Quarterly Review: Dommengang, Ice Dragon, Saint Karloff, Witch Trail, Love Gang, Firebreather, Karkara, Circle of Sighs, Floral Fauna, Vvlva

Posted in Reviews on January 7th, 2020 by JJ Koczan

quarterly review

We begin Day Two of the Winter 2020 Quarterly Review. Snow on the ground fell overnight and the day ahead looks as busy as ever. There’s barely time to stop for sips of coffee between records, but some allowances must be made. It’s Tuesday after all. There’s still a lot of week left. And if we can’t be kind to ourselves in the post-holiday comedown of wintry gray, when can we?

So yes, pause, sip — glug, more likely — then proceed.

I don’t usually play favorites with these things, but I think today’s might have worked out to be my favorite batch of the bunch. As always, I hope you find something that speaks to you.

Quarterly Review #11-20:

Dommengang, No Keys

dommengang no keys

Driving heavy psych and rock meet with spacious Americana and a suburbanite dreaminess in Thousands of students worldwide know that we provide the best assistance available, and were more than happy to offer it to you! get link from Dommengang‘s Don't worry about buying essays source of essay writing assistance to students who wish to buy essays UK. you Help On Maths Coursework from No Keys, the now-L.A. trio’s follow-up to 2018’s best college application essay king&39s People Is Homework Helpful Or Harmful Argument Essays research proposal research questions essay on my ambition as a teacher Love Jail (review here). It is a melting pot of sound, with emphasis on melting, but vocal harmonies and consistently righteous basslines like that in “Stir the Sea” act to tie the nine component tracks together, making writing phd research proposal http://www.qualityinnandsuitesgatineau.ca/gun-range-business-plan/ loginto how long should a college admission essay be Dommengang‘s various washes of tone ultimately the creation of a welcoming space. Early cut “Earth Blues” follows opener “Sunny Day Flooding” with a mindful far-outbound resonance, and the later “Arcularius – Burke” finds itself in a linear building pattern ahead of “Jerusalem Cricket,” which reimagines ’70s country rock as something less about nostalgia than forward possibility. Having come far on their apparently keyboard-less journey, from the breadth-casting verses of “Stir the Sea” to the doomy interlude “Blues Rot,” they end with “Happy Death (Her Blues II)” which sure as hell sounds like it has some organ on it. Either way, whether they live up to the standard of the title or not is secondary to the album’s actual achievements, which are significant, and distinguish Learn how you can benefit from using our reliable professional read this article online services to help improve the quality of your thesis paper. Dommengang from would-be peers in atmosphere, craft and melody.

Dommengang on Thee Facebooks

Thrill Jockey Records on Bandcamp

 

Ice Dragon, Passage of Mind

ice dragon passage of mind

Though they don’t do it nearly as often as they did between 2012 and 2015, every now and then Boston’s This is a How To Write Interview Paper by nanda_afriani in Browse > Politics & Current Affairs > Society > Ethnicity, Race & Gender Ice Dragon manage to sneak out a new release. Over the last few years, that’s been a succession of singles, but medical writing service, Zoo Writing Paper, medical research papers, medical editing services Passage of Mind is their first LP since 2015’s Get cheap dissertation writing help from the Ph.D. writers. Global Assignment Help provides plagiarism-free work at a huge discount. Order for Michigan Essay Help now. Order Assignments Now Get Upto 50% Off “Let’s fight, Help and Win” UPTO 50% OFF due to COVID-19 break down Order Now +44 203 3555 345 +44 7999 903324 help@globalassignmenthelp.com. Refer a friend Login / Signup A Beacon on the Barrow (review here), and though they’ll always in some part be thought of as a doom band, the unassuming organic psychedelia of “Don’t Know Much but the Road” reminds more of Get a whopping 20% (FIRST TIMER'S) Discount when you order our write my essay for me service. source link with an authentic UK essay writing service. Chris Goss‘ work with Early Stages The early click to read more stages of writing a philosophy paper include everything you do before you sit down and write your first draft Masters of Reality in its acoustic/fuzz blend and melody. The experimentalism-prone outfit have been down this avenue before as well, and it suits them, even as members have moved on to other projects ( Thesis and Kids Homework Deskss July 12, 2018 · Don't forget - need help with your essays, assignments or thesis - special offers on proofreading here! Brass Hearse among them), with the seven-minute “One of These Days” basing itself around willfully simplistic-sounding intertwining lines of higher and lower fuzz. There are moments of serenity, like closer “Dream About You” and “Sun in My Eyes,” but “The Sound the Rain Makes” is more of a blowout, and even the darker vibe of “Delirium’s Tears” holds hits melody as top priority. Hey guess what? Here’s an http://www.haunschmidt.at/?malayalam-assignments. They assess every essay independently. Your order information and individual information are private and will never ever be shown third celebrations. Order a custom-written paper from professional writers on our internet site. Position an order on our website to get initial papers for a low cost. As well as if you didn t have a chance to try us out, we provide an amazing discount rate on your initial purchase. Ice Dragon album that deserves more attention than it’s gotten. I think it’s the 12th one.

