The Obelisk Show on Gimme Radio Playlist: Episode 24

Posted in Radio on November 8th, 2019 by JJ Koczan

the obelisk show banner

It’s been forever since there was an episode of The Obelisk Show on Gimme Radio, but I’m glad to say that there was never any chance of it not continuing eventually. At least not one that I was told about — ha. Gimme had a bunch of specials booked, and well, if it’s me or the dude from Enslaved, or really anybody, I can’t really put up much of a fight that I should be given preference. I’m the dude who plays heavy rock on a metal station, and I’ve got a pretty good timeslot to do it. Yeah, I’m gonna get picked off in favor of special episodes. No worries. I kind of needed a break anyway.

So maybe think of this as the start of Season 2 of The Obelisk Show. I know that all the The Next Generation-era Star Trek shows operated with 24-episode seasons, but I don’t think anyone will begrudge me one fewer. Enterprise might’ve had a 23-episode season somewhere in there. I’d have to check. Either way, Season 2 picks up pretty much where Season 1 left off: a butt-load of new music and me nerding out about Colour Haze.

I talk a bit about the Høstsabbat fest in Norway that I went to last month, give the Brume record a plug and am a total geek for Al Cisneros’ bass tone on that new Om live release, so yes, pretty much the show is getting caught up with what’s been going on around here while it was off the air. A bit of shaking off the rust, but the playlist rules and I tried not to screw it all up too badly on mic. I haven’t heard the finished product yet, so we’ll see if it was a success. In any case, I hope you dig it.

The Obelisk Show on Gimme Radio airs at 1PM Eastern today.

Listen at: http://www.gimmeradio.com

Here’s the full playlist:

The Obelisk Show – 11.08.19

 

All Them Witches 1×1 1×1* 0:05:51
Ufomammut Satan XX* 0:03:12
Colour Haze Tempel Tempel 0:08:30
BREAK
Brume Scurry Rabbits* 0:10:58
Kadavar Children of the Night For the Dead Travel Fast* 0:05:59
The Lone Madman Häxan Let the Night Come* 0:07:29
Ogre King of the Wood Thrice as Strong* 0:05:41
Orodruin Letter of Life’s Regret Ruins of Eternity* 0:05:14
BREAK
Monolord Larvae No Comfort* 0:09:38
Bask Rid of You III* 0:04:40
Grin Helix Translucent Blades* 0:05:23
Om State of Non-Return BBC Radio 1* 0:08:22
Deaf Radio Dance Like a Reptile Modern Panic* 0:04:19
Devil to Pay 37 Trillion Forever, Never or Whenever* 0:03:10
BREAK
Clouds Taste Satanic Second Sight Second Sight 0:20:21
Total runtime: 1:48:47

The Obelisk Show on Gimme Radio airs every other Friday at 1PM Eastern, with replays every Sunday at 7PM Eastern. Next show is Nov. 22. Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

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Colour Haze Announce We Are Album Release Tour for Spring 2020

Posted in Whathaveyou on November 7th, 2019 by JJ Koczan

We’re drawing inevitably closer to the release of Colour Haze‘s forthcoming album, which has been retitled as We Are (originally Life) (discussed here), and as a blanket nerd for the band, obviously I find this prospect exciting. Sound of Liberation, which has long handled the band’s booking, has announced a round of tour dates for Spring that will probably coincide at least loosely with the arrival of the vinyl edition of the record, since as discussed in the interview linked above, there’s always some kind of delay between pressing LPs and CDs.

But let’s be honest, whenever Colour Haze want to go on tour and for whatever occasion, whether it’s a new record or their 25th anniversary, as it was this year, it’s not like anyone’s going to argue against it. Quite the contrary. If you’ve seen Colour Haze, you don’t need me to tell you to go see them again, and if you’ve never seen Colour Haze, well, go see them and you won’t need me to tell you anymore. Also, if you’ve never seen them as a four-piece with Jan Faszbender on keys, you have all the more reason to be there, whether you have before or not, because it’s a noteworthy shift in dynamic and atmosphere in the band.

