Review & Full Album Stream: The Sonic Dawn, Into the Long Night

Posted in audiObelisk, Reviews on April 14th, 2017 by JJ Koczan

the sonic dawn into the long night

[Click play above to stream The Sonic Dawn’s Into the Long Night in full. Album is out April 21 on Heavy Psych Sounds.]

As a title, Into the Long Night might well stem from the circumstances under which the album was recorded. The second full-length from Danish psychedelic rockers The Sonic Dawn and their debut on Heavy Psych Sounds, the nine-track/36-minute offering follows 2015’s Perception (review here), which was released by Nasoni, and was reportedly written by day and tracked during the evening over the course of a month in an isolated house somewhere by the North Sea. Sounds like a nice vacation, and whatever the circumstances of its making, it’s easy enough to read a sense of isolation into the traditional psych-pop-rock elicited by guitarist/vocalist/sitarist Emil Bureau, bassist Niels Bird and drummer/percussionist Jonas Waaben, however welcoming some of their hooks might feel and however warm their tonality — bolstered throughout by guest Hammond work from Erik “Errka” Petersson (Siena Root) and solo vibraphonist Morten Grønvad — might otherwise be.

It’s a deceptively complex front-to-back trip, as The Sonic Dawn fluidly shift between late-’60s pop, mid-’70s fusion and more modern strains of retro-minded heavy, but in answering the potential of their debut, the three-piece craft a style of familiar elements that is immersive and decidedly their own, relying on a jazzy sensibility in Waaben‘s drumming that on a given track might pull them into Doors-style chaos, as with “Numbers Blue,” or propel a howling psych/kraut exploration like the earlier “On the Shore.” Wherever they go in this expression of varied influences, The Sonic Dawn hold fast to their own stylistic voice, resulting in a palpable spirit of progressiveness that never gets lost in its own meanderings.

That’s not to say it doesn’t meander. Indeed, that becomes part of the appeal. Beginning with a not-sure-it’s-necessary 33-second “Intro” wash of keys and psychedelic vocal melody before the clean guitar line of “Emily Lemon” gently unfolds the first of Into the Long Night‘s friendly, groovy impressions, the vibe is one that lets BureauBird and Waaben go where they will and they take full advantage with an underlying sense of glee. The opener, such as it is, “Emily Lemon” shifts into guitar soundscaping to close, leading to the jazzier bounce and further atmospheric drift of the aforementioned “On the Shore,” but even when they freak out, which they do a bit on the subsequent organ-laced rocker “As of Lately” — prime fodder for a lost 45 from ’66 and, “Intro” aside, the shortest inclusion at 2:45 — they keep firm control of their direction. Of course, this has its ups and downs, as there are moments where a listener might want them to let loose a bit, but as they round out side A with the longer “Six Seven” (5:07), the prevailing spirit is one of being consciously driven, and that holds true for the preceding three-plus cuts and the four still to come on side B as well.

the sonic dawn

The good news is it works for The Sonic Dawn, because they prove to be strong enough in their songwriting to stand up to the demands of the diverse sound they want to create, but even if they’re the ones making their own rules, they’re also the ones playing by them. Even as “Six Seven” moves into the apex of its key-and-flute-inclusive build, having departed at about four minutes in to an insistent and noisy section of free-jazz thrust, the drums still hold a steady beat beneath, and there’s never any danger of the track flying apart as it almost seems like it wants to do. They fade it out at the end and I can’t help but wonder if they might’ve been more duly served leaving the collapse of that jam intact for the listener to be a part of; a warts-and-all moment to share with the band that could only further the honesty of presentation so prevalent in these tracks.

In any case, they proceed onward with side B opener “Numbers Blue,” an upbeat guitar-led figure that would seem to put the pieces of “As of Lately” and “Six Seven” together into a progressive rocker that’s marked out by Waaben‘s tom work no less than the intermittent surges of Hammond or the guitar swirl that emerges in its second half. Here they begin to let go of the reins a bit, but it’s still a quick flash and then gone en route to the three-minute “Lights Left On,” a quiet guitar-key-vocal excursion that effectively showcases Bureau‘s singing, fragile but controlled, and revives the jazzy pulse of “On the Shore” in a fittingly subtle and complementary fashion. Here neither does one find The Sonic Dawn overstaying their welcome. They touch on these ideas, stop in for a quick expression of them, and get out. The exception to that might be seven-minute closer “Summer Voyage,” which is led into by the flowing psych-gaze of “L’Espion” — an execution of two organ-topped builds over the course of four minutes that still has time for backwards echoing at the finish; efficiency! — though with the inclusion of sitar from Bureau and the wandering mood of its ending jam, they’re frankly welcome to stay as long as they like as far as I’m concerned.