Ice Dragon on Thee Facebooks

Ice Dragon on Bandcamp

 

Saint Karloff, Interstellar Voodoo

Saint Karloff Interstellar Voodoo

Oslo’s Help With Schoolwork Essays texts and receive top-notch 100% genuine writing fulfilled according to your specific order instructions. A writer will brainstorm a topic, synthesize findings, prepare an initial draft, proofread the document, and upload it to your Customer area. It’s also possible to order a 1-page summary to have a brief understanding of what’s the paper about if you’re in a hurry. Saint Karloff squash the high standard they set for themselves on their 2018 debut, Best homework help sites - 100% non-plagiarism guarantee of. Business Plan Synopsis. It is FREE a safe place for your student. Note: Homework Help All Heed the Black God (review here), with the 41-minute single-song long-player American Academy of Legal Writers (AALW) offer top quality see page for law firms and websites. Interstellar Voodoo, basking in bluesy Sabbathian grandeur and keeping a spirit of progressive adventuring beneath without giving over entirely to self-indulgent impulses any more than one could as they careen from one movement to the next in the multi-stage work. With vinyl through Majestic Mountain Records, tape on Stoner Witch Records and CD through Ozium Records, they’re nothing if not well represented, and rightly so, as they veer in and out of psychedelic terrain in exciting and periodically elephantine fashion, still making room for classic Scandi-folk boogie on side A before the second half of the track stomps all over everything that’s come before it en route to its own organ-laced jammy meandering, Iommi shuffle and circa-’74 howl. As a new generation of doom rock begins to take shape, Saint Karloff position themselves well as earlier pursuers of an individualist spirit while still drawing of course on classic sources of inspiration. The first record was encouraging. The second is more so. The third will be the real tell of who they are as a band.

Saint Karloff on Thee Facebooks

Majestic Mountain Records webstore

 

Witch Trail, The Sun Has Left the Hill

witch trail the sun has left the hill

The jangling guitar strum in centerpiece “Lucid” on Witch Trail‘s The Sun Has Left the Hill (Consouling Sounds) has the indelible mark of classic rock and roll freedom to it. One wonders if Pete Townshend would recognize it, or if it’s too far blasted into oblivion by the Belgian trio’s aesthetic treatment across The Sun Has Left the Hill‘s convention-challenging 29-minute span, comprising seven tracks that bring together a heavy alternative rock and post-black metal vision marked by spacious echoes and cavern screams that are likewise tortured and self-assured. That is to say, there’s no mistaking the intent here. In the early intensity of “Watcher” or the shimmering and more patiently unfolding “Silent Running,” the Ghent three-piece mark out their stylistic terrain between bursts of noisy chaotic wash and clearheaded execution. The six-minute “Afloat” hisses like a lost demo that would’ve rewritten genre history some 25 years ago, and even in closer “Residue,” one can’t help but feel like Witch Trail are indeed looking to leave some lasting effect behind them with such forward-thinking craft. Sure to be a shock for those who take it on with no idea of what to expect.

Witch Trail on Thee Facebooks

Consouling Sounds website

 

Love Gang, Dead Man’s Game

love gang dead mans game

Shortly before Love Gang are halfway through the opening title-track of their debut album, Dead Man’s Game, just when you think you might have their blend of organ-laced Radio Moscow and Motörhead figured out, that’s when Leo Muñoz breaks out the flute and the whole thing takes a turn for the unexpected. Surprises abound from the Denver foursome of Muñoz (who also handles organ and sax), guitarist/vocalist Kam Wentworth, bassist Grady O’Donnell and drummer Shaun Goodwin, who find room for psychedelic airiness amidst the gallop of “Addiction,” which doesn’t seem coincidentally paired with “Break Free,” though the two don’t run together. Love Gang‘s 2016 self-titled EP (review here) had a cleaner production and less aggro throb, and there’s some of that on Dead Man’s Game in the peaceful melody of “Interlude,” but even seven-minute closer “Endless Road” makes a point of finishing at a rush, and that’s ultimately what defines the album. No complaints. Love Gang wield momentum as another element of inventive arrangement on this encouraging first long-player.

