Quarterly Review: The Sword, Mountain Tamer, Demon Head, Bushfire, Motherslug, Dove, Treedeon, Falun Gong, Spider Kitten, Greynbownes

Posted in Reviews on April 3rd, 2018 by JJ Koczan

Quarterly-Review-Spring-2018

Okay then. We got past the first day and I thought it went reasonably well. No casualties. Nobody’s brain melted from trying to find another word for “riffs” for the 19th time, so yeah, mark it a win. There’s a good spread of stuff in today’s batch — a little of this, a little of that — so hopefully somewhere in the mix you’re able to run into something you dig. Hell, I’ll say the same for myself as well. Come on, let’s go.

Quarterly Review #11-20:

The Sword, Used Future

the sword used future

Now-veteran Austin heavy rockers The Sword have gotten a mixed response to the more progressive approach their recent work has taken, and I doubt Used Future (on Razor & Tie) is going to be any less polarizing, but its crisp 13 tracks/43 minutes are pulled off with professionalism. Yes, it has its self-indulgent aspects in “Sea of Green” or the earlier instrumental “The Wild Sky,” but The Sword have never done anything other than deliver accessible heavy rock and tour like hell, so while I get the mixed response, at this point I think the band has at very least earned a measure of respect for what they’ve accomplished as ambassadors of underground heavy. They wanna throw a little John Carpenter influence into “Nocturne?” Fine. They’re not hurting anybody. The unfortunate truth about The Sword is that neither polarized side is right. They’re not the end of heavy metal as we know it; some crude ironic take on what metal should be. And they’re not the greatest band of their generation. They have a good record deal. They write decent songs. Where’s the problem with that? I don’t hear it on Used Future.

The Sword on Thee Facebooks

Razor & Tie website

 

Mountain Tamer, Living in Vain Demo

mountain tamer Demo 2017

If it was Mountain Tamer’s intention to get listeners excited about the prospect of a second full-length from the Santa Cruz, CA three-piece, then the Living in Vain demo serves this purpose well. Their 2016 Argonauta Records self-titled debut (review here) expounded on the potential they originally showed with 2015’s Mtn Tmr demo (review here), and though it’s only two songs, Living in Vain would seem to do the same in building on the accomplishments of the album before it. The opening title-track is labeled “Living in Vain Pt. 1” and nestles easily into a mid-paced shuffle before shifting into psychedelic lead layering and a more jammed-out spirit, from which it returns in the last 30 seconds to hit into a more solidified ending riff, leading to the immediately slower “Wretched.” More spacious, more of a march, it plays into an instrumental hook and holds to its structure for its entire 5:40, ending with guitar on a quick fade. Obviously the intention with a release like this is to entice the listener with the prospect of the band’s next album. Living in Vain does that and more.

Mountain Tamer on Thee Facebooks

Mountain Tamer on Bandcamp

 

Demon Head, The Resistance

demon head the resistance

Returning just about a year after issuing their second album, Thunder on the Fields (review here), Copenhagen-based proto-metallers Demon Head offer a new two-songer single titled The Resistance that at least to my ears speaks to the current political moment of populism opposing liberalism – as much at play in Europe as in the US, if not more so – and the fight for an open society. They present it as a six-plus-minute languid groove with flashes of militaristic snare; something of a turn from the cult rock of their two-to-date long-players. One could say the same of the sci-fi themed “Rivers of Mars,” though like its predecessor, it remains sonically on-point with the band’s vintage aesthetic, fostered through naturalist guitar and bass tones, bluesy, commanding vocals and classy, creative drumming. Actually, apply that “classy” all around. As Demon Head continue to come into their own sound, they do so with poise that’s all the more striking for how raw their presentation remains.