With hypnotic shoegaze guitar, background vocals and the sitar included as flourish in such a way that only makes me want to hear more of it from them over the longer term, The Sonic Dawn round out Into the Long Night via the delivery of yet another clear message: that they’re not at all finished growing yet. Carrying outward on dreamy keys (vibraphone?) and guitar on an extended drift, “Summer Voyage” reaches its destination peacefully and evokes a serenity rarely conveyed so well in something that might still fall under the umbrella heading of “heavy.” For what it’s worth, The Sonic Dawn, while operating under their own conventions as far as mood and ambience go, seem less concerned with the structural bounds others might place on genre, and that’s something that already serves them well here and can only continue to as they further their lysergic adventurousness in the years to come. There are moments on Into the Long Night where one wonders how they manage to keep their wits about them, but much to their credit, The Sonic Dawn never waver from their central purpose in progressive and pastoral melodicism.

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Doublestone Premiere “Solen Sover” Video; New Album out May 5

Posted in Bootleg Theater on April 12th, 2017 by JJ Koczan

doublestone-Photo-by-Andreas-Krohn

Copenhagen heavy rock traditionalists Doublestone will make their debut on Ripple Music May 5 with the dually-titled Devil’s Own / Djævlen’s Egn. Their second album overall, it follows 2013’s Wingmakers (review here) and pursues a course of engaging, natural and spirited heavy ’10s vintage-ism, distinguished through its fluidity of rhythm, its organic feel, and of course by its two-language approach. Splitting its tracklisting in half between the acoustic-led “Devil’s Own” and the slower ’70s-chugging of “Djævlen’s Egn,” Doublestone bring structural and conceptual nuance to a record that — at least going by what I can glean from its English side A and translating the titles on side B — traffics in cultish thematics that should be familiar to those among the converted who’ve been exposed to the likes of Svartanatt or Demon Head in the post-Pentagram sphere of retro-minded doom rock.

There’s nothing wrong with that, of course — rock bands have been writing songs about the devil since before they were rock bands — and Devil’s Own / Djævlen’s Egn finds the Danish trio of guitarist/vocalist Bo Blond Daugaard, bassist/vocalist Kristian Blond Møller and drummer Michael James Bruun bringing a sense of persona to establish genre tenets throughout cuts like the six-minute “Man on the Hill,” which unfolds its lyrical narrative atop a blend of heavy psych and vinyl-ready guitar warmth, and the doublestone devil's ownpenultimate “Fuglene Kalder” (“birds call”), which moves into a call and response during its hook before a boogie rock guitar solo also gives Møller‘s bass a chance to shine, of which it takes full advantage. The scope of Devil’s Own / Djævlen’s Egn as a whole is in part defined by its linguistic swap at the halfway point, but no less so by the lack of pretense on display throughout its 37-minute span. Doublestone carve a niche for themselves within the style rather than make any grand claims about redefining it in their image, and their execution of these tracks lives up to that standard with an immersive flow and cohesive songcraft.

“Solen Sover” (“sun sleeps”) is the closer of Devil’s Own / Djævlen’s Egn, and its position as such reinforces much of what works — in English as well as in Danish — about the rest of the record before it. Beginning with a fluid low-end groove soon-enough topped with soulful guitar and complemented by an easy swing of ride cymbal as it leads to the first verse, it’s a classic rocker in form as well as presentation, with some vocal harmonies between Daugaard and Møller for good measure and a push in its second half to an uptempo apex that basks in a light touch of the psychedelic before rounding out with a raucous last turn through the hook.

In order to herald the album’s arrival, Doublestone have a live-in-studio video for “Solen Sover” that it’s my pleasure to premiere today. And in representing the record as a whole, the fact that it’s a live performance captured here also speaks volumes to the mission of the band, who minimize any sense of studio trickery in favor of an aesthetic as organisk as possible across the LP’s entire duration.