Ah screw it, just go.

Here’s where to be, as per Sound of Liberation on thee social medias:

colour haze life tour

Colour Haze – 2020 ‘We Are’ Album Release Tour

We are more than happy to unveil that the legendary Colour Haze are going to promote their upcoming album (keep your eyes peeled for news!) in spring 2020 – with shows in Germany, Belgium, Netherlands, Hungary & Austria!

SOUND OF LIBERATION & Elektrohasch proudly present the following tour dates:

Colour Haze – ALBUM RELEASE TOUR 2020
24.03.20 (DE) Dresden, Beatpol
25.03.20 (AT) Salzburg, Rockhouse
26.03.20 (HU) Budapest, A38
27.03.20 TBA
28.03.20 (AT) Wien, Arena
29.03.20 (DE) Passau, Zauberberg
30.03.20 (DE) Wiesbaden, Schlachthof
31.03.20 (BE) Gent, Voruuit
01.04.20 (NL) Nijmegen, Doornroosje
02.04.20 (DE) Hamburg, Markthalle
03.04.20 (DE) Dortmund, Piano
04.04.20 (DE) Ludwigsburg, Scala

Listen to Colour Haze here:
https://tinyurl.com/ColourHazeSpotify

Follow Colour Haze on instagram:
https://www.instagram.com/colourhazeband/

http://colourhaze.de/
www.elektrohasch.de

Colour Haze, “Tempel” live at Høstsabbat 2019

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Streaming Interview: Talking Life and More with Colour Haze

Posted in audiObelisk, Features on October 21st, 2019 by JJ Koczan

Colour Haze (Photo by JJ Koczan)

A couple weeks back, I sat outside in the chilly Oslo air on the second night of Høstsabbat 2019 and had the chance to interview guitarist/vocalist Stefan Koglek of Colour Haze. At the time, his band was loading in their gear ahead of their headlining set (review here), and there are a couple moments in the interview where you can hear him directing traffic in that regard. They had played Up in Smoke in Switzerland the night before and would still look forward to their annual slot at Keep it Low in their hometown of Munich, Germany later in the month, as they simultaneously continued the mixing process for their new album, Life, which is expected out before the end of the year on Koglek‘s own Elektrohasch Schallplatten imprint.

Long a trio, Colour Haze is now the four-piece of Koglek, bassist Philipp Rasthofer, drummer Manfred Merwald and key-specialist/synthesist Jan Faszbender, whose arrival as a fully-fledged member of the band follows years of collaboration on arrangements and album guest appearances. I was also lucky enough to see Colour Haze play in this configuration last Spring in London (review here), and for what Faszbender brings to the dynamic of the group as a whole and for the depth of melody added by the organ and synth, the effect is only to make a special sound that much richer.

Life arrives two-plus years after 2017’s In Her Garden (review here), to which Faszbender also contributed, and having been lucky enough to hear a few of the in-progress mixes for songs like the speedy/funky “We Are” and the 10-minute jammer “The Real,” I feel confident saying the new material pushes deeper into the chemistry between guitar, bass, drums and keys, and maintains Colour Haze‘s signature warmth and exploratory feel. Of course I’ll hope to have more to come on the record than that as we get closer to the release, but if you’re a Colour Haze fan — as I most certainly am — it seems unlikely you’ll emerge disappointed, at least based on what I’ve heard thus far.

And at the same time, Colour Haze has just issued the live album, Live Vol. 2 – Duna Jam 2007, capturing the first set from the famed Sardinian “unofficial festival”/gathering that the band played, during the era between 2006’s Tempel (discussed here) and 2008’s All (discussed here). I haven’t heard it yet, but Koglek talks a bit about the performances in the interview below as well as where they’re at with the new record (or were two weeks ago, anyhow), and the idea that they’re using the live album as a form to tell part of the story of the band — especially in light of their 25th anniversary, which they’ve been celebrating all year — seems all the more special as a notion to manifest.

