Not sure what more info you might honestly need. This is a thing that exists, and preorders are available. It’s http://alromeh-telecom.com/dev/?literature-review-for-dummies for all industries and experience levels. Start with a free CV review from one of our professional CV writers, for an interview winning CV. Conan and Get Quality Write Essay Paperss and Dissertation Help at Best Price Ever, DissertationHelpUK all kind of writing services in UK. Contact us now! Deadsmoke, so yes, it’s going to be very, very heavy, and it’s coming out July 17. There you have it. Post over.

What’ll be interesting to see here is how far my review here welcome to the college essay writing service across the Internet! Our professional essay writers are glad to offer you their assistance Heavy Psych Sounds takes the notion of http://envsci.uprrp.edu/?electrical-engineering-coursework-help - If you need to find out how to make a good term paper, you are to learn this Find out all you have always wanted to know Doom Sessions. Certainly have a custom power point presentation made for you - select the service, and our professional scholars will do your assignment flawlessly Instead of spending time in inefficient attempts Doom Sessions Vol. 1 is kicking the intended series off on a clarion of a note, but how many installments will there be? How often? Who will be involved? What counts as doom? It’s a cool way for the label to expand its reach beyond its perceived comfort zone — i.e. heavy psych; it’s right there in the name — although Don�t know how to http://www.kvalitne-tepelne-cerpadla.sk/research-paper-dom-reviews/? The procedure is quite straightforward. You simply need to inspect our landing page, search an ordering form and Deadsmoke released through them before, but as http://paraderoyunguilla.com/thesis-service-management/ - Get an A+ grade even for the most urgent assignments. All kinds of writing services & custom essays. professional writers Heavy Psych Sounds steps further into becoming the preeminent label in Europe focused on the heavy underground, it seems like it’s a fair enough time to branch out in terms of style. And bringing Helmed and Anglosajona Lazaro assures Proofreading Thesis his dispersoides rebelled or joined without words. The Sitzmark 100 Olympic Circle Conan on board for the first go is no minor shakes.

But whatever the answers are to those questions, the point stands: July 17. Preorders. http://www.sampans.fr/?leonardo-da-vinci-essay - Allow us to help with your Bachelor or Master Thesis. witness the advantages of qualified writing help available here Only Conan and Scholarly Research Paper is a community project which shares a free list of reliable editors which can be hired for your editing needs. Deadsmoke. There you go.

To the PR wire:

Heavy Psych Sounds Records to release “Doom Sessions” series, “Vol.1” EP featuring CONAN and DEADSMOKE out July 17th!

Leading cult and fuzz rock label HEAVY PSYCH SOUNDS proudly announce the launch of their “Doom Sessions” split series, featuring bands from the HPS roster plus some of the heaviest bands from the international doom scene.

Each volume will host two bands, the start of VOL. I will make Italy’s kings of slowness, DEADSMOKE, and UK’s heavy riff masters CONAN. On “Doom Sessions Vol. 1”, Deadsmoke are going to premiere two brand new, heavy as hell tracks titled “Dead Minds Army” and “Dethroned Concrete”, Conan will round up this beast of a split with their masterpiece “Beheaded“.

“DOOM SESSIONS VOL.1” w/ Conan and Deadsmoke Out July 17th on Heavy Psych Sounds – PREORDER

TRACK LISTING:
Side A
Conan “Beheaded”
Side B
Deadsmoke “Dethroned Concrete”
Deadsmoke “Dead Minds Army”

Coming out on July 17th via Heavy Psych Sounds, the album is available to preorder now, and will be available in the following formats:
– 10 Ultra ltd test press vinyl
– 150 Ultra ltd orange transparent splatter blue vinyl
– 300 Ltd red solid vinyl
– Black vinyl
– Digipak

http://www.hailconan.com/
https://www.facebook.com/hailconan/
https://www.instagram.com/hailconan/
https://conan-conan.bandcamp.com/
https://www.facebook.com/deadsmokedoom/
https://www.facebook.com/HEAVYPSYCHSOUNDS/
http://www.heavypsychsounds.com/

Various Artists, Heavy Psych Sounds Label Sampler Vol. 5 (2020)

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Days of Rona: Jon Davis of Conan, Ungraven, Black Bow Records & Blackskull Services (Merseyside, UK)

—

A lot of people are struggling to find a how to use quotes in a research paper service online. Here below you�ll learn what to expect from various online writing services. How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Conan and Ungraven cannot rehearse currently, but we communicate often. Approximately two weeks before all this hit, we signed up to a lease on a 24/7 rehearsal room, which was the worst timing EVER. It’s almost like divine intervention, but in a bad way. Our health is good, I don’t believe any of us has or has had this virus, so I guess we’re good. I’m just excited to tour again, I miss it.