More PR wire info on Devil’s Own / Djævlen’s Egn follows the video below. Once again, it’s out May 5 on Ripple Music.

Please enjoy:

Doublestone, “Solen Sover” official video

Originally formed as a duo in 2011 in Copenhagen by long time friends Michael James Bruun and Bo Blond Daugaard, Doublestone later became the power-trio they are today with the arrival of Bo’s bass playing cousin, Kristian Blond Møller.

Following a brace of impressive releases in 2013 – Set The World Ablaze EP and their self-titled Doublestone – the “cult-boogie” trio joined forces with Mos Generator’s Tony Reed to record their first full-length, Wingmakers, in the basement of an old cheese factory in the heart of Copenhagen. Catapulting themselves onto the international stoner-rock scene Doublestone made sure to leave no rock unturned making an imposing foray into the realms of 70s-influenced hard rock, bewitching psychedelia and southern metal.

Now, in 2017 they are back and signed to one of the world’s leading specialists in Rock, Stoner, Doom and Heavy Psych; Ripple Music. Digging even deeper and going even further underground than ever before, their long awaited second album, Devils Own/Djævlens Egn, was produced and recorded by the band and Andreas Krohn at Wolf Ram Studios – a former World War II bunker – with Tony Reed on mastering duties.

Devil’s Own/Djævlens Egn is released worldwide on 5th May 2017 on vinyl, limited-edition/multi-colored vinyl, CD and digital via Ripple Music.

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Ripple Music website

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Demon Head Post “Hic Svnt Dracones” Video

Posted in Bootleg Theater on March 3rd, 2017 by JJ Koczan

demon head

Last time Copenhagen doom rockers Demon Head posted a video, back at the end of January, there was apparently some measure of confusion on my part as to the release date of their impending second album, Thunder on the Fields. Actually, scratch that “apparently some measure” part. I was confused. The full-length, originally slated for an April 7 release through The Sign Records and Caligari Records when it was first announced in December, appeared to have been bumped up to Feb. 24.

As Demon Head unveil a second video from the follow-up to their 2015 debut, Ride the Wilderness (review here), it seems that we’ve gone back to April 7. Fair enough, since at very least that means I’m not already behind in not having reviewed it yet — or, for that matter, heard it in its entirety — but it does mean we’re still more than a month away from the actual release date. Was it ever Feb. 24? Was it a dream? Was it for one format and not another? Was the plan scrapped altogether? Where did I get Feb. 24 from to start with? These questions may never be answered — mostly because I don’t have the time to go find out. Mark your calendar for April 7 and leave it at that, folks. Some mysteries just have to be accepted.

Oh wait, the PR wire info said it.

Okay.

I guess we solved that one after all.

Way to go, I guess.

As you check out Demon Head‘s new clip for “Hic Svnt Dracones” below, please find included a healthy slew of live dates for the band, including two release shows in Sweden in Denmark and noted tour intentions still TBA for the UK, Finland and the wider European sphere that ensure the band will be plenty busy leading up to and through the summer. They’ve also got a couple festival shows and I would be surprised if they didn’t end up with a few more before the year is out, so stay tuned.

And yeah, I’m hoping to review the album at some point. Will it be before April 7? Another mystery for the ages. Or at least the next couple weeks.

Enjoy:

Demon Head, “Hic Svnt Dracones” official video

HIC SVNT DRACONES is the second single from Demon Head’s album ‘Thunder On The Fields’ released by The Sign Records 7th of April 2017.

HIC SVNT DRACONES is a heavy anthem with a burning drive. The song is about throwing off the shackles that wear us down, daring to go were the maps have white spots. Follow the sinister leads and groove to a place between borderland and underworld…

Live Dates:
4/3 Copenhagen, DK. Ungdomshuset 10 years
31/3 Gothenburg, SWE
1/4 Linköping, SWE – The Sign Fest
7/4 Malmö, SWE – Release show
8/4 Copenhagen, DK – Release show
13/4 – 17/4 England Tour – Tour Dates TBA
28/4 Copenhagen – Nothern discomfort festival
11/5 – 14/5 Finland Tour – Tour Dates TBA
26/5 Aarhus, TBA – Denmark
27/5 Aalborg, 1000fryd – Denmark
16/8 – 22/8 European Tour – Tour Dates TBA