Demon Head on Thee Facebooks

The Sign Records

 

Bushfire, When Darkness Comes

bushfire when darkness comes

When Darkness Comes is German heavy rocking five-piece Bushfire’s follow-up to late-2013’s Heal Thy Self (review here), and it retains the Darmstadt-based outfit’s penchant for quality riffcraft and a showcase for the vocals of frontman Bill Brown, which hit in bottom-of-the-mouth melodies and gruff shouts fitting to cuts like “The Conflict” and the swinging “Shelter.” Bushfire are no strangers to a semi-Southern element in their sound, and that remains true on When Darkness Comes from the opening title-track through the later “Another Man Down” and closer “Liberation.” Somewhat curiously, that closer is instrumental, and where the vocals play such a role in the overarching impression the record makes, it’s an interesting twist to have them absent from the final statement, leaving guitarists Marcus Bischoff and Miguel Pereira, bassist Vince and drummer Sascha to finish out on their own. If groove is the measure, they’re certainly up to the task, but then, that was never really in doubt.

Bushfire on Thee Facebooks

Bushfire on Bandcamp

 

Motherslug, The Electric Dunes of Titan

motherslug the electric dunes of titan

I’m sorry. I don’t see how you could dig anything calling itself “stoner” and not be down with what Motherslug are doing with their second long-player, The Electric Dunes of Titan. Plus-sized riffing all over the place, languid rollouts, excursions into psychedelic splendor (see “Followers of the Sun,” etc.), explosions into massive groove (see “Staring at the Sun”), a nod to High on Fire in “Tied to the Mast” and a Sleep-style march on closer “Cave of the Last God” that’s probably the best I’ve heard since the Creedsmen Arise demo in 2015. Really, if Motherslug doesn’t do it for you, nothing will. Five years after they initially released their self-titled EP (review here), which was later expanded into their debut album for NoSlip Records (review here), the Melbourne outfit charge back with what should be a litmus test for riff-heads. In all seriousness, from tone to structure to songwriting to production to the cover art, there’s just nothing here that doesn’t deliver the message. Should’ve been on my best of 2017 list.

Motherslug on Thee Facebooks

Motherslug on Bandcamp

 

Dove, Dove Discography

dove discography

In the wake of Floor’s disbanding, drummer Henry Wilson formed Dove. They were around for about five years, did some touring (one remembers picking up their self-titled in a Manhattan basement with $2 Rolling Rocks calling itself The Pyramid), and disbanded to a cult status not so different from that which Floor enjoyed prior to their own reunion, if to something of a lesser degree. As the title indicates, Dove Discography compiles “every listenable track” the band ever put out, including their self-titled, Wilson’s original demo for the project, compilation and 7” material. All told, it’s 20 tracks and just under an hour of documentation for who Dove were and the kind of punk metal they were about, never quite stoner, but heavy rock to be sure, and definitely of the Floridian ilk that produced both Floor and Cavity and a style Wilson has progressed with House of Lightning. Dove could be blazingly intense or they could plod out a huge riff, holding a deceptively wide purview that was only part of the reason they were so underrated at the time.

Dove on Bandcamp

House of Lightning on Thee Facebooks

 

Treedeon, Under the Manchineel

treedeon under the manchineel

To anyone who might complain that all sludge sounds the same, I humbly submit Treedeon, whose second album for Exile on Mainstream, Under the Manchineel, is a work both noise-laden and righteously avant garde. Perhaps even more ferocious than its 2015 predecessor, Lowest Level Reincarnation (review here), the seven-track/44-minute outing offers a touch of melody in “Breathing a Vein” and buried deep in the midsection of 16-minute closer “Wasicu,” and arguably in guitarist Arne Heesch’s delivery in opener “Cheetoh” as well, but he and bassist Yvonne Ducksworth mostly keep to harsh shouts as they create consuming washes of noise over the madcap drumwork of newcomer Andy Schuenemann, who punctuates every punch of Ducksworth’s gotta-hear-it bass tone on album centerpiece “No Hell” as Heesch goes lands the chorus with the line “No hell can hold me” as its standout line. Bringing a sense of themselves to an established style to a degree that’s rare, rarer, rarest, Treedeon are no less aggressively weird than they are aggressive, period.