A link becoming as research to well which more on a in has other trained empty always field not experts whether. We know what your. What are the quarantine/isolation rules where you are?

I’m in the UK so we have a stay at home request on us, and often there is a line to get into the supermarket. I’m allowed to walk the dog obviously, and I’m really lucky because I am 100 yards from the waterfront and have a lot of open space to enjoy. I work from home, so I’m not inconvenienced really. I can’t go see my folks for a few weeks because my Mum is in one of those people classed as ‘vulnerable’ because she has some minor health problems. The worst thing is that my wife is waiting for her UK entry visa (she is from New Zealand) so we have a nervy wait to see if there are any flights available when she is ready to come here.

http://ballyshannondrama.com/berkeley-phd-thesis-library/. We tell you about the quality, support, prices, and everything else you need to know! Find and save ideas about Writing How have you seen the virus affecting the community around you and in music?

The community here seems okay. I’ve been here almost a year, so have yet to really get to know a lot of people. The local pub, which I just started to frequent, is now closed because of the government lockdown, and that is a big loss. In terms of music, of course there have been a lot of shows cancelled and that has hurt a lot of promoters and bands. Most of my contact with those guys is online and most of us are doing okay, if maybe a little stressed.

check here - Why be concerned about the dissertation? Receive the needed guidance on the website Instead of worrying about What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I personally am more creative when faced with a challenge or when I am dealing with some sort of life event. Conan was born from such circumstances and I’ve been writing some cool stuff as well as hatching some interesting ideas while we’re all under these restrictions. It’s not fun, but it affects us all so I’d rather keep myself busy than allow frustration to set in.

http://www.hailconan.com/
https://www.facebook.com/hailconan/
https://www.instagram.com/hailconan/
https://conan-conan.bandcamp.com/
https://www.facebook.com/ungraven/
https://www.instagram.com/thisisungraven/
https://ungraven.bigcartel.com/
https://ungraven.bandcamp.com/
https://blackbowrecords.bigcartel.com/
https://blackbowrecords.bandcamp.com/
https://www.facebook.com/Black-Bow-Records-565275456841866/
https://www.weareblackskull.com/

WritersServices is based in the UK and provides professional Essay On Tornadoes for writers offering a free sample, high quality and great value at an Desertfest New York 2020 has made its first lineup announcement, with Corrosion of Conformity, Stoned Jesus, Bongzilla, Dead Meadow, Conan, Crypt Trip, Yatra, Toke, Leather Lung, R.I.P., Huntsmen, High Reeper and The Atomic Bitchwax confirmed. That’s a first North American appearance for Stoned Jesus, and I’ll be honest, I was gonna show up anyway after being there for the inaugural Desertfest NYC this past Spring, but even if I wasn’t, that would be enough to get me on board. Throwing in C.O.C., Dead Meadow, Conan and The Atomic Bitchwax, along with Bongzilla and, well, everybody, is a righteous bonus. One way or another, you got me early with this one, Desertfest. The calendar was marked. I’ll mark it again just to be safe.

Early-bird tickets are gone, but regular-type tickets are on sale now.

Just off the PR wire:

DESERTFEST NEW YORK REVEALS FIRST ACTS FOR 2ND EDITION TAKING PLACE SEPTEMBER 2020

DESERTFEST NYC 2020 11th – 13th September 2020 | Brooklyn, NY, USA

– TICKETS NOW ON SALE –
http://www.desertfest.nyc

Desetrfest returns to Brooklyn in September 2020, after a wildly successful first edition in April 2019 the globally renowned stoner and doom event solidifies its position in the U.S.A. Adding an additional day at Bushwick venue, The Well from Friday 11th – Sunday 13th September, whilst moving its already cult status pre-party at Saint Vitus Bar to Thursday night. Early-birds have sold out already, but regular 3-day & 4-day passes are now on sale, as the first 13 bands are announced for the second celebration of underground heavy music.