Album preorder:

Spotify: http://spoti.fi/2iVXqJM
Deezer: http://bit.ly/2jM30OP
Preorder CD/LP: http://freighttrain.se/en/

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The Sonic Dawn Announce April 21 Release for Into the Long Night

Posted in Whathaveyou on February 28th, 2017 by JJ Koczan

Danish heavy psych composers The Sonic Dawn have set an April 21 release date for their second full-length, Into the Long Night and revealed the cover art for the album. You can see below it’s tripped-out in classic form, and not that I’ve heard it yet or anything, but the album works in like-minded fashion, though one thing striking is the depth of arrangement The Sonic Dawn bring to their fluid jams, whether it’s keyboard or flourish of sitar sounds, percussion or whatever else. There’s little that seems to be out of their reach, but they maintain a core natural dynamic underneath, giving the whole affair a blended feel of organic performance and conceptual intent to go with a subtly clean production. Or so I might think, if I’d heard it.

Anyone who heard the 2015 Nasoni-issued debut, Perception (review here), already knows to look forward to this one, and rightly so.

Heavy Psych Sounds, which picked the band up at the end of last month, sent this down the PR wire:

the-sonic-dawn-into-the-long-night

The Sonic Dawn – Into the Long Night

Heavy Psych Sounds Records is proud to present: ***THE SONIC DAWN*** the new album: “Into The Long Night”

Into the Long Night is the second album by The Sonic Dawn, one of the most remarkable bands to come out of the new psychedelic wave in Denmark. Just a few seconds into this album, you will realize that you are in for a mind altering experience.

“It’s a trip! By taking the listeners to places they didn’t expect to go, we hope to make them aware – that they’ll stop up and think about life for a minute. Awareness is the first step to change in the world,” says Emil Bureau (guitar/vocals).

To achieve the dramatic changes of mood and feeling that The Sonic Dawn excel at, they mix a wide range of styles, from jazzy sitar pop to heavy acid rock. A pleasant-sounding analog production makes the album easy to approach, not to water it down, but rather to pull the unsuspecting listener into the deep.

The songs were written by day and recorded at night, during a month of complete isolation in a remote house by The North Sea. The tracklist can be interpreted as a trip through the night, into a new dawn. Close your eyes and see it:

Go through the hill country with its long yellow grass, to the beach where the setting sun dances on the cold waves. Slide into the darkest hours, alone with your thoughts and doubts. Suddenly come the first blue rays, separating past from present, before a golden dawn is born and everything takes its right shape, perhaps for the very first time.

Into the Long Night was made in collaboration with some of Scandinavia’s most regarded personnel. It features Swedish Hammond legend Erik ‘Errka’ Petersson on keys and Morten Grønvad on vibraphone/perc., which adds to its soundtrack-like qualities. Mixed in The Village Recording with jazz producer Thomas Vang (Oscar Peterson, Randy Brecker etc.). Mastered in Svenska Grammofonstudion with Hans Olsson Brookes (Graveyard, Blues Pills, José González etc.).

Fans of psychedelic rock, neo-psych, freak beat and classic rock will surely enjoy this record.

Nine tracks, 36 minutes and 22 seconds. Released by Heavy Psych Sounds (Italy) on April 21st, 2017.

The Sonic Dawn European concert dates:
15/04/2017 DK Christiania, Operaen (release party).
21/04/2017 DK Svendborg, Maskinen.
18/05/2017 DE Hamburg, MS Stubnitz.
19/05/2017 DE Berlin, Bassy Club.
23/05/2017 DE Dresden, Ostpol.
24/05/2017 DE Nierstein, E-Werk.
25/05/2017 DE Karlsruhe, PsyKa Underground Experience.
26/05/2017 DE Essen, Soulhell Café.
27/05/2017 DE Hofheim/Taunus, Jazzkeller.
31/05/2017 DE Miltenberg, Beavers.
01/06/2017 DE Mannheim, Kurzbar.
03/06/2017 BE Mechelen, Kafee Zapoi.
04/06/2017 BE Assenede, Flanders Chopper Bash.
06/06/2017 DE Mainz, Schon Schön.
19/08/2017 DE Waffenrod, Woodstock Forever Festival.
15-17/09/2017 UK Bedford, The Trip Out.
22-24/09/2017 UK Liverpool, Liverpool Psych Fest.

