Lineup Announced for Rev. Jim Forrester Benefit Dec. 29

Posted in Whathaveyou on December 21st, 2017 by JJ Koczan

As the details have surfaced over the last 24 hours regarding the tragic death of Rev. Jim Forrester outside the Fells Point, Baltimore, tattoo/piercing shop where he worked, the portrait they’ve drawn has only seemed more senseless. The former bassist for Sixty Watt Shaman, currently of Foghound and Serpents of Secrecy, on the mend from ongoing health issues, finding sobriety, married, getting through, and then shot in the chest outside his place of employment? You’d have a long, long way to go before you ever managed to convince me that makes any fucking sense whatsoever.

One thing Maryland heavy has always done, however, is rally together when the situation calls for it, and yeah, I’d say this situation calls for it. Two stages in Frederick, Maryland, will run benefits next Friday, Dec. 29, with proceeds going to Jim‘s funeral costs and honestly whatever else who the hell cares what they do with the money take all the money just take it please take it and take lasagna too. I’ve heard rumblings about more benefit shows to come and something brewing for Maryland Doom Fest 2018 as well next June, so stay tuned for more and I’ll update as much as I can because Jesus tapdancing Christ, some asshole shot Jim Forrester.

Fucking devastating.

Lineups for the shows at Cafe 611 and Guido’s Speakeasy follow here. If you can’t make it, there’s also a GoFundMe set up linked below that you should donate to. Hell, even if you can go you should donate, because again, just take all the money please take all the money.

Here:

rev jim benefit show

Rev Jim Benefit Concert – Dec. 29

Cafe 611 & Guido’s Speakeasy
N Market St, Frederick, Maryland

This event will feature 13 killer bands on 2 separate stages. Both Cafe 611 & Guido’s next door will be hosting this remembrance of Rev Jim’s life and fundraiser. Bands will be revealed soon. All proceeds go to his family. We will celebrate your existence forever Jim.

This wonderful, gental, kind man was tragically taken from us by a senseless act. All proceeds are to help alleviate the financial strain on his family: https://www.gofundme.com/funds-for-forrester

Show time is 6pm-12:30 pm Friday Dec 29th.

Lineup:

Cafe 611:
King Giant
Earthride
The Age of Truth
Thousand Vision Mist
Thonian Horde
Faith in Jane
Dee Calhoun & Louis Strachan

Guido’s Speakeasy:
Bailjack
The Druids
Et Mors
Seasick Gladiator
Clamfight
Thee Iron Hand
Lifetime Shitlist

https://www.facebook.com/events/180510659201090/
https://www.gofundme.com/funds-for-forrester

Foghound, The World Unseen (2016)

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Dee Calhoun Announces Solo European Tour Dates

Posted in Whathaveyou on December 1st, 2017 by JJ Koczan

Even as he’s gotten rolling with the new band Thee Iron Hand in the interim between activity from his main outfit, Iron Man, Maryland-based power-pipes vocalist Dee Calhoun has been prepping his second solo album, Go to the Devil, for release on Argonauta Records. What will be the follow-up to Calhoun‘s metal-country-soul debut, 2016’s Rotgut (review here) was originally due at some point this year but will instead come out early in 2018, and given the current news, I can’t help but think that’s even more fitting.

From April 19-29, Calhoun will head abroad for the first time to play a solo tour in Europe. It’s 11 shows in Denmark, the Czech Republic, Austria, Hungary, Belgium, France, Italy, the Netherlands and of course Germany, and presented by Leynir Booking in conjunction with Argonauta, it will find Calhoun joined by his Iron Man bandmate Louis Strachan on bass and traveling to foreign shores for the first time since Iron Man played Rise Above Records‘s 25th anniversary party in the UK in 2013, then supporting what’s still their most recent album, South of the Earth (review here).

And while that band is certainly due for a follow-up to that triumph of classic doom righteousness, I’ll go ahead and wish Calhoun all the best on his outward journey in the New Year and Spring to come. Still looking forward to Go to the Devil when it arrives. Expect more when I hear it.