I could go on with all kinds of fanboy hyperbole about how righteous Colour Haze are live and on record, or about the decades of formative influence they’ve had on heavy psychedelia in Europe and beyond, but frankly you probably already know it. And if not, you probably don’t need me to encourage you to get caught up (though I will, happily). The audio of the chat is raw, but there’s some cool stuff in there — my favorite part is when Koglek refers to 2012’s She Said (review here) as being “too perfect” — and some insight into the making of Life that clues you into how the band functions and thinks about what they do. I was happy Koglek was able to take the time, and thanks to you for checking it out if you do.

Please enjoy:

Interview with Stefan Koglek of Colour Haze

Pt. 1

Pt. 2

Pt. 3

Colour Haze live:
OCT 25 Grund 74 Bischofsgrün, Germany
OCT 26 Festsaal Kreuzberg Berlin, Germany

Colour Haze website

Colour Haze on Thee Facebooks

Elektrohasch Schallplatten website

Colour Haze at Sound of Liberation

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Live Review: HØSTSABBAT 2019 Night Two in Oslo, Norway, 10.05.19

Posted in Reviews on October 6th, 2019 by JJ Koczan

hostsabbat 2019 poster square

Before the Show

Festival mode. One day bleeds into the next, sometimes into the one after. You lose time to the timetable. Basic needs become a big deal. Water. Coffee. Advil. Comfy socks. Earplugs in the top pocket of your jeans so you can be quick on the draw in a sudden burst of volume. All this shit really starts to matter.

Which I guess is my way of saying I’m tense about the day soon to unfold, as well as exhausted from last night. I expect these two energies to cancel each other out and leave a remainder of self-loathing-fueled social awkwardness, which is the standard I generally set for myself.

There was an art talk in the crypt a bit ago, followed upstairs by a live-painting session by Linda K. Røed and Trine Grimm, set to a drone session by Highrule. Not something you see every day, so I wanted to be sure to see it.

And they were painting, and droning, respectively, and I decided that while they were creating, I’d go up the balcony and do a bit of writing, so that’s where I am. Here’s the view:

Live painting at Høstsabbat

It is a significant view, but it’s worth reemphasizing that this fest is about more than just the place. Last year it found its home in the Kulturkirken Jakob, and with that task behind it, it’s begun to explore further its own personality and the varying shapes it can take. The lineup for today, already under way, sort of, speaks to that, as does the growing visual side. I’d only expect the progression to continue.

First band on in half an hour downstairs. Easily time for another coffee beforehand.

After the Show

Definitely not the same sort of brain-surge as was the ending of last night, with Ufomammut reconfirming their galaxial supremacy, but more like a spiritual cleansing, like if you could actually catch your breath in one breath. That would be Colour Haze closing out Kulturkirken Jakob for the second and final night of Høstsabbat 2019.

By then, I and everyone else in attendance had been through a ringer of ups, downs and side-to-sides of style, eight bands between the two Kulturkirken stages, five more across the street at Verkstedet, and I know I didn’t see two bands play the same kind of sound today. Even the sludge bands were different enough to be called different. It was a little staggering.

But, if there’s ever a time for a blowout, it’s the last day of the fest, and Høstsabbat made the most of the opportunity confronting it. I’m sad to say that as I’ll be traveling tomorrow morning, the inevitabilities of returning to real life — much as I have one — were burrowing into my head by about the time the third band went on, but I knuckled down and let myself enjoy being here while I’m here. Have I mentioned how lucky I am to be here?

Good. Because that’s really the lesson of the weekend. Stupid lucky.