Love Gang on Thee Facebooks

Love Gang on Thee Facebooks

 

Firebreather, Under a Blood Moon

firebreather under a blood moon

‘Tis the stuff of battle axes and severed limbs, but it’s worth noting that three of the six inclusions on Firebreather‘s second LP and first for RidingEasy Records, Under a Blood Moon, have some reference to fire in their title. The follow-up to their brazen 2017 self-titled debut (review here) starts with its longest track (immediate points) in the nine-minute “Dancing Flames,” then follows immediately with “Our Souls, They Burn” and launches side B with the eponymous “Firebreather,” as the Gothenburg trio of Mattias Nööjd, Kyle Pitcher and Axel Wittbeck launch their riffy, destructive assault with urgency that earns all that scarred land left in its wake. The High on Fire comparison remains inevitable, perhaps most of all on “Firebreather” itself, but Firebreather have grown thicker in tone, meaner in approach and do nothing to shy away from the largesse that such a sound might let them convey, as “Our Souls, They Burn” and in the volume surges of closer “The Siren.” Under a Blood Moon is a definite forward step from the first LP, showing an evolving sound and burgeoning individuality that one hopes Firebreather continue to hunt down with such vigilance.

Firebreather on Thee Facebooks

RidingEasy Records on Bandcamp

 

Karkara, Crystal Gazer

karkara crystal gazer

Presented through Stolen Body Records, the debut long-player from French trio Karkara purports to be “Oriental psych rock,” which accounts for an Eastern influence in the overall sound of its seven-track/41-minute run, but there are perhaps some geographical questions to be undertaken there, as “Camel Rider” and others show a distinctive Mideastern flair. Whatever works, I guess. At its core, Crystal Gazer is a work of psychedelic space rock, brought to bear with a duly open sensibility by guitarist/vocalist Karim Rihani (also didgeridoo), bassist Hugo Olive and drummer/vocalist Maxime Marouani as seemingly the beginning stages of a broader sonic adventure. That is to say, the stylistic aspects at play here — and they are very much “at play” — feel purposefully used, but like the foundation of what will be future growth on the part of Karkara as a unit. Will they progress along a more patient and meditative path, as “The Way” hints in some of its early roll, or will the frenetic winding of closer “Jedid” set their course for subsequent freakouts? I don’t know, but Karkara strike as a band who won’t see any point to standing still creatively any more than they do to doing so rhythmically.

Karkara on Thee Facebooks

Stolen Body Records website

 

Circle of Sighs, Desolate

circle of sighs desolate

Information is limited on Circle of Sighs, and by that I primarily mean I don’t have any. They list their point of origin as Los Angeles, so there’s that, but as to the whos and whats, wheres and so on, it’s a mystery. Something tells me that suits the band, whose four-track debut EP, Desolate, gracefully executes a blend of melodic downerism with more extreme elements at play, melodic vocal arrangements offset by screams in the closing title-track after the prior rolling groove of “Burden of the Flesh” offered a progressive and synth-laden take on Pallbearer-style emotive doom. Acoustics, keyboard, and a clear use of multiple singers give Circle of Sighs‘ first outing a kitchen-sink feel, but one can only admire them for trying something new at their (presumed) outset, and the catchy chug of “Hold Me, Lucifer” speaks to more complex aesthetic origins than the simplistic subject matter might lead one to believe. The outlier is the penultimate nine-minute cut “Kukeri,” which broods across its first three minutes in a manner that would make Patrick Walker proud before unfolding the breadth of its lumber and arrangement, harmonies and screams and the first real showcase of more extreme impulses taking hold in its second half — plus strings, maybe — which “Desolate” itself will build upon after a bookending acoustic close. There’s some sorting out to do in terms of sound, but already they show a readiness to push in their own direction, and that’s more than it would seem reasonable to ask.

Circle of Sighs on Thee Facebooks

Circle of Sighs on Bandcamp

 

Floral Fauna, Pink and Blue

floral fauna pink and blue

Way out west, Chris Allison of the band Lord Loud is taking on psychedelic shimmer under the ostensible solo moniker of Floral Fauna, but the situation of the project’s 11-tracker debut LP, Pink and Blue is more complicated in personnel and style than that, melding fuzzy presence, classic ’60s surf-tone, rampant hooky melody and ready-to-go-anywhere-as-long-as-it-works pop experimentalism together in a steaming lysergic cauldron of neo-yourface-ism that’s ether blissed enough to tie funk and ancient R&B to cosmic flow together in a manner that feels like an utter tossoff, like, hey, yeah man, this kind of thing just happens all the time here. You know, no big deal on this wavelength. Mellow dreams in “Great White Silence,” a spacey ramble in “Velvet and Jade” and the echoing leadwork of “Red Anxiety” continue the color theme from the opening title-track, and the record caps with “Herds of Jellyfish,” which at last brings forward the vocal harmony that the whole album seems to have been begging for. Cool debut? Shit, man. It’s 36 minutes of straight-up psych joy just waiting to bring you on board. Legal psilocybin now.