Till then:

dee calhoun tour teaser

Leynir Booking is proud to present in April 2018 (19th-29th) THE DEVIL OVER EUROPE TOUR.

The voice of legendary doom band Iron Man, from Maryland USA, “Screaming Mad” DEE CALHOUN will be in Europe for 11 shows. Dee will be accompanied by Louis Strachan (Iron Man) on bass guitar.

Says Dee of the tour: “To be able to tour Europe as a solo artist is beyond a dream come true. I had a wonderful time there during various festivals with Iron Man, but to do a full tour is staggering.”

Dee has completed production of his sophomore solo release, entitled Go to the Devil. The album, which will be released via Argonauta Records in early 2018, is the follow-up to Dee’s 2016 solo release Rotgut.

Dee has been joined on this album by Iron Man bandmate Louis Strachan on bass. Dee handled vocal, acoustic guitar, and percussion duties, as well as additional instrumentation.

Go to the Devil, like Rotgut before it, was recorded in Dee’s home studio The Dustbuster. Mastering was handled by Doug Benson at Commodore Recording Studio in Thurmont MD.

www.screamingmaddee.com
https://www.facebook.com/screamingmaddee/
www.argonautarecords.com

Dee Calhoun, Go to the Devil album teaser

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Dee Calhoun Announces New Novella Jesus, Devil, Deed Due Aug. 9

Posted in Whathaveyou on July 27th, 2017 by JJ Koczan

dee calhoun

It’s always awesome to see an artist hit a real creative stride, and though Dee Calhoun‘s main band, Iron Man, aren’t doing much at the moment, the vocalist known for his Halfordian shriek is hardly letting that slow him down. 2015 saw the issue of his first book project in a collection of short stories, and on Aug. 9, he’ll follow that up with a new novella titled Jesus, Devil, Deed. This is taking place even as Calhoun also prepares for the Argonauta Records release of his second solo album, Go to the Devil, which is landing on a quick turnaround from his 2016 just-because-it’s-unplugged-don’t-mean-it-ain’t-metal debut, Rotgut (review here).

So yeah, nothing about this not to like, as far as I’m concerned. Creativity flourishes, abounds and whatnot. Info about the book follows, as posted by the author himself:

dee calhoun jesus devil deed

Argonauta Recording Artist Dee Calhoun (aka “Screaming Mad Dee”), the voice of doom metal legends IRON MAN, has announced the release of his novella JESUS, DEVIL, DEED.

This novella marks Dee’s second venture into fiction writing; his first book, a collection of short stories called TALES OF THE SCREAMING AND MAD, was released in late 2015.

JESUS, DEVIL, DEED is the story of a broken man who petitions Christ for the return of his once devoted soul, so that he may sell it to Satan. The story is an expansion of the tale told in Dee’s song “Jesus, the Devil, the Deed,” which will appear on his upcoming album GO TO THE DEVIL, due later this year from Argonauta Records.

“It’s a story of desperation, exasperation, and of where one should ultimately place one’s faith and dependence,” Dee said. “It began as a song, and the song only tells a very condensed, basic version of the story. It’s almost like a twisted, modern version of the Crossroads myth, and it was great fun to flesh the tale out to see how the events fully unfolded.”

JESUS, DEVIL, DEED continues what has been a very productive year creatively for the singer/songwriter from Frederick, MD. In addition to this novella and GO TO THE DEVIL, Dee has also narrated Bruce Moore’s upcoming Christian Metal documentary METAL MISSIONARIES (due September 1st), and is fronting new Maryland-based heavy rockers THEE IRON HAND.

JESUS, DEVIL, DEED will be available on Wednesday August 9, 2017 via Amazon.com, CreateSpace eStore, and other online retailers. Dee will also have copies available at his live shows.