The Sonic Dawn is:
Emil Bureau (guitar, lead vocals)
Jonas Waaben (drums)
Neil Bird (bass guitar)

https://www.facebook.com/thesonicdawn/
https://thesonicdawn.bandcamp.com/
http://thesonicdawn.com/
www.heavypsychsounds.com
https://www.facebook.com/HEAVYPSYCHSOUNDS/

The Sonic Dawn, Perception (2015)

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Causa Sui Taking Preorders for Live in Copenhagen

Posted in Whathaveyou on February 23rd, 2017 by JJ Koczan

If you’d like to make yourself sad this morning, afternoon, whatever, go ahead and take a listen to the streaming live Causa Sui track at the bottom of this post and realize that the limited-to-300-copies-3LP-plus-bonus-10″ version of Live in Copenhagen has already sold through its pressing on preorders. The regular 3LP box is still available, as is the CD for those of us who retain an affection for the format, and honestly, I don’t think there’s much more you really need to know about it other than it’s Causa Sui caught live at the release shows for their last two albums, they cover John Coltraine, and Niklas from Papir sits in on one of the sets. No wonder that shit’s already sold out. I’d buy it twice just to make the point, and I may yet.

Those who heard it will recall that the Danish band’s last live outing, 2014’s Live at Freak Valley (review here), was little short of manna from heavy psych heaven, so it goes without saying that if you haven’t yet gotten your order in for Live in Copenhagen, you probably want to get on it.

And seriously, take a listen to “Eternal Flow” down at the bottom of the post. Might make you sad. Will also make your day.

Behold:

causa sui live in copenhagen

Causa Sui – Live in Copenhagen – El Paraiso Records

This limited boxset captures Causa Sui at two very special nights: At the release parties of Euporie Tide (2013) & Return To Sky (2016). While the two albums are tight and meticulous sizes, that helped propel the band to the very pinnacle of European stoner-psych, this heavy package documents the band at their most free and adventurous. Since the band seldomly performes live, this may very well be your best chance to experience what the band is capable of at their best! One show is recorded at avantgarde institution extraordinaire Jazzhouse, while the other captures the sounds of legendary underground venue Dragens Hule in a warm summer night of 2013, where the band played in front of a small, ecstatic crowd until the wee hours. Both shows were recorded multitrack with an A-grade selection of mics and mixed and mastered by Jonas Munk.

During these three discs Causa Sui aren’t merely running through classic cuts from the catalogue. Each track is explored, reinterpreted and given new life – often straying far away from its original roots with a fervent energy. One minute the band is bluesy and heavy, the next they’re repetitive and blissed-out or venturing into a cacophony of Albert Ayler-like sax bursts, free-form electronics and feedback. Swedish saxophone player Johan Riedenlow joins both shows and Papir-guitar player Nicklas Sørensen occasionally adds his magic to the Dragens Hule set – including a towering 13-minute version of Eternal Flow, that seems to channel the energy of mid-1970s Popol Vuh, as well as a breezy cover version of Agitation Free’s ”First Communication”.

”Ju-Ju Blues” from the Jazzhouse set is Causa Sui at their most fuzzed out and Hendrixian, reaching new improvisational heights, whereas ”Dawn Passage” feels like an obvious fusion of Tame Impala and Allman Brothers. On the Dragens Hule sets the band goes all the way out! ”Portixeddu / Tropic Of Capricorn” turns Bitches Brew-era Miles Davis into a crazed sludge-fest, and fan-favourites ”El Paraiso” and “Red Valley” appear here in their ultimate versions. To cap things off the band delivers a 17-minute exclusive tribute to John Coltrane’s ”A Love Supreme” featuring both Johan Riedenlow and Nicklas Sørensen.

The vinyl version of Live In Copenhagen comes as three LPs in heavy duty sleeves packed in a deluxe slipcase box. Limited to 1000 copies.

140 minutes worth of music – recorded at the release parties of Euporie Tide & Return To Sky.

