn’t live long enough to see the generation-spanning impact of his work realized. Equally admirable in mission and execution.

VA, Electric Ladyland [Redux] (2015)

VA, The Best of James Marshall Hendrix (2015)

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Earthless and Elder Announce Australian Tour

Posted in Whathaveyou on July 16th, 2015 by H.P. Taskmaster

File this one under “Damn Those are Gonna be Some Good Shows” as Earthless and Elder pair up to tour Australia beginning Oct. 22. It’s a quick run, but an utterly badass pairing of bands, that, if I happened to be on the other side of the planet, I’d be sure to hit up. This will be Elder‘s first time down there — you might recall a couple years back they were all set to go with YOB (who will be there next month as well) but it didn’t pan out — while I’m pretty sure Earthless have made the trip before. Either way, there’s just nothing about those two getting together that doesn’t flat out rule.

News came down off the PR wire a couple minutes ago:

earthless

elder

EARTHLESS (USA) & ELDER (USA) AUSTRALIAN TOUR OCTOBER 2015

LIFE IS NOISE is proud to announce the heavy-psych double-bill of the year, as Elder and Earthless tour Australia this October.

Earthless want you to know how it feels to touch the sky. With smoldering guitar riffs that stretch from here to infinity, the San Diego trio are at once cosmic and timeless, rooted in a profound respect for the Zeppelin/Sabbathian tradition yet with eyes firmly cast forward. Never mind the retro rock revivalists or the ’70s throwbacks – Earthless aren’t nostalgists; they’re sonic luminaries dragging psychadelia by the wah pedal into the 21st century and beyond.

Isaiah Mitchell is the kind of guitar prodigy that comes along only once in a generation. Underpinned by the military precision of Mario Rubalcaba’s drumming and Mike Eginton’s fundamental grooves, Mitchell’s chaotic fretwork is as unpredictable as it is ambitious.

Elder are a sleeper cell of colossal talent. Never has three-piece so seamlessly merged the atmosphere of doom with the depth of stoner rock and the vitality of psychedelic rock. Their latest album, Lore, is a quiet masterpiece – a blizzard of riffs that shine with melody, dynamism and songwriting sophistication well beyond the young band’s years.

Few bands have the gall to cover Jimi Hendrix, and even fewer can do it well, but Elder did just that in June when they released a rip-roaring cover of Voodoo Child (Slight Return) for the Hendrix tribute Electric Ladyland Redux. Nick DeSalvo’s guitar sounds on the brink of bursting into flames as he blazes through solo after solo.

Elder’s sonic mastery extends beyond the studio – the trio’s live documents and show-stealing sets at Roadburn and Psycho California are a testament to Elder’s limitless potential.

Elder and Earthless have never shared a stage before. There’s no telling what havoc these two riff lords will wreak. Don’t miss the psych trip of the year. Witness these two blow minds on the following dates:

Perth – The Rosemount Hotel – October 22,
Melbourne –The Corner – October 23, 2015
Sydney – Newtown Social – October 24, 2015
Brisbane – Crowbar – October 26, 2015

Tickets on sale now through lifeisnoise.com, Oztix and venue outlets.

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Earthless, “Violence of the Red Sea”

Elder, Lore (2015)

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Magnetic Eye Records Makes Electric Ladyland [Redux] Available to Preorder

Posted in Whathaveyou on February 16th, 2015 by H.P. Taskmaster

va electric ladyland redux

If, say, you’ve spent the better part of the day today figuring out why there’s water coming from the kitchen ceiling and chasing down busted baseboard leaks owed to poor insulation, you might take great comfort in knowing that Planet Earth is just a little bit closer to the arrival of Electric Ladyland [Redux], the compilation revisiting some of Jimi Hendrix‘s most essential material, as well as its companion, The Best of James Marshall Hendrix. The David Paul Seymour gatefold cover — click above to enlarge it — has been unveiled and is flat-out beautiful, and the tracklisting is iron-clad both in terms of who’s involved and which songs they’re taking on. It may not dehumidify the guest room, but god damned if it won’t at least make the place sound better.

Magnetic Eye Records, whose ambition in this undertaking isn’t to be discounted in the slightest, sent an update down about some presales they were doing through Bandcamp, where previously Electric Ladyland [Redux] was only available to those who contributed to a Kickstarter, but even more than that, I’m just happy to have another chance to stare in awe at the tracklisting of the 2LP, which I think you’ll agree is a stunner.

Behold the latest:

va best of james marshall hendrix

Project Update #41: Electric Ladyland [Redux] by Magnetic Eye Records

Just a quick update for February, we have a lot of tracks that have been submitted for both Electric Ladyland [Redux] and the stretch goal bonus LP ‘The Best of James Marshall Hendrix’. What a treat this project and these records are turning out to be. We have received nearly 1/2 all the tracks for Electric Ladyland [Redux] and nearly all the tracks for the Best of record.

All I can say is I am being blown away right now by All Them Witches version of Voodoo Chile. DAMN! Happy Valentine’s Day all you heartless bastards. You probably really, really need to pre-order Electric Ladyland [Redux] for you and/or your sweetie. This double gatefold tribute of Jimi’s masterpiece includes tracks from Open Hand, Elephant Tree, Summoner, Earthless, Superchief, Mothership, GOZU, Elder, The Budos Band, Claymation, Origami Horses (filling these dudes in for the The Phuss – sorry Phuss fans, they’ve bowed off the LP), King Buffalo, Mos Generator, TUNGA MOLN, Wo Fat.

