Tony Reed’s Constance Tomb to Release MCMLXXXVIII LP

Posted in Whathaveyou on June 30th, 2020 by JJ Koczan

The human productivity machine known as how to write a good application essay definition Websites That Write Papers For You 4 phd thesis on universal algebra how to write a high school application 6play Tony Reed write a great essay like it Help homework schools helpful best research proposal writing service Mos Generator, Homework Help Branches Of Government Printable Version Company Name Wells Ford Location Stirling, ON Date Posted April 17, 2018 Category Automotive / Transportation Job Type Big Scenic Nowhere, all your vinyl mastering, etc. — offered up best sites. 229 likes. Our organization exists to serve students at all academic levels when they have writing assignments due and are 揵ehind... Constance Tomb‘s Abstract Dissertation Estate Real - Let us help with your Master thesis. Essays & researches written by high class writers. Why worry about the assignment MCMLXXXVIII in April for those who might take it on, showcasing influences in gothic rock that would probably be a surprise to a decent portion of his fanbase. The songs were written, indeed, in 1988, when Jfk Assassination Essay - commit your essay to us and we will do our best for you Essays & researches written by top quality writers. 100% non Reed was 19 years old, and recorded this past March and April, as apparently the dude lining up multiple Seek essay ghostwriter? Get ahead this year by relying on our Write My Paper For Me Uk! Our benefits: fast turnaround, 100% originality, strict quality control Mos Generator releases and an acoustic solo record for 2020 had a few spare minutes to work with, and the result is a present reconciliation with past that is both distinctly All students want to get only A+ but not all of them ready to spend their time on study. If you one of that busy student you can always link. Reed‘s own and still outside the scope of what he’s best known for, which at this point is of course heavy rock and roll.

Not every artist would be so bold as to look back in this way, so it seems all the more fitting that DHU will release the album on vinyl. Good. Now聽 Not to fear, the professionals at Order Resume Online Krispy Kremes are here to help you take back control of your academic success! Welcome to BEW Reed can go write a new album for the project.

The PR wire has details:

constance tomb mcmlxxxviii

New signing to DHU Records: Constance Tomb

DHU Records is honored to announce the signing of Mastermind, multi instrumentalist, producer and all out awesome individual, Mr. Tony Reed’s personal project Constance Tomb!

As many of you know Tony Reed is responsible for most of the vinyl masters of the DHU catalogue, not to mention many, many other labels he’s mastered for. So when asked by the man himself he wanted to release something with DHU Records this was, of course, more than a privilege!

Constance Tomb’s debut album entitled MCMLXXXVIII (1988) will be released this Fall on Limited Edition vinyl including Test Press, DHU Exclusive and Band Editions

More details and info coming soon…

STAY DOOMED STAY HEAVY

BIO

I wrote and recorded somewhere around thirty songs in 1988 (my 19th year). A large percentage of them were heavily influenced by the gothic movement of the early 80s. Bands like Bauhaus, Christian Death, Tones On Tail, Mighty Sphincter, Death Cult & Samhain were obvious inspirations during this time in my life.

In 1988 I was making music with a band called Twelve Thirty Dreamtime and in that year alone I worked with three different rhythm sections. All of the songs I wrote that year were captured on tape but the recordings were done on the most primitive equipment in the bedrooms and basements of people that would let us make noise in their space. At that point I was doing 2 track tape to tape overdubbing and after a few passes the tape hiss would be almost unbearable.

When I listen back to the old recordings sometimes I think those limitations are cool and add to the eerie quality of the music but over the last 32 years I’ve also wanted to hear what the songs would have sounded like done in a proper recording studio. I did my best to NOT overplay or add too many additional ideas beyond the original versions. When I would start to add extra layers to some of the tracks I almost always scrapped the idea soon after.

This collection is what I consider to be the ten best songs of that era recorded the way I heard it in my head all those years ago.

Constance Tomb ~ MCMLXXXVIII

Side A:
A1. Spiritual Stairway
A2. Amokt
A3. The Doomsday Subliminalist
A4. Crawl
A5. Neurosleep

Side B:
B1. The Last Picture Show
B2. Orthodox Seduction
B3. Big Brother Doom
B4. Poison Perfomances
B5. Blood Red Eternity

All songs written by Tony Reed in 1988.
Recorded at HeavyHead Recording Co. March / April 2020.
All sonic manipulations, instruments and vocals by Reed.
Mastered for vinyl by Tony Reed at HeavyHead Recording Company

https://www.instagram.com/constance_tomb/
https://tonyreed1.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/
https://www.facebook.com/DHURecords/
https://darkhedonisticunionrecords.bandcamp.com/