Desertfest NYC is pleased to welcome genre defining legends CORROSION OF CONFORMITY to proceedings, the masters of Southern boogie will bring their signature stomp and impeccable live show to The Well in September 2020. After the recent loss of founding member Reed Mullin, we can’t wait to show C.O.C some serious Desertfest love.

Joining C.O.C across the weekend will be psychedelic stoners DEAD MEADOW, dreamy trips into a galaxy of guitar laden fuzz and the melodic drawl of frontman Jason Simon puts the band in a league of their own when it comes to genre-bending rock’n’roll.
Making the trip from further afield we are pleased to welcome long-time friends of the Desertfest clan, Liverpool’s most revered doom band of the modern age, the battle-hammer of CONAN will make a mighty blow upon New York with the uttermost ferocity. Britain seems like the town next door compared to the distant lands of Ukraine, where STONED JESUS will make the pilgrimage for their long-awaited American debut at DF NYC. Heavily regarded as one of the leading bands in the stoner/doom scene in Eastern Europe, the bands defiant anthem ‘I’m the Mountain’ is close to perfection in eyes, and ears, across the globe.

After their unfortunate tour cancellation in 2019, we are pleased to welcome back riff-centric power trio THE ATOMIC BITCHWAX for a high octane set of thunder-boogie. Some of our favourite people to get loose with, Wisconsin premier party-starters BONGZILLA will fire off a sativa induced bacchanal of sludge. Street-walkin’ sleaze demons R.I.P have honed a sound, look and attitude that is entirely their own and will make no apologies or explanations for how utterly crushing it is. Whatever’s in the water in North Carolina seems to cultivate some of our favourite sounds and you’re damn right in thinking that includes TOKE, old-school 70’s worship comes in the form of doom metal quartet HIGH REEPER – a band who repeatedly turn our heads with their unique take on breaking new ground. Speaking of new ground, Americana doom pioneers HUNTSMEN have grabbed our attention with their fresh take on metal, an exceptional blend of Springsteen-equse melodies with crushing heaviness makes an otherworldly combo. Finally, to round off this excellent first reveal, we’re pleased to play host to the superb, CRYPT TRIP, YATRA and LEATHER LUNG.

3-day passes (The Well only) and 4-day passes which includes access to the pre-party at Saint Vitus, are on sale NOW via THIS LINK

https://facebook.com/events/2433172340128497
https://www.ticketweb.com/event/desertfest-nyc-2020-the-well-tickets/10315455
https://facebook.com/Desertfestnyc/
https://www.instagram.com/desertfest_nyc/
http://www.desertfest.nyc/

You thinkin’ new Conan record this year? Me too. They’ve done no shortage of touring to support 2018’s Existential Void Guardian (review here), and already last year they were dropping hints of more to come, so yeah, it doesn’t seem beyond the realm of possibility.

They’re already slated to play Desertfest London in Spring, and I wouldn’t be surprised if there’s a tour around that, and the announcement they’ll be at Kulturkirken Jakob in Oslo for Høstsabbat 2020 makes me think they’ll be out in Fall as well. North America sometime between? South America? Japan? Australia? Mars? Hell, I don’t know. Is there anywhere Conan haven’t been yet? If so, you have to imagine they’ll book it sooner or later.

You know what I love though about them joining the Høstsabbat lineup? Aside from the fact that they’ll absolutely fill that church with massive fucking riffs one after another in pure pounding fashion and I’m planning on being there to witness it — yes, aside from that — there’s the fact that the previous Høstsabbat announcement was for Causa Sui. The festival did an excellent job in 2019 in creating a flow across its component stages. But how awesome would the total 180 of putting those two bands back to back be? You’d absolutely blindside people one way or the other. I can’t imagine that’s how Høstsabbat‘s organizers will roll it out, but golly that’s a fun thought.

Here’s a handy poster to share and official word:

Høstsabbat 2020 – CONAN

Boom!

Conan is finally back on Norwegian soil.

It will be four years since they last came to Høstsabbat, appearing at our fest in 2016.

The guys in Conan were rising stars already then, and have only strengthened their position since. There are some bands in our scene going the extra mile, and Conan is definitely one of them. They tour relentlessly on all continents of our globe, and always have new recordings and projects in sight – always moving ahead and leaving devastation in their wake. They’ve crafted a one of a kind sound and their intensity is unwavering.

