Posted in Whathaveyou on February 23rd, 2017 by JJ Koczan
Today, Denver’s Electric Funeral Fest 2017 reveals Acid King will headline and the likes of Sourvein, Slow Season, Goya, Electric Citizen, Destroyer of Light, The Well, Cloud Catcher, Oryx and many more will appear. Limited early tickets — there seem to be 40 — are on sale as of right this second.
One headliner is still TBA, but even so, it’s a remarkably ambitious return for Electric Funeral Fest, which had its first showing in 2016. Put on by DUST Presents, it finds hometown representation through The Munsens, Love Gang, Oryx, and Cloud Catcher, likely among others, and reaches far and wide in filling out an impressive roster of acts. To be perfectly blunt about it, it looks fucking awesome.
The fest was kind enough to let me host this initial lineup announcement, and below, organizer Shaun Goodwin gives some background on the area where it will take place across two venues and the vibe they’re shooting for with Electric Funeral Fest 2017.
Electric Funeral Fest 2017 – Friday June 16th & Saturday June 17th
Location: Denver, CO @ Hi Dive & 3 Kings Tavern
Tickets:www.electricfuneralfest.eventbrite.com – There will be 40 early bird discounted 2-day passes available at $49 – After those are sold, presale 2-day passes are $59 – 1 day passes are $32
Electric Funeral will once again be happening in the South Broadway district of Denver. Anyone that is familiar with Denver knows that S. Broadway is one of the greatest neighborhoods this city has to offer. In our second year of this event, we have added a second stage at Hi Dive. Hi Dive is across the street from 3 Kings Tavern and easily one of the greatest places to party in Denver.
There is also no shortage of other great bars and restaurants in the area for attendees to visit if they need a break from head-banging. Although both stages are indoors, this will feel like just as much of an outdoor event as people go back and forth between the two venues that will run simultaneously through both evenings. Hey hey, my my, rock n’ roll sure ain’t fuckin’ dying in Denver!
Friday June 16 Headliner: TBA Support: Sourvein, Slow Season, Goya, R.I.P., The Well, Glitter Wizard, Monarch, Muscle Beach, The Munsens, Communion, Lords of Beacon House, Greenbeard, Oryx, Smokey Mirror, High on the Mountain
Saturday June 17 Headliner: Acid King Support: Electric Citizen, The Heavy Eyes, Destroyer of Light, Crypt Trip, Cloud Catcher, Love Gang, Barrows, Great Electric Quest, Red Wizard, Banquet, Ocelot (performing as Feather Stone), Jagged Mouth, Pueblo Escobar, Urn
Flier art by Christina Hunt Flier layout by Keith Dreissen
Posted in Features on January 23rd, 2017 by JJ Koczan
Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.
Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’
Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.
Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.
Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.
— Tomorrow’s Dream 2017 —
1. Abrahma, TBA
Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.
2. All Them Witches, Sleeping Through the War
If 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.
3. Alunah, Solennial
Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.
4. Arbouretum, TBA
I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.
5. Atavismo, Inerte
This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.
6. Bison Machine, TBA
In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.
7. Brothers of the Sonic Cloth, TBA
News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.
8. Cloud Catcher, Trails of Kosmic Dust
Okay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.
9. Colour Haze, TBA
I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.
10. Corrosion of Conformity, TBA
Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?
11. Elder, TBA
I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.
12. Electric Wizard, TBA
Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.
13. John Garcia, The Coyote Who Spoke in Tongues
Out Jan. 28 on Napalm, The Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo Burn, Hermano, Vista Chino, Zun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.
14. Goya, Harvester of Bongloads
Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.
15. Ides of Gemini, TBA
Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.
16. Kind, TBA
Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.
17. Lo-Pan, In Tensions
Yes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.
18. The Midnight Ghost Train, TBA
It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.
19. Monster Magnet, TBA
I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.
20. Mothership, High Strangeness
A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.
21. The Obsessed, Sacred
On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of Weinrich, Costantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.
22. Orange Goblin, TBA
When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.
23. Pallbearer, Heartless
Doomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.