Jazzhouse
01 Rip Tide 6:38
02 The Source 4:42
03 The Juice 8:53
04 Mondo Buzzo 8:35
05 Dawn Passage 9:48 *
06 Eugenie 8:00
07 Ju-Ju Blues 10:45

Dragens Hule pt. 1
01 Eternal Flow 13:01
02 El Paraiso 12:20
03 Mireille 7:39
04 Portixeddu / Tropic Of Capricorn 15:22

Dragens Hule pt. 2
01 First Communication 6:30 (Agitation Free)
02 Homage 9:28
03 Red Valley 10:13
04 Euporie 11:58 *
05 A Love Supreme 16:47 (John Coltrane)

* Digital bonus tracks

http://elparaisorecords.com/releases/causa-sui-live-copenhagen
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Bellhound Choir to Release Worried Kid April 28

Posted in Whathaveyou on February 14th, 2017 by JJ Koczan

Danish singer-songwriter Christian Hede Madsen made his debut under the Bellhound Choir moniker with the 2015 EP Stray Screech Beast (review here), which marked a radical departure from his band at the time, Pet the Preacher. Where the band had a hard-driving heavy rock foundation, Bellhound Choir turned toward darker country and folk vibes, blues and so on.

He signed to respected purveyor Bad Afro Records for the ensuing first full-length, Imagine the Crackle, which you can stream below, and in April will release his quick-turnaround second outing, Worried Kid, having also formed his own label in the new Salbar Records. Oh yeah, and dude has a novel out. Some people just like to stay busy. I can respect that.

From the PR wire:

bellhound choir

BELLHOUND CHOIR TO RELEASE BRAND NEW ALBUM!’WORRIED KID’ COMING APRIL 28th!

On April 28th 2017, singer, songwriter and guitarist Christian Hede Madsen aka BELLHOUND CHOIR will release his second solo album ‘Worried Kid’ – a contemporary blues album dealing with the struggles and winding roads of the soul – and now he announces a special release event at this year’s SPOT FESTIVAL in Denmark.

Bellhound Choir is the sound of where it all began as well as the sound of now. Bellhound Choir is contemporary blues, a kind of folk music that with an eternal voice exposes the trouble of the soul as well as its hopes. Bellhound Choir is songwriter, singer and guitarist Christian Hede Madsen. Madsen is primarily known for his music, partly from his former band Pet The Preacher and now with the solo project Bellhound Choir, which released the debut album “Imagine The Crackle” through Bad Afro Records last year.

Apart from being a musician, Madsen is a man of many other talents – an artist ever interested in finding new ways of expression. He experiments with film, interactive media and not least litterature, which occupies an essential part of his music and beyond. Madsen just recently released the debut novel ‘Mørkeræd’ (‘Fear of the Dark’), which is yet another take on his description of the existential conditions of mankind.

These conditions are equally described on Bellhound Choir´s second album ‘Worried Kid’ – eight songs about being shrouded in darkness, with the shadows chasing you, on the way to something better. An album that revolves around the eternal struggle of being alive and preserving hope. ‘Worried Kid’ is produced by Sebastian Wolff, front man in Kellermensch, who besides producing also contributes with vocals for a duo with Madsen on the album. ‘Worried Kid’ will be released through Madsen´s own label Salbar on April 28th 2017, and the album will be accompanied by a string of cinematic, fictional live-sessions presented on an interactive online platform ahead of the release.

It is ‘Worried Kid’, its stories, the interplay between different media and off course Madsen´s intimate, stripped down performance, which is the heart of the acoustic performance that Bellhound Choir will deliver on the primary Danish showcase event SPOT FESTIVAL in Aarhus, Denmark on May 5th.

More info on the album and additional dates will follow in the time to come.

www.facebook.com/bellhoundchoir
https://soundcloud.com/bellhoundchoir

Bellhound Choir, Imagine the Crackle (2016)

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Demon Head Post Official Video for “Gallow’s Omen”

Posted in Bootleg Theater on January 31st, 2017 by JJ Koczan

demon head

Last time I heard, April 7 was the appointed release date of the second full-length by Copenhagen cultish doom rockers Demon Head, but The Sign Records seems to have bumped Thunder on the Fields up to Feb. 24. Here I was thinking the band had decided to be generous and give an extra-early preview of the album ahead of its arrival, but the timing actually works out about right. I’ll take it either way, frankly.