Treedeon on Thee Facebooks

Exile on Mainstream website

 

Falun Gong, Figure 1

Falun Gong Figure 1

There are some post-Electric Wizard shades that emerge in the debut single from London’s Falun Gong by the time it reaches its feedback-soaked finale, but really, “Figure 1” is much more about digging into its own cultistry than that of the Obornian sort. Still, the overarching impression is somewhat familiar, and will be particularly to those who were fans of The Wounded Kings, but the duo who remain anonymous present themselves with a clearheaded intent toward maximum sonic murk, and with the lumbering misery they trod out in “Figure 1,” they seem to achieve what they’re going for. I don’t know who they are, but I’d guess this isn’t their first band, and as crowded as London’s heavy underground has become over the course of this decade, acts like Falun Gong are fewer and farther between than some others, and during these 10 minutes, they make a striking first impression. One hopes for “Figure 2” sooner rather than later.

Falun Gong on Bandcamp

 

Spider Kitten, Concise and Sinister

http://theobelisk.net/obelisk/wp-content/uploads/2018/03/spider-kitten-concise-and-sinister.jpg

Intended as a thematic continuation to some degree of 2016’s Ark of Oktofelis, the four-song Concise and Sinister finds long-running multi-genre UK outfit Spider Kitten bookending two extended crushers around two shorter pieces, one of which is a cover of Hank Williams’ “Alone and Forsaken” (also memorably done by 16 Horsepower) and the other of which is a noise-punk assault that lasts 46 seconds and is called “I’m Feeling So Much Better.” Whether fast or slow, loud or quiet, the intention of Spider Kitten doesn’t seem even at its most abrasive to be to punish so much as to challenge, and whether it’s the cinematic elements dug into the march of opener and longest track (immediate points) “A Glorious Retreat” (11:33) or the harmonies that accompany especially-doomed 10-minute closer “Martyr’s Breath,” Spider Kitten and founder Chi Lameo demonstrate a creativity acknowledging that bounds exist and then simply refusing to accept them, making even the familiar seem unfamiliar in the process.

Spider Kitten on Thee Facebooks

Spider Kitten on Bandcamp

 

Greynbownes, Grey Rainbow from Bones

greynbownes grey rainbow from bones

Comprised of guitarist, vocalist and songwriter Lukas, bassist Martin and drummer Jakub, Greynbownes hail from Moravia in the Czech Republic and the moniker-explaining Grey Rainbow from Bones is their self-issued debut full-length. It is comprised of nine tracks of inventive heavy rock, pulling elements from grunge and ‘90s-era stoner noise on cuts like “Across the Bones” while veering into fare more aggressive, or psychedelic or jammy in the trio of six-minute tracks “Seasons,” “Death of Autumn Leaves” and “B 612” that precedes the closing duo of the funky “Sitting at the Top” and the mellow-but-still-heavy finisher “Weight of Sky,” which feels far removed from the opening salvo of “Boat of Fools,” the fuzz-punker “Madness” and the fuckall-chug of “What is at Stake.” Yes, it’s all over the place, and one might expect Greynbownes’ sound to solidify over time, but to the trio’s credit, Grey Rainbow from Bones never flies apart in the way that it seems at multiple points it might, and that’s an encouraging sign.