24. Radio Moscow, TBA
Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.
25. Roadsaw, TBA
Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in Kind, White Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.
26. Rozamov, This Mortal Road
Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.
27. Samsara Blues Experiment, TBA
It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for Desertfest, Riff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.
28. Seedy Jeezus, TBA
Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah Mitchell, Tranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.
29. Shroud Eater, Strike the Sun
Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.
30. Sleep, TBA
If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.
31. Stoned Jesus, TBA
Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.
32. Stubb, TBA
Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.
33. Sun Blood Stories, It Runs Around the Room with Us
It Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.
34. Ufomammut, TBA
Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.
35. Vokonis, The Sunken Djinn
Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.
Gonna Happen and/or Likely Candidates
Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.
Either way, while I’m spending your money, you might want to look into:
36. Against the Grain
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
42. Beaten Back to Pure
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
73. Green Desert Water
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
87. Merlin, The Wizard
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
108. The Sonic Dawn, Into the Long Night
110. Spidergawd, IV
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
122. Youngblood Supercult, The Great American Death Rattle
Definitely Could Happen
Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.
So, you know, life.
123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
140. Devil Worshipper
144. Electric Moon
145. Elephant Tree
147. The Flying Eyes
148. Freedom Hawk
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
164. Mondo Drag
166. Mountain God
167. The Munsens
169. Never Got Caught
175. Purple Hill Witch
176. Ruby the Hatchet
178. Satan’s Satyrs
179. Serpents of Secrecy
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
191. Zone Six
Would be Awfully Nice
This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:
192. Across Tundras
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
201. Kings Destroy
202. Lord Fowl
204. Masters of Reality
207. Queens of the Stone Age
If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.
As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.
I’d be interested to witness the gathering of weirdos that FreakTulsa 2016 brings out. The festival — based in Tulsa, Oklahoma, and of no relation to the German Freak Valley fest that I know of — culls bands from around the Midwest and well beyond, groups like King Buffalo and Destroyer of Light sharing the stage with Merlin and Red Wizard, among many others. It’s a three-day affair, June 17 through June 19, and while I won’t make it out for it, I’ll look forward to finding out how it goes. Seems like an event in the middle of the country could be a good regional pull, a haven of sorts, for followers of riff.
Bottom line, it looks like a good time. Hope it goes well.
Updated lineup, info and ticket links follow:
Get it together folks, for the most fuzzed out, brain-jarring, facemeltingest fest to trample Tulsa, June 17th-19th at the Downtown Lounge. We’ve got an incredible and diverse lineup, from the deep and fuzzed out valleys to the peaks of devestating alpine thrash glory. Get your tickets now.
Freaktulsa 2016 is a 3 day psychedelic rock festival celebrating all that is hard, doomy and heavy. Join us and our diverse lineup at the Downtown Lounge in Tulsa Oklahoma June 17 – 19th. This is a show presented by and for enthusiasts of dark rock of all types. The Mid West Heshfest exists for the love of music above all else, driving our focus to be on providing the best possible musical experience for you.
Multi-level intrigue from Austin’s Destroyer of Light, who were also recently confirmed for the Shadow Woods Metal Fest in September (info here). The band will tour as a trio for the first time in June/July, still supporting last year’s Endsville (video premiere here) split with Godhunter — with whom they also toured in 2015 — and have a new album in the works, to be released early next year through a TBA label. Could be their Heavy Friends imprint will link up with Battleground again, as happened with the split, or could be they’ve been picked up by someone else. Also curious to see what happens with their lineup, since the PR wire hints at future announcements in that regard as well.
These dates were announced a bit ago at this point, but curiosity reigns:
DESTROYER OF LIGHT: Texas Outfit Confirms Western US June/July Tour; New Album In The Works
Austin, Texas-based psychedelic doom metal outfit, DESTROYER OF LIGHT, has confirmed a string of tour dates spanning the Western US in late June into mid-July.