The Electric Ladyland [Redux] 2XLP features art from our man David Paul Seymour. About 1/2 thru the final 100 copies we have for pre-order from Magnetic Eye Records. Get your copy at https://magneticeyerecords.bandcamp.com/album/electric-ladyland-redux

Electric Ladyland [Redux] Classic Black Double Gatefold 180g 12″ 2xLP

Side 1
1. Elephant Tree – And The Gods Made Love
2. Open Hand – Have You Ever Been (To Electric Ladyland)
3. Superchief – Crosstown Traffic
4. All Them Witches – Voodoo Chile

Side 2
5. Origami Horses – Little Miss Strange
6. The Budos Band – Long Hot Summer Night
7. Earthless – Come On (Let The Good Times Roll)
8. Wo Fat – Gypsy Eyes
9. Mos Generator – Burning Of The Midnight Lamp

Side 3
10. Gozu – Rainy Day, Dream Away
11. Summoner – 1983… (A Merman I Should Turn To Be)
12. Claymation – Moon, Turn The Tides… Gently, Gently Away

Side 4
13. Mothership – Still Raining, Still Dreaming
14. King Buffalo – House Burning Down
15. Tunga Moln – All Along The Watchtower
16. Elder – Voodoo Child (Slight Return)

https://www.facebook.com/MagneticEyeRecords
http://www.merhq.net/
http://store.merhq.com/album/electric-ladyland-redux

All Them Witches, “Voodoo Chile” Live in Seattle, WA

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Sleep, Pentagram and Cult of Luna to Headline Psycho California 2015

Posted in Whathaveyou on January 15th, 2015 by H.P. Taskmaster

True to their word, it’s Jan. 15 and Psycho California 2015 has announced the headliners for what looks like the best American festival lineup I’ve seen since the days of Emissions from the Monolith. That’s not to take away from the hard work anyone else is doing, but just look at the list of bands. It’s unreal. You’d want to be everywhere at the same time to see all of it. Absolutely wild.

Sleep and Pentagram were pretty clear choices to headline. Not only for being legends in the heavy underground, but for also being just about two of the only bands left. Sweden’s Cult of Luna were something of a surprise, but for a festival already showing a European reach in bringing aboard the likes of Samsara Blues Experiment and Stoned Jesus, they make sense. Hell of a bill. Kudos to anyone who actually gets to go to the thing.

Announcement follows, courtesy of the PR wire:

PSYCHO-CALIFORNIA-2015-POSTER-1400

PSYCHO CALIFORNIA ANNOUNCES HEADLINERS: SLEEP, PENTAGRAM AND CULT OF LUNA

WEST COAST METAL FESTIVAL HAPPENING MAY 15, 16 & 17 AT THE OBSERVATORY IN SANTA ANA

FIRST WAVE OF ARTISTS ANNOUNCED INCLUDED KYLESA, EARTH, OM AND RUSSIAN CIRCLES

Psycho California, the west coast’s first annual metal festival and a must see for fans of doom, heavy psych and sludge, has announced the headliners for this year’s event: Cult of Luna (May 15), Sleep (May 16) and Pentagram, who will perform First Daze Here in its entirety (May 17).

“2015 is going to be a slow year for Cult of Luna. However as much as we are musicians we are also fans,” said Cult of Luna’s Johannes Persson. “Evaluating if the offer to play Psycho California was worth dusting off our instruments was not hard after looking on the line-up. Being on the same bill as Pentagram, Sleep and a festival packed with the best bands around is a privilege in itself and we’ll try to live up to that honor.”

The lineup for Psycho California is: Sleep, Pentagram, Cult of Luna, Kylesa, OM, Earth, Russian Circles, Bedemon, Conan, Wrench, Eyehategod, Indian, Earthless, Pallbearer, Stoned Jesus, Old Man Gloom, Cave In, Acid Witch, Truckfighters, Tombs, Bang, Electric Citizen, Coffinworm, SubRosa, Eagle Twin, Mammatus, True Widow, Anciients, Bellwitch, Dead Meadow, Lord Dying, Death By Stereo, Radio Moscow, Ancient Altar, Samsara Blues Experiment, Atriarch, Elder, Mothership, The Well, Deathkings, Wo Fat, Rozamov, Destroyer of Light, Highlands, Bloodmoon, Slow Season, Goatsnake, Crypt Trip, Wrench, Lords of Beacon House, Tumbleweed Dealer, Sinister Haze, Blackout, Red Wizard, Banquet and Loom.

Festival interludes will be provided by Housecore Records’ artist Author & Punisher and vinyl DJ set from Bob Lugowe (Relapse Records) and Sean Pellet (Last Daze Here).

Previously announced early bird tickets sold out immediately. Tickets for the festival are on-sale this morning with both a 3-day pass ($149.50) and a 3-day VIP pass available ($256.66)

VIP packages include a 3-day festival pass, a signed screen print concert poster by David D’Andrea, express entry via artist check-in booth, access to artist VIP lounge, a limited edition Thief X Obey festival tee, a Psycho record bag and patch as well as access to a complimentary craft tequila bar, premium microbrews and artisan snacks.

www.psychoca.com
www.facebook.com/psychocalifornia
https://www.facebook.com/Thiefpresents

Sleep, “The Clarity/Dragonaut” Live in Chicago, Aug. 28, 2014

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