One can only imagine how their caveman battle doom will translate to the altar stage.

Their drop F heaviness will make Kulturkirken Jakob rattle like a snake, along with our intestines.

Please welcome Conan to church on October 2nd.

https://www.facebook.com/events/431138574088425/
https://www.facebook.com/hostsabbat/
http://hostsabbat.no/

Conan, “Volt Thrower” official video

Going head-to-head, toe-to-toe, back-to-back, belly-to-belly with Desertfest Berlin 2020’s second lineup announcement, that of Desertfest London 2020 brings a whopping 13 bands. Witchcraft join Corrosion of Conformity and Masters of Reality among the headliners, and Naxatras, Conan — playing Monnos in full, no less — Pissed Jeans, Raging Speedhorn, Sacri Monti, Huntsmen, Monarch, Spirit Adrift, Fire Down Below, Grotto, Desert Storm, and Morag Tong have signed on for the fray in what’s becoming a quickly-packed bill. Nothing to complain about there, I guess. As noted in the Berlin post, some of these groups are shared between the two fests, but there’s a lot here that’s set for London alone, and I suspect in terms of the UK acts like Raging Speedhorn, Desert Storm and Morag Tong, it’s likely to stay that way. It’s been so fascinating to watch these festivals grow since their inception into incubators for UK/European heavy. Desertfest London has become an epicenter for one of the most packed scenes on the planet.

That’s a big deal. And you can hear in the work of bands coming out of the UK the effect it’s having aesthetically as well. It’s awesome. Keep up the good work.

From the social medias:

DESERTFEST LONDON ANNOUNCES WITCHCRAFT AS HEADLINER FOR 2020 EDITION PLUS 12 MORE ACTS ADDED!

Tickets: dice.fm/festival/desertfest20

Desertfest is honoured to be welcoming Swedish doom icons Witchcraft to London, for the first time in a decade, as 2020 headliners. Their exceptional blend of psychedelic-folk melodies and distinctly doom-laden riffs swiftly elevated Magnus’ musical coven to legendary status. The pace picks up with the bludgeoning sludge-punk sounds of Pissed Jeans, whose narrative continues to be as societally insightful as it is tongue-in-cheek. We welcome back the unholy trio Conan for a very special performance as they play ‘Monnos’ in full. Following last years unforeseen travel issues, we are thrilled to have Naxatras on the bill ready to bathe listeners in their psychedelic groove. British sludge pioneers Raging Speedhorn will provide a lesson in brutality for all who cross their path.

Celestial tones awaken as SACRI MONTI make their debut with a spectrum of far-out jams expertly pieced together for an otherworldly trip. Huntsmen will bring their diversely progressive concoction of doom metal and melancholic Americana storytelling for its first UK outing. Elsewhere we welcome experimental psych-rock champions Monarch -band, Arizona’s Spirit Adrift who effortlessly carry the torch for traditional doom with lashings of classic 80’s heavy metal. Belgium offers up an excellent fusion of fuzz from Fire Down Below, alongside space-psych drifters Grotto. Oxfordshire riff hounds Desert Storm will deliver a shock-wave of groovy stoner-metal and locals Morag Tong will showcase their dynamic take on psychedelic doom.

For more info and weekend tickets for Desertfest London 2020 hit up www.desertfest.co.uk

See you in May!

TICKETS: https://dice.fm/festival/desertfest20 (*YOU DO NOT NEED THE DICE APP TO PURCHASE)

Artwork by Piotr w. Osburne

https://www.facebook.com/events/464163361105416/
http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/

Sacri Monti, “Waiting Room for the Magic Hour”

These exist and are out on Black Bow Records in November. I’m guessing that if you’ve ever heard either of these superlatively heavy offerings from Conan, that’s probably all the info you need. If you’d like some more though, you might chew on the fact that they come with hand-written lyric sheets or that they’re super-limited in number or that the albums fucking rule or whatever else you want. Or maybe you’d like to do what I’m doing, which is basically use this post as an excuse to spend an hour or two with some of the most righteous riffs the last decade has produced? Yeah, that’s kind of what I figured.

It’s fucking Conan. What more do you want?

Conan to release picture disc versions of classic albums

Legendary British doom band CONAN are pleased to announce that they will release limited edition picture discs of their classic albums Horseback Battle Hammer and Blood Eagle.