Floral Fauna on Thee Facebooks

King Volume Records on Bandcamp

 

Vvlva, Silhouettes

vvlva silhouettes

There are a couple things you can figure on in this wacky universe, and one of them is that German imprint World in Sound knows what it’s doing when it picks up a classic heavy rock band. Silhouettes is the second long-player the label has released from woefully-monikered Aschaffenburg-based four-piece Vvlva, and indeed in the upfront boogie of “Cosmic Pilgrim” or the more progressive unfolding of pieces like “Tales Told by a Gray Man,” the centerpiece “Gomorrah,” or the longer “Night by Night/The Choir” and “Dance of the Heathens,” which seem to bring the two sides together, there’s enough vintage influence to make the case once again. Like the more forward thinking of their contemporaries, Vvlva have brought this modus into the present when it comes to production value and clarity, and rather than sound like it’s 1973, they would seem to be making 1973 sound like them. Whether one dives in for the early hooks in “Cosmic Pilgrim” or “What Do I Stand For?” or the fuzzy interplay between the solo and organ in the maddeningly bouncing “Hobos,” there’s plenty in Silhouettes to demonstrate the vitality and continued evolution of the style.

Vvlva on Thee Facebooks

World in Sound website

 

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Musket Hawk Releasing Desolate May 6

Posted in Whathaveyou on March 29th, 2016 by JJ Koczan

musket hawk

Unholy Anarchy Records will issue Desolate, the second album from Baltimorean groovegrinders Musket Hawk, on May 6. I’ll admit, this one’s a little out of my usual purview, but the PR wire isn’t kidding around when it puts the words sludge and grind next to each other in describing the band. They’ve got a tonal thickness and overarching sense of groove derived from the former and the intensity and blast of the latter, so what the hell, yeah, I’ll post about that. Who said it was all stoner rock around here anyway? Gotta mix it up every now and again.

If you’re not awake yet, you will be:

musket hawk desolate

MUSKET HAWK: Baltimore’s Sludge/Grind Assassins To Release Sophomore Full-Length Desolate Via Unholy Anarchy; New Track Playing

Baltimore, Maryland-based sludge/grind assassins MUSKET HAWK will spew forth their sophomore full-length, Desolate, later this Spring via Unholy Anarchy Records.

A vile, near half-hour-long exploration into the underbelly of sonic filth, MUSKET HAWK’s self-produced, fittingly-titled Desolate was mastered by Dan Randall (Ghoul, Annihilation Time, Impaled etc.) and delivers eight decaying tracks of chaos, disorder and monolithic gloom.

Check out the caustic sounds of “Space-Ray Houska” HERE.

Desolate Track Listing:
1. Pollute Your Throat
2. Reluctant Punk
3. Jeweler
4. The Grove
5. Connois Sewer
6. Space-Ray Houska
7. Tweed After Dark
8. Candidate For The Knife

MUSKET HAWK formed from the ashes of A Warm Gun in 2011. After self-producing a series of demos, the band’s debut full-length The Form Of Disgust, which Disposable Underground hailed for being, “heavy, but not in a jovial way,” further elaborating, “You might find yourself bobbing your head or pounding your fist to the band’s jams, but with a furrowed brow instead of a smile,” was released via SMS Records in November 2013. Since then, MUSKET HAWK has released a live demo and a 7″ split with Philadelphia’s Sunburster (2015, Unholy Anarchy Records).

The band continues to refine and explore the depths of extreme music, and in conspiracy with Baltimore’s Unholy Anarchy Records and Australia’s Goodtimes Records, offer up their long awaited sophomore effort, Desolate set for release on May 6th, 2016.

MUSKET HAWK will be on tour supporting the Desolate release alongside longtime friends and Aussie grind miscreants Disparo! in late May and June. Stay tuned for dates and venue information. Future rituals include a split release with Disparo!, which will be recorded at The Jam Room in South Carolina while on tour this Summer, as well as a split release with New York City’s Sangharsha, which will be recorded at Electrical Audio in Chicago.

MUSKET HAWK is:
Gary – screams and bass
Martin – growls and guitar
Jason – drums

http://www.muskethawk.bandcamp.com/
http://www.facebook.com/MusketHawkBaltimore
http://www.facebook.com/Unholy-Anarchy-Records-Distro

Musket Hawk, Live Demo (2013)

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