Perennially reliable in conveying that no space they occupy will ever qualify as ‘safe,’ Ohio sludge bastards Fistula remain as gut-spewing, vigilantly misanthropic and generally-on-pills as ever. Also productive. After issuing their latest full-length, The Shape of Doom to Cumm))), in December, the litmus-test abrasives will have a slew of singles out in 2017, and the first ones announced will be splits across opposite coast. Joining forces with likewise long-running Los Angeles troupe -(16)- and Boston’s Grief-offshoot Come to Grief, Fistula align themselves with other powerhouses of American sludge, though to be perfectly honest, they’re in a league of their own when it comes to sheer gross-out extremity. As ever.
They’ll reportedly have two more splits out before the end of 2017 on PATAC, so stay tuned for more. Here’s the latest in the meantime:
FISTULA announce upcoming split 7″s with COME TO GRIEF & -16-
Ohio’s purveyors of pain and filth FISTULA have reassembled the Longing For Infection lineup and are back in the basement tracking new compositions for upcoming split releases. With this first announcement, FISTULA will be extending their deafening plague of ‘rust belt doom’ coast-to-coast across two split EPs with COME TO GRIEF and -16- scheduled for release Fall 2017 on PATAC Records.
Expect a second pair of split recordings to be announced in the upcoming months.
Ohio’s FISTULA was forged in 1998 by musical partners-in-crime Corey Bing and Bahb Branca. Over the years,FISTULA has released a seemingly endless barrage of studio albums and split EPs through numerous lineup changes featuring the creative talents of bands such as –(16)-, Sloth, Hemdale, The Disease Concept, Accept Death, and so many others. FISTULA is a band that is impossible to categorize, combining elements of remedial sludge, hardcore and a proverbial “bad case of the Mondays.” Nearing two decades of ear bleeding, FISTULA remains the kings of doomed-out “miserycore.”
2015 saw the band at its creative peak, headlining the Het Patronaat stage at Roadburn Festival and recording the Destitute demo as well as the new full studio album Longing For Infection. Aside from Roadburn, FISTULA played the Haunted Hotel 13th Anniversary Fest as well as the Berserker III Fest. FISTULA returned to Europe (Bloodshed Festival) in October 2016 to bring their ultimate onslaught of pure, unbridled hatred, and negativity. FISTULA released another full-length last Fall coinciding with the tour on Totem Cat Records. Entitled The Shape Of Doom To Cumm ))), the record featured guest guitarist David Szulkin from Blood Farmers and Church Of Misery.
Personnel response for all that racket: Corey Bing – guitar/backups Bahb Branca – guitar/backups Dan Harrington – vocals Buddy Peel – bass Jeff Sullivan – drum
Posted in Features on January 23rd, 2017 by JJ Koczan
Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.
Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’
Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.
Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.
Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.
— Tomorrow’s Dream 2017 —
1. Abrahma, TBA
Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.
2. All Them Witches, Sleeping Through the War
If 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.
3. Alunah, Solennial
Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.
4. Arbouretum, TBA
I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.
5. Atavismo, Inerte
This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.
6. Bison Machine, TBA
In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.
7. Brothers of the Sonic Cloth, TBA
News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.
8. Cloud Catcher, Trails of Kosmic Dust
Okay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.
9. Colour Haze, TBA
I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.
10. Corrosion of Conformity, TBA
Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?
11. Elder, TBA
I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.
12. Electric Wizard, TBA
Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.
13. John Garcia, The Coyote Who Spoke in Tongues
Out Jan. 28 on Napalm, The Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo Burn, Hermano, Vista Chino, Zun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.
14. Goya, Harvester of Bongloads
Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.
15. Ides of Gemini, TBA
Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.
16. Kind, TBA
Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.
17. Lo-Pan, In Tensions
Yes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.
18. The Midnight Ghost Train, TBA
It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.
19. Monster Magnet, TBA
I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.
20. Mothership, High Strangeness
A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.
21. The Obsessed, Sacred
On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of Weinrich, Costantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.
22. Orange Goblin, TBA
When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.
23. Pallbearer, Heartless
Doomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.
24. Radio Moscow, TBA
Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.
25. Roadsaw, TBA
Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in Kind, White Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.
26. Rozamov, This Mortal Road
Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.
27. Samsara Blues Experiment, TBA
It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for Desertfest, Riff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.
28. Seedy Jeezus, TBA
Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah Mitchell, Tranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.
29. Shroud Eater, Strike the Sun
Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.
30. Sleep, TBA
If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.
31. Stoned Jesus, TBA
Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.
32. Stubb, TBA
Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.
33. Sun Blood Stories, It Runs Around the Room with Us
It Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.
34. Ufomammut, TBA
Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.
35. Vokonis, The Sunken Djinn
Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.
Gonna Happen and/or Likely Candidates
Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.