The upcoming trek is the first extensive tour from the outfit since their massive run through the US in the Summer of 2015 with cohorts and labelmates, Godhunter, which was booked in support of their Endsville split 2xLP. This new trek sees DESTROYER OF LIGHT taking their Endsville anthems back out to the masses, beginning in Fort Worth on June 16th, then running up through the Central and Midwestern states to the Pacific Northwest, before running down the West Coast on their way back to Texas, the final show going down in the band’s hometown on July 11th.
Following the recent departure of their brother Keegan Kjeldsen, this tour will see DESTROYER OF LIGHT taking to the streets as a three-piece for the first time, with Jeff Klein handling lead guitars, Steve Colca on guitars and vocals, and Penny turner on drums, the trio strategically bulking up on extra amplification for the journey. The band is working on their new album, which will see release in early 2017 on a label to be announced at a later date along with more info on the permanent lineup.
Endsville is available through a joint release with Godhunter co-owned Battleground Records and DESTROYER OF LIGHT’s Heavy Friends Records, the 2xLP bearing two slabs of 180-gram vinyl on two colors packed in a gatefold sleeve. Order the digital and vinyl HERE.
DESTROYER OF LIGHT West Coast Tour 2016: 6/16/2016 The Grotto – Fort Worth, TX 6/17/2016 Road Map – Texarkana, AR 6/18/2016 Soundpony – Tulsa, OK 6/19/2016 The Elbow Room – Wichita, KS 6/20/2016 Bourbon Theatre – Lincoln, NB 6/21/2016 Three Kings Tavern – Denver, CO 6/22/2016 Flux Capicitor – Colorado Springs, CO 6/24/2016 Wastelander Studio – Boise, ID 6/25/2016 VFW – Missoula, MT 6/26/2016 Emerald of Slam – Richland, WA 6/27/2016 Victory Lounge – Seattle, WA 6/28/2016 The Panic Room – Portland, OR 6/29/2016 The Wandering Goat – Eugene, OR 6/30/2016 Club 66 – Ashland, OR 7/01/2016 Starlite – Sacramento, CA 7/02/2016 Hemlock Tavern – San Francisco, CA 7/03/2016 Sweet Water Saloon – Los Osos, CA 7/04/2016 Lexington – Los Angeles, CA 7/05/2016 Soda Bar – San Diego, CA 7/06/2016 The Womb Room – Las Vegas, NV 7/07/2016 Yucca Tap Room -Tempe, AZ 7/08/2016 Gary’s Place – Tucson, AZ 7/09/2016 The Sandbox – El Paso, TX 7/10/2016 The District O’Bar – Lubbock, TX 7/11/2016 The Grand – Austin, TX
Posted in Whathaveyou on February 10th, 2016 by JJ Koczan
After a successful first installment last year, Shadow Woods Metal Fest 2016 bursts out of the gate with 20-plus bands for what’s still being touted as its initial lineup — i.e., there’s more to come. Seems reasonable. Now that they’ve shown it can happen without the universe collapsing or the ultra-oppressive Federal Forestry Service (note: I have no idea if that’s a real thing) clamping down hard on longhair campers, it seems only fair to expect the event to grow both in actual scope and reputation.
The first group of acts spans a range from extreme metal to psychedelic heavy rock, but a few highlights thus far include Maryland dronecasters Darsombra, Philly riff-rollers Wizard Eye, and MD heavy rockers Faith in Jane, who’ll team up with Scott “Wino” Weinrich himself for a special set. There have been murmurings of those two parties jamming for a little bit now, and you can see video of them doing just that from this past weekend below. It ain’t Wino Wednesday, exactly, but it’s cool to watch anyway.
Also included are Destroyer of Light from Austin, Temple of Void from Michigan and a whole bunch of others put together by fest-organizer Mary Spiro, who very clearly knows what she’s doing:
SHADOW WOODS METAL FEST, the Mid-Atlantic’s open-air camping metal party, will once again terrorize the woodlands of central Maryland this fall with three days of more than thirty bands from diverse metal genres and regions. The 2016 festival runs from Thursday, September 15th through Sunday, September 18th at Camp Hidden Valley, in White Hall, Maryland, the same location where the maiden edition of the fest was held last year.