I seem to recall the day going something like this:

Dunbarrow

Dunbarrow (Photo by JJ Koczan)

Rest assured, it was just last year that Norwegian classic doomers Dunbarrow released their second album, II (review here) on RidingEasy. It only sounds like it was 45 years ago. Opening up the crypt stage, Dunbarrow delivered their set with an energy that reminded me of catching Brutus headlining in the same space last year, Dunbarrow‘s style is even more heavy ’70s in its focus. They represented their recorded work well in that way — it wasn’t like they got on stage and came across completely different, like their vintage aesthetic is all studio tricks or something like that. There’s a lot of First Daze Here-era Pentagram at play, as there inevitably would be, and they take cues from the same cues Witchcraft took therefrom, but part of the charm of seeing them was watching them bring that spirit to life, and they absolutely did that. It’s a sound that’s not based on being the loudest or the heaviest all the time, and it can be tricky for bands to pull it off and still convey some sense of vitality. Wasn’t a problem for Dunbarrow.

Hexvessel

Hexvessel (Photo by JJ Koczan)

I know it’s trash-cliche, because experience is subjective and all that happy crap, but Hexvessel have the ability to move a room like few bands I’ve seen. As fate and silly-life would have it, this was my second time seeing them since the release of their back-to-ground forest folk fourth LP, All Tree (review here), behind a set this Spring at Roadburn (review here), and it’s proven true again that they’re absolutely transportive. The vocal harmonies, the rich arrangement elements, and now — thanks in no small part to the aesthetic sprawl of their third album, 2016’s When We are Death (review here) — the diversity of their atmospheres all come together to form a cohesive purpose. It’s a conversation and a going. Does it require some buy-in? For sure. What doesn’t? That’s where the sheer songwriting comes in, because no matter where Hexvessel might take you in a given track, record, set, etc., their method has an ultra-consistent level of craft behind it. Every melody is in its place, every swell and sway have their function toward the larger intent moving you. And so you end up in a different place than you were when they started. Every time.

Papir

Papir (Photo by JJ Koczan)

It’s a pretty good sign your lineup is absolutely bonkers when you’ve got bands like Hexvessel and Papir playing on the relatively early end of the day. I was way stoked, in the parlance of our times, to catch Papir‘s ultra-fluid instrumental jamming. They were one of the band I was most excited to see this weekend, there was zero disappointment once they got going. I was a little surprised at how mellow they weren’t. All things are relative — especially when Belzebong are shortly to hit stage upstairs and Slabdragger are next in the basement — but still, while of course they had their calm moments and the overarching vibe was serene, the Copenhagen trio of guitarist Nicklas Sørensen bassist Christian Becher and drummer Christoffer Brøchmann showed even more character in their material than I had thought was coming. The crypt stage was packed out early for them — I got there 20 minutes before they went on and still had a dude trying to push out of the way for a spot — but frankly, I couldn’t even argue with the impulse. What Papir were doing, loud or quiet at any given moment but universally hypnotic, was nothing if not an invitation.

Belzebong

Belzebong (Photo by JJ Koczan)

Kind of on the other end of a similar instrumentalist heavy spectrum were Belzebong, whose crusty, ultra-gree-heen take on stoner metal and sludge was like taking the notion of “riff-based” to what most would no doubt consider an illogical extreme. Some bands are a lifestyle, and Belzebong were a reminder of that. I don’t know how they’re received in their native Poland, but Høstsabbat certainly bid them welcome to the altar stage, and was more than willing to follow the bouncing skulls as the band headbanged in unison to each successive, massive riff. As with their recorded output — their third full-length, Light the Dankness (review here), came out last year — their live show is bent decidedly in favor of the primitive. It is stoned, and fuck you. I’ll grant that that, in itself, is an atmosphere, and Belzebong were well comfortable within it, but the whole idea was driving riffs into the brains of the willing and the converted because everyone else is probably a cop anyway. They were loud, they were huge-sounding, and they were everything you could possibly ask Belzebong to be on a Saturday night in Oslo. I’m gonna go out on a limb and guess that also includes being high. If not, it’s doubly impressive.

