Quarterly Review: Electric Octopus, Crypt Trip, Love Gang & Smokey Mirror, Heavy Feather, Faith in Jane, The Mound Builders, Terras Paralelas, The Black Heart Death Cult, Roadog & Orbiter, Hhoogg

Posted in Reviews on March 21st, 2019 by JJ Koczan

quarterly-review-spring-2019

Day four of the six-dayer. Head’s a little reeling, but I’m not sure any more so than, say, last week at this time. I’d be more specific about that, but oddly enough, I don’t hook my brain up to medical scanners while doing reviews. Seems like an oversight on my part, now that I think about it. Ten years later and still learning something new! How about that internet, huh?

Since I don’t think I’ve said it in a couple days, I’ll remind you that the hope here is you find something you dig. There’s a lot of cool stuff in this batch, so that should at least make skimming through it fun if you go that route. Either way, thanks for reading if you do.

Quarterly Review #31-40:

Electric Octopus, Smile

Electric Octopus Smile

It’s been about two months since Electric Octopus posted Smile, so they’re about due for their next release. So, quick! Before this 82-minute collection of insta-chill jams is out of date, there’s still time to consider it their latest offering. Working as the four-piece of Tyrell Black and Dale Hughes — both of whom share bass and guitar duties — drummer Guy Hetherington and synthesist Stevie Lennox, the Belfast improv jammers rightfully commence with the 25-minute longest track (immediate points) “Abberation” (sic), which evolves and devolves along its course and winds up turning from a percussive jam to a guitar-led build up that still stays gloriously mellow even as it works its way out. You can almost hear the band moving from instrument to instrument, and that’s the point. The much shorter “Spiral,” “Dinner at Sea, for One” and closer “Mouseangelo” bring in a welcome bit of funk, “Moth Dust” explores minimalist reaches of guitar and ambient drumming, and “Hyperloop” digs into fuzz-soaked swirl before cleaning up its act in the last couple minutes. These cats j-a-m. May they do so into perpetuity.

Electric Octopus on Thee Facebooks

Electric Octopus on Bandcamp

 

Crypt Trip, Haze County

crypt trip haze county

Onto the best-albums-of-2019 list go San Marcos, Texas, trio Crypt Trip, who, sonically speaking, are way more Beto O’Rourke than Ted Cruz. The three-piece have way-way-upped the production value and general breadth from their 2018 Heavy Psych Sounds debut, Rootstock, and the clarity of purpose more than suits them as they touch on ’70s country jams and hard boogie and find a new melodic vocal confidence that speaks to guitarist Ryan Lee as a burgeoning frontman as well as the shredder panning channels in “To Be Whole.” Fortunately, he’s backed by bassist Sam Bryant and drummer Cameron Martin in the endeavor, and as ever, it’s the rhythm section that gives the “power trio” its power. Centerpiece “Free Rain” is a highlight, but so is the pedal steel of intro “Forward” and the later “Pastures” that precedes six-minute closer “Gotta Get Away,” which makes its transport by means of a hypnotic drum solo from Martin. Mark it a win and go to the show. That’s all you can do. Haze County is a blueprint for America’s answer to Europe’s classic heavy rock movement.

Crypt Trip on Thee Facebooks

Heavy Psych Sounds website

 

Love Gang & Smokey Mirror, Split Double EP

smokey mirror love gang split double ep

A bit of Tull as Love Gang‘s flute-inclusive opener “Can’t Seem to Win” skirts the line of the proggier end of ’70s worship. The Denver outfit and Dallas’ Smokey Mirror both present three tracks on Glory or Death RecordsSplit Double EP, and Love Gang back the leadoff with “Break Free” and “Lonely Man,” reveling in wall-o’-fuzz chicanery and organ-laced push between them, making their already unpredictable style less predictable, while Smokey Mirror kick off side B in particularly righteous fashion via the nine-minute “Sword and Scepter,” which steps forth to take ultra-Sabbathian ownership of the release even as the filthy tone of “Sucio y Desprolijo” and the loose-swinging Amplified Heat-style megashuffle of “A Thousand Days in the Desert” follow. Two bands in the process of finding their sound coming together to serve notice of ass-kickery present and future. If you can complain about that, you’re wrong.

Love Gang on Thee Facebooks

Smokey Mirror on Thee Facebooks

Glory or Death Records BigCartel store

 

Heavy Feather, Débris & Rubble

Heavy Feather Debris & Rubble

Very much a solid first album, Heavy Feather‘s 11-song Débris & Rubble lands at a run via The Sign Records and finds the Stockholm-based classic heavy blues rockers comporting with modern Euro retroism in grand fashion. At 41 minutes, it’s a little long for a classic-style LP if one measures by the eight-track/38-minute standard, but the four-piece fill that time with a varied take that basks in sing-along-ready hooks like those of post-intro opener “Where Did We Go,” the Rolling Stones-style strutter “Waited All My Life,” and the later “I Spend My Money Wrong,” which features not the first interplay of harmonica and lead guitar amid its insistent groove. Elsewhere, more mellow cuts like “Dreams,” or the slide-infused “Tell Me Your Tale” and the closing duo of the Zeppelinian “Please Don’t Leave” and the melancholy finisher “Whispering Things” assure Débris & Rubble never stays in one place too long, though one could say the same of the softshoe-ready boogie in “Hey There Mama” as well. On the one hand, they’re figuring it out. On the other, they’re figuring it out.

Heavy Feather on Thee Facebooks

The Sign Records on Bandcamp

 

Faith in Jane, Countryside

Faith in Jane Countryside

Five full-lengths deep into a tenure spanning a decade thus far, Faith in Jane have officially entered the running to be one of the best kept secrets of Maryland heavy. Their late-2018 live-recorded studio offering, Countryside, clocks in at just under an hour of organic tonality and performance, bringing a sharp presentation to the chemistry that’s taken hold among the three-piece of guitarist/vocalist Dan Mize, bassist Brendan Winston and drummer Alex Llewellyn, with Mize taking extended solos on the Wino model throughout early cuts “All is All” and “Mountain Lore” while the trio adds Appalachian grunge push to the Chesapeake’s flowing groove while building “Blues for Owsley” from acoustic strum to scorching cacophonous wash and rolling out the 9:48 “Hippy Nihilism” like the masters of the form they’re becoming. It’s not a minor undertaking in terms of runtime, but for those in on what these cats have been up to all the while, hard to imagine Countryside is seen as anything other than hospitable.

Faith in Jane on Thee Facebooks

Faith in Jane on Bandcamp

 

The Mound Builders, The Mound Builders

The Mound Builders The Mound Builders

Lafayette, Indiana’s The Mound Builders last year offered a redux of their 2014 album, Wabash War Machine (review here), but that was their last proper full-length. Their self-titled arrives as eight bruiser slabs of weighted sludge/groove metal, launching with its longest track (immediate points) in the 7:30 “Torchbearer,” before shifting into the outright screams-forward pummel of “Hair of the Dogma” and the likewise dry-throated “Separated from Youth.” By the time they get to the hardcore-punk-via-sludge of “Acid Slugs,” it’s not a little heavy. It’s a lot heavy. And it stays that way through the thrashing “Star City Massacre” and “Regolith,” hitting the brakes on “Broken Pillars” only to slam headfirst into closer “Vanished Frontier.” Five years later and they’re still way pissed off. So be it. The four-formerly-five-piece were never really all that gone, but they still seem to have packed an extended absence’s worth of aggro into their self-titled LP.

The Mound Builders on Thee Facebooks

Failure Records and Tapes

 

Terras Paralelas, Entre Dois Mundos

TERRAS PARALELAS ENTRE DOIS MUNDOS

It’s a fluid balance between heavy rock and progressive metal Terras Paralelas make in the six inclusions on their debut full-length, Entre Dois Mundos. The Brazilian instrumentalist trio keep a foundation of metallic kickdrumming beneath “Do Abismo ao Triunfo,” and even the chugging in “Espirais e Labirintos” calls to mind some background in harder-hitting fare, but it’s set against a will toward semi-psychedelic exploration, making the giving the album a sense of refusing to play exclusively to one impulse. This proves a strength in the lengthier pieces that follow “Infinito Cósmico” and “Do Abismo ao Triunfo” at the outset, and as Terras Paralelas move from the mellower “Bom Presságio” and “Espirais e Labirintos” into the more spaciously post-rocking “Nossa Jornada Interior” and the nine-minute-plus prog-out title-track that closes by summarizing as much as pushing further outward, one is left wondering why such distinctions might matter in the first place. Kudos to the band for making them not.

Terras Paralelas on Thee Facebooks

Terras Paralelas on Bandcamp

 

The Black Heart Death Cult, The Black Heart Death Cult

the black heart death cult the black heart death cult

Though one wouldn’t accuse The Black Heart Death Cult of being the first cumbersomely-named psych-rocking band in the current wave originating in Melbourne, Australia, their self-titled debut is nonetheless a gorgeous shimmer of classic psychedelia, given tonal presence through guitar and bass, but conjuring an ethereal sensibility through the keys and far-back vocals like “She’s a Believer,” tapping alt-reality 1967 vibes there while fostering what I hear is called neo-psych but is really just kinda psych throughout the nodding meander of “Black Rainbow,” giving even the more weighted fuzz of “Aloha From Hell” and the distortion flood of “Davidian Dream Beam” a happier context. They cap with the marshmallowtron hallucinations of “We Love You” and thereby depart even the ground stepped on earlier in the sitar-laced “The Magic Lamp,” finding and losing and losing themselves in the drifting ether probably not to return until, you know, the next record. When it shows up, it will be greeted as a liberator.

The Black Heart Death Cult on Thee Facebooks

Oak Island Records webstore

 

Orbiter & Roadog, Split

orbiter roadog split

I’m pretty sure the Sami who plays drums in Orbiter is the same dude playing bass in Roadog, but I could easily be wrong about that. Either way, the two Finnish cohort units make a fitting complement to each other on their two-songer 7″ single, which presents Orbiter‘s six-minute “Anthropocene” with the hard-driving title-track of Roadog‘s 2018 full-length, Reinventing the Wheels. The two tracks have a certain amount in common, mostly in the use of fuzz and some underlying desert influence, but it’s what they do with that that makes all the difference between them. Orbiter‘s track is spacier and echoing, where “Reinventing the Wheels” lands more straightforward in its three minutes, its motoring riff filled out by some effects but essentially manifest in dead-ahead push and lyrics about a motorcycle. They don’t reinvent the wheel, as it happens, and neither do Orbiter, but neither seems to want to do so either, and both bands are very clearly having a blast, so I’m not inclined to argue. Good fun and not a second of pretense on either side.


Orbiter on Thee Facebooks

Roadog on Thee Facebooks

 

Hhoogg, Earthling, Go Home!

hhoogg Earthling Go Home

Space is the place where you’ll find Boston improvisationalists Hhoogg, who extend their fun penchant for adding double letters to the leadoff “Ccoossmmooss” of their exclamatory second self-released full-length, Earthling, Go Home!, which brings forth seven tracks in a vinyl-ready 37 minutes and uses that opener also as its longest track (immediate points) to set a molten tone to the proceedings while subsequent vibes in “Rustic Alien Living” and the later, bass-heavy “Recalled to the Pyramids” range from the Hendrixian to the funkadelicness he helped inspire. With a centerpiece in “Star Wizard, Headless and Awake,” a relatively straightforward three-minute noodler, the four-piece choose to cap with “Infinitely Gone,” which feels as much like a statement of purpose and an aesthetic designation as a descriptor for what’s contained within. In truth, it’s a little under six minutes gone, but jams like these tend to beg for repeat listens anyway. There’s some growing to do, but the melding of their essential chemistry is in progress, and that’s what matters most. The rest is exploration, and they sound well up for it.

Hhoogg on Thee Facebooks

Hhoogg on Bandcamp

 

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Heavy Psych Sounds Fest USA Tour Announced with Red Fang, Yawning Man, Mothership, Fatso Jetson, Wo Fat, Duel and More

Posted in Whathaveyou on February 26th, 2019 by JJ Koczan

heavy psych sounds logo

I should’ve seen this one coming when Heavy Psych Sounds announced multiple venues for its Heavy Psych Sounds Fest this month in Europe — was it this weekend? — playing in three different cities with a changing lineup. Should’ve guessed this was going to be the direction it took. Even if I did though, I don’t think I’d have called a lineup badass enough to bring together Duel, Fatso JetsonNebulaGreenbeardHeavy TempleMothership and The Freeks. Among others. Heavy Psych Sounds has become a powerhouse in Europe, promoting bands through the label, booking tours, hosting its fest, whatever it might be. A US package tour under the banner of Heavy Psych Sounds Fest isn’t a small step, but it’s a natural one for an imprint that’s doing such crucial work.

I hope it all goes off without a hitch and they do it on the regular.

From the PR wire:

heavy psych sounds fest usa tour

Red Fang, Yawning Man, Mothership and more team up for inaugural HEAVY PSYCH SOUNDS FEST tour in the United States!

Influential heavy rock label HEAVY PSYCH SOUNDS expands its sphere into North America, with live shows in Los Angeles, San Francisco, Dallas and Austin.

Respected underground rock record label Heavy Psych Sounds is proud to announce the inaugural U.S. iteration of its ‘Heavy Psych Sounds Fest’ series. Set to kick off this May in Los Angeles (May 3), San Francisco (May 4-5), Dallas (May 10) and Austin, TX (May 11), the label tour will feature four separate mini-festivals in the four cities, each spotlighting an exclusive selection of Heavy Psych Sounds’ blue-chip roster, including live sets from trailblazing acts Fatso Jetson, Nebula and Yawning Man, as well as special guests Red Fang and more.

Headquartered in Rome, Italy, Heavy Psych Sounds specializes in presenting the best artists in the global heavy psych, doom, fuzz blues and space rock realms, and the Heavy Psych Sounds Fest series will be no exception, spotlighting the ever-growing label’s dedication to its craft. While the first HPS fests were held in Italy, the label has since extended its live reach into the UK, Belgium and the Netherlands with festivals in those territories. Now, Heavy Psych Sounds is set to bring the ROCK to the U.S. with the just-announced special shows. Each stop of the traveling festival tour will feature diverse lineups including both genre leaders and fast-rising acts, all ready to prove their place among the world’s best.

“Being able to finally launch the U.S. version of Heavy Psych Sounds Fest is a dream true,”says label owner Gabriele Fiori. “We’ve been working for a long time to properly break into the U.S. market and this is a clear sign that the hard work is paying off. We have so many great U.S. based bands on our roster that we needed this to happen for all of us. This tour run is a celebration of our growing U.S. presence, which we hope will keep continue to grow. We’re also very happy to have Red Fang as guests, headlining in two of the cities. We hope music fans will come out, support and enjoy these very special shows!”

HEAVY PSYCH SOUNDS FEST U.S. tour dates:

May 3 – Los Angeles, CA at The House of Machines
Red Fang (special guest) + Nebula + Yawning Man + Duel + Fatso Jetson + House Of Broken Promises

May 4 – San Francisco, CA @ Bottom of the Hill
Red Fang (special guest) + Yawning Man + Duel + The Freeks + Glitter Wizard

May 5 – San Francisco, CA @ Bottom of the Hill
Nebula + Hot Lunch + Fatso Jetson + Banquet + Turn Me On Dead Man

May 10 – Dallas, TX at Lola’s
Mothership + Duel + Ecstatic Vision + Crypt Trip + Wo Fat + Heavy Temple

May 11 – Austin, TX at The Lost Well
Duel + Ecstatic Vision + Mothership + Crypt Trip + Greenbeard + Wo Fat + Heavy Temple

Tickets for the Heavy Psych Sounds Fest shows in Los Angeles, Dallas and Austin are on sale now.
Tickets for the San Francisco HPS event will go on sale February 28.

https://www.facebook.com/HEAVYPSYCHSOUNDS
http://www.heavypsychsounds.com
https://heavypsychsoundsrecords.bandcamp.com

Nebula, “Giant” live at SonicBlast Moledo 2018

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The Obelisk Show on Gimme Radio Recap: Episode 09

Posted in Radio on February 4th, 2019 by JJ Koczan

gimme radio logo

Good show. I had fun, anyway. I cut the voice breaks for this one while The Patient Mrs. and her mom took The Pecan out to the grocery store, but the breaks nonetheless worked out to be maybe a minute longer than usual and that gave me a little rant time. Right before I played Goatsnake, which was the “new classic” choice cut for this episode, I went off about doing my dishes as rock and roll. As usual with words coming out of my mouth, the idea was kind of half-represented, but what I was talking about was the notion that your love of music should be a part of your life, not something separate from the rest of it. If you love music, it shouldn’t be something you segregate from the rest of who you are — something you sneak off to a dive bar to partake of — it should be a part of your everyday. I cut radio voice breaks while running the dishwasher. It’s a part of who I am.

How fortunate I have this post to explain the half-formed notions I don’t have the wherewithal to properly express vocally. Huzzah.

Anyway, if you got to listen, I tried to set this one up with a good flow from front to back plus a couple stark contrasts in the second hour. The break is between Graven and SubRosa, contrary to what the playlist says, but I liked that transition anyhow, and I think you can see early on that the focus is on some boogie with a sense of atmosphere. I talk up the Green Lung record again, because, well, it’s worth talking up, and dig into a few other things that I think are killer, including that Mount Saturn EP, which is likewise right on. And then I dip back from new music to play SubRosa’s “The Mirror” from their SubDued: Live at Roadburn 2017 release, because it’s a song I sing to The Pecan when I put him down for naps and have just about every day since he was born some 15 months ago. Fun stuff.

If you missed the show, it airs again tomorrow at 9AM Eastern at http://gimmeradio.com

And if you dig this and want to hear more of The Obelisk Show, Gimme of course has their archive set up that you can sign on for at a reasonable price and dig into a bunch of various kinds of metallurgy.

Okay, here’s the playlist. Thanks to reading and/or listening:

The Obelisk Show Ep. 09 – 02.03.19

Straytones Dark Lord Beware, Dark Lord! Here Comes Bell-Man* 0:04:07
Green Lung Let the Devil In Woodland Rites* 0:05:02
BREAK
Geezer Spiral Fires Pt. 1 Spiral Fires* 0:05:50
Seedium Mist Haulers Seedium* 0:09:15
Crypt Trip Wordshot Haze County* 0:04:22
Cloud Catcher Beneath the Steel The Whip EP* 0:04:45
Heavy Feather Waited All My Life Debris & Rubble* 0:03:10
Mount Saturn Dwell Kiss the Ring* 0:07:08
BREAK
Goatsnake Mower I + Dog Days 0:06:05
The Black Heart Death Cult Davidian Beam Dream The Black Heart Death Cult 0:05:50
Crystal Spiders Tigerlily Demo* 0:05:37
Swallow the Sun When a Shadow is Forced into the Light When a Shadow is Forced into the Light* 0:07:26
Graven Backwards to Oblivion Heirs of Discord* 0:06:15
SubRosa The Mirror SubDued: Live at Roadburn 0:04:43
BREAK
Electric Octopus Mouseangelo Smile* 0:12:58
Tia Carrera Early Purple Visitors/Early Purple* 0:16:28

The Obelisk Show on Gimme Radio airs every other Sunday night at 7PM Eastern, with replays the following Tuesday at 9AM. Next show is Feb. 17. Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

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Monolith on the Mesa Lineup Confirmed; Om, Dead Meadow, Wovenhand, The Obsessed, Cloud Catcher & More to Play

Posted in Whathaveyou on January 25th, 2019 by JJ Koczan

monolith on the mesa banner

So, uh, you wanna go get weird in the desert for a weekend? Sure, we all do. And if you’re up for making it the trip of a lifetime, Monolith on the Mesa has a bunch of decked-out vintage trailers available for you to hide from the New Mexico sun while you wait for the show to start. From the pre-party to The Obsessed headlining the second day, the inaugural edition of Monolith on the Mesa looks like the stuff of pilgrimage dreams. Om and Dead Meadow? Wovenhand? Tia Carrera jamming in a brewery? Duel? It’s an obviously curated lineup very purposefully put together with the setting in mind, and whether it’s the indoor or outdoor stage, it’s easy to see where it has the potential to be an incredible time. I’ve gone on at some length about the growth of US festival culture over the course of this decade. Look no further if you need an example of the fruit that would seem to be bearing.

If you make it down, congratulations on your life. You pretty much win.

Lineup and ticket links as per the social medias:

monolith on the mesa poster

Monolith on the Mesa: A High Desert Rock & Art Experience

Join Us On May 16th, 17th, & 18th In Taos New Mexico At Taos Mesa Brewing Mothership For Monolith on the Mesa A High Desert Rock Experience Like Non Other! A Music Festival with Art Visuals & Installations from Local NM Artists. And Of Course Some Of The Worlds Finest Dark, Psych, Stoner, Doom & Heavy Rock from All Over the Globe and SW Region! Browse Our Website monolithonthemesa.com For VIP And check out our Vintage Trailer Packages!!

http://www.monolithonthemesa.com/vintage-trailer-experience/

Hold My Ticket Link:
Pre party Show* https://holdmyticket.com/event/329481
2 Day Pass Ticket * https://holdmyticket.com/event/329524
Day 1 Pass Ticket * https://holdmyticket.com/event/329477
Day 2 Pass Ticket * https://holdmyticket.com/event/329482

MotherShip Outside Stage: Featuring Visuals By Mad Alchemist Liquid Light Show * Day 1: OM * Dead Meadow * Wovenhand * True Widow * EYE * Green Druid * Spirit Mother** Day 2: The Obsessed * Pinkish Black * Castle * The Well * Crypt Trip * WEEED * Cloud Catcher * The Munsens

Taos Mesa Worshipper Inside Stage: Day 1: * Tia Carrera * Wino (Acoustic) * Lord Buffalo * Pharlee * SuperGiant * YOU * Via Vengence * Deep Cross** Day 2 Duel * Stone Deaf * In The Company Of Serpents * Pale Horse\Pale Rider * Communion * Oryx * Sorex * Dysphotic * Devil’s Throne

https://www.facebook.com/events/260645364631316/
https://www.facebook.com/monolithonthemesa
https://www.instagram.com/monolithonthemesa/
http://www.monolithonthemesa.com/

Dead Meadow, “Good Moanin'” live at Endless Daze Fest 2018

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Crypt Trip Announce European Tour for March/April

Posted in Whathaveyou on January 11th, 2019 by JJ Koczan

crypt trip

As regards Texan heavy rock, Crypt Trip are way more Beto O’Rourke than Ted Cruz, and by that I meant they don’t suck. Set to play Roadburn on April 11 after releasing their second album for Heavy Psych Sounds, Haze County, on March 8, they’ll begin a European tour on March 21 that will mark their first continental incursion. The trio continue to reap well-deserved praise for their 2018 label-debut, Rootstock — another one of those records I lost track of reviewing in that robbery last year, to my retroactive chagrin — but they’re already moving forward, and the track “Wordshot” can be streamed now in advance of the record’s arrival.

It doesn’t take long to get where they’re coming from in terms of vibe, with the pedal steel and swirling wah acting in concert to produce a classic Southern heavy that’s as much about drive as twang. There’s much to dig, and little doubt that Europe will dig it plenty when it comes to the shows. Don’t be surprised if at the end of 2019 way more people have heard of Crypt Trip than at the beginning of the year.

From the PR wire:

crypt trip

Hard rock trio CRYPT TRIP to tour Europe this spring ; new album out March 8 on Heavy Psych Sounds

Texas-based heavy rock trio CRYPT TRIP return to Europe this spring with a 24-show leg, in support of their new album “Haze County” released March 8th on Heavy Psych Sounds Records.

CRYPT TRIP EUROPEAN TOUR 2019
21.03.2019 IT Pescara-Scumm
22.03.2019 IT Parma-Splinter
23.03.2019 IT Alessandria-Cascina Bellaria
24.03.2019 IT Verona-The Stoner Mafia
25.03.2019 IT Zerobranco-Altroquando
26.03.2019 AT Salzburg-Rockhouse
27.03.2019 SL Ljubljana-Channel Zero
28.03.2019 IT Udine-Backyardie
29.03.2019 AT Bludenz-Villa K
30.03.2019 CH Olten-Coq D’or
31.03.2019 DE Mannheim-7er
01.04.2019 DE Marburg-Cafè Trauma
02.04.2019 DE Leipzig-Black Label
03.04.2019 DE Oldenburg-MTS Record Shop
04.04.2019 DE Berlin-Zukunft
05.04.2019 DE Erfurt-Tiko
06.04.2019 DE Dresden-Eichenkranz
07.04.2019 AT Wien-Venster 99
08.04.2019 DE Tubingen Goldene Zeiten
09.04.2019 DE Augsburg-City Club
10.04.2019 DE Bielefeld-Potemkin
11.04.2019 NL Tilburg-Roadburn
12.04.2019 CH Muotathal-Earls Music Club
13.04.2019 IT Pisa-Albatross

CRYPT TRIP is a hard rock trio originally formed in Dallas in 2013. The first incarnation of the band had a heavy psychedelic sound that was reminiscent of a dark 70s underground. It wasn’t long before guitarist/singer Ryan Lee and bassist Sam Bryant relocated to Central Texas, where they met drummer Cameron Martin and began to solidify their sound. Taking their cue from aged rock records, jazz methodology and their cultural roots in the American South, their music presents you with a genuinely personal experience.

Following their debut album “Rootstock”, CRYPT TRIP once again deliver their typical country-tinged southern rock for your ears, mind, and soul. New album “Haze County” explores the intricacy of space and time through nine songs that can easily be defined as the band’s most focused and organic work to date. Blending elements of hard rock, psychedelia and folk music, each track has something different to say. Loud Fender amps and a pounding rhythm section deliver enticing grooves on some tracks, while dreamy guitars take you away on others. Staying true to their Texas tradition, the album features special guest Geoff Queen on pedal steel, adding an entirely different color to the tonal palette.

“Haze County” was recorded and mixed by James Campbell at Cibolo Studios in San Antonio, Texas. It was mastered by Jerry Tubb at Terra Nova Digital Audio in Austin, Texas. High quality analog equipment was used at every stage of production for the best possible “vintage” sound.

CRYPT TRIP is
Ryan Lee – Vocals, Guitar
Sam Bryant – Bass
Cameron Martin – Drums

https://www.facebook.com/CryptTrip/
https://crypttrip.bandcamp.com/
https://www.instagram.com/heavypsychsounds_records/
https://heavypsychsoundsrecords.bandcamp.com
www.heavypsychsounds.com

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The Decemburger III: ‘The Greasy Gala’ Set for Dec. 15 in Denver; Uada, Crypt Trip, Bummer & More to Play

Posted in Whathaveyou on November 26th, 2018 by JJ Koczan

the decemburger iii banner

I don’t care who you are or where you lie on the political or social spectrum — if you claim you don’t think there’s something interesting about competitive eating, you’re a liar. I’m not saying you have to fantasize about winning the Nathan’s Hot Dog eating contest on Coney Island, or that you dream of hoisting a trophy over your distended belly full of a 96 oz. steak surrounded by jealous cowboys at some restaurant in the Midwest where you just earned a free dinner for your entire family like the provider you are, but even if you’re a European looking across the ocean and wondering (once again) how on earth Americans can be so ridiculous and so excessive in our disdain for personal health, you have an opinion. You may find it gross, but you can’t look away.

For the last couple years I’ve posted about The Decemburger in Denver, both because I think the lineups have been cool and because DUST Presents, which puts it on, does good work generally, but there’s also a side of me that a little bit dreams of pounding sliders until the trophy below is secured, then taking that home and displaying it on my mantle — note: I do not have a mantle — for the rest of my days, relishing my moment of glory as it once was. I’m not especially proud of that, but it’s true.

That won’t happen, and I know that, but still. It’s a sick, kind of all over the place lineup this year, and even if you don’t enter the contest to get that trophy, well worth showing up to bear witness to whoever does.

Here’s the info:

The Decemburger III: The Greasy Gala

Dust Presents
The Decemburger III: The Greasy Gala
The World’s Only Heavy Metal / Competitive Eating Throwdown

When: Decemburger 15th, 2018
Where: Hi Dive – Denver, CO

Lineup: Uada, Axeslasher, Crypt Trip, Glacial Tomb, Bummer, The Ditch and the Delta, and The Decemburger Slider-Eating Contest

Tickets: www.thedecemburgeriii.eventbrite.com
Eating Contest Rules:
First to finish their plate of 10 sliders wins
Water and cups are provided
Vomiting = disqualification
Interfering with another contestant = disqualification

1st Place Prizes:
$100 cash
Decemburger III Trophy
Decemburger III poster
Dust Presents merch package
Ritual of Sin Magazine package
All the Greasy Glory
and more…

2nd Place Prize:
Decemburger III poster
Dust Presents merch package
Ritual of Sin Magazine package

Sponsored by Terrapin Care Station, Atlas Cabinets, and Ritual of Sin Magazine

Poster art by Sam Pierson

https://www.facebook.com/events/953611728155396/
https://www.facebook.com/dustpresents/
www.thedecemburgeriii.eventbrite.com

Uada, Cult of a Dying Sun (2018)

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Crypt Trip Announce Haze County out March 8; Stream New Song

Posted in Whathaveyou on November 23rd, 2018 by JJ Koczan

crypt trip (Photo by Madison Somerville)

Heavy Psych Sounds isn’t wasting any time getting preorders out there for those who want to reserve their copy early of Crypt Trip‘s Haze County, and that’s probably a good idea. Seems like the buzz around the album will be considerable, what with the quick turnaround the San Marcos, Texas, three-piece are making from their Rootstock LP, the time they put in on the road earlier this year alongside Cloud Catcher, the traditionalist spirit of their vibe generally, and what’s presumed to be an impending European tour — they’ve already been announced for Roadburn, and I’d think a stretch of touring is set to either follow or lead up to that performance; did I see something to that effect? am I making it up? — all that buzz feels well-enough justified. The first song from the album has been unveiled, and yeah, ain’t gonna argue against it.

March 8 is the release date, and I’d expect more to come, but as noted, the preorders are up now.

Here’s art and info from the PR wire:

crypt trip haze county

Heavy Psych Sounds Records & Booking is really stoked to start the presale of the album *** CRYPT TRIP – Haze County ***

CRYPT TRIP return with their sophomore album “Haze County” this March 8th on Heavy Psych Sounds Records.

CRYPT TRIP returns! Following their debut album “Rootstock”, the Texas trio once again deliver their typical country-tinged southern rock for your ears, mind, and soul. New album “Haze County” explores the intricacy of space and time through nine songs that can easily be defined as the band’s most focused and organic work to date.

CRYPT TRIP tell us more about this new taster: “As a first look into Haze County, we present to you “Wordshot”. There is deep history in Texas prog and psychedelic music that Crypt Trip is trying to carry on and this song is a shining example of that. Featuring Geoff Queen on pedal steel, we hope that you find it easy to drift away in the varying tones and emotions this track has to offer.”

Blending elements of hard rock, psychedelia and folk music, each track has something different to say. Loud Fender amps and a pounding rhythm section deliver enticing grooves on some tracks, while dreamy guitars take you away on others. Staying true to their Texas tradition, the album features special guest Geoff Queen on pedal steel, adding an entirely different color to the tonal palette.

“Haze County” was recorded and mixed by James Campbell at Cibolo Studios in San Antonio, Texas. It was mastered by Jerry Tubb at Terra Nova Digital Audio in Austin, Texas. High quality analog equipment was used at every stage of production for the best possible “vintage” sound.

“Haze County” will be issued on the following formats:
– 25 Test Press
– 250 LTD orange Fluo vinyl
– 500 Yellow Splatter vinyl
– Black vinyl
– CD and digital

CRYPT TRIP “Haze County”
Out March 8th on Heavy Psych Sounds Records
Preorder available now at this location

TRACKLIST
1. Forward
2. Hard Times
3. To Be Whole
4. Death After Life
5. Free Rain
6. Wordshot
7. 16 Ounce Blues
8. Pastures
9. Gotta Get Away

CRYPT TRIP is
Ryan Lee – Vocals, Guitar
Sam Bryant – Bass
Cameron Martin – Drums

https://www.facebook.com/CryptTrip/
https://crypttrip.bandcamp.com/
https://www.instagram.com/heavypsychsounds_records/
https://heavypsychsoundsrecords.bandcamp.com
www.heavypsychsounds.com

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Roadburn 2019 Adds Three Fests’ Worth of Bands to Lineup

Posted in Whathaveyou on October 26th, 2018 by JJ Koczan

roadburn 2019 banner

Yeah, I put it at about three festival’s worth of bands added to Roadburn in this announcement. Maybe four. Consider Tomas Lindberg‘s curated event its own fest. Then you have the Holy Roar Records showcase with five bands playing. Then you have the announcements besides, and that’s enough for at least one fest on their own, if not two, so yes, at least three festivals happening here as Roadburn 2019 continues its let’s-be-all-things-to-all-people-and-actually-get-away-with-it push into new aesthetic territory, working to redefine and proliferate ideas of what “heavy” can and needs to encompass. If you don’t see this as an art project, you’re looking at it wrong.

I haven’t heard whether or not we’ll be doing the Weirdo Canyon Dispatch daily ‘zine as part of Roadburn 2019 next April, but of course I’m hopeful it happens. Hard to imagine a year without a Roadburn at this point. I’d prefer not to, actually.

Here’s the latest announcement in its yes-this-is-all-happening-at-one-fest totality:

roadburn 2019 mono

MONO, MYRKUR: FOLKESANGE, MARISSA NADLER, AND MORE ADDED TO ROADBURN 2019

– MONO to perform Hymn to the Immortal Wind as part of Tomas Lindberg’s curation
– Myrkur: Folkesange set to captivate the main stage
– Marissa Nadler will make her Roadburn debut
– Holy Roar x Roadburn showcase to take over Hall of Fame
– Day tickets on sale December 13

Of the new additions to the Roadburn line up, Artistic Director, Walter Hoeijmakers comments:

“We’re incredibly excited to announce this latest group of bands to the Roadburn line up. As well as representing well established artists, we have also included a huge array of boundary-pushing performances which will continue to expand the scope of the festival. These are artists that we believe will shape the future of heavy music.”

MONO & MORE FOR TOMAS LINDBERG’S CURATED EVENT

Tomas Lindberg has added a clutch of new bands to his curated event, The Burning Darkness, topped off by MONO who will be performing a special anniversary show.

The Japanese post-rock four piece will celebrate their 20th anniversary as a band, and the 10th anniversary of of their iconic album Hymn to the Immortal Wind with a full album set at Roadburn 2019. They will be joined on stage by the JO QUAIL QUARTET, adding another layer of lush instrumentation to their intricate tracks. Lindberg comments: “It is with great pride I present them as a part of my curation this year.”

In addition, Lindberg has chosen three further bands for his curated event. AGRIMONIA – who Lindberg loosely describes as “a more progressive Amebix” – plus Swedish dynamic prog outfit GÖSTA BERLINGS SAGA have also been confirmed. Rounding out the new additions is ORCHESTRA OF CONSTANT DISTRESS – a hybrid of Brainbombs and Skull Defekts.

MYRKUR: FOLKESANGE

MYRKUR: FOLKESANGE will bring some folk magic to the main stage as she is accompanied by musicians including Heilung’s Christopher Juul, and celebrated cellist Jo Quail. Folkesange brings together both traditional Nordic folk songs, as well as her own original compositions in a mesmerising swirl of ethereal darkness.

MYRKUR will be performing with her metal band at the 013 on December 16, with support from Jo Quail.

MARISSA NADLER

Darkness comes in many forms, and one of the most beautiful we’ve witnessed this year is on the tracks of MARISSA NADLER’s latest album, For My Crimes. We’re thrilled that she will bring these songs – and more – to life, on the Roadburn stage this coming April.

HOLY ROAR X ROADBURN

For 12 years now, HOLY ROAR have been quietly (and sometimes not so quietly) releasing a steady stream of incredible albums. The label has become home to some of the most exciting rising bands around and we’re thrilled to team up with the label to bring you five of their brightest stars for HOLY ROAR X ROADBURN.

On Friday, April 12, the Hall of Fame venue will play host to the unapologetic abrasiveness of SVALBARD, the sonic alchemy of PIJN, the nihilistic post-metal of CONJURER, the genre-bending delights of SECRET CUTTER, and the label’s newest recruit, the haunting A.A.WILLIAMS

ALSO CONFIRMED….
BLACK BOMBAIM & PETER BRÖTZMAN will see Portuguese psych masters team up with a free jazz legend
BLISS SIGNAL will be fusing the jagged edges of blast beats and black metal with the hypnotic tremors of dark electronics
BOSSK will perform Audio Noir in full
CRYPT TRIP are a righteous trip back to days when acid-tinged rock was both exciting and thriving on attitude and energy
DEAF KIDS combine D-beat, and psychedelia with their South American roots
DEAF KIDS X PETBRICK will team up to deliver audio chaos
MALOKARPATAN offer a mix of the best classic heavy metal with an oblique take on black metal
MORNE will deliver a crushing dose of sludge
MYTHIC SUNSHIP are poised to deliver a set as iconic as their Another Shape of Psychedelic Music album
PETBRICK mix together crushing electronics with grinding drum violence, featuring Iggor Cavalera
RAKTA bring post punk, death rock, psych and just good old noisy garage rock’n’roll
STUCK IN MOTION prove there’s vibrancy in classic forms
TERRITOIRE performing Alix in full
THE END is the new project of saxophonist Mats Gustafsson, bringing chaos and beauty to the Roadburn stage

TICKETS:
Single day tickets will go on sale on Thursday, December 13. Weekend tickets are on sale now

Tickets are be priced as follows:
3 days ticket (Thu-Sat) €181 + €4,50 service fee
4 days ticket (Thu-Sun) €204 + €4,50 service fee
Day ticket (Thu, Fri or Sat) €62 + €4,50 service fee
Sunday ticket €55,50 + €4,50 service fee

https://www.facebook.com/roadburnfestival/
http://www.twitter.com/Roadburnfest
http://www.instagram.com/roadburnfest
http://www.roadburn.com

Roadburn 2019 announcement video

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