Greynbownes on Thee Facebooks

Greynbownes on Bandcamp

 

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Et Moriemur Premiere “Requiem Aeternam” from Epigrammata

Posted in audiObelisk on March 13th, 2018 by JJ Koczan

et moriemur

Czech death-doomers Et Moriemur mark a decade of existence in 2018 with the March 20 release of their third album, Epigrammata, on Transcending Obscurity Records. Comprised of 10 tracks for a densely-packed 53-minute runtime, it is a record that finds the core lineup of vocalist/keyboardist Zdenek Nevelík, bassist Karel “Kabrio” Kovarík, guitarists Ales Vilingr and Pavel Janouskovec and drummer Michal “Datel” Rak [please note: most of the band members’ names have accent marks that won’t show up when I type them into WordPress; see the lineup list below. No disrespect intended to anyone in the band.] employing a host of guests to flesh out arrangements of cello, violin, trombone, spoken word, guest vocals, trombone, acoustic guitar and choir, adding to the group’s own breadth of craft in songs like “Offertorium,” the piano-laden “Agnus Dei,” and the particularly memorable “Communio,” which with a speedier tempo reminds as much of Satyricon in its swinging verses as its violin-laced atmospheric midsection bleeds melancholy leading to a massive roller of a riff topped with deathly growling. Yeah, it’s kind of like that: full-on beauty in darkness, topped off with Gregorian chanting, multi-linguistic recitations, and a sense of ancient grief being brought to life like a weeping statue given the power of slow, gradual movement.

Patience is a virtue that Et Moriemur display handily throughout Epigrammata, which unfolds in no hurry from “Introitus” into the organ and key-fueledet moriemur epigrammata “Requiem Aeternam,” matching tortured and throaty screams against lower growls against chanting to give the proceedings a religious feel right from the start; or at least the sense of being in conversation with those traditions — the Latin titles doing likewise. “Agnus Dei” and “Dies Irae” follow suit in terms of mood and extremity, but more than the emotional or sonic heft that Et Moriemur elicit, it’s the depth of their arrangements and their mix that impress. To wit, the low growls and chants intertwining on “Dies Irae,” Doom, death and black metal aren’t out of the band’s reach stylistically, and there are moments where those elements are juxtaposed and moments where they all seem to come together as something definitively of Et Moriemur‘s own. Obviously, these moments — I’d count the pairing of “Offertorium”‘s crawling wretchedness and “Communio”‘s more progressively bleak vision among them, but would be remiss to leave 10-minute closer “In Paradisum” out of the discussion — make for some of the strongest on Epigrammata, but there’s something to be said to for the manner in which the juxtaposing of styles, smooth though the transitions like that into acoustic guitar and speech on “Libera Me” are, mirrors the tortured sensibility and mood of the album itself. That is, the form matches the intent, and the mood of Epigrammata becomes conveyed not only in the performance of Et Moriemur and the sundry other parties brought aboard, but in the very construction of the songs themselves.

It would be hard to pick one song to represent the totality of the album. Frankly, I’m not sure you could, but with the release date set for just a week from now, I’m sure the full thing will be streaming in no time, and in the interim, “Requiem Aeternam” functions well in displaying many of the aspects that come into play throughout, as well as some — some — of the Et Moriemur‘s range when it comes to songwriting. Do not necessarily think of it as a sampling of all that the full-length has to offer, so much as a teaser of several of the factors at play throughout.

A quote from the band and PR wire info follows below. Please enjoy:

Et Moriemur, “Requiem Aeternam” official premiere

Et Moriemur on “Requiem Aeternam”:

“Epigrammata represents our attempt to cope with the dying or death of those we loved. To create a solemn and classical atmosphere we used lyrics in ancient Greek (the title itself means epigrams) and in Latin, more precisely from the Mass for the dead – the album follows the typical Requiem structure, i.e. Introitus, Requiem Aeternum, Dies Irae etc. – and of course the traditional, unisono male Gregorian chant.“

In any case we tried not to do a uni-dimensional record. So apart from the inevitable grief there is gratitude as well for having had the chance to share our life with them and hope that they are well – wherever they are.“

ET MORIEMUR are doing things in an exceptional way for their upcoming full length titled ‘Epigrammata’. Delving into the rich European history, imbibing Gregorian chanting and using Latin and ancient Greek to convey their message, the Czech supergroup of sorts with members of bands such as DISSOLVING OF PRODIGY, SELF-HATRED and SILENT SCREAM OF GODLESS ELEGY, have assembled a host of musicians playing cello, violin, trombone among others and have even employed services of a choir to take their expression to another level. They combine influences of death, doom and even a bit of black metal and use their operatic flair to imbue it with a mesmerizing quality. It transcends the perceptions of the death/doom style at present and gloriously brings back forgotten elements to elevate it.