Either way, while I’m spending your money, you might want to look into:
36. Against the Grain
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
42. Beaten Back to Pure
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
73. Green Desert Water
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
87. Merlin, The Wizard
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
108. The Sonic Dawn, Into the Long Night
110. Spidergawd, IV
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
122. Youngblood Supercult, The Great American Death Rattle
Definitely Could Happen
Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.
So, you know, life.
123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
140. Devil Worshipper
144. Electric Moon
145. Elephant Tree
147. The Flying Eyes
148. Freedom Hawk
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
164. Mondo Drag
166. Mountain God
167. The Munsens
169. Never Got Caught
175. Purple Hill Witch
176. Ruby the Hatchet
178. Satan’s Satyrs
179. Serpents of Secrecy
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
191. Zone Six
Would be Awfully Nice
This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:
192. Across Tundras
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
201. Kings Destroy
202. Lord Fowl
204. Masters of Reality
207. Queens of the Stone Age
If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.
As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.
Posted in Whathaveyou on November 15th, 2016 by JJ Koczan
Roadburn 2017 adds 26 new bands to its lineup. Let me spell that out: TWENTY-SIX. And from My Dying Bride to Sumac to Scissorfight to Memoriam to Valborg, it’s precisely the kind of all-things-to-all-people mix that one has come to expect from the annual April festival, promising an experience like no other in John Dyer Baizley‘s curated event, as well as sets from the likes of Gong and Backwoods Payback and Suma and Unearthly Trance, the latter two who were former US tourmates once upon a time and will reunite in Tilburg this coming Spring. Blown away by how huge this event has become, and how every year it just seems to keep growing and moving forward. Sit back and look at the poster below for today’s adds. It’s astounding.
Tickets on sale now. From the PR wire:
Twenty six new bands added to the Roadburn 2017 line up
My Dying Bride will take to the Roadburn stage for the first time David Tibet and Youth will perform as Hypnopaz?zu Wolves In The Throne Room return from hibernation Memoriam breathe new life into death metal Wear Your Wounds show a different side to Jacob Bannon as part of John Dyer Baizley’s curation Carpenter Brut take synthwave to new and exciting places Those Poor Bastards conjure up the image of two undead holy preachers ….and more
MY DYING BRIDE: My Dying Bride have been confirmed to make their Roadburn Festival debut at the 2017 edition of the festival. As one of the leading lights of metal during the 90s, where they helped to further define what doom metal really was and where it could still go, this West Yorkshire bunch earned a place in metal history. They’ve done it all and somehow have managed to remain fresh and inventive.
The influential British doom band will perform a suitably mournful doom-filled set on Saturday, 22 April, 2017 at the 013 venue. Read more about My Dying Bride here.
HYPNOPAZ?ZU: It’s PixieTime
Girls and Boys—
For our HypnoPickNick
Bring Moons and Toys!
We are thrilled to announce that Hypnopaz?zu (David Tibet of Current 93 and Youth of Killing Joke) will perform at Roadburn Festival 2017, alongside Ulver, on Sunday, April 23 at the 013 venue, Tilburg, The Netherlands. Their album, Create Christ, Sailor Boy, ranks among our albums of the year at Roadburn HQ, and we cannot wait to witness it brought to life on stage at Roadburn 2017.
WOLVES IN THE THRONE ROOM:
Wolves In The Throne Room will be returning to Europe for the first time since 2012, and since they announced their subsequent hiatus. The band will steer away from the ambient and ethereal landscapes they created on their 2014 album Celestite, instead setting their sights on the more raw and earthy sounds from earlier in their back catalogue. Whatever choice cuts they select to serve up, the set is sure to be a masterclass in atmospheric black metal from one of the most important bands to leave their mark on the genre in recent years.
Wolves In The Throne Room will play at Roadburn Festival 2017 on Thursday, April 20, at the 013 venue, Tilburg, The Netherlands.
Bolt Thrower’s Karl Willetts started Memoriam as “a celebration of life through death metal”, and the results are exactly as one might expect. Having recruited Benediction bassist, Frank Healy, former Bolt Thrower drummer, Andy Whale, plus guitarist Scott Fairfax, Memoriam are clearly on an old school, death metal mission.
Willetts commented: “Memoriam are pleased to announce that they will be playing at the acclaimed Roadburn festival in 2017.
“We have seen this festival grow over the years and for us to be among the illustrious selection of bands playing this year is an honour!!! With our debut album to be released sometime early 2017 Roadburn will give us the opportunity to showcase our new material. Memoriam will unleash its devastating weaponry upon Roadburn 2017 and provide a true celebration of life through old school death metal.”
Follow Memoriam onward into battle on Saturday, 22 April when they play at the 013 venue, Tilburg, The Netherlands.