Orsak:Oslo

Orsak Oslo (Photo by JJ Koczan)

I didn’t get to catch more than a few minutes of their set, because I was en route from one thing to the other, but I wanted to give quick mention to anyone paying attention to Orsak:Oslo, whose dreamy-space-vibe-rock I consider my “find” of the entire festival. Again, I didn’t see a lot of it, but what I saw was excellent and made me wish I could see more. They put out a record earlier this year on Germany’s Kapitaen Platte. If I could’ve figured out how to work VIPPS without a Norwegian ID number, I’d have bought the CD from the merch area. As it was, they were well worth the momentary detour across the street.

Slabdragger

Slabdragger (Photo by JJ Koczan)

Uh, progressive? But like the progressive that might kick you? I did have to look it up, but it’s been three years since London trio Slabdragger — which includes Old Man Lizard guitarist/vocalist Jack Newnham on drums — put out their second record, Rise of the Dawncrusher (review here), and one would think that might be long enough for them to get another release together, but seeing them in the crypt for Høstsabbat, I had no trouble believing it might be longer. They were half a decade between their first and second records, and with the complexity of what they were playing, it makes sense. Extended tracks, some parts rocking, other parts outright punishing, Slabdragger brought together a thoughtful mindset with tectonic intensity in a way that was undeniably their own. You might call them sludge on some level, if only because they’re so heavy — and they are, whatever else is going on at the time — but that barely scratches the surface. Bonus points to guitarist Sam Thredder, who asked to have the lights turned up after the first song so he could see what he was playing. “I swear that’s why that song only had one note,” he told the crowd as he prepared to share vocal duties again with bassist Yusuf Tary for another round of pummeling.

The Devil and the Almighty Blues

The Devil and the Almighty Blues (Photo by JJ Koczan)

The Devil and the Almighty Blues, feeding off a hometown crowd’s energy, vocalist Arnt O. Andersen, guitarists Petter Svee and Torgeir Waldemar Engen, bassist Kim Skaug and drummer Kenneth Simonsen came out to the country-blues strains of “O Death” — as they’re wont to do — and proceeded to immediately earn the heroes’ welcome they were given by the crowd by building the ultra-catchy “Salt the Earth” from earlier-2019’s Tre (review here) from the ground up, Anderson, in robe, in utter command of the proceedings in true and classic frontman fashion, even when his arms were crossed and he stood at the back of the stage drinking a beer and nodding in approval. The band on either side of him — and behind, in the case of Simonsen — were both vibrant and tight, clearly playing up to the occasion at Kulturkirken Jakob in front of fans as well as what seemed to be friends and family. Their moody, possibly drunken sense of danger was readily on display, but they shone on a big stage in a way that underscored their touring and fest experience, and while I had to wonder what it would take to get them over to the US for a show, and if the American crowd would get it in the same way, I couldn’t help but think they’re a band my home country is missing out on by not having the chance to see live. They took what was obviously a special show for them and made it one for everyone else too.

LLNN

LLNN (Photo by JJ Koczan)

Sometimes it’s easy to forget how heavy heavy actually gets. Fortunately, for those momentary lapses, along comes a band like LLNN to absolutely slam your skull into a wall. I had only barely checked out the Copenhagen outfit’s 2018 full-length, Deads, for a few seconds before deciding they were the something I wanted to experience live, and for two days of heaviness in that basement, there might indeed have been nowhere to go after them. Superlatively heavy, extreme post-metal, with atmospherics to push the air out of your lungs and tone to make sure it stays gone. Brutal, chaotic, whatever else. It was all of that churn and physical force behind the music, as well as being less about a cathartic expression — as was, say, SUMA, who opened the crypt yesterday — than a reveling in disaffection and alienation. So much weight brought to bear, and not all of it coldly or unemotionally. Their performance was no less ferocious than their sound, with the lights low and the strobe going and everything set to convey a sense of being overwhelmed, which was a standard they met easily. Not the kind of thing you’d put on for a dinner party — unless your dinner parties are awesome — but probably the kind of thing that should be played in art galleries as well as church basements. Pelagic released that album, so clearly I have some digging back to do in further investigation. Maybe a bit of recovery first though.