Et Moriemur is:
Zden?k Nev?lík – Vocals, Piano
Aleš Vilingr – Guitar
Pavel Janouškovec – Guitar
Karel Ková?ík – Bass
Michal “Datel” Rak – Drums

Et Moriemur on Thee Facebooks

Et Moriemur on Bandcamp

Et Moriemur website

Transcending Obscurity Records webstore

Transcending Obscurity Records on Bandcamp

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Psy-High 2015 Set for Aug. 13-16

Posted in Whathaveyou on July 6th, 2015 by JJ Koczan

In case you needed a bit of escapism for your afternoon, how’s about four days reveling in heavy rock and psychedelia out in a quarry somewhere out in the Czech Republic? Sounds pretty good to me. I’ll admit I don’t know much about the weather in the Czech Republic in August, but I wouldn’t mind finding out and checking out a bunch of bands I’ve never had the chance to hear before over the course of a leisurely weekend surrounded by cool vibes and heavy sounds. Shit. That’ll do nicely.

Like I said, a bit of escapism. If you happen to be in that part of the world, I submit the following:

psy-high 2015 banner

Psy-High ’15

Psy-High is an arts and culture experience based around the interplay of music, seminars, theatre, debates, readings and workshops. We also give a lot of attention to changing the location as much as possible in accordance with the main themes and concepts of the festival.

We’ll continue the string of amazing locations: Last year’s “rocky cathedral” of the Saint Joseph quarry is followed by a wide, flooded quarry somewhere in the western parts of Czech Republic (we’re still keeping the location a secret for now, but get ready for 13 thousand square meters of five-pointed lake surrounded by seven and a half hectars of awesomeness).

The basics of why and how we make Psy-High happen stay the same: We do everything we can by our own hands, without profit and without sponsors – except for the growing number of people ready to fuel the event with their personal energy.

There are a few changes, however. The big one is that we decided to limit the number of tickets to 400, mainly due to our belief that Psy-High needs a smaller crowd in order to retain it’s unique atmosphere.

The first batch of 100 tickets will be available from May at www.psy-high.cz. From then on, the later you buy a ticket, the more expensive it gets:

The ticket price for the last 100 tickets left is 28 Euro.

In order to get the presale info in time, please consider subscribing to our rather unobtrusive newsletter at http://sdbs.cz/newsletter/, or watch out for news at the Psy-High Facebook event: https://www.facebook.com/events/313590198850496/

The second change worth mentioning is that Psy-High 2015 will increase in length to four full days – two days just wasn’t enough to enjoy the event for most people.

As for music, you can expect a tighter line-up aimed at all kinds of psychedelia-inspired music. There will be more than 30 bands performing at P-H, here’s a small taste:

Kamni (ru, stoner doom)
Ovo (it, doom sludge ritual)
Pozvakowski (hu, exp. noise rock)
Merkabah (pl, avant-garde rock)
Narcosatanicos (dk, acid punk noise rock)
Or (cz, noise rock)
B4 (cz, psychedelic)
Saiga (cz/ru, stoner)
Sweeps04 (cz, ambient industrial doom)
At Bona Fide (cz, shoegaze)
Fetch! (cz, stoner noise rock)
Kidney Trauma (cz, noise-rock/shoegaze)
Lambda
Made by the Fire
White Wigwam
Skrze ?eku
Ursprung Trio
India
LO/VE

https://www.facebook.com/thepsyofthehigh
https://www.facebook.com/events/313590198850496/
www.psy-­high.eu