WEAR YOUR WOUNDS:
Wear Your Wounds – Converge vocalist Jacob Bannon’s intensely personal project – is an outlet he has been quietly feeding over the years, a repository for his lo-fi solo recordings that will now finally see the light. Scheduled for April 7th, just a couple of weeks before Roadburn, Wear Your Wounds’ first self-titled full length has us sitting on our hands with excitement.
John Dyer Baizley comments: “I’ve never seen them perform (who has, really?) so it goes without saying that I will be front and center for this moment. The lineup for Wear Your Wounds will include the following, in addition to Jake Bannon himself: Chris Maggio (Sleigh Bells, Trap Them, Coliseum), Mike Mckenzie (The Red Chord, Stomach Earth, Unraveller) Adam McGrath (Cave In, Zozobra, Nomad Stones), and Sean Martin (Hatebreed, Twitching Tongues, Kid Cudi, Cage). Don’t let that list fool you, THIS IS NOT A SUPERGROUP, but its hard to deny the talent and power within those musicians and collaborators. Please don’t miss the opportunity to witness their first-ever performance.”
Carpenter Brut take the essence of metal that you like, the parts of techno that you used to like and the atmospheric film music of Carpenter/Argento/Goblin that you love, to create a heady, melodic and intense genre. This French outfit is taking the synthwave to new and exciting places.
Carpenter Brut play on Saturday, 22 April at the 013 venue, Tilburg.
THOSE POOR BASTARDS:
Sounding like two undead holiness preachers, crawling out of an abandoned Mississippi graveyard consumed by the foul bog and delivering their message of the endtimes, Those Poor Bastards will hover around the next edition of Roadburn determined to convince you that your eternal soul is already damned beyond redemption.
With the devil on their trail and the graveyard constantly looming ahead, Those Poor Bastards will ruin Het Patronaat when they play their ghoulish songs on Thursday, 20 April at Roadburn 2017 in Tilburg, The Netherlands.
(DOLCH) lined up to shapeshift and mystify ASH BORER deliver innovative Cascadian black metal to the Roadburn masses BACKWOODS PAYBACK deliver honest expressions of heartfelt, heavy rock and roll CASUAL NUN to deliver downright heavy psych COME TO GRIEF will pay homage to Grief’s legacy EMMA RUTH RUNDLE will perform a set thick with emotion and densely packed with honesty ESBEN AND THE WITCH promise to delight with atmospheric, apocalyptic rock FANGE make their debut with heaps of D-Beat and amplifier worship GONG will lead us into psych rock sonic anarchy NO SPILL BLOOD to demonstrate a fusion of muscular, sludgy punk energy and swirling synthesiser noise as part of John Dyer Baizley’s curated event. OXBOW will release their next album, Thin Black Duke, shortly ahead of their Roadburn performance SCISSORFIGHT promise to “unleash some New Hampshire backwoods debauchery” SUMA bring their abrasive doom from Sweden SUMAC sees the return of Aaron Turner to Roadburn with his denser-than-a-black-hole outfit UNEARTHLY TRANCE set to combine the nihilism and confrontational approach of real sludge, both in lyrics and in actual musical delivery VALBORG return to deliver another dose of their bleakly elegant presence. VANUM will set Roadburn ablaze with a blend of icy melody and blackened atmospheric majesty WOLVENNEST will churn up some utterly hypnotic, sonik soundscapery YOUTH CODE show off their aggressive and expansive modern take on the EBM sounds of the 80s as part of John Dyer Baizley’s curated event.
Artists already announced for Roadburn 2017 include Coven, Warning (playing Watching from a Distance in full), Artists in Residence – GNOD, Mysticum, Oranssi Pazuzu, Deafheaven, Chelsea Wolfe, and our 2017 curator, John Baizley who will perform with Baroness, plus many more. Roadburn Festival will take place 20-23 April, 2017 at the 013 venue, Tilburg, The Netherlands.
Tickets are on sale for Roadburn 2017 and can be purchased from this link. 4 day – 195 Euro 3 day (Thu, Fri, Sat) – 172 Euro Single day ticket, Sunday only – 54 Euro
Thursday, Friday and Saturday single day tickets will be on sale at a later date.
Boston outfit Grief weren’t the first sludge band, but they might have been the first extreme sludge band. The really insane thing is that by the time they got around to putting out their sophomore album, Come to Grief, in 1994 — on Century Media, no less — their rawest work was already behind them. Their debut long-player, Dismal, had hit a year earlier, preceded by an EP of the same name, as well as the band’s first short release, 1992’s Depression. Between those and the couple splits between the first album and the second one, Grief‘s catalog had already forged some of its meanest output, and while I won’t take away from the grueling misanthropy that still pervaded their later work, albums like Miserably ever After (1996) and Torso (1998), Come to Grief seemed to be the perfect balance between regressive chaos and stylistic forward-thought that it’s the source of much of their enduring legacy to the point that when putting together a short-lived semi-reunion earlier this year, guitarist Terry Savastano (currently of Conclave) did so under the moniker Come to Grief.