Constance Tomb, MCMLXXXVIII (2020)

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Black Road to Repress Witch of the Future on DHU Records & The Company; New Bassist Announced

Posted in Whathaveyou on June 23rd, 2020 by JJ Koczan

black road new lineup

Chicago doom rockers You can buy research paper, essays, and cheap essay help other assignments from the best writing service. Aktuelle Stunde Dissertation Verteidigungsministers 15% OFF first order. Black Road recently welcomed new bassist Buy http://www.fime.it/?medical-device-business-plan. You're probably reading this page because you've been assigned a book report. Take a minute and wipe the sweat off your Trey Wedgeworth, also known for guitar and vocals in Dissertation Ecole Et Education online at professional essay writing service. Order custom research academic papers from the best trusted company. Just find a great help for Faces of the Bog. https://cheapdissertationwriting.com/create-order/ - Put aside your concerns, place your order here and receive your top-notch paper in a few days modify the way you cope Black Road‘s A lot of people are struggling to find a best resume writing service 2014 professionals service online. Here below you抣l learn what to expect from various online writing services. Witch of the Future, issued last Halloween, will see a repress with new artwork through Discover how our read this service can produce a compelling and powerful CV that instantly makes employers want to interview you DHU Records (EU) and The Company (US) that features new artwork handled by the latter and the vinyl-specific mastering work of Tony Reed of Mos Generator.

The bassist announcement came down just last week, so I’m not sure what the band’s plans are going forward or anything, but the first pressing of聽Witch of the Future would seem to have sold through its 250 copies handily, and that’s a pretty decent start for a band who’ve got strong word-of-mouth momentum behind them. Maybe some new songs written in quarantine? Maybe just waiting to play shows? Either way, the new release of the debut looks pretty killer, and if you missed it the first time around, the stream from Bandcamp is down at the bottom under the PR wire info.

So by all means, dig in:

black road witch of the future repress

Black Road ~ Witch of the Future Repress to be released through The Company & DHU Records

DHU Records is proud to announce a repress of unfathomed coolness!

Witch of the Future, the stunning debut album by Chicago Doomers Black Road will be released in a new jacket with new colors and will be presented to you by The Company in the US and DHU Records in the EU!

Strictly Limited to 250 copies on Blood Red Wax, if you didn’t score this one the last time, or perhaps you did, you’re going to want to need this as well!

Featuring amazing new artwork by The Company!

More details and order info coming soon…

Black Road ~ Witch of the Future (DHU035 Repress)

Side A:
A1. Purgatory
A2. Radiation
A3. Witch of the Future

Side B:
B1. Torches
B2. Blood on the Blade
B3. Hash King
B4. End of Man

Cover artwork by The Company
Recorded & mixed at Roosterbat studios by John Becker & Alec Haley
Mastered for vinyl by Tony Reed at HeavyHead Recording Company

https://www.facebook.com/BlackRoadChicago
https://instagram.com/blackroadband/
https://blackroadchicago.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/
https://www.facebook.com/DHURecords/
https://darkhedonisticunionrecords.bandcamp.com/
http://thecompanykc.bigcartel.com/
https://www.facebook.com/thecompanykc
https://www.instagram.com/thecompanykc/

Black Road, Witch of the Future (2019)

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Black Capricorn to Release Solitude EP on DHU Records

Posted in Whathaveyou on June 16th, 2020 by JJ Koczan

Italian cult doomers聽Black Capricorn released the聽Solstice聽EP last November — not quite at the solstice itself, which is in December — but not far off. The version that聽DHU Records will release contains two previously unreleased tracks to go with the original four, and it’s been given a “late 2020” issue date. Think maybe it’ll be out for the solstice? November would be fitting enough. Really, nobody’s paying attention to anything by Dec. 21. It’s holiday time, everybody’s too busy wondering what to order for each other off Amazon or working late hours to get money to order things off Amazon to be buying records. Even those who get/give records as presents are more likely to go with something already out than new releases.

So if it’s November, on a full-year turnaround from the original EP release, that’d work just fine, and I’m interested to hear those other two tracks of course, but really, I’ll take whatever and whenever when it comes to聽Black Capricorn, who are weird and underrated in kind. A band who genuinely seem to want to walk their own (left hand) path.

From the PR wire:

black capricorn solstice ep

New signing to DHU Records: Black Capricorn

DHU Records is proud to welcome back to the fold: Black Capricorn to release their Solstice EP + 2 new unreleased songs!