Psy-High 2014 Video Report

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Wino Wednesday: Wino & Conny Ochs, “Isolation” Live in the Czech Republic, 2012

Posted in Bootleg Theater on May 6th, 2015 by JJ Koczan

wino wednesday

The duo Wino & Conny Ochs released their second album, Freedom Conspiracy (review here), on Exile on Mainstream at the end of March, and it’s still pretty fresh in mind in terms of the feeling of growth within the collaboration, the uptick in production value and of course the on-point individual performances and more meshed feel of how they work together in each song, but I thought for this week’s Wino Wednesday it might be worth dipping back a couple years to the start of the collaboration between these two very different entities.

To look at them on stage — Wino covered in tattoos with his hair down his back, holding a massive acoustic guitar and periodically kicking into a full-on fuzztone even “unplugged,” and Ochs exuding more traditional singer-songwriter sensibilities, resonating as much emotionally as with his stellar vocals — and they seem like a pretty unlikely pair. Like the rock and roll version of an old sitcom. It’s not until you actually hear it that you realize how well it actually works, that odd-couple melding. Their first album, 2012’s Heavy Kingdom (review here), surprised already with its fluidity. Ochs being the more experienced of the two players in the form, his evident comfort level was maybe less of a surprise, but Wino only had one acoustic solo album out — 2010’s Adrift (review here), still his only one to-date — and he was immediately at home in the two-piece. As they proved on Freedom Conspiracy, that would be even more the case the second time around.

Like I said, for this week, we’re dipping back to 2012, closer to their starting out. This cover of Joy Division‘s “Isolation” was filmed March 5, 2012, in Mutišov, the Czech Republic, and as right on as the audio is, I also picked it for the quality of the video itself, which puts you right in the crowd and captures well the intimate vibe of watching these two play. As always, I hope you enjoy:

Wino & Conny Ochs, “Isolation” Live in Mutišov, Czech Republic, March 5, 2012

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Psy-High Festival 2014 Set for Aug. 22-24

Posted in Whathaveyou on August 5th, 2014 by JJ Koczan

There are a couple holdovers from 2013 in The Tower, Tomáš Palucha and Zkouška Sirén, but no question the Czech festival Psy-High has upped the scale of its operation for 2014. They still have a strong blend of native Czech and foreign acts, this time pulling in Weedpecker and Sunnata from Poland as well as Dysis and Limestone Whale from Germany, among others, for a lineup that’s more packed. Where to host so much rock? A quarry, of course.

I don’t have the exact coordinates, but this year’s Psy-High will take place Aug. 22-24 at the St. Joseph quarry in East Bohemia. Really not sure how you can go wrong. On a related note, I was fortunate enough to be invited to cover Psy-High 2014. I won’t be able to make it out because flights are expensive, but it’s nice to be thought of anyway. Kudos to the fest on what looks like a killer second year.

The PR wire brings details and the event poster:

Psy-High ’14

August 22 – August 24

Horice, Ji?ín, Czech Republic

This year’s Psy-High will host about 30 performers + lectures, workshops. We plan to expand and double the audience to around 350-400. Don’t worry, we stay true to our ideals, so everything is DIY (we seriously build everything from ground up from scrap wood and stuff) and we are confident we will be able to hold the unique intimately ritualistic atmosphere, which took so many by their hearts last time.

As last year, location is pivotal for us, we moved to a new quarry, as we want to cycle the locations every year. This year will take place in the beautiful quarry of st. Joseph near Ho?ice in east Bohemia. The festival takes place on 22.-24.8.

Programme-wise – we are hosting 7 foreign bands : Zatokrev (swiss sludge postmetal), Weedpecker (polish stoner grunge), Sunnata (polish psych sludge), Limestone Whale (german 70s retro stoner), Dysis (german instrumental stoner postmetal), Turbine Stollprona (psych prog) and Bird People (austrian ritual ambient).