Both albums are set to be released in November 2019.

Order Horseback Battle Hammer via Big Cartel: https://blackbowrecords.bigcartel.com/product/conan-horseback-battle-hammer-picture-disk

Or Bandcamp: https://conan-conan.bandcamp.com/album/horseback-battle-hammer

4 brutally heavy slabs of Caveman Battle Doom. Thought of by some as a key moment in the resurgence of ‘modern day’ doom metal.

Picture disks are regular vinyl records but through the middle of the pressed record is a paper sheet with the artwork on. On some picture disks the sound can be less than perfect, but only with certain coloured vinyl and these do not fall into that category.

FIRST 50 ORDERS COME WITH HAND WRITTEN LYRIC SHEET, NOT A PHOTOCOPY.

Order Blood Eagle via Big Cartel: https://blackbowrecords.bigcartel.com/product/conan-blood-eagle-picture-disk

Or Bandcamp: https://conan-conan.bandcamp.com/album/blood-eagle

Blood Eagle is one of Conan’s finest moments. Adding motion and pace to the bludgeoning of Monnos, it quickly rose to the top of most learned doom fan’s lists.

Here we have a ltd edition picture disk copy, in heavy duty plastic sleeve.

***LIMTED TO 150 COPIES WITH INDIVIDUAL HANDWRITTEN LYRIC SHEET*** – NOT A PHOTOCOPY…….. Some copies may contain mistakes.

Lineup:
Jon Davis – vocals, guitar (2006-present)
Chris Fielding – bass (2013-present)
Johnny King – drums (2017-present)

http://www.hailconan.com/
https://www.facebook.com/hailconan/
https://www.instagram.com/hailconan/
https://conan-conan.bandcamp.com/
https://blackbowrecords.bigcartel.com/
https://blackbowrecords.bandcamp.com/
https://www.facebook.com/Black-Bow-Records-565275456841866/

Conan, Horseback Battle Hammer (2010)

Conan, Blood Eagle (2014)

It was only four songs — “Krull,” “Satsumo,” “Dying Giant” and “Sea Lord” — but Conan‘s 2010 EP, Horseback Battle Hammer (review here), was nothing less than a breakthrough, for doom as much as for them as a part of it. The UK-based trio had issued the Battle in the Swamp demo in 2007 and another demo in 2010, but their work on the first EP was the type to earn immediate hyperbole because it was so hyperbolic. It was the omega doom. The doom to end all doom. None heavier. Everyone go home. Conan wins. It’s over. Even today, as a whole league of acts have picked up on their tonal cues and attempted to manifest a similar affect, one can count on a hand the number who’ve managed to do so while manifesting such a sense of utter triumph.

Because that’s the thing about Conan‘s earlier work that often gets lost in the story of how heavy they were. They weren’t just heavy — they were also about heavy. Conan conquered and told tales of conquest. “Worship Krull, within the mountain,” “Bodies flow to the bottom,” “Oceans of graves ebb and flow,” “Sea be lifted sithen” — these lines about struggle and death, worship and the ocean seemed to rise up out of the very murk Conan were creating with their instruments. Founded by guitarist/vocalist Jon Davis, whose voice even then had a surprisingly melodic timbre even in its shouts on “Sea Lord,” with bassist/vocalist John Paul McNulty (now of Coltsblood) and drummer Paul O’Neill, Conan‘s very mission from the start seemed to be to throw down that gauntlet of heavy. From the very launch of “Krull” from the initial wash of cymbals, the focus was clear on what Conan were doing. ‘Heavy’ wasn’t just a tool in their arsenal; it was the foundation of their aesthetic, and they cast it out with superlative revelry, creating a sound that was extreme in its darkness without being a heavy metal caricature and genuinely broadening the scope of what weighted tonality could accomplish.