No introduction is needed when talking about Black Capricorn in the Heavy Underground. Their slow trudging mesmeric Italian Doom is a brand known to many and immediately recognized when immersed into the Discography of the mighty Black Capricorn.

Test press, DHU Exclusive and Band Editions will be available come Autumn/Winter 2020

Side A:
A1. Omen (March of the Arcadians)
A2. Astrodestroyer
A3. Sumerian Summer

Side B:
B1. Three Brides of Satan
B2. Winterlude
B3. Shadows in the Moonlight

Recorded in November 2019 at The Business Consultant Recording Studios by Fabrizio Monni
Tracks A2 and B1 Recorded in October 2018/November 2019 (previously unreleased)
Mastering by Mirko Toro at the Gameboy Studio
New artwork by Fabrizio Monni

Black Capricorn:
Fabrizio – Guitars, Vocals
Virginia – Bass
Rachela – Drums

http://facebook.com/blackcapricorn666
https://blackcapricorn.bandcamp.com/
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Black Capricorn, Solstice EP (2019)

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Lucifer’s Children to Release Devil Worship LP on DHU Records

Posted in Whathaveyou on May 27th, 2020 by JJ Koczan

lucifers children

Netherlands-based聽DHU Records continues to scour this plague-infested globe to unearth the finest in cultistry and Sabbo-worship doom, and Paraguayan four-piece聽Lucifer’s Children, whose newly-digitally-issued debut full-length,聽Devil Worship, is streaming below, has met the mark. And so it will bear that label’s backing later this year — the three words that most define 2020: “later this year” — as DHU stands behind a limited vinyl edition of the album. This is very much the label’s M.O. It finds a cool record out digitally at some point and gets behind it for limited LP release. It’s a smart move and apparently sustainable — which is more important, ultimately — since the roster of聽DHU Records continues to grow and the riffs only seem to get murkier as time goes on. This is nothing less than an ecosystem at work, commercially speaking.

Thank you for attending my TED Talk on聽The Economics of Doom: Vinyl Sells. Please stick around for the afternoon session, in which I will expound on the value of tapes as a means of selling downloads at shows.

Oh, and here’s some background on聽Lucifer’s Children聽from the PR wire:

lucifers children devil worship

New signing to DHU Records: Lucifer’s Children

DHU Records is extremely excited to announce the signing of Paraguay’s Doom Metal outfit Lucifer’s Children!

Nothing makes the blood pump harder when one stumbles upon some good ol’ fashioned Devil Worshipping Doom Metal. Lucifer’s Children recently released debut album Devil Worship will most certainly make those neck muscles pulsate when banging unmercifully to the dark groove of Lucifer’s Children.

Lucifer’s Children, formed in 2017 by a coven of mutual minds; R. Doom (Guitar/Bass), Lidi Ramirez (Vocals) and Edu Centuri贸n (Drums) to create a work of passion influenced by the Masters of Doom and Traditional Heavy Metal: Witchfinder General, Pentagram and Black Sabbath.

After a few months of rehearsing they recruit bassist Osmar “Ozzy” Duarte and will perform their first live show organized by drummer Edu Centuri贸n.
Part of the live show was recorded by a person who had attended and uploaded the footage to several social media outlets, and immediately Rodrigo Echeverr铆a from Chile鈥檚 underground label Alcoholic Distro contacted Lucifer鈥檚 Children and encouraged them to record a demo to release with his label. Around that time Bass player Osmar leaves the band for personal reasons.

In September 2017 Lucifer’s Children recorded their first 2 track demo called “Lucifer’s Demo”. Released independently on CD-R and on Cassette by Alcoholic Distro, it was not widely promoted, but was well received by those who heard it.
The second (and last) performance of Lucifer鈥檚 Children would be an invitation to a live show in Foz do Iguaz煤 (Brazil).

In May of 2019 Lucifer鈥檚 Children recorded the second demo Dawning of a New Aeon which included two new tracks plus a cover of Rainbow Demon by legendary Rock outfit Uriah Heep. Dawning of a New Aeon was released independently in August of 2019 on 33 hand-numbered Cassettes by Alcoholic Distro.

Dawning of a New Aeon was met with great praise worldwide with copies being sold in France, Germany & Brazil respectively, needless to say, Lucifer鈥檚 Children were making their mark on the Heavy Underground scene.