Grief at the time was Savastano, guitarist/vocalist Jeff Hayward (now of Morne), bassist Randy Odierno and drummer Rick Johnson. Eric Harrison, who supplied Come to Grief‘s manic cover art, would later play bass in the band, and a full 21 years after its release, the album itself remains no less challenging than that cover. It is a slog, plain and simple. Single-minded in its disgruntled fuckall and deeply indebted as is much of sludge to hardcore punk, some of its riffing is no less akin to the death metal of the time — the key difference separating the two on a song like “Hate Grows Stronger” would be the swing in Johnson‘s drums — but even more than that, the album’s extremity is one of perspective. It would still be half a decade before Sleep belted lines about dropping out of life, bong in hand, but Grief give a way more accurate depiction of what mindset might actually lead someone to do that. Whether it’s “I Hate You” or “Stricken” or “Come to Grief” or “Fed Up,” which is almost Black Flaggian in how straightforward its lyrics are, Grief‘s pill-popping depressiveness is writ large front to back across the album, and being as it was the CD era, that’s a significant span at 54:32. I feel like anyone could take 36 minutes of this stuff, but then, Grief never seemed all that interested in making it easy for their audience.
Hope you enjoy, such as it is.
Rough day at work. I don’t think one breaks out Grief otherwise. I won’t go into it, but suffice it to say, I really, really, really wish I could do this for a living.
Went and saw Clutch, C.O.C. and The Shrine tonight. All three were killer. More expansive review on Monday. Yeah, I know it’s a holiday. Writing for this site is a treat for me at this point. It’ll be like fucking Xmas.
Also next week, a Snail review, and a Monster Magnet review, or maybe All Them Witches, depending largely on mood. Also hope to write up that Admiral Browning tape. Because it’s Admiral Browning, dang it!
It’s headed toward three in the morning, so I’ll leave it there. There’s other stuff coming up this week, but it’ll just have to be a surprise because it’s too late for me to think of it. We’ll be surprised together.
Please have a great and safe weekend, and please check out the forum and the radio stream. Especially the forum. The forum is fucking awesome. That’s the knowledge I have to share.
Posted in Whathaveyou on October 8th, 2014 by JJ Koczan
Ah, Grief. The band that taught sludge how to hate. Guitarist Terry Savastano will lead a semi-reunited lineup of the seminal Boston extremists working under a moniker taken from the title of their 1994 sophomore outing, Come to Grief,in headlining Deadfest 2015 in Oakland, California. The death/grind fest is set for Aug. 14 and 15 at The Oakland Metro and in addition to Come to Grief — whose lineup also boasts guitarist/vocalist Ken-E Bones of Long Island stalwarts Negative Reaction (who also have a new album in the works), Come to Grief-era drummer Rick Johnson and bassist Justin Christian formerly of Morgion — will feature the unwaveringly pulverizing likes of Terrorizer, Nausea, Noothgrush and Primitive Man over the course of its steadfastly anti-corporate two days.
Grief, whose last lineup was bassist/vocalist Eric Harrison, guitarist/vocalist Jeff Hayward, drummer Ray McCaffery and guitarist John Heidenreich, played their final show in 2009 after getting back together in ’05 following several years of inactivity. The band’s last full-length was 2000’s …And Man Will Become the Hunted, which was followed by the 2002 Turbulent Times compilation on Southern Lord, culling together rare an previously unreleased track’s from Grief‘s already tumultuous history.
Deadfest announced their lineup thusly:
Deadfest 2015 / August 14th & 15th @ The Oakland Metro / All Ages / $20 Each Day
2 Day D.I.Y Crust/Hardcore/Punk/Grind/Doom/Death&Black Metal Fest
2 Rooms / 4 Floor Stages / 15 Minute Sets
Come To Grief (MA/NH)
Terry Savastano/Guitars (Martyrvore/Goat felch /Founder of Grief ex-Disrupt ex-Warhorse etc……) Rick Johnson/Drums (ex-Grief ex-Slugpuncher) Ken E. Bones/Guitars and Vocals (Negative Reaction) Justin Christian/Bass (ex-Morgion ex-Keen of the Crow) We will be performing mostly early Grief material ( First 7″,Dismal 12″ Come to Grief L.P.)
Terrorizer (LA) Nausea (LA) Capitali$T Casualties Noothgrush (OAK) Excruciating Terror (LA) Endless Demise (LA) Cretin (SJ) Stapled Shut (LA) Cloud Rat (MI) Catheter (CO) Laughing Dog (NM) Backslider (PHILLY) Cave State (LA) Dope Runner (CO) Primitive Man (CO) And Many More T.B.A