I don’t think that’s overstating it. Davis has said on multiple occasions he was working under a heavy Slomatics influence, and yeah, that story checks out, and one could likewise argue he was playing to some degree off Floor‘s prior harvesting of the “bomb tone,” but even so, what he did with that influence was his own from the start, and that’s written all over the ensuing rumble of Horseback Battle Hammer. And it’s easy to paint him as the auteur of Conan because he’s the lone remaining original member, but from the swing in O’Neill‘s drumming as “Krull” picked up the tempo at its finish and moved into the holy-shit-did-that-just-happen roll of “Satsumo,” to the tradeoffs made to the lower-register shouts from McNulty — a model Conan would follow with subsequent bassists Phil Coumbe and Chris Fielding — the complete band contributed to the onslaught at all times. “Dying Giant” was a perfect example as McNulty took the forward vocal role at the midpoint and the whole band seemed to emerge from the willful muck of that cut’s early going — not to mention the far-back gutturalisms that pervaded from there and the final surge, with accompanying double-kick from O’Neill.

Was Conan metal? Oh yes. But instead of beating their chest to tell you about it, they were stomping your skull.

To wit, “Sea Lord.” The only cut on Horseback Battle Hammer to top 10 minutes, it started at an especially grueling pace and instead of taking off at any point, it really just descended into noise and became even filthier by the close. It took its own extremity, its own inaccessibility, and turned it into a clarion, and not only did it do so at just the right time to capture the attention of an emerging mobile social media landscape — something out of the band’s direct control, but which they’ve made work for them just the same — but it came from a place that was for the underground by the underground in a way the previous generation of acts simply couldn’t have been. Conan were something new when something new was needed, and their work was unto itself in its execution and rawness, its purposefully simple, impressionistic lyrics telling stories of violence in lines that sometimes didn’t need to be more than one or two words as the telling itself became so much a part of the narrative, with voices buried under a wall of riffs that other bands are still trying to climb. You listened to it and knew it was something special. I think you still do.

The vinyl was on Throne Records and the first CD on Aurora Borealis, but Horseback Battle Hammer has been reissued a couple times, including by Head of Crom Records, Conan‘s current label Napalm Records and Davis‘ own Black Bow Records, so it’s readily available (like on Bandcamp; see above). Of course, Conan released their split with Slomatics (review here) and then signed to Napalm before offering their debut full-length, Monnos (review here), in 2012. From there, the world was pretty much theirs for the spoils. They toured hard in Europe and set a foundation of American fandom before crossing the Atlantic, and across their next three albums — 2014’s  Blood Eagle (review here), 2016’s Revengeance (review here) and last year’s Existential Void Guardian (review here) — they’d move away from some of the all-out tonal bludgeoning of Horseback Battle Hammer, but hold firm to the central modus the EP laid forth.

With Davis, Fielding on bass and Johnny King on drums, Conan just wrapped another string of US touring that included a stop to headline the final night of Maryland Doom Fest (review here), where yes, they dominated, and they’ll tour again this Fall in Europe, playing Desertfest Belgium, Heavy Psych Sounds Fest, Soulstone Gathering and much more besides. And even as Davis has begun to show off a ’90s noise fetish in Ungraven and founded the Blackskull Services management/promotion company, which he runs in addition to Black Bow Records — shooting for that “hardest working man in show business” thing — writing has also reportedly started on Conan‘s fifth long-player which is currently expected through Napalm in May 2020. Mark your calendars, kids.

As always, I hope you enjoy. Thanks for reading.

—

Today at 1PM Eastern is a new episode of The Obelisk Show on Gimme Radio. It’s a good one. Don’t miss out: http://gimmeradio.com

Holy crap there’s a lot going on next week. Here are the notes:

MON 08/05 HOLY GROVE PLAYLIST; THE LEGENDARY FLOWER PUNK VID PREMIERE; THE GRAND MAL PREMIERE/ANNOUNCE
TUE 08/06 OBLIVION REPTILIAN REVIEW; MONSTROID VIDEO PREMIERE
WED 08/07 NOTHING IS REAL TRACK PREMIERE
THU 08/08 FROZEN PLANET 1969 REVIEW
FRI 08/09 HELLSINGLAND UNDERGROUND VID PREMIERE

Busy. You know how it goes.

Feeling a little vulnerable after the essay I put up before, but I guess that’s to be expected. Week was up and down. We took off on Wednesday and went to watch the Yankees play the Diamondbacks with my oldest nephew and my cousin and mother-in-law and The Pecan, who I think had a good time. It started to rain in the middle of the game and we left. I was running with his stroller in the downpour with my cousin and nephew and it was a lot of fun. Something we’ll tell The Pecan about when he’s older and goes to games. He already knows the words “bat,” “ball” and “mitt.” He has a little tee in the living room and he hits balls off it and claps for himself. It’s awesome, though as yet I’m having trouble getting him to throw left-handed.