Colour Haze

Colour Haze (Photo by JJ Koczan)

There was some technical difficulty at the outset — one of drummer Manfred Merwald‘s stage monitors didn’t seem to be putting out anything for a while there — but while that delayed their start a couple minutes, once Colour Haze got going for their headlining set at the second night of Høstsabbat, and whatever came before, the feeling of peace was palpable. It radiated from all corners of the stage, even from Merwald, who make no mistake is a madman behind the kit. That’s something that has become all the more visible since he’s turned the drums sideways to allow room for organist/synthesist Jan Faszbender on the stage; Faszbender being the fourth member who’s worked with the band for years on arrangements, recording, etc., but only really started to play shows with them for the last couple years, joining the trio of Merwald, bassist Philipp Rasthofer — he of the classiest bass tone I’ve ever heard — and guitarist/vocalist Stefan Koglek, whose hippie spirit on stage does nothing to undercut the precision and concentration behind his playing. They’ve been celebrating the 25th anniversary of the band since the Spring, and have more tour dates lined up this year, but I was lucky enough to see them in this configuration in London in May 2018 (review here), and they’ve only gotten more fluid as a four-piece, adding nuance in between-song transitions and Faszbender‘s contributions to older material. They opened with “She Said” from the 2012 album of the same name (review here) and they jammed and jammed and jammed, with some new material thrown in for good measure. The record is called Life, and it’s slated for CD/DL release in November, so here’s hoping. In the meantime, “Aquamaria” and “Transformation” were glorious, and the warmth that Colour Haze exuded from the stage was such that not even the October night in Oslo could stand up to it. Seriously, I took off my hoodie. They’re not a band I’ll ever pretend to be remotely objective about, but what they do is singularly beautiful. Another 25 years would be just fine, thank you very much. And then some.

The Next Morning

Hi from Oslo International. I’ll be honest with you, I don’t know what the hell value Høstsabbat sees in inviting me to this festival, but holy crap it’s appreciated. The hospitality I’ve been shown this year and last year (and two years before that, as well) is sincerely humbling, and while I’m happy to come here and write as long as they’ll have me, I can’t say it makes any sense why they’d want me here.

As such, I’m not going to say anything about “next year.” Because, you know what, maybe Høstsabbat will do what’s well within their rights and tell me to get lost (which I did walking from the train station to the hotel on Thursday, same as last year). I feel like it would be reasonable.

So instead of talking about Høstsabbat 2020, which I’m sure will be excellent whether or not I’m here to see it, I’m going to take 2019 and breathe it in for a minute and appreciate what I’ve just spent the last two days doing for the once-in-a-lifetime opportunity it was. How many chances am I going to have to see a band like Orsak:Oslo play in a tiny bar? Or Ufomammut and Colour Haze in a cathedral setting? Whatever does or doesn’t happen in the future, I was lucky to be here.

Special thanks to Ole and Jens, as always, and thanks to Stefan Koglek, The Patient Mrs. and most of all to you for reading.

Now, if you need me, I gotta go get on a plane. More pics after the jump.

Read more »

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Colour Haze Announce New Album Life out This Fall; Update on Live Vol. 2 & Tour Dates

Posted in Whathaveyou on September 4th, 2019 by JJ Koczan

colour haze 2 (Photo by JJ Koczan)

It was just yesterday day I was sitting around talking about Colour Haze being added to Up in Smoke saying I hoped they had a follow-up to 2017’s In Her Garden (review here) out soon, and here we are. The record that they began putting to tape in April is called Life and will be out this Fall, of course through guitarist/vocalist Stefan Koglek‘s Elektrohasch Schallplatten imprint. It’s due out this Fall, which I’ll assume means either October or November sometime, and that’s fine by me. I especially like the part in the update below where Koglek refers to the process as being “especially delightful.” I want to hear what that sounds like.

They’ve also given some more details on the Live Vol. 2 release they announced this Spring and that will capture their performance from Duna Jam in 2007. That seems like it’ll be especially delightful as well.