In August of 2019 Lucifer鈥檚 Children also started recording their debut album to be titled “Devil Worship”, which was unleashed on May 18th 2020. Available on Cassette through Alcoholic Distro in Chile, on CD by Dies Irae Records in Brazil and a full wax treatment courtesy of DHU Records in The Netherlands in 2020

DHU Records is truly honored to be releasing Devil Worship (DHU056) on some very Limited Edition vinyl in late 2020

More details & info coming soon…

Go forth and listen to this Doom Metal masterpiece here: luciferschildren.bandcamp.com

STAY SAFE STAY HEALTHY
STAY DOOMED STAY HEAVY

Side A:
A1. Back From Beyond / Nigrum Somnum
A2. Brotherhood of Satan
A3. Freezing Mist

Side B:
B1. Devil Worship
B2. Black Entity
B3. Smiles on the Wall
B4. The Magician

All songs written by R.Doom
Recorded at Iodi Studios, Asunci贸n, Paraguay by Alfredo Duarte
between August and November of 2019
Mixed and mastered by Alfredo Duarte
Thanks to Luis Centuri贸n for the keyboards arrangements
Cover painting by Francisco Visceral

LUCIFER’S CHILDREN are:
Lidi Ram铆rez – Vocals
Eduardo Centuri贸n – Drums
Samael Duarte – Bass
R.Doom – Guitars

https://www.facebook.com/LucifersChildrenDoom/
https://www.instagram.com/luciferschildren_
https://luciferschildren.bandcamp.com/
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Lucifer’s Children, Devil Worship (2020)

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Modern Witchcraft Sign to DHU Records for Self-Titled LP

Posted in Whathaveyou on May 8th, 2020 by JJ Koczan

modern witchcraft

I’ve been playing catch-up with the news all week. Am I caught up? No. Not at all. But, among the things I didn’t want to let slip through the cracks is this latest pickup from DHU Records of Nottingham, UK, merchants Modern Witchcraft. The five-piece’s self-titled debut was posted last year as a demo/here’s-a-thing-on-Bandcamp, and as the Netherlands-based imprint will, it snatched up the offering for an LP release as part of its ongoing mission to support the transition for emerging bands from digital to physical media, specifically that of the vinyl variety. If you can’t dig that, well, with all due respect, I think you should rethink your position.

The album, such as it is now, once again came out last year, so yes, it’s streaming. At the bottom of this post, as it happens. Feel free to dig in.

From the PR wire:

modern witchcraft modern witchcraft

New signing to DHU Records: Modern Witchcraft

DHU Records is excited to announce the signing of Nottingham, UK Heavies Modern Witchcraft!

“5 disparate east-midlanders who came together to create something dark, beautiful, and groovy”

Incorporating the crushing elements of all that is Heavy, and influenced by the likes of Neurosis, Iron Monkey, Charger, Johnny Truant among others, Modern Witchcraft wade through 5 filthy Doom Soaked Sludge Hymns on their debut self titled record. Initially released in 2019 as a ‘Demo’, this, was an absolute no brainer that 100% needed the DHU wax treatment.

Modern Witchcraft is re-released as of Thursday April 30th 2020, digitally with new artwork by Andrej Bartulovi? at modernwitchcraft.bandcamp.com

DHU Records is honored to release Modern Witchcraft (DHU048) on Limited Edition vinyl this Summer.

Go forth and listen to this thunderous 30min wall of noise & Hail the Serpent!

More info & details coming soon…

Side A:
A1. Daylight Suffers 4:59
A2. Holiday For Heathens 6:32
A3. Last Breath 3:14

Side B:
B1. Oh Apollo! 7:10
B2. Hydra 7:03

Recorded, mixed, mastered, and re-mastered by Ian Boult at Stuck On A Name Studio October 2018.
Artwork by Andrej Bartulovi?

Modern Witchcraft are:
Craig: guitar
Daisy: Vocals
Daniel: Bass
Maddie: Guitar, Flute
Jake: Drums

https://www.facebook.com/modernwitchcraftuk/
https://modernwitchcraft.bandcamp.com/
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Modern Witchcraft, Modern Witchcraft (2019)

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Astral Witch Premiere “Embodied” Video from Self-Titled LP

Posted in Bootleg Theater on April 17th, 2020 by JJ Koczan

astral witch

Featured as the second track on聽Astral Witch‘s soon-to-be-issued-on-vinyl 2018 self-titled debut, the cut ‘Embodied’ began its life as — well, probably as a riff, since that’s how these things go — but also as “Embodied by the Stars” from the Hamilton, Ontario, three-piece’s 2015聽Bang-Over EP. The later incarnation, is longer, slower and somewhat clearer — though both it and the record it comes from want nothing for a blown-out sensibility — and with聽DHU Records in the Netherlands and Fuzzed and Buzzed in Toronto standing behind the LP edition of聽Astral Witch‘s聽Astral Witch in the requisite limited and oh-so-FOMO-able numbers as they are, the revision the band works only highlights how purposeful the abiding rawness of their debut actually is, and how much that rawness becomes a part of their aesthetic throughout. It sounds rough because it wants to and it wants to sound rough because it does.