News regarding this and other things Dee-related can be found on his website, www.screamingmaddee.com.

https://www.facebook.com/screamingmaddee/
http://www.screamingmaddee.com

Dee Calhoun, Jesus, Devil, Deed teaser video

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Dee Calhoun Posts Cover Art, Info and Teaser for Go to the Devil

Posted in Whathaveyou on May 19th, 2017 by JJ Koczan

dee calhoun

Go to the Devil, the second second solo album from Iron Man vocalist Dee Calhoun, is set to release later this year via Argonauta Records. The record was first announced here in the early hours of 2017, but more info has started to surface about the answer to last year’s Rotgut (review here) debut outing, including the cover art and a teaser clip that features multiple tracks which would seem to find the acousti-metal style of Calhoun‘s prior outing, informed by country and folk blues as it was, well intact. Of course, the power of his voice goes without saying at this point, or at least it should for anyone who’s heard his work with Iron Man or who caught wind of the first outing.

Of further note is bringing Iron Man bassist Louis Strachan into the studio as he’s become a regular accompaniment for Calhoun on stage, and I should probably also mention that it’s only been days since Calhoun‘s new project, Thee Iron Hand, was announced, which brings him together with members of The Hidden HandIronboss and Lifetime Shitlist. More info on that is here. The current status of Iron Man seems to be somewhat up in the air.

Argonauta sent this down the PR wire:

dee-calhoun-go-to-the-devil

DEE CALHOUN reveals new album teaser and cover artwork

“Screaming Mad” Dee Calhoun, the voice of doom legends Iron Man, is nearing completion of his sophomore solo release, entitled Go to the Devil. The album, which will be released via Argonauta Records later this year, is the follow-up to Dee’s 2016 solo release Rotgut.

Dee will be joined on this album by Iron Man bandmate Louis Strachan on bass. Dee will handle vocal, acoustic guitar, and percussion duties.

Go to the Devil, like Rotgut before it, is being recorded in Dee’s home studio The Dustbuster. Mastering will be handled by Doug Benson at Commodore Recording Studio in Thurmont MD.

The track listing for Go to the Devil is as follows:

Common Enemy
Bedevil Me
Born (One-Horse Town)
The Final Stand of the Fallen
Go to the Devil
Me Myself and I
The Lotus Field is Barren
Jesus, the Devil, the Deed
The Ballad of the Dixon Bridge
Your Face
Dry Heaves & Needles

The album’s cover is by Dee Calhoun, based upon his own concept.

www.screamingmaddee.com
https://www.facebook.com/screamingmaddee/
www.argonautarecords.com

Dee Calhoun, Go to the Devil album teaser

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Shadow Woods Metal Fest 2017 Completes Lineup

Posted in Whathaveyou on March 20th, 2017 by JJ Koczan

Stop me if I’ve said this before, but Shadow Woods Metal Fest 2017 has be as close to an absolute no-brainer as I’ve ever seen in terms of attendance. I mean, so you’re gonna go out to the woods and listen to a bunch of meticulously curated doom and folk and black metal and psych for a weekend, camp out and top the whole thing off with a Panopticon set under starlight? Jesus. How much more could you really ask of a live event than that?

Cheers to Mary Spiro on a job incredibly done with this lineup. I don’t even know what else to say about it other than it’s pretty unreal and there’s nothing else like it happening that I know of in the US or maybe even anywhere else. Seriously. Who’s pulling bands from both coasts and Europe across genres like this for an outdoor event the vibe of which you can already feel just from the press release? Who’s got Castle on the same bill with West Virginian folk black metal?

It’s not all my bag, but I tip my hat:

SHADOW WOODS METAL FEST 2017 poster

Shadow Woods Metal Fest 2017 – Official Lineup Announcement

SHADOW WOODS METAL FEST, the Mid-Atlantic’s only open-air camping heavy metal gathering, is pleased to announce the complete lineup for the 2017 festival, which runs from Thursday, September 14th through Sunday, September 17th at White Hall, Maryland’s Camp Hidden Valley. For the third year, the festival will host 39 of the undergrounds leading bands, representing all genres and subgenres of heavy metal.

Over three days, the four stages of SHADOW WOODS METAL FEST will come to life inside the woodsy landscape of Camp Hidden Valley. “Every year has been special, but I am just particularly stoked about what we have curated”, says Mary Spiro, organizer of Shadow Woods Productions LLC. “I am extremely honored to present the lineup this year because I think it reflects the best of the underground metal scene as well as some of the personal favorites of the festival organizers. Several of these bands, I have been trying to host at the fest since the first year and I am happy to finally have them play.”

