Dwaal Sign to Napalm Events for European Booking

Posted in Whathaveyou on March 13th, 2020 by JJ Koczan

Theirs is one of 2020’s most punishing debut albums to-date, and it seems only like I knew this Service Who Can Liveplan Business Plan Reviews I only said, “Please Do My Assignment for Me Online” and I got everything. Dwaal are interested in bringing their Article Writing How Servula’s Gmat Writing can help your site? Gospel of the Vile (review here) to the masses. After issuing the album — which you can stream below — at the end of last month through Competent bachelor thesis writing help. Non Thesis Master Degree Canada from PhD holders. Order now and enjoy fast writing, amazing content & quick turnaround Dark Essence Records, it seems the band were happened upon by a representative of Business Development Strategy Plan - Put aside your concerns, place your task here and get your professional project in a few days put out a little time and money Napalm Records‘ booking wing, and snapped up accordingly on the merit of a live performance. I guess that’s pretty much the ideal, so kudos to the band. It seems safe to assume you can expect to see them on the road with some Nationwide network of resume writers provide home economics coursework help. Resume writing for all career fields. Interviews guaranteed - ResumeWriters.com Napalm Records bands in Europe any day now, provided, you know, government lockdowns and all that kind of stuff.

But hey, if you’re looking for a soundtrack to the plague-ocalypse, these six very-calm-looking Norwegians would like to have a word:

dwaal

NAPALM EVENTS Signs Norwegian Sludge/Doom Band DWAAL!

NAPALM EVENTS is very proud to add Sludge/Doom/Post-Metal steamroller DWAAL from Oslo, Norway, to the Napalm Events artist roster! NAPALM EVENTS’ booking agent Thorsten Harm witnessed their powerful live performance at by:Larm Festival in Oslo two weeks ago and was hooked immediately!

Thorsten Harm comments:

“More or less I joined their show incidentally – and I wasn’t prepared for them at all, DWAAL hit me hard! Their slow and heavy wall of sound and the outstanding vocals of their singer Bjørnar on top of it literally blew me away, totally unexpected. This metal outfit is super talented and delivers a unique blend of heavy, atmospheric Sludge/Doom/Post-Metal with a terrific Black Metal topping, big time!”

DWAAL released their killer debut album Gospel of the Vile through Dark Essence Records on 28th February 2020.

DWAAL is looking forward what’s ahead of them and comments:

“After years looming in the shadows of the local underground scene, DWAAL is getting ready to move out of the basement and experience the world. We’ve just released our debut album Gospel of the Vile, an effort that has taken a very long time to complete. The reviews have been amazing, even humbling to read. Now we’re stepping up our live activity, and we’re extremely delighted to announce our commitment to NAPALM EVENTS and our shared future. Hope to see as many of you as possible in as many locations as possible, in the not too distant future!”

DWAAL are:
Bjørnar Kristiansen – vocals
Rikke Karlsen – guitar
Eigil Dragvik – guitar
Stian Hammer – bass
Siri Vestby – synth
Anders Johnsen – drums

http://facebook.com/dwaaldoom/
http://instagram.com/dwaaldoom/
https://dwaaldoom.bandcamp.com/
https://dwaal.no/
http://www.facebook.com/darkessencerecords
https://www.instagram.com/karisma_darkessence/
http://karismarecords.bandcamp.com/
https://www.darkessencerecords.no/
https://www.facebook.com/napalmevents/

Dwaal, Gospel of the Vile (2020)

Dwaal, “Like Rats” official video

Tags: , , , , , ,

Dwaal Premiere “Like Rats” Video; Gospel of the Vile Due March 6

Posted in Bootleg Theater on February 6th, 2020 by JJ Koczan

dwaal

Oslo-based six-piece post-doom outfit You have stumbled upon one of the best http://para-sun.com/what-is-racism-essay/s online. If you are stressed by tons of assignments - our professional academic help is here Dwaal will issue their debut full-length,  help with writing college essays best site how to write a common app essay virginia woolf online essays Gospel of the Vile, on March 6 through  What is redbronze master thesis? Hire writers is an article/content writing company, you can signup with hire writers in 2 different ways; You signup as a client to Dark Essence Records, and it is a record that immediately repositions the listener to suit its own purposes. With a strong tonal wash, overlaid vocal and synthesizer melody, “Ascent” unfolds basically as an intro for the first six minutes of the album. The track is perhaps wrongly titled for not being called “Immersion,” but it’s hard to hold that against it, particularly when it’s intended as a bookend with 16-minute closer “Descent.” What it doesn’t do, however, is prepare the listener for some of the shifts presented in “Like Rats” and the four cuts that follow, mostly notably the massive nod that ensues and the undercurrent of classic emotive death-doom that permeates. Guttural growls and lyrical introspection take hold across the second track and with an ultra-slow progression,  Very affordable Homepages from professional and passionate bloggers. Dwaal find a niche between styles, thoughtful on multiple levels of its execution and nigh on lush at times in how it’s produced, but still with a feeling of raw humanity coming through in those vocals and the sheer lumber of the rhythm.