Can’t wait to see them again in Norway. Their other confirmed dates are below, along with the promise of more to come and some of their set from Duna Jam this year. Dig it:

Colour-Haze-Duna-Live-2007

Elektrohasch 012 – Colour Haze – Life

The work on our new album is going ahead well and is especially delightful for us this time. We think this will become an exceptional record. More about that later. CD and download will be released in autumn. I can‘t say yet if vinyl can be pressed fast enough to be released until the end of the year. In march we will be on tour with the new album… and until then we play live:

28.09. Villingen-Schwenningen, Kulturzentrum Klosterhof
03.10. CH – Pratteln, Up In Smoke
05.10. NO – Oslo, Hostsabbat
09.10. Bonn, Harmonie, WDR Rockpalast
12.10. München, Feierwerk, Keep It Low
26.10. Berlin, Festsaal Kreuzberg, Rotor XXI

Elektrohasch 061 – Colour Haze -Live Vol. 2 – Duna Jam 2007

Recordings from our first Duna Jam in 2007 – parts of the legendary Tempel-concert and a wonderful session on the beach….

Now ready for preorder, will be delivered by mid of September. DLP in black 180gr. vinyl or handnumbered limited on 500 copies on yellow (beach-side) and blue (tempel-side) vinyl.

Double-CD and downloads coming soon….

http://colourhaze.de/
www.elektrohasch.de

Colour Haze, Live at Duna Jam 2019

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Colour Haze Confirmed for Up in Smoke 2019

Posted in Whathaveyou on September 3rd, 2019 by JJ Koczan

You can call me crazy if you want, but I’m kind of still hoping that one of these days I’m going to load up my shitty webmail interface and there’s gonna be a note there that says there’s a new Colour Haze album done and it’ll be released probably in like two weeks from whenever the email arrived. I’d like it to be out before the end of the year, because as far as I’m concerned, the best album of 2019 is still well up for grabs, but it’s already September, so maybe that’s a fool’s line of thinking. Plus, I’m just always kind of hoping to open my email and find news of a new album from Colour Haze. Why the hell wouldn’t I be?

Of course, In Her Garden (review here) is only two years old, so it’s not like they’re overdue for a release or anything, but it’s the 25th anniversary of the band and they might want to take advantage of the occasion. On the other hand, they’ve been doing so by playing live throughout the year and they’ll continue this Fall as they play fests like Up in Smoke in Switzerland, for which they’ve newly been confirmed. This is the same week they headline at Høstsabbat in Oslo, Norway, so it may be that they’ll add more dates — have they been confirmed for Keep it Low yet? one would expect that given it’s their hometown of Munich and they always seem to play — or this might be it as, maybe, just maybe, they finish up the record to come.

Or so one hopes.

Here’s Up in Smoke‘s announcement:

up in smoke 2019 colour haze

COLOUR HAZE confirmed for Up in Smoke Festival

What awesome news to start the week, brothers & sisters !!! The german heavy psych institution surely doesn´t need an introduction anymore.

We all know their excellent songwriting skills and unbelievable live performance. Colour Haze are celebrating their 25 years anniversary and we can expect a unique show from one of the most outstanding bands of the genre.

Only one month left so join the madness and get your tickets: https://www.sol-tickets.com/produkte/36-tickets-up-in-smoke-konzertfabrik-z7-pratteln-am-03-10-2019

http://www.z-7.ch/event.php?eventid=1665
https://www.facebook.com/UpInSmokeIndoorFestivalInZ7/
https://www.facebook.com/events/1811016498954043/
https://www.upinsmoke.de

Colour Haze, In Her Garden (2017)

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Høstsabbat 2019 Confirms Colour Haze as Second Headliner

Posted in Whathaveyou on April 5th, 2019 by JJ Koczan

hostsabbat 2019 banner

As a terrible tv show intro once said, “It’s been a long road, getting from there to here.” Awful as that theme was, the saying nonetheless applies to Høstsabbat 2019, which has now announced its complete lineup for the 2019 edition with Colour Haze as the final act added. The German heavy psychedelic stalwarts are celebrating their 25th anniversary this year, and have already been on tour to mark the occasion, so one can only imagine the party will continue like it does. They join Ufomammut as headliners for Høstsabbat, and I’ll admit that since I heard they were playing I’ve been itching to post the news. I think it’s pretty well established I’m a dork for Colour Haze at this point, and as they’re recording a new album this month — maybe even RIGHT NOW — it’s all the more reason to get out and see them, not that any more reason than “they’ll be there” is needed when it comes to showing up.