Beginning on Thursday night, the Pavilion stage will light up and set the tone to the weekend with all-acoustic and intimate performances with Texas dark-folk maudit AMIGO THE DEVIL, Portland’s dark-folk soloist AERIAL RUIN and West Virginia’s Appalachian folk duo, NECHOCHWEN. Friday includes exclusive performances by Oregon’s haunting black metal band UADA and Georgia’s tortured blackened death quartet WITHERED.

On Saturday, as darkness falls over the Woodland Stage, atmospheric blackened folk giants PANTOPICON will play an exclusive, 70-minute set under the backdrop of the stars. Brooklyn black metal titans WOE, Rhode Island sludgy-doom foursome CHURCHBURN, mysterious blackened grind band DEAD IN THE MANGER (one of two east coast shows), and San Francisco extreme death quintet VASTUM (one of two east coast shows), will all deliver exclusive performances to SHADOW WOODS METAL FEST.

SHADOW WOODS METAL FEST is proud to be sponsored this year by Moxie Bookkeeping and Tridroid Records and to receive promotional support from Grime Studios, Leftover Pizza Productions, and Perfect World Productions.

SHADOW WOODS METAL FEST 2017
Complete Lineup (in alpha order):
Aerial Ruin – Portland, OR (Ritual folk)
All Hell – Asheville, NC (Crusty black metal)
Amigo the Devil – Spicewood, TX (Dark folk) **
Bearstorm – Richmond, VA (Blackened southern death-prog)
Black Table – NY/NJ (Progressive black metal)
Castle – San Francisco, CA (Heavy doom metal)
Churchburn – Pawtucket, RI (Blackened sludge) **
Cut the Architect’s Hand – Richmond, VA (Death metal)
Dark Water Transit – Baltimore, MD (Instrumental heavy rock)
Dead in the Manger – coast to coast – (Blackened grind) **
Dee Calhoun – Frederick, MD (Acoustic; vocalist of Iron Man)
Earthling – Richmond, VA (Thrash metal)
Elagabalus – Baltimore, MD (Experimental metal 2-piece)
Erlkonig – Baltimore, MD (Blackened death metal)
Fiakra – Freehold, NJ (LARPower metal)
Foehammer – Annandale, VA (Sludge)
Green Elder/Paul Ravenwood – Johnson City, TN – (Nature folk)
Heavy Temple – Philadelphia, PA (Psychedelic-doomed rock)
Hexis – Copenhagen, Denmark (Hardcore/black metal)
Human Bodies – Boston, MA (Crusty blackened hardcore)
Immaculate Deception – Baltimore, MD (Death metal)
Infera Bruo – Boston, MA (Black metal)
Kyoty – Dover, NH – (Instrumental post metal)
Mome – Portland, ME (Power psych rock)
Nechochwen “unplugged” – Wheeling, WV (Appalachian acoustic folk metal) **
Night Raids – Philadelphia, PA (Thrash/grind)
Panopticon – KY/MN (Black folk metal) **
Percussor – PA/DE (Old school death metal)
Seasick Gladiator – Washington, DC (Experimental doom prog)
Sloth Herder – PA/VA/MD (Sludge grind)
Take to the Woods/Jo Cosgrove – Baltimore, MD (Dark folk)
The Owls Are Not What They Seem – York, PA (Ritual noise)
Toke – Cape Fear, NC (Stoner doom)
Uada – Portland, OR (Black metal) **
Vastum – San Francisco, CA (Death metal) **
Withered -Atlanta, GA (Black/death metal) **
Woe – Brooklyn, NY (Black metal) **
Worthless- NY/NJ (Black metal) **
ZUD – Portland, ME (Black and blues metal)
** EXCLUSIVE PERFORMANCES

SHADOW WOODS METAL FEST DETAILS
Location:
Camp Hidden Valley
White Hall, Maryland