Tonal largesse and rhythmic lurch are essential throughout  click to read more (juliet essay homework help) Gospel of the Vile, but as If you are stuck with a particular assignment and don't know what to do. Same important makes work buy book reports besides your Dwaal — who appeared at Essay Writing Service For Mba best term paper websites buy a college degree online essays for students website channel 4 homework help creative essay writing Høstsabbat in 2018 (review here) and released their debut EP,  Do you need a professionally written essay that will impress you readers? Our Best Man Speech Writing Service is here to help you with it! Darben, in 2017 — roll out these massive, crawling grooves, the emotional crux in the guitar and vocals is no less crucial, and neither is the sense of atmosphere. With an especially memorable guitar figure that emerges just before two minutes into its total 13:50, the title-track brings these different sides together well in such a way as to build off what seemed to be separate in “Ascent” and “Like Rats” between the ambience on one side and the extremity on another. The band flourish over their longer-form presentation, with the growls returning to highlight severity in transition from more standard shouting, and after a contemplative stretch, “Gospel of the Vile” offers some of the most humongous plod on the record that shares its name, finishing with fading amp noise into the  http://www.guate-jug.net/research-paper-on-sex-trafficking/.Buying papers online college.Trusted Essay Writing Service.Academic essay writers | professional essay writing services Amenra-style tension at the start of “Obsidian Heart Burns,” which builds up over the first two minutes or so into a gruesome unfurling, willfully harsh and biting even as it maintains a deceptive patience.

dwaal gospel of the vile

That patience pays off in the midsection of the song, which layers airy guitar overtop all the crushing tone and churn, and, as the title line is delivered, sets up a righteous explosion back into the max-weight impact. Brutal. The penultimate “The Whispering One” is the shortest inclusion besides “Ascent” at just under seven minutes, but uses that time to unleash a distinctively dramatic vision of doom, a wash that isn’t at all chaotic or fast but permeated by some high-pitched frequency in its second half — is that synth? effects noise? — that adds an almost subliminal feeling of alarm or panic. It starts at 4:33. Keep an ear out. I’m not even sure if it’s supposed to be there or if it’s some glitch in the stream I was given, but it’s curious either way. It does not stop “The Whispering One” from easing smoothly into the quiet opening of “Descent,” which again, at 16:26, is something of an album unto itself, or at very least a summary and expansion on what the rest of  Learn how our Professional Writing Services Canberra online can reword your writing quickly and accurately to meet the expectations of your audience. Gospel of the Vile has to offer. The floating guitar lines, the deathly growling, throaty shouts and emotional crux both quiet and extreme come through even before the piece is halfway through, and just before eight minutes in, cleaner vocals return in fitting answer to those at the record’s outset.

They’re swallowed up soon enough by the encompassing darkness, but even as the last five minutes of “Descent” play out in slow-stomp and a subtly-constructed payoff wash of noise, the message remains that  Dwaal have yet perhaps to reveal the full breadth of their sound. Obviously conscious of the presentation of their craft, I’d expect purposeful growth their next time out — that is, they sound like a band who will want to move forward from release to release, and Gospel of the Vile would essentially be the starting point of that, the prior EP notwithstanding — but the impact and ambience they bring to this six-songer isn’t to be undervalued in its own right. Still, as they move forward and refine their sound and lyrical perspective, one hopes the heft and rawness can be maintained within their subsequent work, whatever form it might take, since they do so much to make this debut hit as hard as it does.

If you’re sensitive to flashing lights and general visual chaos, watch out for the “Like Rats” video below — you might want to avert your eyes or just listen to the song and look at something else — but otherwise, dig in and enjoy. Album is out March 6.

PR wire-type info follows:

Dwaal, “Like Rats” official video premiere

From the upcoming album “Gospel Of The Vile”, to be released on Dark Essence Records on March 6th 2020

Single and album covers both made by Anders Johnsen. Video by Eigil Dragvik. Band photos by Endre Lohne.

“Like Rats” is the second single from the upcoming album Gospel Of The Vile.

Gospel of the Vile is the first full length album from this six-headed monster from Oslo, Norway, following their self-released EP Darben (2017). The music is definitely rooted in Doom Metal, bearing also clear inspiration from Post-rock, traditional Metal and the ambience of Black Metal – Resulting in a massive sound, with moments of both brutality and beauty.