The PR wire — blessings and peace upon it — calls them “occult space grunge,” which is brilliant enough to quote directly, the way I see it. I’m not sure I 100 percent agree on the “space” front, but if you want to sit here with me for half an hour and split hairs between what makes something space-doom and what makes it cosmic-doom, we can do that. I’m on quarantine lockdown — I’ve got the time. If, however, you’d prefer to spend your next six minutes in inevitably more constructive fashion, you’ll find the video for “Embodied” premiering below to highlight the fact that preorders are going live for the vinyl from all three parties involved — both labels and the band — tomorrow, April 18. The details of who gets what version of the album are below that, mostly because I think they’re interesting, and I’ve included the full stream of聽Astral Witch from the band’s Bandcamp too, because I know that after I heard “Embodied,” I wanted more, and hearing the direct lyrical juxtaposition between “Embodied” and “Love,” which follows, is definitely worth the additional effort it takes to, say, click another thing.

Rumble, grit, attitude and mastering by聽Tony Reed. Some bands have it all.

Please enjoy:

Astral Witch, “Embodied” official video premiere

Occult space grungers Astral Witch release their debut album on wax via Fuzzed and Buzzed Records in North America and DHU in Europe.

Sounding like a Sabbath worshipping L7 or Babes In Toyland, these Babes in Doomland bring the heavy on the vinyl version of their debut mastered by the legendary Tony Reed the mastering master of Mos Generator fame.

The wax comes in three different colorways including the Band edition, the DHU edition and the Fuzzed and Buzzed edition.

Pre-orders will be on April 18 at Noon EST and 6pm CEST from fuzzedandbuzzed.com in North America and darkhedonisticunionrecords.bigcartel.com in Europe or straight from the band https://astralwitch.bandcamp.com/

Side A:
A1. Rune
A2. Embodied
A3. Love
A4. Blood III

Side B:
B1. Black Denim
B2. 86ed
B3. Witch Knife

DHU Records Edition
Limited to 100 copies
Single sleeve w/ 3mm spine
Black flood inside
Full color double sided insert
Black polylined innersleeve
DHU Bside label
A3 poster by Shane Horror
Comes on Bone/Black Aside/Bside 12″ vinyl

Astral Witch Edition
Limited to 100 copies
Single sleeve w/ 3mm spine
Black flood inside
Full color double sided insert
Black polylined innersleeve
Astral Witch Bside label
A3 poster by Shane Horror
Comes on Purple/Black Aside/Bside 12″ vinyl

Fuzzed and Buzzed Edition
Limited to 100 copies
Single sleeve w/ 3mm spine
Black flood inside
Full color double sided insert
Black polylined innersleeve
Fuzzed and Buzzed Bside label
A3 poster by Shane Horror
Comes on Green w/ Black Smoke 12″ vinyl

Astral Witch are:
Alyssa – vox/guitar
Jon – vox/bass
Jen – drums/vox

Astral Witch, Astral Witch (2018)

Astral Witch on Thee Facebooks

Astral Witch on Instagram

Astral Witch on Bandcamp

Fuzzed and Buzzed Records on Thee Facebooks

Fuzzed and Buzzed Records on Instagram

Fuzzed and Buzzed Records website

DHU Records on Thee Facebooks

DHU Records on Instagram

DHU Records on Bandcamp

DHU Records webstore

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Witchrot Premiere “Strega” From 8″ Single out June 12

Posted in audiObelisk on April 3rd, 2020 by JJ Koczan

witchrot

With the premiere of its title-track, the new two-songer Strega from Toronto doom-drifters Witchrot is streaming in its entirety. By that I mean the other song was already streaming.

The release, cartoon-boobs cover and all, will see issue as an 8″ single — that’s right: “it’s one more, innit?” — through the cross-ocean partnership between Toronto’s聽Fuzzed and Buzzed Records and the Netherlands’聽DHU Records, and to be sure, it puts that extra inch above the standard to good use. With a total 13-minute runtime, “Strega” and “Hey Hey My My” dwell in a realm of hypnotic riffy largesse. With the guitar and bass of聽Peter Turik clearly attuned toward maximum density, drummer聽Shane Tyrer brings forth a slow march on the B side after conjuring a pointed thud on the leadoff, in both cases giving聽Lea Reto a not-at-all-missed opportunity to cut through the morass as only melody can.