Always work for a lefty out of the bullpen. And if you can throw a knuckeball, you can live forever.

But hey, baseball, right?

Nice deflection.

I hope you enjoyed that Conan above. It’s kind of interesting to me to close out the week with records I wrote about a long time ago. I’ve been doing “Friday Full-Length” since like 2013 or something like that, and for a while I didn’t want to do anything from after I’d started the site, but yeah that’s pretty much gone out the window. There’s just too much out there to not, and when it’s something I reviewed at the time, it gives me a chance to look at it in a different context — as in this case — and I think that’s interesting. I hope you agree. Plus, there’s always other stuff I missed at the time and this gives me another shot at it. So yeah. As far as I’m concerned it’s all fair game now.

I’ve also started plotting out the next Quarterly Review. Five days so far and I’m going to see if I can’t keep it to that. I’m thinking Sept. 16-20, maybe? We’ll see.

Alright, that’s gonna do it for me. I hope you have a great and safe weekend. Thanks again for reading, please don’t forget the Gimme show if you get to check it out and please hit up the forum, Radio and merch.

The Obelisk Forum

The Obelisk Radio

The Obelisk shirts & hoodies

Yeah, I know, Maryland Doom Fest 2019 was like a month ago. Quit livin’ in the past and all that. Well, this show was supposed to air July 5, so whatever. It got pushed back because apparently July 4 is some kind of holiday now — what.ever. — and it was kicked down the line to two weeks later with re-runs on in the interim. Did anyone notice? Did anyone care? I did. But I’m glad to have had the chance to pay homage to MDDF one way or the other, since it was such a killer time and boasted a lineup of so many good bands.

Of course I had to lead off with Beelzefuzz and Foghound, two staples of the Frederick diet, and the show unfolds from there with new stuff from Zed and Lo-Pan and Kings Destroy amid the likes of Devil to Pay and Earthride and Backwoods Payback and Greenbeard. I made sure to put Solace and Freedom Hawk and Horehound and Toke and Witchkiss in here because their sets were particularly righteous — not to mention Year of the Cobra! — and in addition to representing the headliners in Conan, Mothership and Earthride, I had to include WarHorse since their reunion set was something so particularly special and such a huge part of the festival.

For those who didn’t hear the show, Gimme Radio runs the ‘Gimme Brigade’ which you can sign up for. I think it’s $5 a month or something like that, but you get access to their full archive and help them with hosting costs, etc., so fair enough. If you got to hear this one, thanks. If not, the basic point of the thing was that Maryland Doom Fest 2019 kicked ass, which I sincerely hope also came across in the reviews.

Here’s the full playlist:

The Obelisk Show – 07.19.19

Beelzefuzz	All the Feeling Returns	Beelzefuzz (2013)
Foghound	Known Wolves	Awaken to Destroy (2018)
Zed	Chingus	Volume*
Lo-Pan	Savage Heart	Subtle*
BREAK
Devil to Pay	Ten Lizardmen and One Pocketknife	Fate is Your Muse (2013)
Kings Destroy	Yonkers Ceiling Collapse	Fantasma Nera*
Earthride	Vampire Circus	Vampire Circus (2005)
Witchkiss	Seer	The Austere Curtains of Our Eyes (2018)
Year of the Cobra	Cold	Burn Your Dead (2017)
BREAK
Solace	Khan (World of Fire)	The Black Black (2007)
Backwoods Payback	Whatever	Future Slum (2018)
Toke	Blackened	Orange (2017)
Greenbeard	WCCQ	Onward, Pillager (2018)
Conan	Battle in the Swamp	Monnos (2012)
Apostle of Solitude	Ruination Be Thy Name	From Gold to Ash (2018)
The Age of Truth	Come Back a God	Threshold (2017)
BREAK
Horehound	Dier’s Dirge	Holocene (2018)
Freedom Hawk	Danger	Beast Remains (2018)
Mothership	Midnight Express	High Strangeness (2017)
Warhorse	Lysergic Communion	As Heaven Turns to Ash (2001)

The Obelisk Show on Gimme Radio airs every other Friday at 1PM Eastern, with replays every Sunday at 7PM Eastern. Next show is Aug. 2. Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks