Tomorrow’s Dream 2015: 90 of the Year’s Most Anticipated Releases

Posted in Features on January 21st, 2015 by H.P. Taskmaster

This is the longest list of anything I’ve ever done, and it might be the longest I ever do. The truth is, when I started keeping track of things coming out in 2015, back around October/November, I had no idea what I was getting into. More and more names just kept getting added to the list, and between solid release dates, bands entering the studio, writing sessions underway and the usual round of vague “they’re due”-type speculation, it kept growing. Even now, I’m quite sure that by the time I’m finished with this, I’ll add something else, and 90 will become 91, and then someone will point out something glaring I forgot and 91 will become 92, and so on.

I don’t think I could reasonably expect anyone to read 90 complete entries, so I’ve broken it down somewhat. There are 52 weeks in a year, so my thinking is that if you buy one record per week, I’ve got recommendations to carry through till December (with the acknowledgement that we’re already a couple weeks into 2015) and then more beyond that. Even asking you to skim 52 entries is a lot, but hell, we’ve got 12 months until 2016, so there’s plenty of time. We’ll do 52 entries and then list the others, both alphabetically.

Thank you in advance for reading.

1. Acid King, Middle of Nowhere, Center of Everywhere

Acid King Middle of Nowhere, Center of Everywhere

If this was my year-end list instead of my year-start list, Acid King‘s Middle of Nowhere, Center of Everywhere would be my album of the year. Best album of 2015 about 20 days into it? Maybe. The Oakland trio’s first outing in nearly a decade is a joy of languid riffing and heavy spaceout, songs like “Coming down from Outer Space” and “Center of Everywhere” reminding of just what it is we’ve been missing about Acid King all these years. They’ve continued to play live all that time, of course, and Middle of Nowhere, Center of Everywhere, which is due April 14 on Svart, plainly demonstrates that they’ve lost none of the potency for years absent from studio work. More to come. Acid King on Thee Facebooks, Svart Records.

2. All Them Witches, TBA

all them witches tba

The Nashville four-piece blew up following the 2013 digital release of their second album, Lightning at the Door, which saw a physical pressing last year (review here), and with a growing public at their heels and a salivating underground press anxious to hear what they come up with next, All Them Witches hit the studio this month to put together their third full-length. They’re on tour in Feb., and it seems reasonable to expect they’ll be trying out new material on the road, but as free-flowing as Lightning at the Door was, it’s hard not to consider the follow-up one of 2015’s most anticipated records, whenever it arrives and whatever shape(s) it takes. All Them Witches on Thee Facebooks, official website.

3. Anthroprophh, U.F.O.

UFO Vinyl Sleeve.qxp

Guitarist/vocalist Paul Allen, formerly of The Heads, teamed up with Jesse Webb and Gareth Turner of the duo Big Naturals as his rhythm section for 2014’s Outside the Circle (review here), and for his new release under the Anthroprophh moniker for Cardinal FuzzAllen centers around different U.F.O. abduction reports from the UK between 1954 and 1978, each of the eight tracks taking its name from the date and location of a reported incident. Sound fucking awesome? Yeah, I agree. Expect raw psychedelic experimentation, heavy swing and interpretive instrumentalism galore on the two-sided release when it gets declassified on Feb. 2, pressed in an edition of 500 copies. Anthroprophh on Thee Facebooks, Cardinal Fuzz.

4. Arenna, TBA

arenna cover

Spanish heavy psych outfit Arenna will release the follow-up to their 2011 Nasoni Records debut, Beats of Olarizu (review here), and they just this week posted the 10-minute opener “Butes” from their sophomore outing (listen here). The first album earned them a hearty following, and it’s been four years since it came out, but somehow I doubt Arenna will have much trouble picking up where they left off in their wide-open, jam-heavy sound. They mark a decade together in 2015, and they seem to just be getting started, so I’m particularly interested to learn how the European heavy underground takes to their second LP, which is due to be mastered next month and released sometime thereafter. Arenna on Thee Facebooks, on Bandcamp.

5. The Atomic Bitchwax, Gravitron

the atomic bitchwax

New Bitchwax? Sold. The stalwart New Jersey three-piece — now featuring two members of Monster Magnet – will release Gravitron on April 21 via Tee Pee Records, just in time to make a stop a few days later at Desertfest London 2015. They toured Europe last summer as well, and I think the fact that they’ll be over that way when they put Gravitron out speaks volumes to their priorities at this point, but who can blame them? Perpetually underappreciated in the US, they’ll follow-up 2011’s The Local Fuzz (review here) in grand form at Desertfest (they play Berlin as well), finally getting their due even if they have to get on a plane to get it. The Atomic Bitchwax on Thee Facebooks, Tee Pee Records.

6. Black Cobra, TBA

black-cobra

Hints were dropped back in November that raging two-piece Black Cobra were working on material for a new album. Whenever it arrives, this year or next, it will be their sixth and first since 2011’s Invernal (review here), which I don’t think I’m alone in counting as their finest moment to-date. They’ll also be at Desertfest for a return appearance, and wherever they go, devastation follows. They posted this week that their tour van has passed the 300,000-mile mark, which is emblematic of the workout they’ve given it over the last decade-plus, and I’d expect no slowdown, tempo or itinerary-wise, from them in 2015, regular oil changes notwithstanding. Black Cobra on Thee Facebooks, Southern Lord Recordings.

7. Black Rainbows, Hawkdope

black rainbows hawkdope

There are 90-someodd bands included in this feature, all told. Might be over 100. I’m not sure anybody beats Italian trio Black Rainbows in the album-title department, however. Hawkdope, man. Hard to mess with that. Guitarist/vocalist Gabriele Fiori continues to keep his finger on the pulse of European heavy rock with his Heavy Psych Sounds imprint, and while I haven’t heard Hawkdope yet, it seems likely they’ll continue the push toward heavy psychedelia that 2013’s Holy Moon EP (discussed here) and their inclusions in last year’s four-way split (review here) spoke of, but of course, they can always throw down some top notch fuzz riffing as well. Black Rainbows on Thee Facebooks, on Bandcamp.

8. Brothers of the Sonic Cloth, Brothers of the Sonic Cloth

brothers of the sonic cloth brothers of the sonic cloth

Six years after the arrival of their demo (review here), Brothers of the Sonic Cloth will make their self-titled debut through Neurot Recordings on Feb. 17. Immediately notable for being the brainchild of guitarist/vocalist Tad Doyle (ex-TAD), bassist Peggy “Pegadeth” Doyle and drummer Dave FrenchBrothers of the Sonic Cloth pushes plodding heavy into seething aggression with a lumber only made more potent by Billy Anderson‘s production. It’s been a while in the making, true, but the album’s execution leaves no room for argument in its lung-deflating tonal density. Justifies the wait and then some. Brothers of the Sonic Cloth on Thee Facebooks, Neurot Recordings.

9. Chiefs, Tomorrow’s Over

chiefs tomorrow's over

With vinyl to follow in May on Battleground Records, Arizona/SoCal heavy rockers Chiefs will release their debut LP, Tomorrow’s Over, via Roosevelt Row on Feb. 24. Its striking cover art by David Paul Seymour offers immediate intrigue, as did Chiefs‘ inclusion on their 2014 split 7″ with Fuzz Evil (streamed here). The song from that, “Stone Bull,” won’t be featured on the album, but all four cuts from Chiefs‘ 2013 Buffalo Roam demo will, which should give you some indication as to how much the trio got it right the first time around. The title-track of the demo opens, and the album takes its name from one of the demo tracks as well, so it all ties together. Chiefs on Thee Facebooks, Battleground Records, Roosevelt Row Records.

10. Clutch, TBA

clutch

Clutch‘s Earth Rocker (review here) was the undisputed high point of 2013, and the long-running Maryland four-piece have returned to the Machine Shop studio (now located in Texas) to record the follow-up to it. They’ve been playing new material live for a while now, as they’ll do, and while they always manage to change things up from album to album, the fact that they’ve going back to work with Machine again makes in plain that they’re where they want to be at this point sound-wise. As if there was ever any doubt. Their forever-tour will continue, but it’s good to know they’re taking a little break from the road to put together another slab for their always-expanding, always-frothing fanbase. Clutch on Thee Facebooks, Weathermaker Music.

11. Conan, TBA

conan

I’m not sure if it will be out before the end of 2015, but whenever it arrives, the next Conan should be a much different affair than we’ve yet heard from the UK thunderplodders, whose 2014 Napalm Records debut, Blood Eagle (review here), further established their dominance among the heaviest bands in doom. Since that album hit, guitarist/vocalist Jon Davis has traded out two-thirds of the trio, bringing in producer Chris Fielding on bass/vocals and new drummer Rich LewisDavis‘ riffs have always been at the core of what makes Conan the beast they are, so I wouldn’t expect much fixing of what isn’t broken, but don’t be surprised if some different personalities emerge in Fielding and Lewis as well. Conan on Thee Facebooks, Conan’s webstore.

12. Colour Haze, To the Highest Gods We Know

CH_TTHGWK_BOOKLET 4&1

Yeah, I’m sneaking this one in here. Sorry, but frankly, I think Colour Haze deserve more than a toss-it-out-there mid-December album release date, so instead of the CD release, which was last month, I’m choosing to think of the impending Feb./March vinyl issue as the official one for To the Highest Gods We Know (review here), which is both a fascinating and fitting answer to Colour Haze‘s 2012 outing, She Said (review here). Feels strange so early in the year to start calling out end-of-year highlights, but between this and Acid King, I feel like two of my top five are already set in stone, and that’s a pretty good start to any year. Colour Haze are one of the most important heavy rock bands of their generation, and they continue to expand their form and the genre as a whole. Colour Haze’s website, Elektrohasch Schallplatten.

