Six Dumb Questions with Earthride

Posted in Six Dumb Questions on September 11th, 2017 by JJ Koczan

earthride

This week marks the arrival of the first new Earthride release in more than half a decade. The new single, Witch Gun, arrives via Salt of the Earth Records as the follow-up to their third full-length, 2010’s Something Wicked (review here), which brought an expanded melodic palette from what the Frederick, Maryland, doom scene kingpins brought to their earlier work on 2005’s Vampire Circus, 2002’s Taming of the Demons and their initial 2000 self-titled EP, songs like “Destruction Song,” “Watch the Children Play” and the opening title-track itself showing considerable growth on the part of the band, who remain in no small part defined by the unmistakable character and presence of their frontman, Dave Sherman.

Earthride returns in 2017 following a stint on Sherman‘s part first in the reformed trio Spirit Caravan and bozzoven earthride tourthen in The Obsessed that ended following the recording of that band’s 2017 comeback LP, Sacred (review here), but in addition to fronting Weed is Weed, working on the new project Siren of Sorrows, and a history in and impact on Chesapeake doom that rivals the likes of Pentagram‘s own Bobby LieblingSherman is no less defined by his work in Earthride than Earthride is defined by him. The thick grooves he rides so fluidly on vocals on cuts like “Earthride” from the self-titled or “Fighting the Devils Inside of You.” The track “Witch Gun” is no less a part of this pantheon of Earthride landmarks, and perhaps all the more so for the future productivity it might be kicking off.

With the prospect of making a new album for release in 2018 ahead of them, Earthride will hit the road in October alongside unhinged sludge purveyors Buzzov*en. It’s more than a solid match. Both acts are legends in their field and have grit to spare and a reputation for chaos. As Earthride take to stages for the first time with the lineup of Sherman, founding drummer Eric Little (who also was in the lineup for Church of Misery‘s latest LP), guitarist Greg Ball and bassist Edmund Allen Brown, they’ll no doubt be exposing a new generation of listeners to their hugely lumbering grooves and riffs that for the last 17-plus years have more than lived up to their stated ethic of “Pure Maryland Doom for the Brotherhood of Music.” All the better to give their audience a glimpse of what next year might hold in a new release, further touring, and a more fully reborn Earthride.

Sherman was kind enough to discuss all this and more. Please enjoy the following Six Dumb Questions:

earthride-witch-gun

Six Dumb Questions with Dave Sherman of Earthride

Tell me about stepping back into Earthride after being with Spirit Caravan and The Obsessed. How much does Earthride feel like coming home for you? You’ve been doing Weed is Weed all along, but how different is it for you fronting Earthride?

It feels very refreshing especially after I was treated unfairly in The Obsessed. I’ve known Eric Little since we were in high school together. We were in one of our first bands as well — Judgement Hammer — 1986-ish, which was Eric Little drums, Dave Sherman bass, Kelly Carmichael guitar and Billy Rines voice. We played two Pentagram songs the song “Black Sabbath” and three or four originals that later mutated into Internal Void riffs. I love Weed is Weed, which we came out with an EP available digitally [through our] Facebook. Check that out, but fronting the mighty Earthride, getting back at the helm feels real good again.

How did the new lineup for Earthride come together? Who’s in the band now and how have the shows and rehearsals been? Of course you’re working with Kyle Van Steinburg and Eric Little again, but how much has Earthride changed over time for you? How do you feel about how the band has grown?

I was drinking local pub Guido’s in Frederick, Maryland, and I ran into an old friend Edmund Allen Brown. We started talking music and he’s one of the best bass players I’ve ever met and a real go-getter, so I thought what a perfect bass player for Earthride. Greg Ball was in a band Hovel and was willing to try out as the second guitar player and Kyle is gonna be on the 45 new single Witch Gun, out on Salt of the Earth USA and Totem Cat out of France and distribution for Europe, but the new band sounds killer and it feels good to hear the songs again.

You played Maryland Doom Fest in June. How was that experience? Maryland Doom has grown so much since Earthride got going, and of course your history goes back much further than that. How do you feel about where the scene is now and where do you think it’s heading? Does “pure Maryland doom” still mean the same thing for you?

Maryland Doom Fest was so good. Everybody was so into it and so happy to see Earthride again, smiling, cheering, headbanging. It was a pleasant surprise I think because the band’s old and has had a bit of longevity in the scene and we just never got out there as much as we should have. Now that we have the new band and lineup we are fired up about getting out a new album and tour. We are going out with Buzzov*en in October for 10 shows, East Coast, Midwest. Just from the MD Doom Fest standpoint, I think the scene is growing around the world and has grown beyond belief from what it was back in the day, and I want to Thank JB Matson and Mark Cruikshank for having this amazing festival. Cheers.

It’s been seven years since Something Wicked came out and 15 since Taming of the Demons. What can fans expect from the next Earthride album? Where are you in the process of putting it together? Do you know yet who’s doing the recording/producing or has that started? Will the songs from the new single also be on the record?

I have a ton of ideas and so does the rest of the band. We recorded the Witch Gun single at Omega Studio in Rockville, Maryland, so that is probably where we will record the new record at. Out next year. Hopefully working on the material now.

You’re doing the Descendants of Crom fest in Pittsburgh in September, but will Earthride tour for the new album? Any chance you could be headed to the West Coast or Europe in 2018, or is it a wait-and-see kind of deal for when the album comes out?

Yeah, we’re excited about everything we’re about to do and about what we’re trying to conquer which is people’s ears and trying to destroy their subconscious with heavy music. We’re doing the tour with Buzzov*en like I said on the East Coast and Midwest, which is gonna be a blast since they’re old friends of mine, but in 2018 we plan to do some more touring, try to get this new record out there. I would like to get back to Europe with the band and possibly do Roadburn or tour some festivals.

Any other plans or closing words you want to mention?

I appreciate the interview and I would like everybody to be looking for us: Earthride, Weed is Weed and a very new project called Siren of Sorrows which has Starr Piazza on voice from the band Serpent Witch. Thanks and peace.

Earthride, Live at Maryland Doom Fest 2017

Earthride on Thee Facebooks

Salt of the Earth Records website

Salt of the Earth Records on Thee Facebooks

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Wino Wednesday: Spirit Caravan, “Dove-Tongued Aggressor” Live at Hellfest 2014

Posted in Bootleg Theater on July 30th, 2014 by JJ Koczan

As an American, it’s hard for me to imagine the scale of an event like Hellfest, which takes place every June in Clisson, France, but certainly easy enough to admire it. The Valley stage seems to be here Hellfest hosts its Heavy, and from the likes of Black Pyramid to Neurosis to Unida, it’s a stage that’s been graced by some of the best bands the underground has to offer. This year, as part of their European reunion tour, Spirit CaravanWino on guitar/vocals, Dave Sherman on bass/vocals, Henry Vasquez on drums — made a stop at Hellfest as well, which seems only fitting. Wino had played there with The Obsessed a couple years back, and after appearances this spring at Desertfest and of course across the US, it’s a natural stop.

Perhaps it’s because I didn’t get to see them on their North American tour with Pilgrim that I’m so hung up on footage from the Spirit Caravan reunion gigs this year, or maybe it’s just that there’s so much video out there that I have a lot to choose from. Either way, the more the merrier as far as I’m concerned. The clip below of “Dove-Tongued Aggressor” finds the three-piece locked into one of their most satisfying rolling grooves, Vasquez killing it on drums as he will while Sherman tilts his head back for the ride and Wino stands poised at the microphone like he’s about to fight it. Very, very cool video.

The song was featured earlier this year around the time the US dates were announced and comes from Spirit Caravan‘s swansong 2003 compilation, The Last Embrace. It’s one of the last tracks they’d record before splitting up, and echoes some of the themes Wino would later explore in The Hidden Hand, but as they showcase here, is still definitively a Spirit Caravan nod.