Ticket Link: http://shadowwoodsmetalfest2017.bpt.me
Price: $175 Full weekend package (Thursday evening-Sunday morning) including all musical events and camping
Cabins: $20 bed (shared cabin)

Shadow Woods Metal Fest is 21+
Food & beverage vendors: Various food, beverage, and alcohol vendors will be on site with both vegan, vegetarian, and omnivore selections. No outside alcohol is permitted.
Marketplace vendors: Multiple record labels, distros, and artisans will be located in the Hall. For more information on becoming a vendor, contact shadow.woods.llc@gmail.com

PROMOTIONAL ARTWORK: Brian Sheehan
PROMOTIONAL VIDEO: Mary Spiro

http://shadowwoodsmetalfest2017.bpt.me
http://www.shadowwoodsmetalfest.com/
https://www.facebook.com/shadowwoodsmetalfest/
https://www.instagram.com/shadow.woods.metal.fest/
http://twitter.com/ShadowWoodsMF

Shadow Woods Metal Fest 2017 promo video

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Shadow Woods Metal Fest 3: Partial Lineup Announced; Earlybird Tickets on Sale

Posted in Whathaveyou on February 17th, 2017 by JJ Koczan

SHADOW WOODS METAL FEST 3 LOGO

True to what’s been their mission all along, the lineup thus far unveiled for Shadow Woods Metal Fest 3 offers diversity, extremity of various stripes, and an immediate sense of vibe that feels once again perfectly suited to its outdoor, campground setting in White Hall, Maryland. From Aerial Ruin‘s dark folk to the deathly push of Percussor, to the New England psychedelia of MoMe — previously unknown to me, which seems like dereliction of duty on my part — and beyond with familiar faces like Virginian doomcrushers Foehammer, an acoustic set from Dee Calhoun of Iron Man, North Carolinian sludgers Toke and Philadelphia’s Heavy Temple, it’s got enough intrigue even among the names already announced to have one checking the calendar, and as earlybird tickets go on sale today, they’re only likely to build from here. Kudos, as ever, to Mary Spiro on putting it together.

What info is out is below, as well as the link to where you can get your tickets. If you can do that, you probably should:

shadow-woods-metal-fest-3

Shadow Woods Metal Fest 3

September 14 – September 17
Camp Hidden Valley
White Hall, Maryland 21611

The best weekend of your life is back for a third year with an even more diverse lineup than ever. Nearly 40 bands over three days of camping in the woods. See below for important details!

Schedule: Several acoustic sets on Thursday evening in the Pavilion only. Full production with three alternating stages Friday and Saturday only from noon til approximately midnight each night. No performances on Sunday (as per usual).

BANDS ANNOUNCED SO FAR (MORE TBA)
Aerial Ruin – Portland, OR (ritual folk)
Amigo the Devil – Spicewood, TX (murderfolk; TWO EXCLUSIVE and DIFFERENT SETS).
Castle (San Francisco)
Dee Calhoun (Frederick, MD)
Bearstorm – Richmond, VA (blackened southern deathprog)
Black Table (NY/NJ)
Elagabalus – Baltimore, MD (experimental metal 2-piece)
Foehammer (Northern Virginia)
Green Elder /Paul Ravenwood (Johnson City, TN)
Heavy Temple (Philadelphia)
Hexis (Copenhagen, Denmark)
Human Bodies (Boston) blacked hardcore
Mome (Portland, ME) psych rock
Panopticon – exclusive performance (KY/MN)
Percussor – Philadelphia/Wilmington (old school death metal)
Seasick Gladiator – Washington, DC (experimental doom prog)
The Owls Are Not What They Seem (York, PA)
Toke (Cape Fear, NC)
Vastum – one of two East Coast performances (San Francisco)
ZUD – black and blues rock and roll (Portland, ME)