As last year, those are only the highlights, accompanied by more then 20 czech acts, ranging very widely from stoner, noise rock, doom, slowcore, through psychedelia, minimal, americana, all the way to ambient, electronice, acoustic and experimental. This offers a quite vivid mosaic offering a very fresh experience. Quite mentionable are Tomáš Palucha or NodNod, among all of them.

For foreigners, a hard argument is the very cheap alcohol (best beer in the world for 1€), easy access to weed (best shit for 7€) and so on. We are hoping for a thicker international audience this year and so any post would help us a thousand times! We try to be a part of the psychedelic renaissance, and we want to be as open as possible.

We just launched presale of special festival packages with some lab-glass home made bongs and such, check it out, and think about sharing it along, as we really need to raise necessary basic funds to run this whole show!

https://www.facebook.com/events/1503940179833269/
https://www.facebook.com/thepsyofthehigh
http://www.psy-high.cz/#tickets

Psy-High 2013 Festival Report

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Psy-High Fest Coming to Czech Republic this Weekend

Posted in Whathaveyou on September 2nd, 2013 by JJ Koczan

When your festival location requires GPS coordinates, you’re off to a good start. This weekend, the Czech Republic will play host to the Psy-High fest, an independently-produced psychedelia and heavy rock outdoor gathering with a few imported acts — headliners Dopelord are from Poland and Mamont and Mud Walk are on tour from Sweden — and a slew of native bands. Where does one hold such a heavy rock fest? In a quarry, of course.

If you happen to be in that part of the world, the info for the fest follows. If you’re elsewhere, then at least it’s a couple bands to check out and a reminder that awesome things are happening everywhere:

 

PSY-HIGH

Stoner and psychedelic rock, stoner doom, and the closest vicinity of the rock, blues, doom, sludge (,…) music inspired by altered states of mind and the culture around them.

Psy High is a DIY festival, which aims to unite, support, provoke and grow a more consistent stoner/psych rock/doom culture in Czech Republic, because it is almost non-existent, while it thrives and blossoms in all countries arround us. Bit by bit, year after year, we want to help to develop a scene that country called ‘Bohemia’ deserves.

We have booked 2 great bands from Sweden: Mamont, and Mud Walk, and Dopelord from Poland + we will host many Czech bands, to cite few of our favourites, there will be Argonaut, Zkouška Sirén, Tomáš Palucha, Bumfrang3, Keysmoon, Five Seconds to Leave, and other small, starting projects and bigger bands alike. Check the poster on Facebook to see the whole lineup!

The whole shebang will take palce in a beautiful little old quarry called Jarov, near to the city of Beroun (30minutes by car from Prague). The mine is in walking distance from the Beroun train station(20min). Parking is possible in the nearby village. There is another quarry, which is flooded and offers epic swimming in walking distance (20mins) It is insanely beautiful.

GPS location of the fest: 49°56’33.158?N, 14°4’8.050?E

Photos of festival location are to be found on the FB event, along with the set list, the poster, the bands and a chance to express your opinion and ask questions! Should not be problem to ask on FB event for accommodation in Prague as well!

The entrance fee is 400czk/15€ or in presale for 12,50€ , and you can look forward for good and fair Czech beer prices (arround 1€). Come and be part of this (hopefully) historical event!
List of Bands

Mamont
Mud Walk
Dopelord
Five Seconds to Leave
Argonaut
Zkouška Sirén
Depakine Chrono
Bumfrang3
Tomáš Palucha
Stoned Ape
Meccaverius Society
The Tower
Keysmoon
Pantauism
Shiva Khurva

Links
FB: https://www.facebook.com/events/539496556109740/
Nyx: http://www.nyx.cz/index.php?l=events%3Bl2%3D2%3Bid%3D22162
G+: https://plus.google.com/u/0/events/csf7kdtaohm7aq789tq2mivma8k
Last.fm: https://www.last.fm/festival/3655926+Psy+-+High

Psy-High Festival Trailer

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