Enjoy and have a great Wino Wednesday:

Spirit Caravan, “Dove-Tongued Aggressor” Live at Hellfest 2014

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Wino Wednesday: Spirit Caravan, “Dead Love/Jug Fulla Sun” at London Desertfest 2014

Posted in Bootleg Theater on July 16th, 2014 by JJ Koczan

Yeah, I know this isn’t the first Wino Wednesday clip culled from the video evidence snagged at this year’s Desertfest in London. Not even close, actually. But unlike Wino‘s sit-in with Weedeater (seen here) and his acoustic set with Spirit Caravan bandmate Dave Sherman (seen here), this week’s video is actually of Spirit Caravan performing. If that’s too minor a distinction, I apologize. Stick around and it’ll be something else next week.

For now, shot from the side of the stage in a rather nostalgic black and white, we see Sherman, drummer Henry Vasquez and, deep in the shot, Wino himself performing “Dead Love/Jug Fulla Sun” from Spirit Caravan‘s classic 1999 debut, Jug Fulla Sun. In a big way, the album would define the band going forward, and while their 2001 follow-up/swansong, Elusive Truth, brought new edges to the sound and they continued to progress right up to the new studio tracks they included with their final offering, the 2003 The Last Embrace compilation, Jug Fulla Sun remains a standout 15 years later in capturing the trio as they were in a natural, heavy rolling state. It’s hard to imagine the smooth instrumental “Dead Love” section and “Jug Fulla Sun” without each other, and as Sherman stomps out the groove in the early going of the latter, I can’t help but agree. Simply one of heavy rock’s best nods.

Spirit Caravan just reissued Jug Fulla Sun on a limited, hand-screened LP — Exile on Mainstream had them for sale — and they looked absolutely gorgeous. It’s a worthy investment as the band’s reunion continues and they promise work on a new album, which would be their first studio outing since Elusive Truth. More on that to come, I’m sure, but until then, hope you enjoy “Dead Love/Jug Fulla Sun” and get a sense of just how much vitality there is at the heart of this band.

Happy Wino Wednesday:

Spirit Caravan, “Dead Love/Jug Fulla Sun” Live at Desertfest London 2014

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Wino Wednesday: Spirit Caravan Honors Jason McCash in Tennessee

Posted in Bootleg Theater on April 16th, 2014 by JJ Koczan

The Spirit Caravan reunion US tour is over as of last night, but I expect we’ll be seeing videos still coming out from it for a while. One of the best I’ve seen, or at least the most heartening, is this one from Tennessee. Playing The Hideaway in Johnson City just last week, Spirit Caravan bassist/vocalist Dave Sherman took the time to shout out fallen The Gates of Slumber bass player Jason McCash and say a few words about him and the underground doom community as a whole — subjects about which he knows no small amount, to be sure. Though Spirit Caravan won’t have had the chance, Sherman‘s own outfit, Earthride shared gigs and festival bills numerous times with the Indianapolis trad doomers, and The Gates of Slumber were always embraced by Maryland’s passionate scene — a haven of believers if ever there was one.

That remains the case, actually, since Baltimore’s The Sidebar will host a benefit for McCash‘s family on July 12 with Earthride headlining and Pale Divine, Argus and Beelzefuzz on the bill. It’s one of several tributes to McCash set for the coming months with the money going to his widow and children. More info on that here.

Spirit Caravan head to Desertfest next week and continue their reunion in London and Berlin. After that, it’s something of a mystery. Saint Vitus are set to begin their 35th anniversary tour on May 8 (dates here) and that will run through most of the rest of the month, and beyond that, I’d presume either Europe or recording with one band or another. The Obsessed are still ostensibly “active” too, though at this point that’s the reunion that has resulted in the fewest shows, sticking mostly to festivals in the US and abroad.