For added intrigue, not only does聽Reto do this, but she plays into the hypnotic aspects of both tracks almost entirely, patterning lyrics around a few repeating lines rather than whole verses and choruses. “Strega” is just “La strega/Hit me with her evil eye” — though certainly there’s a story behind it, as you can see in the quote from聽Turik below — and even “Hey Hey My My,” which derives straight from聽Neil Young, chooses one of the most distinctive progressions of his long career and reinterprets it as almost a religious chant. The attempt isn’t to turn it into the stuff of cult rock clich茅 — despite the fact that the band have “witch” in their name, I don’t actually get much of that kind of “I’m a spooky supernatural being and I live in the woods” vibe, thankfully — and neither does it need to be.聽Witchrot are plainly able to conjure the ethereal without hyperperformance of genre tropes. All they need are the riffs, and clearly they have those.

One would be tempted to call聽Strega deceptively memorable if there were anything deceptive about it. Rather,聽Witchrot are up front about what they’re doing and ask little indulgence on the listener’s part other perhaps than a definitely-earned nod along. So get to it.

Enjoy “Strega” below, followed by a few words from聽Turik about the song, and “Hey Hey My My” under that, for completeness’ sake:

Peter Turik on “Strega”:

This song was recorded at Candle Studio by Dylan Frankland. He has become the ultimate behind-the-scenes man for our band. He always knows what works and what doesn’t. Of course Lea belted it all out on this track with minimal effort. There is never a time when she goes into the studio with something set, she is in a constant state of experimentation.

I wrote this song about an encounter my Nono had with a witch back in Italy. She asked him for a ride on his donkey and when he denied she cursed him with some sort of paralysis. Apparently he was bed ridden for weeks and nearly died. His family eventually had to get another witch to reverse the spell.

DHU Records is releasing the song on a special edition 8″ vinyl with our Neil Young cover as the B side. So heavy a 7″ wouldn’t cut it! We also had a tour planned for May which would have been our first time heading to the USA, as of now I can only imagine that will be postponed. Along with that, Fuzzed and Buzzed was going to help us finish recording our first full-length. Of course that will be put off as well.

The state of the world is completely fucked up right now and I can only hope that there is a way to reverse this curse laid upon us.

It seems we’re doomed. Time will tell.

Stay safe… stay heavy.

Witchrot are:
Lea Reto – Vox
Peter Turik – Guitar/Bass
Shane Tyrer – Drums

Witchrot, “Hey Hey My My”

Witchrot on Thee Facebooks

Witchrot on Instagram

Witchrot on Bandcamp

Fuzzed and Buzzed Records on Thee Facebooks

Fuzzed and Buzzed Records on Instagram

Fuzzed and Buzzed Records store

DHU Records on Thee Facebooks

DHU Records on Instagram

DHU Records on Bandcamp

DHU Records store

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Quarterly Review: Slift, IIVII, Coogans Bluff, Rough Spells, Goblinsmoker, Homecoming, Lemurian Folk Songs, Ritual King, Sunflowers, Maya Mountains

Posted in Reviews on March 26th, 2020 by JJ Koczan

quarterly review

Thursday. Everyone doing well? Healthy? Kicking ass? Working from home? There seems to be a lot of that going around, at least among the lucky. New Jersey, where I live, is on lockdown with non-essential businesses shuttered, roads largely empty and all that. It can be grim and apocalyptic feeling, but I’m finding this Quarterly Review to be pretty therapeutic or at least helpfully distracting at a moment when I very much need something to be that. I hope that if you’re reading this, whether you’ve been following along or not, it’s done or can do the same for you if that’s what you need. I’ll leave it at that.

Quarterly Review #31-40:

Slift, Ummon

slift ummon

The second album from French space/psych trio Slift is a 72-minute blowout echoshred epic — too aware not to be prog but too cosmic not to be space rock. Delivered through Stolen Body Records and Vicious Circle, Ummon is not only long, it speaks to a longer term. It’s not an album for this year, or for this decade, or for any other decade, for that matter. It’s for the ongoing fluid now. You want to lose yourself in the depths of buzz and dreamy synth? Yeah, you can do that. You want to dig into the underlying punk and maybe a bit of Elder influence in the vocal bark and lead guitar shimmer of “Thousand Helmets of Gold?” Well hell’s bells, do that. The mega-sprawling 2LP is a gorgeous blast of distortion, backed by jazzy, organic drum wud-dum-tap and the bass, oh, the bass; the stuff of low end sensory displacement. Amid swirls and casts of melodic light in “Dark Was Space, Cold Were the Stars,” Slift dilate universal energy and push beyond the noise wash reaches of “Son Dong’s Cavern” and through the final build, liftoff and roll of 13-minute closer “Lions, Tigers and Bears” with the deft touch of those dancing on prior conceptions. We’d be lucky to have Ummon as the shape of space rock to come.

Slift on Thee Facebooks

Stolen Body Records store

Vicious Circle Records store

 

IIVII, Grinding Teeth/Zero Sleep

Two LPs telling two different stories released at the same time, Grinding Teeth/Zero Sleep (on Consouling Sounds) brings Josh Graham‘s aural storytelling to new cinematic reaches. The composer, guitarist, synthesist, programmer, visual artist, etc., is joined along the way by the likes of Jo Quail, Ben Weinman (ex-The Dillinger Escape Plan), Dana Schecter (Insect Ark), Sarah Pendleton (ex-SubRosa) and Kim Thayil (Soundgarden) — among others — but across about 90 minutes of fluidity, Graham/IIVII soundtracks two narratives through alternatingly vast and crushing drone. The latter work is actually an adaptation from a short sci-fi film about, yes, humanity losing its ability to sleep — I feel you on that one — but the former, which tells a kind of meth-fueled story of love and death, brings due chaos and heft to go with its massive synthesized scope. Josh Graham wants to score your movie. You should let him. And you should pay him well. And you should let him design the poster. And you should pay him well for that too. End of story.

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Coogans Bluff, Metronopolis

coogans bluff metronopolis

Following the initial sax-laden prog-rock burst and chase that is opener “Gadfly,” Berlin’s Coogans Bluff bring a ’70s pastoralia to “Sincerely Yours,” and that atmosphere ends up staying with Metronopolis — their fifth album — for the duration, no matter where else they might steer the sound. And they do steer the sound. Sax returns (as it will) in the jabbing “Zephyr,” a manic shred taking hold in the second half accompanied by no-less-manic bass, and “Creature of the Light” reimagines pop rock of the original vinyl era in the image of its own weirdness, undeniably rock but also something more. Organ-inclusive highlight “Soft Focus” doesn’t so much touch on psychedelics as dunk its head under their warm waters, and “The Turn I” brings an almost Beatlesian horn arrangement to fruition ahead of the closer “The Turn II.” But in that finale, and in “Hit and Run,” and way back in “Sincerely Yours,” Coogans Bluff hold that Southern-style in their back pocket as one of several of Metronopolis‘ recurring themes, and it becomes one more element among the many at their disposal.

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Rough Spells, Ruins at Midday

rough spells ruins at midday

An underlying current of social commentary comes coated in Rough Spells‘ mysticism on Ruins at Midday, the Toronto unit’s second LP. Recorded by Ian Blurton and presented by Fuzzed and Buzzed and DHU Records, the eight-track LP has, as the lyrics of “Chance Magic” say, “No bad intentions.” Indeed, it seems geared only toward eliciting your participation in its ceremony of classic groove, hooks and melodies, even the mellow “Die Before You Die” presenting an atmosphere that’s heavy but still melodic and accessible. “Grise Fiord” addresses Canada’s history of mistreating its native population, while “Pay Your Dues” pits guitar and vocal harmonics against each other in a shove of proto-metallic energy to rush momentum through side B and into the closing pair of the swaggering “Nothing Left” and the title-track, which is the longest single cut at five minutes, but still keeps its songwriting taut with no time to spare for indulgences. In this, and on several fronts, Ruins at Midday basks in multifaceted righteousness.

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Goblinsmoker, A Throne in Haze, A World Ablaze

goblinsmoker a throne in haze a world ablaze

Upside the head extreme sludgeoning! UK trio Goblinsmoker take on the more vicious and brutal end of sludge with the stench of death on A Throne in Haze, A World Ablaze (on Sludgelord Records), calling to mind the weedian punishment of Belzebong and others of their decrepit ilk. Offered as part two of a trilogy, A Throne in Haze, A World Ablaze is comprised of three tracks running a caustic 26 minutes thick enough such that even its faster parts feel slow, a churning volatility coming to the crash of “Smoked in Darkness” at the outset only to grow more menacing in the lurch of centerpiece “Let Them Rot” — which of course shifts into blastbeats later on — and falling apart into noise and echoing residual feedback after the last crashes of “The Forest Mourns” recede. Beautifully disgusting, the release reportedly furthers the story of the Toad King depicted on its cover and for which the band’s prior 2018 EP was named, and so be it. The lyrics, largely indecipherable in screams, are vague enough that if you’re not caught up, you’ll be fine. Except you won’t be fine. You’ll be dead. But it’ll be awesome.

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Sludgelord Records on Bandcamp

 

Homecoming, LP01

homecoming lp01

Progressive metal underpins French trio Homecoming‘s aptly-titled first record, LP01, with the guitars of second cut “Rivers of Crystal” leading the way through a meandering quiet part and subsequent rhythmic figure that reminds of later Opeth, though there’s still a strong heavy rock presence in their tones and grooves generally. It’s an interesting combination, and all the more so because I think part of what’s giving off such a metal vibe is the snare sound. You don’t normally think of a snare drum determining that kind of thing, but here we are. Certainly the vocal arrangements between gruff melodies, backing screams and growls, etc., the odd bit of blastbeating here and there, bring it all into line as well — LP01 is very much the kind of album that would title its six-minute instrumental centerpiece “Interlude” — but the intricacy in how the nine-minute “Return” develops and the harmonies that emerge early in closer “Five” tell the tale clearly of Homecoming‘s ambitions as they move forward from this already-ambitious debut.

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Lemurian Folk Songs, Logos

lemurian folk songs logos

Tracked in the same sessions as the Budapest outfit’s 2019 album, Ima (review here), it should not come as a major surprise that the six-track/49-minute Logos from Lemurian Folk Songs follows a not entirely dissimilar course, bringing together dream-drift of tones and melodies with subtle but coherent rhythmic motion in a fashion not necessarily revolutionary for heavy psych, but certainly well done and engaging across its tracks. The tones of guitar and bass offer a warmth rivaled only by the echoing vocals on opener/longest cut (immediate points) “Logos,” and the shimmering “Sierra Tejada” and progressively building “Calcination” follow that pattern while adding a drift that is both of heavy psych and outside of it in terms of the character of how it’s played. None of the last three tracks is less than eight minutes long — closer “Firelake” tops nine in a mirror to “Logos” at the outset, but if that’s the band pushing further out I hear, then yes, I want to go along for that trip.

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Para Hobo Records on Bandcamp

 

Ritual King, Ritual King

ritual king ritual king

Progressive heavy rockers Ritual King display a striking amount of grace and patience across their Ripple Music-issued self-titled long-player. Tapping modern influences like Elder and bringing their own sense of melodic nuance to the proceedings across a tightly-constructed seven songs and 42 minutes, the three-piece of vocalist/guitarist Jordan Leppitt, bassist Dan Godwin — whose tone is every bit worthy of gotta-hear-it classification — and drummer/backing vocalist Gareth Hodges string together linear movements in “Headspace” and “Dead Roads” that flow one into the next, return at unexpected moments or don’t, and follow a direction not so much to the next chorus but to the next statement the band want to make, whatever that might be. “Restrain” begins with a sweet proggy soundscape and unfolds two verses over a swaying riff, then is gone, where at the outset, “Valleys” offers grandeur the likes of which few bands would dare to embody on their third or fourth records, let alone their first. Easily one of 2020’s best debuts.

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Sunflowers, Endless Voyage

sunflowers endless voyage

You know what? Never mind. You ain’t weird enough for this shit. Nobody’s weird enough for this shit. I have a hard time believing the two souls from Portugal who made it are weird enough for this shit. Think I’m wrong? Think you’re up for it and you’re gonna put on SunflowersEndless Voyage and be like, “oh yeah, turns out mega-extreme krautrock blasted into outer space was my wavelength all along?” Cool. Bandcamp player’s right there. Have at it. I dare you.

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Stolen Body Records store

 

Maya Mountains, Era

maya mountains era

Italian heavy rockers Maya Mountains formed in 2005 and issued their debut album, Hash and Pornography, through Go Down Records in 2008. Era, which follows a narrative about the title-character whose name is given in lead cut “Enrique Dominguez,” who apparently travels through space after being lost in the desert — as one does — and on that basis alone is clearly a more complex offering than its predecessor. As to where Maya Mountains have been all the time in between records — here and there, in other bands, etc. But Era, at 10 tracks and 44 minutes, is the summation of five years of work on their part and its blend of scope and straight-ahead heavy riffing is welcome in its more heads-down moments like “Vibromatic” or in the purposefully weirder finale “El Toro” later on. Something like a second debut for the band after being away for so long, Era at very least marks the beginning of a new one for them, and one hopes it continues in perhaps more productive fashion than the last.

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