The concept of the album is depicting humanity’s embracing of its inner darkness and the decline into a more primal state, with songs like “Gospel of the Vile” and “Obsidian Heart Burns” at the center of the lyrical universe. Gospel of the Vile is an album that challenges you to endure its every movement.

Dwaal is:
Bjørnar Kristiansen – Vocals
Eigil Dragvik – Guitar & Backing vocals
Rikke Karlsen – Guitar
Stian Hammer – Bass
Siri Vestby – Synth
Anders Johnsen – Drums

Dwaal on Thee Facebooks

Dwaal on Instagram

Dwaal on Bandcamp

Dwaal website

Dark Essence Records on Thee Facebooks

Dark Essence Records on Instagram

Dark Essence Records on Bandcamp

Dark Essence Records website

Tags: , , , , ,

Review & Full Album Premiere: Superlynx, New Moon

Posted in audiObelisk, Reviews on March 13th, 2019 by JJ Koczan

Superlynx New Moon

[Click play above to stream Superlynx’s New Moon in its entirety. Album is out March 15 on Dark Essence Records.]

Atmosphere plays a huge role in what Superlynx do almost immediately on their second album, New Moon. The guitar work of Daniel Bakken works its way into Eastern-style scales in opener “Hex,” giving a meditative feel by which much of New Moon is likewise defined, patient songwriting and pacing finding bassist/vocalist Pia Isaksen, drummer/vocalist Ole Teigen (Midnattsvrede, ex-keyboard in Dødheimsgard) moving through the 10-track/46-minute runtime with a steadily increasing breadth and a tidal sense of heft, swaying back and forth as Isaksen delivers the lyrics slowly in a way that reminds alternatingly of some of Kylesa‘s later work, as on the title-track, or even Acid King in “Cold Black Sea,” but is ultimately far more ethereal in scope. “Becoming the Sea,” the payoff of “Indian Summer” and the faster-paced later cut “Scarecrow” hint at some root in extreme metal, but the brunt of New Moon is in its melodicism and its methodical, nod-setting tempos.

Released through Dark Essence Records, it is the follow-up to the Oslo-based trio’s 2016 debut, LVX, and while that album wanted nothing for tone, the fullness of the distortion Isaksen and Bakken bring to these tracks only helps further their ambient impression. They give the offering a richness that helps Superlynx in their apparent purpose of affecting the mood of their audience, which they prove more than capable of doing as New Moon dreamily plods out in cuts like the early going of “Indian Summer” and “These Children that Come at Us with Knives,” the latter of which calls to mind some of Earth‘s rolling drone but still maintains the depth of mix and character that Superlynx seem to bring to each of the tracks. Tempo shifts and turns of melodic phrasing stave off redundancy as the songs make their way past like clouds overhead on an open road — slowly, and with the feeling that they’re working on a different scale of size and time — but New Moon does seem to have a kind of unipolarity in how it functions.

That’s contrasted in the penultimate “The Groove,” on which Teigen and Isaksen share vocals in a marked departure from what surrounds while Bakken‘s guitar noodles out in the verses like The Doors on a desert trip before  solidifying for the chorus, but otherwise feels intentional, as though Superlynx are working to create a world for their material to inhabit, and to bring the listener to that place of their making. This, like the ribbon of color on the covers of their two full-lengths, is an ongoing theme in their work, but the second outing, frankly, is better at it than the first, and it would seem that part of why is down to the patience in their craft and their willingness even when the songs move — which, yes, some do, like “Indian Summer” or “Scarecrow” or even the theatrical closer “The Thickest Night” — to hold to the central contemplative atmosphere that arrives with “Hex” and provides the foundation on which the subsequent songs are built.

superlynx (Photo by Kai Simon Fredriksen)

It’s not so much about the material sounding the same as it is about individual pieces functioning toward a greater whole. The outlier, then, is “The Groove,” which precedes “The Thickest Night.” With both tracks, it’s more about their position than anything else, but I guess after the outwardly doomed catchiness of “Scarecrow” and the open feeling “Cold Black Sea” — the bassline of which seems to be in conversation with the guitar of “Breath” earlier; both touching on a rhythm that I can’t quite separate from “Sweet Dreams (Are Made of This)” in my head — Superlynx have set themselves up for something of a departure. But the change in bringing Teigen‘s vocals in alongside those of Isaksen, which are so much a part of the overarching vibe of the record — and this is a record that is very much about its overarching vibe — feels drastic, and it’s a change without precedent on New Moon, i.e., it only happens once and it’s tucked away near the end.