IMPORTANT THINGS TO REMEMBER:
** Earlybird tickets (which are full Thursday – Sunday passes at a discount over the regular price and include non reserved camping) go on sale at Noon Friday, Feb 17.
** There are NO RESERVED CAMPING AREAS; it is camp where you may in designated areas.
** Cabin bed tickets will be on sale FRIDAY. (The cabins are NOT private; they are bunkhouse summer camp style.)
** We remain at our previous location in White Hall, MD.
** An updated FAQ will appear soon on our website. www.shadowwoodsmetalfest.com
** Once you buy your ticket you will be able to join a private SWMF FB group. READ THE EMAIL THAT CONFIRMS YOUR TICKET PURCHASE FOR DETAILS.
** You may choose how your tickets are delivered to you: WILL CALL (name at the door only); print at home; or physical tickets that will be mailed to you.
** THE EVENT IS 21 and up!
** The event is NOT BYOB. Do not bring outside alcohol. Beer and wine will be for sale.
** Food vendors will be on site
** Marketplace vendors will be in the HALL as usual. If you are interested in vending email Shadow.Woods.LLC@gmail.com with information and links about what you want to sell.
** Thursday night (Sept 14) will feature an acoustic only stage where several groups will perform in an intimate setting.
** On Friday and Saturday (September 15 and 16), the fest will be in full production with three stages running from noon to midnight each day.
** There are NO BANDS on Sunday. That’s the day you pack up and go home.

http://shadowwoodsmetalfest2017.bpt.me/
https://www.facebook.com/events/1795871643988618/
https://www.facebook.com/shadowwoodsmetalfest/
www.shadowwoodsmetalfest.com

MoMe, The Slime Between all Things (2015)

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Dee Calhoun to Record Second Solo Album this Winter

Posted in Whathaveyou on January 24th, 2017 by JJ Koczan

I’ll admit I had to look up which Klingon it was that Captain Kirk told to ‘go to the devil.’ It was Kang. As I recall it was a censorship thing, because in 1968, when that episode of the original Star Trek aired, you couldn’t tell someone to go to hell on network television. I don’t know if Iron Man frontman Dee Calhoun had Trek specifically in mind when he picked Go to the Devil as the working title of his soon-to-be-recorded second solo full-length, but it was certainly where my brain went in terms of the reference. Not everyone will have the same response, I suppose.

Whatever it’s ultimately called, Calhoun‘s sophomore outing, which as noted below will also feature Iron Man bassist Louis Strachan, will arrive at a quick turnaround from last year’s Rotgut (review here). That record was among 2016’s best debuts, so it’s only fair to say the follow-up will arrive with some anticipation behind it. After seeing the two perform together at Maryland Doom Fest last year (review here), I’ll look forward to hearing what Strachan brings to the studio material as well.

I could go on. Here’s the news:

dee calhoun

DEE CALHOUN announces second solo album; to include Louis Strachan (Iron Man)

Argonauta Records is happy to announce that Iron Man frontman Dee Calhoun will soon begin production on his sophomore solo album, the follow-up to 2016’s “Rotgut.” Recording will commence in late winter, mostly at Dee’s home studio The Dustbuster.

“The response to ‘Rotgut’ was so amazing, much more than I had ever hoped for,” Dee said. “People identified with the album’s honest simplicity, the honest messages within each song. Those good vibes kept the creativity flowing, and this follow-up will be the result.”

On this album, tentatively titled “Go to the Devil,” Dee will be joined by his Iron Man bandmate Louis Strachan, who will be handling bass guitar duties. “Lou is such a positive force, and has been such a great addition to live shows, it is a no-brainer to have him play on this CD” Dee said. “The material will still have the raw, stripped-down feel that the songs on ‘Rotgut’ had, only with the addition of those great, bouncy bass lines underneath.” Dee also indicates that the album’s themes will continue to follow his “I write what I feel” approach, mixed in with some storytelling elements.

“Go to the Devil” (again, the tentative title) is targeted for a late 2017 release.

http://www.screamingmaddee.com/
https://www.facebook.com/dee.calhoun.7
http://www.argonautarecords.com/
https://www.facebook.com/ArgonautaRecords/

Dee Calhoun, “Rotgut” official video

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Tomorrow’s Dream: 200+ of 2017’s Most Anticipated Releases

Posted in Features on January 23rd, 2017 by JJ Koczan

tomorrow's dream 2017

Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.

Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’

Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.

Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.

Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.

— Tomorrow’s Dream 2017 —

Presented Alphabetically

1. Abrahma, TBA

Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.

2. All Them Witches, Sleeping Through the War

all them witches sleeping through the warIf 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.

3. Alunah, Solennial

Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.

4. Arbouretum, TBA

I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.

5. Atavismo, Inerte

This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.

6. Bison Machine, TBA

In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.

7. Brothers of the Sonic Cloth, TBA

News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.

8. Cloud Catcher, Trails of Kosmic Dust

cloud catcher trails of kosmic dustOkay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.

9. Colour Haze, TBA

I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.

10. Corrosion of Conformity, TBA

Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?

11. Elder, TBA

I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.

12. Electric Wizard, TBA

Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.

13. John Garcia, The Coyote Who Spoke in Tongues

Out Jan. 28 on NapalmThe Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo BurnHermanoVista ChinoZun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.

14. Goya, Harvester of Bongloads

Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.

15. Ides of Gemini, TBA

Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.

16. Kind, TBA

Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.

17. Lo-Pan, In Tensions

lo-pan in tensionsYes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.

18. The Midnight Ghost Train, TBA

It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.

19. Monster Magnet, TBA

I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.

20. Mothership, High Strangeness

A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.

21. The Obsessed, Sacred

On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of WeinrichCostantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.

22. Orange Goblin, TBA

When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.

23. Pallbearer, Heartless

pallbearer heartlessDoomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.

24. Radio Moscow, TBA

Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.

25. Roadsaw, TBA

Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in KindWhite Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.

26. Rozamov, This Mortal Road

Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.

27. Samsara Blues Experiment, TBA

It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for DesertfestRiff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.

28. Seedy Jeezus, TBA

Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah MitchellTranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.

29. Shroud Eater, Strike the Sun

Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.

30. Sleep, TBA

If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.

31. Stoned Jesus, TBA

Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.

32. Stubb, TBA

Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.

33. Sun Blood Stories, It Runs Around the Room with Us

sun blood stories it runs around the room with usIt Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.

34. Ufomammut, TBA

Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.

35. Vokonis, The Sunken Djinn

Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.

Gonna Happen and/or Likely Candidates

Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.

Either way, while I’m spending your money, you might want to look into:

36. Against the Grain
37. Amenra
38. Atala
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
41. Beastmaker
42. Beaten Back to Pure
43. Blackout
44. Bretus
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
50. Cortez
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
54. Dealer
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
72. Greenbeard
73. Green Desert Water
74. Greenleaf
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
86. Mastodon
87. Merlin, The Wizard
88. Merchant
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
94. MotherSloth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
97. Orango
98. Papir
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
107. Sólstafir
108. The Sonic Dawn, Into the Long Night
109. Spelljammer
110. Spidergawd, IV
111. Steak
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
114. Summoner
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
118. Toke
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
121. Weedpecker
122. Youngblood Supercult, The Great American Death Rattle

Definitely Could Happen

Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.

So, you know, life.

Dig it:

123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
127. Bantoriak
128. Bask
129. BCAD
130. BoneHawk
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
139. Devil
140. Devil Worshipper
141. Duel
142. Dustrider
143. Egypt
144. Electric Moon
145. Elephant Tree
146. Farflung
147. The Flying Eyes
148. Freedom Hawk
149. Gozu
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
153. Horrendous
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
163. Mangoo
164. Mondo Drag
165. Monolord
166. Mountain God
167. The Munsens
168. Naxatras
169. Never Got Caught
170. Ommadon
171. Orchid
172. Ordos
173. Pilgrim
174. Poseidon
175. Purple Hill Witch
176. Ruby the Hatchet
177. Sasquatch
178. Satan’s Satyrs
179. Serpents of Secrecy
180. Shabda
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
188. Superchief
189. Tÿburn
190. YOB
191. Zone Six

Would be Awfully Nice

This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:

192. Across Tundras
193. Eggnogg
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
200. Kadavar
201. Kings Destroy
202. Lord Fowl
203. Lowrider
204. Masters of Reality
205. Om
206. Orodruin
207. Queens of the Stone Age

If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.

As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.

All the best.

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