Organizers of SHADOW WOODS METAL FEST began announcing performers in mid-January and have been carefully curating this year’s lineup. “The response from performers and attendees to the 2015 event was overwhelmingly positive with many people telling me it was the best weekend of their lives!” says festival founder Mary Spiro of Metallomusikum.com/Shadow Woods Productions LLC. “We are humbled and frankly completely surprised by the outpouring of praise for the fest. There has been enormous interest from the metal community for certain bands to perform. Our team is taking its time to make sure the lineup matches our attendee’s expectations and sets us apart from other fests. We also want each day to have flow. It’s a balancing act.”
Spiro says that when all is said and done, the final lineup will surpass the ferocity of the inaugural installment. As of February 9th, twenty-one bands have been announced, including horror death mongers Acid Witch, death thrashers Coffin Dust, underground black metal kings Blood Storm, doom merchants Wizard Eye, psychedelic black metal gurus Helleborus, and Maryland doom trio Faith In Jane joins forces with the genre’s godfather Scott “Wino” Weinrich (The Obsessed, Spirit Caravan, Saint Vitus) for an exclusive SWMF performance, with much more to be announced.
Early Bird Weekend Passes for SHADOW WOODS METAL FEST go on sale at noon EST, February 12th for $115 onBrownPaperTickets.com.
Tent camping is included with the weekend pass. People who want to reserve cabin beds can do so for an additional $20 for the duration of the fest.
“It could be late Spring before we have the whole lineup in hand,” Spiro said. “It’s taking longer than we anticipated, but we think our patience will be rewarded, and festival goers will be really pleased with the bands yet to be announced.”
SHADOW WOODS METAL FEST 2016 Confirmed Lineup: A SOUND OF THUNDER (DC) **traditional old-school heavy metal ACID WITCH (Detroit) **horror death BLOOD STORM (PA/TX) **black thrash BOUND BY THE GRAVE (Baltimore) *death CEMETERY PISS (Baltimore) **black COFFIN DUST (Philadelphia) **death CORPSE LIGHT (Baltimore) *doom DARSOMBRA (MD) **metal drone DESTROYER OF LIGHT (Austin, TX) **sludge EMPYREUS(Chicago) **black FAITH IN JANE FEATURING WINO (MD) ** doom trio joined by the godfather of the sound GENEVIEVE (MD) **experimental black GRAVE GNOSIS (St. Petersburg, FL) **black HAXEN (Rhode Island) **black HELLEBORUS (Manitou Springs, CO) **black MYOPIC (DC) **death/doom SAPREMIA (New Jersey) **death TELOCH VOVIN (NY) **black TEMPLE OF VOID (Detroit) **doom WIZARD EYE (PA) **doom XEUKATRE (Baltimore) **black MANY MORE BANDS YET TO BE ANNOUNCED
Posted in Whathaveyou on January 14th, 2016 by JJ Koczan
The formidable likes of Pentagram, Weedeater, Bongzilla, Black Cobra, Kings Destroy, Lo-Pan, Mondo Drag, Venomous Maximus, Today is the Day and many more will take part in Heavy Metal Parking Lot 3 this March in Austin, Texas, as part of SXSW. A two-day event clustered in the madness that is the Texan capitol that week, Heavy Metal Parking Lot 3 is set for March 18 and 19 at The Lost Well, just north of 7th St., and far enough off 6th that if you happen to be in town for SXSW, it’s an easily-enough justified walk (stumble) by the righteousness of those on the bill. You might as well just camp outside the venue to be sure you get back there on the second day.
Or, you know, fall asleep in the gutter, because that’s kind of how it goes at SXSW, or at least it was the last time I was there. Though you can’t deny the wide reach of Heavy Metal Parking Lot 3 in bringing in its headliners from around the Midwest and East and West Coasts, it’s worth pointing out the particular attention paid to supporting local acts, among them Texan outfits like Venomous Maximus — who reportedly have a new album coming this year — as well as Banquet, Sweat Lodge, Destroyer of Light, From Beyond and so on. Cheers to American Icon Presents for making sure all sides are represented.
Lineup follows here, in case you’d like to drool or book a flight or book me a flight, you know, whatever:
HEAVY METAL PARKING LOT 3
Day 1 -Fri Mar 18 WEEDEATER ( Exclusive Performance ) BONGZILLA Kings Destroy Black Cobra Author and Punisher Today is the Day Lord Dying Lo Pan Against the Grain Widower Slurr Thunderkief
Day 2 – Sat Mar 19 PENTAGRAM ( Exclusive Performance) Mondo Drag Venomous Maximus Sweat Lodge The Blood Royale Tower Sabbath Crow
SPECIAL GUESTS Destroyer of Light Banquet From Beyond Greenbeard
Day 1 and Day 2 tickets Purchased Separately Sponsored by American Icon Records (A.I.R)
Posted in Whathaveyou on December 31st, 2015 by JJ Koczan
Can’t help but feel like Destroyer of Light have the right idea. Even coming from Austin, which, you know, isn’t exactly the Antarctic, you don’t head north to tour in January. You play the South. Six dates in Florida? Yeah, that sounds about right. The riff-pummeling Texan four-piece are out in support of last year’s Endsville split LP (video premiere here) on Battleground Records with Arizona brutality merchants Godhunter, and while they may or may not have a follow-up in the works, that split is a cause worthy enough of getting back out, particularly in a friendly climate.
If you didn’t hear it, the Bandcamp stream is below, so dig in and find the catharsis your seasonally-depressed ass has been longing for, and then peruse the dates carefully. I’m pretty sure the name of the tour, “Smothered and Covered,” is a Waffle House reference, that greasiest of greasy spoon chain having supported many a hangover battle, but don’t quote me on it. Either way:
Still waiting on the confirmations in Mississippi on January 25th and South Carolina on February 3rd, but here’s the Smothered & Covered tour of 2016. Let’s drink, eat waffle house, and get crazy!!! Flyer by Erik Bredthauer.
Destroyer of Light Smothered and Covered Tour: 01.22 Houston TX Rudyard’s 01.23 Lake Charles LA Luna 01.24 New Orleans LA Siberia 01.25 Jackson/Biloxi MS TBA 01.26 Tallahassee FL Pug’s Live 01.27 Jacksonville FL Burro Bar 01.28 Gainesville FL Loosey’s 01.29 Tampa FL Bend’s Bar 01.30 Fort Lauderdale FL The Poorhouse 01.31 Orlando FL Uncle Lou’s 02.01 Savannah GA The Jinx 02.02 Atlanta GA 529 02.03 Greenville SC TBA 02.04 Birmingham AL 412 02.05 Fayetteville AR JR’s Lightbulb Club 02.06 Tulsa OK Downtown Lounge 02.07 Lubbock TX The Depot 02.08 Austin TX The Grand
Formed in 2012 from constantly boiling musical cauldron that is Austin, TX, Destroyer of Light has taken a straight forward approach to tempering the disparate and harmonious parts of their influences into a total sum of slow motion tidal heaviness that bows to no altar but that of the riff. With the smoky flavors of hazed out doom and the stomping cadence of rock’s heyday, the band both tickles and deafens the ears with the theatrical flashes of Mercyful Fate, the ominous tones of Electric Wizard, and the ferociously feral feedback of a Sleep dirge.
Posted in Reviews on August 17th, 2015 by JJ Koczan
My first time in Salem, or “Witch City,” as the sign said, which seems to have done reasonably well on the niche-tourism market based on its people-got-burned-at-the-stake-here heritage. Well enough to have a joint like Koto, anyway. The venue where this show happened is a sushi bar. A sushi bar. Because although the passion for heavy music in the area of Eastern Massachusetts is strong enough to host gigs at, say, a sushi bar, that’s also how deep the corresponding lack of decent venues in the region runs. Godhunter and Destroyer of Light, from Arizona and Austin, Texas, respectively, came an awfully long way. It’s kind of hard not to be embarrassed for the state in which I live. Often.
But the good news was Godhunter and Destroyer of Light, and if it’s a sushi bar, well, that’s better than nowhere at all. A section of the otherwise carpeted floor was hardwood, and tables were cleared out to make a “stage,” which is to say an empty space. The kitchen stayed open — sadly, I did not have any sushi, though I’d been craving it for weeks — and locals Led to the Grave opened the show billed to start at 9PM well after 10 with their death-thrashing blend of sonic extremity very much in a New England-y vein. Dual-guitar squibblies called to mind the first time I heard Cannae‘s Troubleshooting Death and thought about the colors of autumn leaves. They were heavy, growls, screams, shouts, Slayer parts, etc. Not offensive to watch, and at times pretty right on, but not really where my head was at.
I was there to see Destroyer of Light and Godhunter, whose split 12″, Endsville, is out now on Battleground Records. Both are dual-guitar/dual-vocal four-pieces, and both have plenty of aggressive edge, so how they wound up touring and working together isn’t really much of a mystery, but they made a fitting complement at what I’d seen billed as “Salem’s first stoner rock show,” which was interesting since I didn’t think it was a stoner rock show at all. Led to the Grave, even when they grooved beyond their melodeath and thrash influence, did so with a death metal charge, and both Godhunter and Destroyer of Light are meaner than what I usually think of as stoner rock. It’s not like it was “An Evening with Sons of Otis” (though I’d probably go to that as well). Maybe it’s splitting hairs, but Godhunter are sludge metal all the way and Destroyer of Light have some pretty clear Sleep influence, but are up to something entirely rawer.
If you don’t know the band, I’m not trying to slight them when I say they’re not as metal as their name and they’re not as punk as their cover artwork, but they have elements of both metal and punk to go along with their big, big, big riffing. On stage — such as it was — guitarist/vocalist Steve Colca, bassist Jeff Klein and guitarist/backing vocalist Keegan Kjeldsen headbanged in unison to their own grooving largesse while drummerPenny Turner slammed away on his ride cymbal behind, setting the nod. It was righteous from the start, and they offered little breathing room from one pummel to the next, guitar leads cutting through the density of the direct-from-the-cabs wash of sound — P.A. for vocals only, house-show style — as Turner was bathed in green light and the rest of the band more or less played in the dark.
Another unfortunate staple of the Bay State show-going experience, that, but not unexpected, particularly at a place like Koto, which though it’s badass enough to put on a show like this one — their t-shirts were also killer-looking, but I did not dare ask about sizes lest I should incur the judgmental glare of the employees, several of whom I supplied with earplugs — isn’t really equipped to host it on a professional level. Again, nothing against it, but it’s a sushi bar, not Radio City Music Hall. It seemed likely to me that either Destroyer of Light or Godhunter, who closed out the night, would bust through that P.A., but neither did. On tour together and sharing amps, it wasn’t a long changeover between the two traveling acts, and I was very excited for Godhunter‘s set, which even Steve from Destroyer of Light had teased by touting the assault of volume that was to come.
They didn’t disappoint on that level or any other unless you perhaps count the shortness of their set. Four songs, maybe five? They incited a sort of mini-mosh, dudes who were clearly more metal than doom meeting their cathartic riffing head-on by blowing off steam, yelling, being plastered, and so on. I moved to the side of the stage and just sort of watched it happen, Godhunter‘s guitarists, David Rodgers and Jake Brazelton, trading vocal duties as bassist Dick Williamson and drummer Andy Kratzenberg held the groove together thick and rolling at centerstage. On record, they are vicious, and while the live set had more of an overwhelming density than a harsh bite, the beastliness they conjured was familiar anyway, and I was very glad to have been there to see it.
Standing where I was, I kind of felt like I was observing from outside the action, but being there, it would’ve been impossible not to be affected by it, and so their catharsis offered me a bit of my own, which on a Friday night after a long week, was much appreciated. They finished and I shouted for one more song, which they didn’t have. It was after midnight and I had a 90-minute ride home, so it didn’t seem like an issue to push, but if Godhunter had done an encore, no question I would have stayed.
A couple more pics after the jump. Thanks for reading.