The first audio to be made public from Thunder on the Fields, “Gallow’s Omen” hits as a new video suitably rife with creeper imagery and footage that looks both originally captured and culled from the vast public domain, varied in level of grit and origin as it seems to be. It all comes together around the swinging, rolling groove of “Gallow’s Omen,” the track itself, which basks in the ways of classic doom without getting lost in retro redundancies. Demon Head‘s first record, 2015’s Ride the Wilderness (review here), was a sonic blowout of similar cohesion, but I’m looking forward to hearing how Thunder on the Fields builds on what they accomplished their last go. One doesn’t want to speculate not having heard the full release, but I think they’re giving a few hints here.

And the good news — you know, apart from the video, the preorders, etc. — seems to be that we’ll get to find out more about Thunder on the Fields sooner than anticipated. Mark that a win for sure. Just by way of a warning, this one might be NSFW depending on how stuffy your situation is, so use your best judgment.

Please enjoy:

Demon Head, “Gallow’s Omen” official video

We now have the pleasure of giving you Gallow’s Omen, the first song and video from our coming album Thunder on the Fields. Listen, watch and pre-order the album below:

Spotify: http://spoti.fi/2iVXqJM
Deezer: http://bit.ly/2jM30OP
Preorder CD/LP: http://freighttrain.se/en/

‘Gallow’s Omen’ is the first single from Demon Head’s second album ‘Thunder On The Fields’ that will be relesed 24th of February on the Sign Records. The song concern situations when fear becomes generalized. Suspicion grows and society searches for enemies within, in an attempt to keep power or rid itself of a certain kind of people: witches, terrorists, heretics, illegals….

Demon Head on Thee Facebooks

The Sign Records on Thee Facebooks

Caligari Records webstore

Freight Train mailorder

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The Sonic Dawn Sign to Heavy Psych Sounds; Into the Long Night Due in April

Posted in Whathaveyou on January 25th, 2017 by JJ Koczan

Cheers to Copenhagen trio The Sonic Dawn on signing to Heavy Psych Sounds for the release of their upcoming second album, Into the Long Night. Due in April, the new full-length follows behind Perception (review here), which Nasoni Records issued on Halloween 2015, and which reveled in classic pop-tinged psychedelia, creating a fluid but still coherent impression across its graceful span, whether surfing through “The Mustang” or basking in the sun-soaked drift of “Watching Dust Fall.”

I haven’t the faintest idea what their second record might hold in terms of direction or movement from the first one, but Heavy Psych Sounds posted word to keep an eye out for a somewhat darker approach, and that’s enough to further pique my interest.

Word from the label follows:

the sonic dawn heavy psych sounds

THE SONIC DAWN – HEAVY PSYCH SOUNDS

HEAVY PSYCH SOUNDS Records & Booking is proud to announce the signing of a new incredible band!

The Sonic Dawn is a trip – a psychedelic mixture of styles, from jazzy sitar pop to heavy acid rock. Expect melodic songs with a 60s flavor, laced with dreamy vocals and delivered with an explosive stage presence.

Since their acclaimed album debut in 2015, The Sonic Dawn has been on several European tours. A highlight of 2016 was opening the notorious Freak Valley Festival, sharing the stage with Graveyard and White Hills. This year they can be experienced all over Europe again, confirmed for some of the best venues and festivals.

The new “Into the Long Night” is the trio’s most ambitious album yet. Written by day and recorded at night during a month of complete isolation by The North Sea, it is as light and gracious as it is dark and mysterious. The journey has just begun.

The band just signed with HEAVY PSYCH SOUNDS RECORDS and ready to release the new album in April 2017.

Cover art and album details will be unveil soon, so stay tuned for more infos!

The Sonic Dawn is:
Emil Bureau (guitar, lead vocals)
Jonas Waaben (drums)
Neil Bird (bass guitar)

https://www.facebook.com/thesonicdawn/
https://thesonicdawn.bandcamp.com/
http://thesonicdawn.com/
www.heavypsychsounds.com
https://www.facebook.com/HEAVYPSYCHSOUNDS/

The Sonic Dawn, Perception (2015)

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