13. Corrections House, TBA

corrections-house-logo

Their totalitarian fetishizing well intact, the it’s-a-supergroup-but-don’t-call-it-a-supergroup Corrections House announced back in November that they’d have a sophomore effort out this year to follow their 2013 debut, Last City Zero. The returning lineup of guitarist Scott Kelly (Neurosis), vocalist Mike Williams (Eyehategod), saxophonist Bruce Lamont (Yakuza) and keyboardist/programmer Sanford Parker (Buried at Sea, etc.) is enough to warrant attention in itself, and while their industrial tinged output isn’t really my thing sound-wise, they’re not an assemblage easily ignored. Hopefully a recently canceled round of tour dates doesn’t derail the new release plams. Corrections House on Thee Facebooks, at Neurot Recordings.

14. Corsair, One Eyed Horse

corsair one eyed horse

Virginian dual-guitar classic heavy rock/metallers Corsair are now three years removed from their Shadow Kingdom Records self-titled debut (review here), and their new album, One Eyed Horse, arrives with a striking-almost-disturbing cover and a refined progressive edge. Their melodic sensibility has never been in question, and guitarists Marie Landragin and Paul Sebring, bassist Jordan Brunk (who, like the guitarists, contributes vocals) and drummer Michael Taylor will look to expand their reach even further with the eight new vinyl-ready tracks. One looks forward to the album and hopes for a tour in equal measure. Corsair’s website, Shadow Kingdom Records.

15. Crypt Sermon, Out of the Garden

crypt-sermon-out-of-the-garden

Classic doom bleeds through the cover of Philly five-piece Crypt Sermon‘s debut full-length, Out of the Garden. Set to release Feb. 24 on Dark Descent Records, I’d expect Out of the Garden to be an early highlight for the year in doom despite being Crypt Sermon‘s first outing. Their Demo MMXIII (review here) found them well schooled in the tenets of the downtrodden, and while the record may end up a sleeper, it’s one that no doubt will find its way to the right ears; namely those of the old school doomers tired of psychedelic idolatry, who want something dark, beaten and grueling without concern for genre-melding or novelty. So, doom on. Crypt Sermon on Thee Facebooks, Dark Descent Records.

16. Ecstatic Vision, TBA

ecstatic vision

Also based in Philadelphia, heavy psych troupe Ecstatic Vision signed to Relapse on the strength of a demo and an apparent willingness to hit the road — they’ll do so this spring alongside YOB and Enslaved — and as just about any band who’s ever sent that label a rough recording will likely tell you, that’s no small feat. I was fortunate enough to catch them in Brooklyn last month (opening for YOB, as it happened), and the appeal was easy to see in their space rock jamming, lighting effects and propensity for deceptively quick rhythmic turns. A debut offering is reportedly due this year, and as it will come after they spend a month on the road, I expect it will be something to behold. Ecstatic Vision on Thee Facebooks, Relapse Records.

17. Elder, Lore

elder-lore

What to say about Elder? They’re a bright spot in the hope for the next generation of heavy rock, but they were that already. What really distinguishes their third album, Lore, is the fiercely progressive bent of the tracks, songs like “Compendium” (streamed here) taking the hypnotic rhythms of 2012’s Dead Roots Stirring (review here) and refining what Elder – the trio of guitarist/vocalist Nick DiSalvo, bassist Jack Donovan and drummer Matt Couto – do with a newfound clarity of purpose and precision execution. They make well-thought-out songs sound exciting front to back, and if you’ve ever dug anything they’ve done, you’re going to shit a brick when you hear the title-track of LoreElder on Thee Facebooks, Armageddon Shop, Stickman Records.

18. Enslaved, In Times

enslaved-in-times

I make no bones or apologies about being an Enslaved fan. The Norwegian progressive black metallers strip down their presentation with In Times, the follow-up to 2012’s Riitiir (review here), solidifying some aspects of their approach while nodding at the brutality of yore in a still-somehow-forward-thinking manner. They never fail to deliver, and they’ve long since hit a stride where they can deliver album after album and come up with ways to advance their sound each time out. Recording themselves has only made them bolder over their last couple records, and In Times benefits from this in its brought-to-fruition experiments as well. It would take a lot for these guys to do wrong in my eyes. Enslaved on Thee Facebooks, Nuclear Blast Records.

19. Eye, TBA

eye

They’re the Midwest’s inadvertent answer to the West Coast’s Moog-prog vibing, and Ohio’s Eye want for nothing in comparison to any of their coastal contemporaries. The photo above was taken recently in the studio — I’ll just assume the room is actually that color when they record and that that is not, in fact, an Instagram filter — tracking their third record and follow-up to 2013’s brilliant-yes-brilliant Second Sight (review here), which rightfully garnered attention far and wide. No release date yet for the new one from what I’ve seen, but the album is reportedly done, so hopefully it won’t be too long before it sees release, most likely on vinyl since that seems to be where the band’s heart lies. Eye on Thee Facebooks, on Bandcamp.

20. Freedom Hawk, TBA

freedom hawk

After an appearance last year at Roadburn and confirmation of a return trip to Europe this spring for Freak Valley in Germany, Virginia’s Freedom Hawk would seem to have considerably expanded their reach. Last year saw them lose guitarist Matt Cave and transition from a four-piece to a trio, and they were in the studio in the fall to record their second album for Small Stone behind their 2011 label debut, Holding On (review here), and while I’m not sure if it’s finished or if it will be out in time for the band’s sojourn abroad, one assumes it will be out sooner or later. Their late-2013 Live at the Jewish Mother download makes a decent stopgap if you’ve got a hankering, but they’re due for a new one for sure. Freedom Hawk on Thee Facebooks, Small Stone Records.

21. Glowsun, Glowsun

glowsun glowsun

In a recent discussion about finally picking up Glowsun‘s 2012 outing, Eternal Season, I said I wasn’t going to miss their next record, so I guess you could call this me holding myself to that task. The French heavy psych outfit have a new one, apparently self-titled — though of course I could be wrong; I’m just going by the album art — due out for release this Spring. I haven’t seen an official date from Napalm for when it’s due, but it’s not one I’m going to let slip by one way or another as I did for far too long with Eternal Season. Some mistakes don’t bear repeating, and Glowsun‘s output is of a quality that demands immediacy. At least now I know it. Ha. Glowsun on Thee Facebooks, Napalm Records.

22. Goatsnake, TBA

goatsnake

Rumors abound about a new Goatsnake. They’re in the studio, this is done, that isn’t done, they’re over here, over there. They’re headlining Freak Valley and playing Psycho California, and they headlined Southwest Terror Fest III last fall, but the last official word I saw about a new album — it would be their first since their 2004 Trampled Under Hoof EP — was last Sept., when word came down that it was happening at all and that Southern Lord would put it out. A timetable on when would be convenient, but maybe that’s asking too much and I should be grateful it’s even being discussed. They remain on my bucket list of bands to see before I die. One of these days I’ll get there. Southern Lord Recordings, Southern Lord on Thee Facebooks.

23. Gozu, TBA

gozu

Probably the biggest change for Boston’s Gozu since the 2013 release of their second album for Small StoneThe Fury of a Patient Man (review here), is the solidification of their lineup. As they enter into the process for their third Small Stone outing, they’ll do so with bassist Joe Grotto and drummer Mike HubbardGrotto played on part of Fury, but Hubbard (ex-Warhorse) is a new presence entirely in the band. They’ve also experimented with a third guitarist, so they might not be so solidified, but they’ve got a monster of a core four-piece to work with in GrottoHubbard, guitarist/vocalist Marc Gaffney and guitarist Doug Sherman, and they seem poised to get the most out of the chemistry they’ve busted their collective ass to develop. Gozu on Thee Facebooks, Small Stone Records.

24. High on Fire, TBA

high on fire

I feel like a new High on Fire record isn’t even just an event for heavy rock at this point but for metal as a whole. The Matt Pike-fronted three-piece hit the studio this month (this week?) after a quick tour up the East Coast, returning to Massachusetts to work with Converge‘s Kurt Ballou at his Godcity Studios, where they also busted out 2012’s De Vermis Mysteriis (review here). For anyone who heard that record, it should be plain why they’d want to work with Ballou again — even enough to go to Massachusetts in January — and whenever their next one shows up, no doubt it will do so as one of 2015’s most anticipated offerings. I’m not sure what to expect other than “heavy,” but that’s enough to go on for now. High on Fire on Thee Facebooks, eOne Metal.

25. Hollow Leg, TBA

hollow leg god-eater

My interest was piqued early last year when Floridian sludgers Hollow Leg issued their God-Eater single and spoke of it as the beginning of a change in direction. The change? More melody, a less outright aggressive style, more of an emphasis on thickness rather than rawness. As a starting point, the song “God-Eater” seemed to bode well, and I’m hoping in 2015 that Hollow Leg follow through at least partially on its promise. Not that the viciousness of 2013’s second LP, Abysmal (review here), left me particularly wanting, just that they seemed to be following a fulfilling new-ish path, and I thought the sound was one worth pursuing. They’ve said their third will be out this year, so I’ll take it. Hollow Leg on Thee Facebooks, on Bandcamp.

26. Horsehunter, Caged in Flesh

horsehunter caged in flesh

Australian four-piece Horsehunter made an impression a few weeks back with the 16-minute “Stoned to Death,” the opening track from their Magnetic Eye Records debut LP, Caged in Flesh, and it stands to reason why. Crushing tones, brutal vibes and hints of psychedelic wash abounded on what was a gripping sample of the album, which the band had recorded, scapped because it wasn’t heavy enough and then recorded again. There are four songs on Caged in Flesh, so “Stoned to Death” is literally just the beginning for Horsehunter, whose foreboding atmospherics come across no less punishing than their most weighted of tones. Horsehunter on Thee Facebooks, Magnetic Eye Records.

27. Kind, TBA

kind (Photo by JJ Koczan)

I’ve been lucky enough to see Boston four-piece Kind play twice, the lineup of vocalist Craig Riggs (also Roadsaw), guitarist Darryl Shepard (also Black PyramidBlackwolfgoat, etc.), bassist Tom Corino (also Rozamov) and drummer Matt Couto (also Elder) taking shape visibly from one show to the next. Their debut full-length is in progress now at the Riggs-owned Mad Oak Studios in Allston, and while I don’t think I can say yet what label it’s coming out on (it’s not Small Stone), the latest word I’ve gotten is that a summer release is booked. Definitely interested to hear how the jams I’ve seen live translate to a studio recording, and how Corino‘s tone comes through Mad Oak‘s board. Kind on Thee Facebooks, on Soundcloud.

28. Kings Destroy, Kings Destroy

kings destroy

So, you’d think the pic of Kings Destroy bassist Aaron Bumpus above is from some recent studio shot while they’re tracking their third album, right? Nope. The self-titled’s been in the can for months. It’s out in April on War Crime Recordings. What Kings Destroy are doing now is working on album number four, and I bet before it comes out, they’ll be on number five. Fiercely creative. I’ve had the KD record for I don’t know how long at this point, and it’s the best thing they’ve done yet. I can’t even pretend to feign impartiality after being asked to tour with them twice last year — a fucking blessing both times — but it’s the closest they’ve come to their live sound so far and that progress suits them remarkably well. Kings Destroy on Thee Facebooks, War Crime Recordings.

29. Lamprey, TBA

lamprey logo

The two-bass Portland trio Lamprey‘s recent stop-motion video for “Iron Awake” served due notice of their impending album, as yet untitled, and while it’s the shortest track on there by a considerable margin, it nonetheless represents the big-crash, big-impact severity of the outing as a whole. Not sure through what label it will surface if one at all or on what media it will be pressed — the word burning above, which I hope is the album cover, may or may not be — but the full-length seems poised to establish them as a force after 2012’s The Burden of Beasts EP (review here) brought their sometimes-plodding, sometimes-sprinting heavy rock into focus. Also, one of the songs is called “Lament of the Deathworm,” and that just rules. Lamprey on Thee Facebooks, on Bandcamp.

30. Lord Dying, Poisoned Altars

lord dying poisoned altars

The hard-touring Portlanders teamed up with Dark Castle drummer Rob Shaffer for their sophomore outing for Relapse RecordsPoisoned Altars (review here), and though he’s since out of the band, his presence bolsters the songs in Lord Dying‘s blend of High on Fire-style thrash and Crowbar-loyal sludge. A pervasive sense of simplicity helps the material achieve maximum force, but the hard-won nature of Lord Dying‘s cohesion isn’t to be understated or underappreciated — they did about 18 months of touring in support of their first effort, Summon the Faithless. At least they know their time wasn’t misspent. Seems likely they’ll continue to pound the pavement throughout 2015, so keep an eye open. Lord Dying on Thee Facebooks, Relapse Records.

31. Magic Circle, TBA

magic circle (Photo by JJ Koczan)

Rest assured, I’ve seen zero confirmation that a new Magic Circle album is under way. There’s been no word from the by-now-notoriously secretive Massachusetts-based band or their label, Armageddon Shop, on the subject of a follow-up to their 2013 self-titled debut (review here). This is rampant speculation. Their first 7″ was recently re-pressed, though, so there’s activity in their camp one way or another. They also made their way out to Seattle in October to open for Satan, which only emphasizes the fact that you never really know when they’re going to show up until they do. Ditto that their next album, I suppose. Hopefully this year it happens. Armageddom Shop website, on Thee Facebooks.

32. The Midnight Ghost Train, Cold was the Ground

Opmaak 1

Riotous Southern heavy rockers The Midnight Ghost Train have outdone themselves with their Napalm Records debut, Cold was the Ground, taking the rager blues of 2012’s Buffalo (review here) to new heights of manic push. After several years of steady touring, the Kansas-based trio of guitarist/vocalist Steve Moss, drummer Brandon Burghart and bassist Mike Boyne are an explosive live act, and as the recent video premiere for “Gladstone” showcased, their third album reaps the rewards of their labors. It’s due to release March 10 in North America, but I really don’t need to note the date, because you’ll hear it coming a mile away like the freight train that it is. The Midnight Ghost Train on Thee Facebooks, Napalm Records.

33. Minsk, TBA

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A new Minsk full-length is an utterly fascinating thought. Sorry if that sounds cold or overly clinical, but it’s true. Consider that it’s been six years since the Chicago post-metallers last released an album. That record, 2009’s With Echoes in the Movement of Stone (review here), hit at what was arguably the pinnacle of post-metal’s stylistic movement, the waters having since receded in no small part because Minsk wasn’t around to push forward creatively. Now, with slots booked at Roadburn and Desertfest, they’ll make a return to the studio as well, and I have absolutely zero idea of what to expect from them. A partially-revamped, Sanford Parker-less lineup only adds further intrigue. Minsk on Thee Facebooks, on Bandcamp.

34. Mondo Drag, Mondo Drag

mondo-drag-mondo-drag

This is one of I think two or three releases on this list that’s already out. The self-titled Mondo Drag (review here) nonetheless warrants inclusion for its heavy psych boogie concoctions and natural-toned spirit, not full-on retro but still well-indebted to the heavy ’70s in its use of organ and guitar and the swing of its rhythm section. That rhythm section? Zack Anderson and Cory Berry, who, fresh out of Radio Moscow, stepped in to record with fellow Iowans Mondo Drag in 2012 before founding Blues Pills. A shortlived moment in Mondo Drag‘s history, perhaps, but they got a killer record out of it, and while the recordings are already three years old, they’re well worth the time to appreciate. Mondo Drag on Thee Facebooks, Bilocation Records.

35. Monolord, Vaenir

monolord vaenir

Swedish trio Monolord won over hearts and minds bigtime with their 2014 RidingEasy Records debut, Empress Rising, earning a spot on the 2014 Readers Poll right between Eyehategod and Mastodon. That’s rather significant company to keep — and all the more so for a band’s first record — and with Vaenir, we’ll get to hear how the intervening year has seen them progress. They’ve already proven a favorite among the converted, and they’ll tour in Feb./March with Salem’s Pot ahead of an appearance at Roadburn prior to Vaenir‘s April 28 arrival date, so it looks like they’ll keep their momentum moving forward through the release and most likely beyond. Monolord on Thee Facebooks, RidingEasy Records.

36. Neurosis, TBA

neurosis

Okay. I don’t know that Neurosis‘ next album will be out in 2015. It’s just not a thing I know. What I know is that the ultra-seminal five-piece are getting together to write in Feb., and that they’re a no-bullshit band when it comes to writing and recording, so the timing works that, if they make new songs happen this winter, their record would probably be ready for release sometime in the summer or early fall. That’s what I’m going on. It might be that they write half the album now and half in 2016, but from what I hear they’re planning on doing some more significant touring this year, so it would stand to reason they’d want to do it with a follow-up to 2012’s Honor Found in Decay (review here) under their collective belt. We’ll see what we get. Neurosis on Thee Facebooks, Neurot Recordings.

37. Pentagram, TBA

pentagram

I saw Pentagram play 20 shows last year. Believe me when I say the pairing of frontman Bobby Liebling and guitarist Victor Griffin has never seemed stronger musically, and with bassist Greg Turley and drummer Sean SaleyPentagram head into the making of their next album firing on all proverbial cylinders. Metal Blade, who also issued their 2011 comeback album, Last Rites (review here), seems the likely outlet for the yet-untitled offering, which the band will herald with a headlining performance at Psycho California alongside Sleep and Cult of Luna on May 15-17, and which will no doubt dig deep into Pentagram‘s long history of doom for a trove of classic-style riffs. Pentagram on Thee Facebooks, Metal Blade Records.

38. Ruby the Hatchet, Valley of the Snake

ruby the hatchet valley of the snake

A not-so-subtle Uncle Acid and the Deadbeats influence permeates Ruby the Hatchet‘s Tee Pee Records debut, Valley of the Snake, which is something the Philly-based band seems to acknowledge willfully on “Vast Acid,” frontwoman Jillian Taylor crooning “I’ll cut you down” toward the end of the song in a call-out of one of the UK outfit’s most resonant hooks. Otherwise, the organ-laced five-piece get down on more psychedelic vibes, though the heavy ’70s swing in the drums could be taken as another common factor, if you really wanted to stretch it. Either way, a laid back, less murderous atmosphere persists, and that suits me just fine. Out Feb. 24. Bonus points for the gorgeous Adam Burke cover art. Ruby the Hatchet on Thee Facebooks, Tee Pee Records.

39. Saturnalia Temple, To the Other

saturnalia-temple-to-the-other

The entire meaning of being a “cult” band has changed since Sweden’s Saturnalia Temple released their UR demo in 2007, but after their 2011 debut, Aion of Drakon, hit with such a low-end wash of psychedelic obscurity, I’m intrigued to hear what they’ve come up with on To the Other, the cover’s foreboding darkness, consuming swirl and bizarre patterning seeming a fit for their sonic methodology. To the Other is out April 7 on The Ajna Offensive, and features Tim Call of The Howling Wind and Aldebaran on drums alongside Saturnalia Temple guitarist/vocalist Tommie Ericksson and bassist PeterSaturnalia Temple on Thee Facebooks, The Ajna Offensive.

40. Six Organs of Admittance, Hexadic

six organs of admittance hexadic

I’ll make no claims toward understanding the theoretical basis driving the latest outing from the Ben Chasny-helmed project Six Organs of Admittance, which in its 17-year history has gone from bedroom folk and avant electronics to the far-ranging heavy psych jamming of 2012’s Ascent (review here). Chasny, joined by members of Assemble Head in Sunburst Sound and Deerhoof on the album — which is due out Feb. 17 on Drag City – seems to have developed a compositional method based around a system involving playing cards and varying tonal intensities. No idea what the hell any of it means, but it sounds like a freakout to me, so I’m in. Six Organs of Admittance website, Drag City Records.

41. Snail, Feral

snail

Come on, Snail. Even if Feral‘s not coming out until later in the year, you can send it to me. I won’t tell anybody if you don’t want me to. I can keep it to myself. Hell, I won’t even review it until I get word that it’s cool to do so, I just want to hear the damn thing. Alright, Snail, have it your way. I’ll just sit here and remember how awesome Terminus (review here) was when that came out in 2012, and Blood (review here) before that in 2009 back when I did snarky headlines for reviews. That’s cool. I’ve waited this long for your Small Stone debut to make its way into my ears, I guess I’ll just keep waiting until it shows up. Which it would be awfully nice if it did as soon as possible. Today works. Now works. Snail on Thee Facebooks, Small Stone Records.

42. Sourvein, Aquatic Fanatic

sourvein-aquatic-occult

At the risk of being sincere, I’ll say it warms my cold, doomed heart to know that Sourvein‘s next album is going to be released by Metal Blade Records. After trudging the Southern sludge underground for, what, 20 years?, the Cape Fear-based outfit led by T-Roy Medlin (whose lineage goes back to Buzzov*en, lest we forget their role in establishing the sound) are finally poised to get their due, and I think it’s fucking awesome. Mike Dean‘s producing the thing, and you know Sourvein are going to tour the hell out of it because that’s what they do whether they’ve got a new record or not. I’m calling it the feelgood story of the year, which is perfect since the music will most likely be utterly scathing. Sourvein on Thee Facebooks, Metal Blade Records.

43. Spidergawd, II

spidergawd ii

Just stop reading and go fucking listen to Spidergawd. Here, I did a track premiere a little bit ago for the song “Tourniquet.” It rules. Go listen to that. For the life of me I have no idea why this band’s name isn’t on the lips of every boogie-loving heavy rocker in the universe. Stickman has the new album, Spidergawd II, sold out in the special edition preorders, but there’s a regular version still available and apparently en route from the plant, and for the love of all things riffed, it’s glorious. So get on it. I implore you. And no, I don’t have any idea what’s going on with the album cover, so don’t ask. No time for questions anyway. Get listening. Spidergawd on Thee Facebooks, Stickman Records.

44. Stoned Jesus, The Harvest

stoned jesus the harvest

Ukrainian heavy rockers Stoned Jesus posted the opening track from their third album, The Harvest, a while back on their Bandcamp page, and my goodness it does swing. They’ll make their way to the US for the first time in support of The Harvest, appearing at the Psycho California fest and hopefully elsewhere, and they do so having built up a steady following with their first two long-players, 2010’s First Communion (noted here) and 2012’s Seven Thunders Roar (review here), their most stonerly of names spread far and wide ahead of the latest offering’s early March arrival following 2013’s jams collection, The Seeds, Vol. 1Stoned Jesus on Thee Facebooks, on Bandcamp.

45. Torche, Restarter

torche restarter

I haven’t heard it yet, but Torche‘s awaited Relapse Records debut, Restarter, is due out Feb. 24 and the band are kicking into gear once again to mark its coming. They’ve already announced US and European tours to carry them through June, and I don’t imagine there are many markets they’ll leave un-hit  by the time they’re through. Their last album, 2012’s Harmonicraft (review here), was a solid showing of what’s come to be expected of them in terms of hooks, upbeat heaviness and melodies, but especially with the ambitious title, the new label and the energized-seeming schedule, I’m hoping that Restarter gives the band the same kind of boot to the ass they’ve been to delivering the heavy underground for the last decade. Torche on Thee Facebooks, Relapse Records.

46. Ufomammut, Ecate

ufomammut (Photo by Andrea Tomas Prato)

Very, very much looking forward to hearing Ecate, the newest outing from Ufomammut and their “second” album for Neurot Recordings behind the 2012 two-parter Oro (reviews here and here). Why is kind of a silly question — new Ufomammut is its own excuse for anticipation — but truth be told, they’ve always managed to get bigger-sounding and more expansive with each LP, and after having to break their last album in half and release the two pieces months apart from each other, I’m dying to know where they go with Ecate, what shifts in their sound the last couple years — including last year, which was their 15th anniversary — have brought and where in the cosmos they might be headed now. Ufomammut on Thee Facebooks, Neurot Recordings.

47. Valkyrie, TBA

valkyrie

During what I guess we’ll call Valkyrie‘s original run, the Virginia two-guitar four-piece released a pair of albums, 2006’s Valkyrie and 2008’s Man of Two Visions – both of which were reissued through MeteorCity in 2010 — before guitarist Peter Adams, who founded the band with his brother, guitarist/vocalist Jake Adams, got signed to Relapse with his other group, Baroness. Now back with Earthling‘s Alan Fary on bass and drummer Warren Hawkins, they’ve got their new LP recorded with Sanford Parker and reportedly in the can for an early 2015 release, also through Relapse. They’ll no doubt be greeted as heroes when they play the Maryland Doom Fest in June, and understandably so. Valkyrie on Thee Facebooks, Relapse Records.

48. VA, Electric Ladyland Redux & The Best of James Marshall Hendrix

various artists the best of james marshall hendrix

Magnetic Eye Records launched a Kickstarter campaign last fall with the ambitious aim of paying homage to Jimi Hendrix by having current heavy rock artists (ElderEarthlessWo FatGozu and more; full list here) re-record Electric Ladyland in its entirety. The project, on track to be released this year to coincide with what would’ve been Hendrix‘s 73rd birthday in November, expanded to include a tribute best-of collection as well, and has grown in repute ahead of its actually being issued to stand as a gathering of some of the finest the underground has to offer playing some of the best rock and roll ever crafted. From the idea to the impending reality of it, there’s really no arguing with this one. Magnetic Eye Records on Thee Facebooks, Magnetic Eye webstore.

49. Wino & Conny Ochs, Freedom Conspiracy

wino and conny ochs

When Scott “Wino” Weinrich entered rehab late last fall, he mentioned in a public statement several projects in the works. Spirit Caravan‘s reunion is ongoing. Saint Vitus are due for a next album, but he also noted the second release for his collaboration with German singer-songwriter Conny OchsFreedom Conspiracy, as being in early 2015. Particularly after the ultra-intimate, solo feel of Wino‘s 2010 acoustic debut, Adrift (review here), the first collaboration with Ochs, 2012’s Heavy Kingdom (review here), was an unexpected expansion of the form that paid sonic dividends in both the songwriting and performance of both players. A second installment should benefit from the chemistry they built on the road for the debut. Conny Ochs on Thee Facebooks, Exile on Mainstream.

50. Wizard Eye, TBA
wizard eye

Heard it. Slays. Actually, I’m not sure if the version of Wizard Eye‘s sophomore full-length I got was final, but the songs were killer either way, and the Philly stoner-toner three-piece will have the album out on vinyl later this year through a newcomer label that I don’t think I’m supposed to mention yet so I won’t. Either way, they’re included here because the more heads they reach the better, their blend of rolling grooves, sludged out vocals and the occasional bout of theremin is just right for the riff-loving purist in all of us. Their recent live outing, Riff Occult Live (review here) says it better than I could, so make a note to yourself to dig into that at your next convenience. It’s name-your-price on Bandcamp. Wizard Eye on Thee Facebooks, on Bandcamp.

51. Wretch, TBA

wretch

Listed as the “bastard spawn” of The Gates of SlumberWretch finds that band’s guitarist/vocalist Karl Simon teamed with bassist Bryce Clark and drummer Chris Gordon, the prior outfit having been laid to rest in 2013 after what seemed like an excellent return to form in 2011’s The Wretch (review here) and subsequent Scion-sponsored EP. I haven’t heard the new band yet, but some demos have made their way out thus far, and you’d have to figure it won’t be too long before SimonClark and Gordon make their proper debut as Wretch and start a new chapter in one of modern traditional doom’s most pivotal legacies. Wretch on Thee Facebooks, Tone Deaf Touring.

52. Zun, TBA

zun

Early in 2013, a song called “Come through the Water” (review here) appeared as the first audio from a new project helmed by guitarist Gary Arce of Yawning Man called Zun. It was to be used as Zun‘s portion of a split with Fatso Jetson and while I’m not sure that ever materialized, it drew immediate attention for the collaboration between Arce and vocalist Sera Timms of Ides of Gemini and Black Mare, also formerly of Black Math Horseman. A significant duo for sure. With Bill Stinson (also Yawning Man) on drums, they’re set to debut later this year on Small Stone with their first album, and if Timms and Arce aren’t enough to draw your attention so late in the feature — the hazards of alphabetics — the one and only John Garcia is set for a guest appearance on the record. Dig that, desert rockers. Yawning Man on Thee Facebooks, Small Stone Records.

 

Going Into Overload…

So, okay. At this point, you could literally buy a different record each week of this year and hear something that, unless there’s some disaster between the idea of the album and the actual thing itself, is most likely worth your time. That’s not too bad. But we’re not at 88 yet, so with those 52 already set, I’ve got 36 more that you might want to keep on your radar.

Some of these are solidly lined up, some are slated to be recorded, etc., so the same rule of “things don’t always work out the way they’re supposed to” applies. With that caveat:

 

53. Abrahma, TBA — Their second album for Small Stone is due sometime this year.

 

54. Bedroom Rehab Corporation, Fortunate Some — From what I hear, the Connecticut twosome have their second record in the can.

 

55. Black Black Black, TBA — Brooklyn outfit featuring former members of Disengage should have a sophomore album out in 2015.

 

56. Black Pyramid, New 7″ — The trio will release a new single to coincide with their Euro tour that includes a stop at Desertfest.

 

57. Bright Curse, New 10″ EP — It was mentioned the new lineup would record an EP before taking on their next album.

 

58. Camel of Doom, TBA — Was announced in December there’d be a new Camel of Doom along with a vinyl of their last album.

 

59. Cherry Choke, Raising the Waters — Should be out this month on Elektrohasch.

 

60. La Chinga, TBA — Vancouver group’s Small Stone debut is reportedly being mixed.

 

61. Curse the Son, TBA — I’m hoping this one gets out by the end of the year. It will be the CT trio’s first with their new bassist.

 

62. EgyptEndless Flight – North Dakota’s favored sons will return with a new full-length this summer. Album trailer posted with a clip of the new song “Tres Madres.”

 

63. Enos, TBA — Not sure where they’re at with it, but worth keeping an eye out.

 

64. Foghound, TBA — The Maryland rockers have finished tracking their new album with Mike Dean of Corrosion of Conformity at the helm.

 

65. Funeral Horse, TBA — They’ve been full of surprises on their first two releases and they work quick, so I wouldn’t be surprised if something new showed up.

 

66. Fuzz Evil, TBA — Interested to see where they go on an LP after their split with Chiefs.

 

67. The Glasspack, Moon Patrol — A snippet clip has been posted that bodes well. Supposed to be done recording in the spring. They’re currently sorting out label whatnots.

 

68. Graves at Sea, TBA — Yeah, it’s been more than a decade since their demo, but a split and an EP into their reunion, they just signed to Relapse, so now might be the time a debut album shows up.

 

69. House of Broken Promises, TBA — Should be a change from the first album after swapping out bassist/vocalists. They killed live last I saw.

 

70. Ice Dragon, TBA — No solid word of a new release from the Boston garage doom forerunners, but they’re always up to something.

 

71. Killer Boogie, Detroit — The debut from this Black Rainbows offshoot is out this month on Heavy Psych Sounds.

 

72. Krautzone, TBA — German synth-heavy prog-jammers have hit a groove and hopefully they continue to ride it as well as they have thus far.

 

73. Leeches of Lore, TBA — Wishful thinking on my part? Maybe. Got my fingers crossed, though.

 

74. Legion of Andromeda, Iron Scorn — They’re about as extreme as extreme doom gets. Album out next month.

 

75. Lord Fowl, TBA — I think they’re writing. Might be 2016 before it gets here, but I’ll take it whenever it comes. They’re worth a mention either way.

 

76. The Machine, TBA — Been a minute since we last heard from the Dutch heavy psych jammers. They were on this list last year as well.

 

77. Mirror Queen, Scaffolds of the Sky — Should be out in April on Tee Pee, and that suits me just fine. Choice grooves for springtime.

 

78. Mountain God, Forest of the Lost — A single-song EP from the Brooklyn post-sludgers is out in Feb. with a release show booked.

 

79. Om, TBA — I’ve yet to see solid evidence that a new Om is in the pipeline, but no one knew that Sleep single was coming last year either.

 

80. Planes of Satori, Planes of Satori — Dug their single, hope the full-length follows suit.

 

81. Pombagira, Flesh Throne Press – Their sixth album and Svart debut is due on March 23 as per this week’s announcement.

 

82. Righteous Bloom, TBA — My understanding was the Beelzefuzz offshoot are writing. Would be good if they can pick up where the prior act left off.

 

83. Royal Thunder, Crooked Doors – The Atlanta outfit’s second album for Relapse is due out April 7.

 

84. Sandrider/Kinski, Split — Don’t know much about Kinski, but new Sandrider is enough to sell me on it. Out Feb. 17 on Good to Die.

 

85. SardoniS, TBA — Expect big lumbering riffs from this Belgian duo, always. A new album is en route, last I heard.

 

86. Sun Voyager, TBA — Didn’t get to hear their last tape, but a five-song EP is due out sometime soon.

 

87. Sweat Lodge, Talismana — Not much word since they signed to Ripple, but they said this year, so until I hear otherwise…

 

88. Throttlerod, TBA — A teaser clip of new riffage came out over this past weekend. New Throttlerod is never something to complain about.

 

89. Venomous Maximus, Firewalker — When they signed to Shadow Kingdom in November, they gave it the ol’ “sometime in 2015.”

 

90. Weedeater, TBA — After a whole series of reissues, their Season of Mist debut is due.

 

91. Wight, Love is Not Only What You Know — Alphabetically last but not at all last in my heart, Germany’s Wight have their third record in progress. More in the comments.

 

92. Wo Fat, Live Juju at Freak Valley – Wo Fat‘s live set from the 2014 Freak Valley fest in Germany is due to release on vinyl March 17 in an edition of 500 copies.

 

Others to Keep an Eye On…

Guitarist Ian Gerber of Indianapolis’ The Heavy Co. has a couple side-projects going, but new stuff from his main band doesn’t seem unlikely either. New York’s Geezer might also have something new before December in addition to Ripple‘s CD version of their Gage release, and labelmates King Buffalo are continuing their relationship with STB Records via a new spit next month, so hopefully a debut LP follows that. Let it Breathe should make their debut on the label too in 2015.

Recently streamed trio Wake up Lucid release their EP on March 31. Last I heard The Body had a new one coming too in collaboration with Thou. Sixty Watt Shaman have plans to record tracks for a split due out later this year, and they’ll reissue their first album, 1998’s Ultra Electric, as well. Look out for Godhunter‘s split/collaboration with Amigo the Devil, and the second offering from Black Moon Circle is on the way. Balam‘s full-length should also be out sometime this year, and I anxiously await news of a solid release date for the third Clamfight record.

Murmurings abound also for new ones from GraveyardGreenleafThe Sword, Vhöl and others.

Plus, Sleep still exist and that simple fact probably makes them worth more of a mention than this quick aside. Their 2014 single The Clarity was an offering of pure Iommic idolatry. A sign of things to come? Who the hell knows.

If you don’t have enough to go by yet, labels like Sulatron, Tee PeeEl Paraiso, Ripple, Small Stone, STB, Napalm and so on are always worth a keen watch what’s next. There’s always something.

 

Which I guess is the point of this whole thing. I’m sure, even as huge as this list is, someone is going to drop a comment immediately that will make me slap my forehead and wonder how I ever forgot whatever it is. It’s always something. It looks like it’s going to be a tremendous year, so if you’ll pardon me, I’ll cut out quick and get started making my way through it.

No doubt I’ll add to this post over the next couple days, so if the numbers change, don’t be surprised. In any case, if you made it this far, thanks again for reading. May your 2015 be filled with excellent music and even better times.

 

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Corrections House Announce Full US Tour; New Album in 2015

Posted in Whathaveyou on November 7th, 2014 by H.P. Taskmaster

corrections house

Well folks, looks like 2015 is going to be plenty apocalyptic. No doubt it would anyway, what with the endless wars, global warming and ramping up of the presidential campaign, but a little Corrections House never hurts either, unless you count that special punched-in-the-face-with-sound feeling they’re so good at eliciting. The semi-industrial supergroup — yeah, that’s right, I said it — will embark on a coast-to-coast US run beginning at the end of this month in scenic Boston, MA, before working their way south, west and eventually back north up the West Coast.

They do so heralding the coming of a new album in 2015, to be released by Neurot Recordings in what will surely be one of the year’s most anticipated and destructive outings. If you’ll recall, Corrections House‘s debut, Last City Zero, was a speaker-blowing force.

The PR wire has the update:

corrections house tour

CORRECTIONS HOUSE Announces Winter Live Incursion; New Hymns Recorded

CORRECTIONS HOUSE – the bastard sound manipulations of Mike IX Williams (Eyehategod), Scott Kelly (Neurosis), Bruce Lamont (Yakuza), Sanford Parker (Minsk) and their recently abducted minister of propaganda, Seward Fairbury – are readying for another round of US live incursions. Set to commence on November 30th in Boston, Massachusetts, the collective will raze nineteen metropolises, with the journey coming to a ceremonial close on December 20th. The tour follows the band’s crushing performance at this year’s Housecore Horror Film Fest.

CORRECTIONS HOUSE Tour 2014:
11/30/2014 Brighton Music Hall – Boston MA
12/01/2014 St. Vitus – Brooklyn, NY
12/02/2014 Café 9 – New Haven, CT
12/03/2014 Metro Gallery – Baltimore, MD
12/04/2014 Strange Matter – Richmond, VA
12/05/2014 Grog Shop – Cleveland, OH
12/06/2014 Pro Arena – Dayton, OH
12/07/2014 Magic Stick Lounge – Detroit, MI
12/08/2014 Cobra Lounge – Chicago, IL
12/09/2014 The High Tone – Memphis, TN
12/10/2014 Siberia – New Orleans, LA
12/11/2014 Fitzgeralds – Houston, TX
12/12/2014 Hotel Vegas – Austin, TX
12/14/2014 Three Links – Dallas, TX
12/16/2014 Club Red – Mesa, AZ
12/17/2014 The Complex – Los Angeles, CA
12/18/2014 Soda Bar – San Diego, CA
12/19/2014 DNA – San Francisco, CA
12/20/2014 Rotture – Portland, OR

CORRECTIONS HOUSE released their Last City Zero debut full-length via Neurot Recordings last year. Produced by Parker at Electrical Audio, Soma Studios, 60 Psycho Hum and Nodferatu’s Lair, Last City Zero is the audio end product of government conspiracies, societal ruin and psychological decay. Traveling far beyond the traditional confines of any one specific genre, Last City Zero is at once beautifully hideous, graceful and terrifying and continues to raise the brows of exploratory fans and critics globally.

CORRECTIONS HOUSE recently put the finishing touches on their forthcoming new full-length, set for release sometime in 2015. In the meantime, check out a live version of (half of) CORRECTIONS HOUSE’s cover of Neil Young’s “Cortez The Killer” from Roadburn below.

http://www.facebook.com/CorrectionsHouse
http://www.neurotrecordings.com
http://www.facebook.com/neurotrecordings

Scott Kelly and Bruce Lamont, “Cortez the Killer” Live at Roadburn 2014

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Seward Fairbury of Corrections House is Missing

Posted in Whathaveyou on July 2nd, 2014 by H.P. Taskmaster

Ahead of their appearance Friday at the Roskilde Festival in Denmark, Corrections House have announced that Seward Fairbury, their appointed “Minister of Propaganda” (lyricist) has been missing for an indeterminate amount of time. As guitarist Scott Kelly (also of Neurosis) notes below, his last contact with Fairbury was more than two months ago, so it’s unclear even exactly when he disappeared.

Obviously one hopes he turns up and all is well. The PR wire has details below:

CORRECTIONS HOUSE Minister Of Propaganda, Seward Fairbury, MISSING!

Band Marches On To Roskilde Festival

CORRECTIONS HOUSE minister of propaganda, Seward Fairbury, has turned up missing from his place of residence this week in California after an apparently violent confrontation within his home. CORRECTIONS HOUSE member, Scott Kelly said, “The last time I had any contact with Seward was ten weeks ago; it’s not uncommon to not see him for weeks at a time, but he always keeps us in the loop with a postcard or a phone call about once a month. We went by his trailer and it was completely trashed; it looked like there had been a serious disturbance. If you’ve ever met Seward, you know he’s mean as fuck and he isn’t gonna go anywhere he doesn’t want too. We’re reaching out through our connections and through Seward’s extensive family and trying to figure out what is going on.” The Lake Co. Sheriff’s office has issued a simple but ominous statement saying that the matter is under investigation but that they expect no cooperation from the Fairbury family, from his friends, or his neighbors in the the matter whatsoever.

CORRECTIONS HOUSE will soldier on without Fairbury, and continue to do work. They are releasing a live record due out this Fall entitled Writing History In Advance through War Crime Recordings, will continue to work on their next full length due out in early 2015 and will appear at the Roskilde Festival in Copenhagen, Denmark this Friday, July 4th. Additionally, the band will support Sleep for two nights in Chicago on August 28th and 29th at Thalia Hall.

https://www.facebook.com/CorrectionsHouse
http://www.neurotrecordings.com
https://www.facebook.com/neurotrecordings
https://www.facebook.com/WarCrimeRecordings

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Roadburn 2014 Day One: “So Much Still Lingers…”

Posted in Features, Reviews on April 10th, 2014 by H.P. Taskmaster

04.11.14 — 00:08 — Thursday night/Friday morning — Hotel Mercure, Tilburg

This afternoon and this morning both seem like a really, really long time ago. I got asked a few times today when I got into town and I couldn’t seem to remember. 2009 maybe? Breakfast was two double-double espressos. Dinner was a protein bar and two bottles of water, some ibuprofen. No time for anything else. It’s Roadburn. There are places to be.

After much vigorous folding of the Weirdo Canyon Dispatch issues — I was handed one when I walked into the venue this afternoon, which was a cool feeling — I went downstairs from the 013 office to check out Sourvein‘s soundcheck and found their “Dirty South” had gotten a little northern flair thanks to the addition of Halfway to Gone‘s Lou Gorra on bass. When they were done, I went up to Stage01 to watch Hull get their sounds and was treated to a preview of “Fire Vein,” about which I had no complaints. They’d be my first two bands of the day, in that order, so it was like I was getting ahead of myself. Which is fitting for how completely out of time the entire day seemed.

If I’m not mistaken, and I’m pretty sure I’m not, Sourvein is a completely different lineup, Gorra included, than played here in 2011. The one constant, of course, is vocalist T-Roy Medlin. To his credit, no matter who he seems to bring aboard in the band — people come, people go — it always sounds like Sourvein. You’d think after a while a polka player would slip in unnoticed or something, but their Southern sludge has seen no diminishing of its aggressive potency over the years. One imagines if that happened, whoever was responsible wouldn’t be in the band long. They grooved angry and gave the fest a wake up call from which it didn’t look back.

Knowing that Hull were playing Stage01, I made sure to get there early, as in by like half an hour. Say what you want for the practicality, the same thing did me no good later on trying to get up front for Conan at Het Patronaat. Sometimes you need to show up and wait if you want a place up front. Pretty much every time, actually. I was hoping for some new stuff from Hull – who are on tour in Europe with Boston’s Elder, also Roadburn veterans — but cuts from 2011’s Beyond the Lightless Sky (review here) like “False Priest” and “Earth from Water” were hardly time wasted, and both the old-made-new-again “Legend of the Swamp Goat” and “Architect” from 2009’s Sole Lord were right on, as was the extended closer, “Viking Funeral,” which shook the floor with volume that seemed ready for it to be later in the day than it was.

I didn’t hear the Beastmilk album, but I certainly heard a lot about the Beastmilk album, so I thought I’d check out their set, what with Hexvessel‘s Mat McNerney fronting the band. McNerney brought a good deal of Joy Division-style drama to songs like “Void Mother” and “You are Now Under Your Control,” and the music behind him was probably what someone will step up and call neo-goth in a few years if they haven’t yet, mining the moodiness of late ’80s dark rock and presenting it in a we-could-be-playing-black-metal-if-we-wanted-to context. Fair enough, but with Samothrace going on at Het Patronaat across the street, I wasn’t sticking around all that long.

Merch is outside this year, which is different from at least the previous five Roadburns. I stopped myself at a copy of the second Rotor CD and Monster Magnet‘s Love Monster. I didn’t buy the gatefold version of Colour Haze‘s All, or any of this year’s Roadburn exclusives. It was the first money I’ve spent since I got to Europe, and it was 22 of the 70 euro I had in my wallet left over from the 2013 fest. My unemployed ass was as sparing as it could be en route to Het Patronaat.

For Samothrace, I wound up standing in front of one of the house P.A. stacks near the side of the stage, and needless to say, I didn’t stay there long, as the throb of Joe Axler‘s kick drum felt like the pedal was hooked up to my rib cage. I had been looking forward to seeing them, since 2012’s Reverence to Stone was so killer and I missed them on their East Coast tour supporting it, and they justified my anticipation, both in tonal weight and atmosphere, the latter which it’s easy to overlook in their sound because the rest of the time they’re so damn heavy, but which ultimately made both the record and their set stand out from the rest of the day, guitarists Renata Castagna and Brian Spinks taking time to space out in a way that presaged some of what I’d catch later with Mühr at the Cul de Sac, Spinks furthering the dynamic with assorted screams and growls. Was glad to finally see them play and witness their shifts between tumbling lurch and excruciating crawls for myself. It seemed overdue. And oh yeah, then Napalm Death played.

More than several years have passed since the last time I caught a Napalm Death show, and while Roadburn 2014 seems an odd fit for the British grindcore progenitors — vocalist Mark “Barney” Greenway, guitarist Mitch Harris, bassist Shane Embury and drummer Danny Herrera – they tailored their set to the occasion, culling some of their more experimental, less blastbeaten, Swans-y material into something unique for the Main Stage crowd. It must be nice to be in a band for more than 30 years and still have the drive to change things up, and seeing them do so only furthered my opinion that they should tour in art galleries exclusively. Five or six bands formed and started writing songs while Napalm Death were still on stage — that’s how influential they are. They’ll never have the same kind of reputation for experimental rock as for grind, but their lead-in for Corrections House wound up as one of the smoothest transitions of the day, both bands having industrial elements at work.

In the case of Corrections House, those come courtesy of beats delivered via laptop from Sanford Parker, who took the stage first as he did when I saw them in Brooklyn early in 2013 (review here). Whether it’s Parker, who was in Buried at Sea, Yakuza‘s Bruce Lamont, Scott Kelly of Neurosis and Eyehategod vocalist Mike IX Williams, it’s hard separating the members of Corrections House from what they’ve brought to and done in their other bands, though Lamont‘s sax, played to lower end to cover where a bass might otherwise be, definitely had an appeal distinct from that in his main outfit. Their debut album, Last City Zero, came out last year and I didn’t give it enough time. Watching them play was my punishment for not knowing the songs better than I did, and I’d have stayed longer, but Philly’s Nothing were just finished at Het Patronaat and I wasn’t about to miss the start of Conan.

Seemed to me that 25 minutes before their set started would be plenty of time to get front and center. It was not. Not only were there people already up front when I got there, but they were already shouting requests at the UK trio, whose 2014 outing, Blood Eagle (review here), I consider one of the year’s best records, and who had a new bassist in the form of Chris Fielding, known perhaps best as the recording engineer who’s done their studio stuff and worked with Electric Wizard, Undersmile, and many others in the UK’s fertile scene. That was something of a surprise, as I hadn’t known he joined the band with Jon Paul Davis (guitar/vocals) and Paul O’Neil (drums), but he fit in well with the destructive path beaten out by “Crown of Talons,” which made for an ultra-doomed opening statement.

Conan were one of my gotta-see bands for the day, and their set at Het Patronaat with the line of people waiting to get in running most of the way back to the door from the 013 only emphasized how far they’ve come in the two years since they played Stage01 at Roadburn 2012. One expects utter dominance from them and they did not disappoint. Still, they were one of my gotta-see bands, and the other happened to be Amsterdam space-doomers Mühr, whose slot overlapped at Cul de Sac. They were not the highest-profile act on the bill, but I only watched one complete set today, and it was Mühr doing “Messiah” from their 2013 single-song full-length of the same name (review here). With ambience heavier than many bands at their most crushing, seeing Mühr, which seemed unlikely from the start, was a highlight of what was by then a long stretch.

You could almost call what they do post-metal, but for the fact that where a lot post-metal comes across as claustrophobic, Mühr make efforts to sound as expansive as possible. Their psychedelic, cosmic droning was rich in tone and righteously loud, vocals sparse, but a presence, the whole five-piece lit mostly by candles set up in front and to the sides of the stage. It was something I’d probably only ever see at Roadburn, and when they were done and left the stage one at a time after an extended wash of feedback and effects noise, they came back out to take a well-earned bow before still-cheering crowd. I was so into it it was silly, and I know already that the ability to say I saw Mühr live is among the things I’ll be most grateful to carry with me in a few days when I leave Tilburg.

There were so many bands I missed today. There always are. You can’t see everything. I got back to the Main Stage in time to catch Crowbar doing “All I Had I Gave,” “Planets Collide” and “The Cemetery Angels” and had every intent of sticking around to see Freedom Hawk close out in the Green Room, but the weight of needing to write and the thought of getting up for more Weirdo Canyon Dispatch work in the morning got the better of me. Not the first time that’s ever happened, at least as regards the former.

Tomorrow is Mikael Åkerfeldt‘s curated day. Only Day Two which feels odd for how immediately immersed in the vibe of Roadburn I and seemingly everybody else was by when afternoon became evening. If you told me we’d been here two or three days already, I’d believe it, but maybe lack of sleep is a factor there as well. All the more reason to nod.

More pics after the jump. Thanks for reading.

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Corrections House Announce West Coast Tour Dates

Posted in Whathaveyou on December 4th, 2013 by H.P. Taskmaster

Corrections House‘s debut LP, Last City Zero, is out now on Neurot. It’s received no shortage of hyperbole around its apocalyptic atmospherics, and I guess at some point soon I’ll probably add a dose of my own to that mix — please try to contain your excitement. Currently on tour in Europe and with two slots at Roadburn ahead of them, the considerably-pedigreed outfit will start 2014 on the road down the West Coast of the US. They’ve also got a new video out for the song “Bullets and Graves” from Last City Zero and while I wouldn’t recommend it for epileptics, you can watch at your own risk on the player that follows the PR wire info below.

It’s like this:

CORRECTIONS HOUSE: Nihilistic Collective Announces Stateside Takeovers; March Through Europe Underway

Having just begun their march through Europe, today the CORRECTIONS HOUSE legion — Mike IX Williams (Eyehategod), Scott Kelly (Neurosis), Bruce Lamont (Yakuza), Sanford Parker (Minsk) and their minister of propaganda, Seward Fairbury — announce a short run of Stateside takeovers to usher in 2014. Set to commence January 2nd in Seattle, CORRECTIONS HOUSE will pillage their way through Portland, Los Angeles, San Diego, and San Francisco, leaving souls in torment and stages in ruins.

CORRECTIONS HOUSE are currently touring in support of their Last City Zero debut, issued via Neurot Recordings in late October. Produced by Parker at Electrical Audio, Soma Studios, 60 Psycho Hum and Nodferatu’s Lair, Last City Zero is an audio product of societal ruin and psychological decay. At once beautifully hideous, graceful and terrifying, the record travels far beyond the confines of any one specific genre and continues to reap the applause of exploratory fans and critics globally.

In related news, CORRECTIONS HOUSE recently unleashed a video for the track “Bullets And Graves” upon unsuspecting masses. Directed by Brian Sowell, “Bullets And Graves” is a flagrantly violent, roadside nightmare dominated by shady characters, vicious beatdowns and nameless destinations. Shot completely in black and white, the production is as captivating as it is disconcerting.

CORRECTIONS HOUSE Live Actions 2013/2014 [remaining dates]:
12/04/2013 Loppen – Copenhagen, DK
12/06/2013 Srattbad – Berlin, DE
12/07/2013 DB’s – Utrecht, NL
12/08/2013 VK Club – Brussels, BE
12/09/2013 Patronaat – Haarlem, NL
12/10/2013 La Fleche D’or – Paris, FR
12/11/2013 Le Sonic – Lyon, FR
12/12/2013 Le Romandie – Lausanne, CH
12/13/2013 Dachstock – Bern, CH
12/14/2013 Cycle Club – Calenzano (Florence), IT
12/15/2013 Garage – Saarbrücken, DE
12/16/2013 Feierwerk/ Hansa39 – Munich, DE
12/17/2013 Arena – Vienna, AT
12/18/2013 Klub Pilot – Prague, CZ
12/19/2013 Dürer Kert – Budapest, HU
12/20/2013 Kitsch Off Scena – Krakow, PL
12/21/2013 Pod Palacykiem – Wroclaw, PL
1/02/2014 The Highline – Seattle, WA w/ Wrekmeister Harmonies
1/03/2014 Dante’s – Portland, OR w/ Wrekmeister Harmonies
1/05/2014 Echoplex – Los Angeles, CA w/ Wrekmeister Harmonies, Author & Punisher
1/06/2014 Soda Bar – San Diego, CA w/ Wrekmeister Harmonies, Author & Punisher
1/07/2014 Great American Music Hall – San Francisco, CA w/ Wrekmeister Harmonies, Sutekh, Hexen
4/10/2014 013 Venue – Tilburg, NL
4/11/2014 Het Patronaat – Tilburg, NL

Last City Zero is available via Neurot Recordings at THIS LOCATION.

https://www.facebook.com/CorrectionsHouse
http://www.neurotrecordings.com
https://www.facebook.com/neurotrecordings

Corrections House, “Bullets and Graves” official video

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Corrections House Announce European Tour

Posted in Whathaveyou on November 1st, 2013 by H.P. Taskmaster

I have to wonder how one gets appointed the “minister of propaganda” for a band like Corrections House. Seems like a pretty good gig. Probably pretty cushy too, since the aim of propaganda is to win opinions to your side, and with the lineup of vocalist Michael IX Williams (Eyehategod), guitarist Scott Kelly (Neurosis), vocalist/saxophonist/etc.-ist Bruce Lamont (Yakuza) and programmer/engineer Sanford Parker (Minsk/Buried at Sea), the band sells itself. If nothing else, they are not short on built-in appeal.

The full-length debut from Corrections House, Last City Zero, is out now on Neurot, and in addition to the revelation this week that they’d be playing Roadburn in 2014 — performing solo sets and as the full band in a manner similar to what they did on their debut US tour earlier this year (review here) — word has come down of an earlier European campaign for this December.

Ever reliable, the PR wire puts it like this:

CORRECTIONS HOUSE Announce Live Takeovers Including Two Special Performances At Roadburn 2014; Last City Zero Out NOW Via Neurot Recordings

CORRECTIONS HOUSE – the collective musical extractions of Mike IX Williams (Eyehategod), Scott Kelly (Neurosis), Bruce Lamont (Yakuza), Sanford Parker (Minsk) and their minister of propaganda, Seward Fairbury – is pleased to announce their European takeover this December. The rituals will commence on December 3rd in Hamburg, Germany and sully more than a dozen European metropolises before coming to a close December 21st in Wroclaw, Poland.

Fairbury made the following statement on the adventures: “There is no possible way to capture and enslave what has already been freed from within. The destruction that is given is also forgiven and so begets the path that we all have chosen. CORRECTIONS HOUSE is on this path, the one and same path as those who have walked, crawled and bled before them. Europe, you are on this path. CORRECTIONS HOUSE will see you in December of 2013. And so it begins.”

Additionally, CORRECTIONS HOUSE will preach the end-time message atop the main stage of the 013 venue in Tilburg, at Roadburn 2014. On Thursday April 10th they shall be hoaxing the system and smashing out selections from Last City Zero. On Friday, April 11th at Het Patronaat, Kelly, Williams, Parker and Lamont will each perform solo material, aided and abetted by a selection of others as they see fit. As a precursor to the overseas assaults, CORRECTIONS HOUSE will level the Empty Bottle in Chicago on November 30th with additional stateside presentations to be announced in the coming weeks.

CORRECTIONS HOUSE will be touring in support of their Last City Zero debut released worldwide earlier this week via Neurot Recordings. Produced by Parker at Electrical Audio, Soma Studios, 60 Psycho Hum and Nodferatu’s Lair, Last City Zero offers up eight psychologically alarming hymns that span well beyond the traditional confines of sound. CORRECTIONS HOUSE is a meeting of minds and ideologies that sees all four members incorporating their obvious individual talents and voices while simultaneously carving paths away from the sounds for which they are usually known. On Last City Zero, they traverse tectonic plate-shifting doom and the downcast gloom of Kelly’s usual ouevre into mutated industrial hissing and clanging EBM beats from Parker, squalls and drones of oblique saxophone from Lamont and Williams’ familiar phlegm-drenched fire-spitting ire and all points in-between. Together they embrace the unkind, the diseased, the forgotten, the morose, their lush anti-soundscrapes and shadowy verses – at once beautifully hideous, graceful and terrifying — a manifestation of societal ruin and psychological decay. Cold, mechanical, prosaic and pungent, Last City Zero is boundless in its genre voyage.

CORRECTIONS HOUSE Live Actions 2013:
11/30/2013 The Empty Bottle – Chicago, IL
12/03/2013 Hafenklang – Hamburg, GER
12/04/2013 Loopens – Copenhagen, DK
12/07/2013 DB´s – Utrecht, NL
12/08/2013 VK Club – Brussels, BE
12/09/2013 Patronaat – Harlem, NL
12/10/2013 La Fleche D’or – Paris , FR
12/11/2013 Le Sonic – Lyon, FR
12/12/2013 Le Romandie – Lausanne, CH
12/13/2013 Dachstock – Bern, CH
12/14/2013 Cycle Club – Calenzano (Florence), IT
12/15/2013 Garage – Saarbrücken, GER
12/17/2013 Arena – Vienna, AT
12/18/2013 U Pilotu – Prague, CZ
12/19/2013 Dürrer Kert – Budapest, HU
12/20/2013 Lizard King – Krakow, PL
12/21/2013 Pod Palacykiem – Wroclaw, PL
4/10/2014 013 Venue – Tilburg, NL
4/11/2014 Het Patronaat – Tilburg, NL

https://www.facebook.com/CorrectionsHouse
http://www.neurotrecordings.com
https://www.facebook.com/neurotrecordings

Corrections House, “Hoax the System” Live at Saint Vitus Bar

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Buzzov*en, Corrections House, Lumerians, 40 Watt Sun, New Keepers of the Water Towers and The Body Join Roadburn 2014 Lineup

Posted in Whathaveyou on October 30th, 2013 by H.P. Taskmaster

It would seem as though we’ve entered that period of the year when Roadburn just starts throwing down amazing lineup additions at the drop of a hat. A slew of new ones came out today — some even as I was starting this post about them; hello, New Keepers of the Water Towers — and as ever for Roadburn, the 2014 lineup is a monster. To be honest, it was a monster already before today, but between Buzzov*en and Corrections House sets (two from the latter, including solo appearances), return slots for Lumerians and 40 Watt Sun, and debuts for The Body and New Keepers, it’s a landmark afternoon for the fest, which takes place April 10-13, 2014, at 013 in Tilburg, the Netherlands.

Here’s the latest from the Roadburn site:

Buzzov-en’s Rebirth At Roadburn Festival 2014; Headlining The Thursday Roadburn Date, April 10th

Roadburn 2014 is ecstatic to announce that sludge/stoner legends buzzov-en will be making an extremely special performance, headlining the Thursday, Roadburn date, April 10th at the 013 venue in Tilburg, The Netherlands.

Now remaining original member Kirk Lloyd Fisher (guitar/vox) has re-joined forces with bassist Dixie Dave (Weedeater, Bongzilla, Buzzov*en‘s …At A Loss) and drummer Ashley (To A Frown, Sore) to reform the band and bring them to Europe for the first time ever. Time (and sobriety) may have tempered Buzzov*en‘s shows to be less broken glass and blood filled, but the music remains as potent as ever.

“I’m looking forward to Buzzov*en’s rebirth being at Roadburn. I am gearing up to make our European debut an onslaught of swamp ass guttural delusions. I have started my ascent out of my corner of HELL that caged me. With the help of fellow members Dixie, Ash and Floyd, we have chosen you all to assault first. Welcome to violence fuckers” – Kirk / Dirtkicker.

Corrections House To Hoax The System at Roadburn Festival 2014

Neurosis‘ Scott Kelly has joined up with Mike IX Williams (Eyehategod), Sanford Parker (Minsk / Buried at Sea) and Bruce Lamont (Yakuza / Bloodiest), along with ‘Minister of Propaganda’ Seward Fairbury, to form Corrections House, an end-times collaboration unit and collective, and we here at Roadburn are proud to announce that the members of Corrections House will be playing two sets for us at Roadburn 2014.

Corrections House is a meeting of minds and ideologies that sees all four members incorporating their obvious individual talents and voices but simulatenously carving paths away from the sounds for which they are usually known, with forthcoming debut full-length Last City Zero – following first single Hoax The System – shifting from the tectonic plate-shifting doom and downcast gloom of Kelly‘s usual ouevre into mutated industrial hissing and clanging EBM beats from Parker, squalls and drones of oblique saxophone from Lamont and Williams familiar phlegm-drenched fire-spitting ire and all points between across its length.

Corrections House themselves will be preaching the end-time message with apocalyptical zeal from their righteous pulpit atop the main stage of the 013 venue in Tilburg, The Netherlands, on Thursday, April 10th, hoaxing the system and smashing out selections from Last City Zero (out on Neurot recordings).

The individual members will play a second show on Friday, April 11th at Het Patronaat, and for this show, Scott Kelly, Mike IX Williams, Sanford Parker and Bruce Lamont will each perform solo material, aided and abetted by a selection of the others as they see fit.

The Body To Plunge Us Into Apocalyptic Darkness at Roadburn Festival 2014

On their latest album, Christs, Redeemers, The Body crafts a template of extreme heaviness, incorporating crushing, downtuned, ultra doom, searing black metal and ravishing grimness with elements of noise, avant-garde composition, and experimental electronic music par excellence.

The duo of Chip King and Lee Buford‘s sprawling, black hole, sonic mystery goes far beyond what is normally considered as crushing, post doom heaviness – the two man pummel advocates a doctrine of misanthropy to those brave enough to gorgeously dwell in crawling, collapsing, soul devouring darkness.

Since their humble origins, back in 2004, as scrappy DIY punk rock noisemakers, King and Buford have evolved and refined their craft in order to absolutely nullify the spirit in the most harsh and violent way sonically possible, pushing their emotive yet harrowing doom into the horrifying unknown.

The Body will plunge us into apocalyptic darkness and bring about the very end of days with devastating assaults of volume and brutal sonic battery on Friday, April 11th at Het Patronaat in Tilburg, The Netherlands.

Hypnotic Space-Psych-Funk Cosmonauts Lumerians To Steer Roadburn 2014 Afterburner Into Unknown Galaxies

It makes perfect sense that San Francisco’s spaced-out, hypno-dirge, psych-funk rockers Lumerians will appear at Roadburn 2014 Afterburner on Sunday, April 13th at the 013 venue in Tilburg, The Netherlands. Originally starting out as a more straight ahead psychrock band, Lumerians evolved to combine the motorik, kraut-psych punch of Hawkwind and Spacemen 3, soon exploring the same intergalactic territories as their peers, Wooden Shjips and Sleepy Sun and the likes.

Over the years and the course of several LP’s and 12-inches – from Transmalinnia to Horizon Structures and The High Frontier – Lumerians pushed the envelope of all thing psychedelic, and moved more into a more distinctly different direction than their aforementioned peers, something that we really admire at Roadburn HQ: Lumerians woozy transmissions from planet Telos have been guiding us on many of our interplanetary travels into the unknown (the 2014 festival is gradually heading more and more towards the outer limits and beyond, as you all have noticed).

Lumerians excel at constantly shifting their sound, equal parts seventies space-funk explorations, eighties new wave, lygeric drones, serious progginess and kosmishe synth workouts, and at other times mixing Bitches Brew-era Miles and Sextant-era Herbie Hancock with wildly sci-fi inspired psych, the band keeps their hypnotic, cinematic, futuristic freak outs as psychedelic as they are totally exotic.

40 Watt Sun To Make A Much Anticipated Return To Roadburn Festival 2014

UK’s 40 Watt Sun will be making a much anticipated return to Roadburn Festival 2014 on Thursday, April 10th at Het Patronaat in Tilburg, The Netherlands. Lead by singer / guitarist Patrick Walker, 40 Watt Sun gets a chance to reprise their extraordinary 2012 Roadburn performance, this time playing a stark, stripped-back set of songs from their forthcoming second album as well as performing songs from the band’s stunning debut full-length, The Inside Room.

New Keepers Of The Water Towers Keep It Cosmic At Roadburn 2014 Afterburner

At last year’s Roadburn ticket release show we enjoyed Switchblade so much we decided to ask them to play the 2013 Roadburn Afterburner too and at this year’s ticket release show, wouldn’t you know it, we enjoyed fellow Swedes New Keepers of the Water Towers so much we also decided to ask them to play next year’s Roadburn Afterburner!

Since forming in 2006 and across the span of three epic albums, this Stockholm-based Stoner Metal ensemble have been increasingly upping the progressive and cosmic ante of their sound, culminating in 2013?s epic album The Cosmic Child, a wild ride across territory occupied by kindred spirits such as Mastodon, Shrinebuilder and even the Moog-driven sounds of Rush.

Join frontman Rasmus Booberg and his cosmic cohorts as they trip the light fantastic and melt faces at The Roadburn 2014 Afterburner on Sunday, April 13th at the 013 venue in Tilburg, The Netherlands.

Roadburn Festival 2014 will run for four days from Thursday, April 10th to Sunday, April 13th 2014 at the 013 venue in Tilburg, The Netherlands.

Roadburn Festival 2014 ticket pre-sales are in full swing! GET IN ON THE ACTION HERE!

http://www.roadburn.com/roadburn-2014/tickets/

Corrections House, “Grin with a Purpose” official video

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audiObelisk Transmission 031

Posted in Podcasts on October 28th, 2013 by H.P. Taskmaster

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

There was a point during the making of this podcast when I stepped back for a second realized, “This is getting really heavy.” It kind of happened out of the blue, but it definitely happened, and though the thought occurred to me to maybe pull it back and get into some more rocking stuff in the second hour again, I decided instead to just run with it and have fun and go as all-out ridiculously heavy as I could think of. That’s when we get to Beast in the Field‘s 22-minute “Oncoming Avalanche.” I know I’ve had them in before, but if you’re going all out in 2013 releases, that’s where you’re gonna end up.

Plus, I figured there’s plenty of rocking stuff up front, starting with At Devil Dirt and the subsequent riff pushers in the first hour, and the whole thing rounds out with the psych-hypnosis of The Cosmic Dead, so though it’s far out by the conclusion, it does manage to come back from the ultra-weighted tones somewhat. Screw it. I was having a good time stringing together heavy songs. The bottom line of this whole thing is for it to be fun, and I was having fun, so there you go.

I hope you have fun with it too. Once again, we come in just under two hours with a slew of newer cuts and some stuff from earlier this year that maybe got missed along the way. Considering there’s so much pummel, it flows pretty well.

First Hour:
At Devil Dirt, “Don’t See You Around” from Plan B: Sin Revolucion No Hay Evolucion (2013)
Pigs, “Elo Kiddies” from Gaffe (2013)
Mutoid Man, “Scavengers” from Helium Head (2013)
Viper Fever, “Summer Time” from Super Heavy Garage EP (2013)
Sons of Huns, “I’m Your Dad” from Banishment Ritual (2013)
Blackout, “Seven” from We Are Here (2013)
Horisont, “Backstreet” from Time Warriors (2013)
Old Man Wizard, “If Only” from Unfavorable (2013)
Mother Susurrus, “Anagnorisis” from Maahaavaa (2013)
Coma Wall, “You are My Death” from Wood and Wire Split (2013)
Mollusk, “Hollowed” from Colony of Machines (2013)
Sea of Bones, “Failure of Light” from The Earth Wants us Dead (2013)

Second Hour:
Corrections House, “Dirt Poor and Mentally Ill” from Last City Zero (2013)
Rosetta, “Myo/The Miraculous” from The Anasthete (2013)
Beast in the Field, “Oncoming Avalanche” from The Sacred Above, the Sacred Below (2013)
The Cosmic Dead, “Djamba” from The Cosmic Dead/Pigs Pigs Pigs Pigs Pigs Pigs Pigs Split (2013)

Total running time: 1:59:29

Thank you for listening.

Download audiObelisk Transmission 031

 

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