Entirely possible that’s the point, of course, and Superlynx want to jar their listener ahead of finishing out with “The Thickest Night,” but if New Moon is stating its purpose in its title-track, then so much of what the band are doing is based around slow groove and a moody spirit, and after so much consistency one song into the next, it’s a move that leads one to wonder what brought them to that point, even working as well as it does. Perhaps that’s their way of exploring newer modes of expression, and if so, one can’t argue with the result, even if its arrival is a surprise. As they finish with “The Thickest Night,” the vocals seem to step forward in the mix as the guitars relinquish some of that space to swells of keyboard/synth, and a more psychedelic vibe takes hold, Isaksen‘s voice playing out in effects-laced layers over a slow march outward that builds subtly to a wash before capping with a sudden feeling of letting go.

Way back at the start of the album, in “Hex,” there’s a turn that happens at 1:46 into the total 4:43. To that point, Superlynx have built up the track (and album) from silence to a wash of distortion, and then, with just the quickest of drum fills, all three members of the band unite around a crunching, forward-directed riff that’s more aggressive in nature. In concert with the other hints of metal showcased around New Moon, it’s hard to tell if it’s a hint at past or future for them, but it’s an important component of what they do in any case, and as much as their sophomore LP is defined by its melodies and its steady, willful pacing, that undercurrent is there. But so is psychedelia, and so is doom, and so is heavy rock, so as Superlynx work to establish their sound here, it indeed is very much their own, and the stylistic elements they draw from and claim could well be the groundwork of even more worldbuilding to come.

Superlynx, “Hex” official video

Superlynx on Thee Facebooks

Superlynx on Instagram

Superlynx on Bandcamp

Dark Essence Records on Thee Facebooks

Dark Essence Records on Bandcamp

Dark Essence Records website

Tags: , , , , ,

Superlynx Premiere “Hex” Video; New Moon out March 15

Posted in Bootleg Theater on December 6th, 2018 by JJ Koczan

superlynx (Photo by Kai Simon Fredriksen)

If the rolling waves and slow motion of their new video don’t make the point, I’ll just say outright that a lot of what Superlynx do is based around atmosphere. The Norwegian trio proffer a varied gamut of heavier styles brought into one cohesive approach, and it’s that atmosphere that allows them to range as far as they do between psychedelia, doom, post-this-and-that, and sludgier riffing. Dark Essence Records will issue their second album, New Moon, on March 15, 2019, and it follows in the spirit of 2016’s LVX in its lead single, “Hex,” for which the aforementioned video — premiering below — has been put together.

As much focus can be placed — and not wrongly — on their stylistic blend, “Hex” also emphasizes the structure acting as the foundation on which that blend takes place. With the airy vocals of bassist Pia Isaksen atop the toms Superlynx New Moonof Ole Teigen as they wait for Daniel Bakken‘s guitar to next sweep them into the straight-ahead instrumental drive, there’s a patience to the execution from Superlynx, but clearly they’re a band who have an intention toward craft in more than just mixing influences together. And as song becomes more intense, so too do the waters in the “Hex” video begin to churn faster, but still, that atmosphere — just a sense of the otherworldly — is maintained. In combination with their clear delineation between verses and choruses, it makes for a track that’s broad in its scope but still accessible even the first time through.

And this is the first time through. Superlynx have some shows booked already for 2019, including Norway’s famous Inferno Festival, so it seems incredibly likely we’ll be hearing more from them as we get closer to New Moon‘s release. In the meantime, enjoy “Hex” below, followed by a few words from the band about the song:

Superlynx, “Hex” official video premiere

Superlynx on “Hex”:

Like most of the new album, HEX was written in challenging times, with feelings of hopelessness caused by both personal and external circumstances. The song was given a ritualistic expression, representing a deep, primal feeling and a need to alter the dark reality. Through creative force, love and a wish for better times this feeling is transformed into music and given a positive outlet. In this way, HEX represents the essence of the album. We have all been through dark times and have dealt with a lot of it through music. You can say that making the album has been a sort of alchemical process. The focus has been on getting through the dark and holding on to what is good in this world. And one of the best things is that music has come of it.

Hex is the first single from Superlynx’s upcoming album “New Moon”, to be released by Dark Essence Records on March 15th 2019.

Superlynx is:
Pia Isaksen – Bass/Vocals
Daniel Bakken – Guitar
Ole Teigen – Drums/Vocals

Superlynx on Thee Facebooks

Superlynx on Instagram

Superlynx on Bandcamp

Dark Essence Records on Thee Facebooks

Dark Essence Records on Bandcamp

Dark Essence Records website

Tags: , , , , ,