Whatever comes, I’ll do my best to keep up with it, and in the meantime, enjoy Sherman, Wino and drummer Henry Vasquez as they honor Jason McCash with “Fang,” which comes off their 1999 debut, Jug Fulla Sun. Have a great Wino Wednesday:

Spirit Caravan, “Fang” Live in Tennessee, April 6, 2014

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Wino Wednesday #100: Stream Two Exclusive Live Spirit Caravan Recordings

Posted in audiObelisk on August 14th, 2013 by JJ Koczan

Well, here we are. If you told me nearly two years ago that I’d have 100 weeks of Wino Wednesday under my belt, I probably would’ve believed you, but definitely thought you were exaggerating. But now, with Wino Wednesday #100, we stand at a milestone of nerddom and no regrets. It’s been a lot of fun exploring the discographies of Scott “Wino” Weinrich and his sundry bands, The Obsessed, Saint Vitus, Spirit Caravan, The Hidden Hand, Premonition 13, Wino & Conny Ochs, the Wino trio, his solo acoustic stuff and contributions to the likes of Lost Breed, Solace, and so many more. I guess there’s nothing to do but keep going.

Before we do that, of course, we’ve got something special for Wino Wednesday #100. Recorded and mastered by Chris Gordon, I’m proud to present two exclusive live Spirit Caravan recordings that capture the three-piece of Wino, bassist Dave Sherman and drummer Gary Isom doing much the same thing that we’ve been doing these last 100 weeks — exploring the Wino catalog. Taped live at Emerson Theater in Indianapolis, IN, on Feb. 13, 2000, the tracks are “Looking Glass” and “Streamlined.”

“Looking Glass” originally appeared as the closer on Saint Vitus‘ 1988 fourth album (and second with Wino as vocalist), Mournful Cries, and it receives its due respect here with Sherman‘s bass tone and Isom‘s steady timekeeping. As far as Vitus cuts go, it’s far from the slowest, but it might seem so next to “Streamlined,” which comes from The Obsessed‘s 1994 outing, The Church Within. A quicker pace loses nothing of the thickness in the guitars and bass, and Spirit Caravan give a classically motoring riff an added sense of shuffle that almost can’t help but to shine through.

As a bit of trivia, these songs were recorded at the same gig as the version of Black Sabbath‘s “Wicked World” that ended up on Small Stone‘s first Sucking the ’70s compilation. I guess they were in a covers kind of mood that night.

Enjoy, and here’s to more Wino Wednesdays to come:

Here is the Music Player. You need to installl flash player to show this cool thing!

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Wino Wednesday: Spirit Caravan Live in Saint Louis, 04.23.02 (Whole Show)

Posted in Bootleg Theater on October 17th, 2012 by JJ Koczan

I actually watched this whole April 2002 set from Spirit Caravan before I decided to post it. That didn’t make for the most productive morning ever at work, but it was kind of cool to see the trio’s performance in its 67-minute entirety. I’ve posted clips from this tour before for Wino Wednesday, but never a whole show from so late in the band’s tenure. You’ll forgive me I hope for not knowing if this was their last run, but if not, it was damn close. After ripping it up on bass the whole set (and vocals for a couple songs), Dave Sherman says they’ll be back next year, but of course that didn’t turn out to be the case.

Sherman would release the first Earthride full-length, Taming of the Demons, just months after this gig (their self-titled EP came out in 2000), and Gary Isom would float around for the next several years, playing drums in Valkyrie before joining forces for a time with Pentagram and reuniting with Sherman in Weed is Weed, and Wino would hardly miss a beat, releasing the debut album from his next trio The Hidden Hand, Divine Propaganda, in 2003. Spirit Caravan ended their tenure with the So Mortal Be single before MeteorCity‘s The Last Embrace compilation put the cap on their discography, but if you’ve gotta go out, a tour with Place of Skulls and Throttlerod is a decent way to do it.

So enjoy the show below, presented in full by Lepers TV, who taped it at the Creepy Crawl for local access, and as always, have a great Wino Wednesday:

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