All the more imperative to get yourself to Kulturkirken Jakob this October.

Book it.

Here’s word from the fest:

hostsabbat 2019 colour haze

HØSTSABBAT 2019 – COLOUR HAZE (DE)

All of a sudden we are there. The last, but definitely not the least, addition to Høstsabbat 2019.

We have been wanting to have this band on the bill for years, and we are super proud to finally bring the mighty COLOUR HAZE to Norway for the first time, headlining the Saturday bill.

COLOUR HAZE represents the essence of what Høstsabbat is all about. They are heavy, they are lush, they are groovy, they are retro-oriented, but first of all they are one of the best bands on display in World. Make no mistake, they are no beginners.

COLOUR HAZE is a band that seems to have existed for ever. They have played the biggest festivals a numerous of times; Roadburn, Duna Jam, Desertfest and the list goes on… Their latest opus “In her Garden”, out 2017 on Elektrohasch Records marked their place in the European psych/kraut rock community as an entity that never rests on its prior accomplishments, but keep on pushing boundaries to expand their sound to the enjoyment of all their fans.

They are at times reminiscent of Norwegian legends Motorpsycho, both in their sound and artistic vision. We surely hope and think COLOUR HAZE will blow minds like no one before them, when they enter the Chapel stage Saturday October 5th.

COLOUR HAZE has been added, Høstsabbat 2019 booking is done.

See you in October!

FESTIVAL TICKETS
http://bit.ly/HSfestivalpass

SPOTIFY PLAYLIST – HØSTSABBAT 2019
http://bit.ly/HS2019playlist

https://www.facebook.com/events/274561413173994/
https://www.facebook.com/hostsabbat/
http://hostsabbat.no/

Colour Haze, Live at The Garage, London, May 22, 2018

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Colour Haze to Record New Album in April; Live Vol. 2 Coming Soon; Touring in Spring

Posted in Whathaveyou on February 20th, 2019 by JJ Koczan

Let’s get right to it: Colour Haze are going to begin recording their next album in April. I was thinking the other day they might have something in the works to follow-up 2017’s In Her Garden (review here), and it’s all the more fitting that they do, as they’re also celebrating their 25th anniversary on a previously announced tour this Spring that includes stops at Desertfest in London and Berlin both. New Colour Haze, all the more as the trio has expanded to a four-piece, is among the most welcome things a given year can bring. To say it’s one to look forward to is like saying you look forward to vacation. Of course you’re looking forward to it. It’s vacation. That’s how it is with new Colour Haze.

They’ll also have a new live album out that was recorded at Duna Jam in 2007 — which puts it square in the Tempel era; win — as well as a reissue of Los Sounds de Krauts that will also be remixed. I’ll be interested to hear how that album changes in the new version. Other digital reissues are currently in progress as well.

And I haven’t heard yet, but one assumes they’ll be at Keep it Low in Munich this October for their annual appearance there — one more reason to want to go to that fest — and they may have more anniversary touring in the works as well. We’ll see. Either way, the more active they are, the better a place the planet is to be.

From the PR wire:

colour haze 2 (Photo by JJ Koczan)

25 years Colour Haze

In August 1994 Tim Höfer, Christian Wiesner and me founded Colour Haze. After uneasy first years Mani and Philipp completed the band in 1998. Last year Jan Faszbender joined us. After more than 450 shows all over the world, 2 live- and 12 studio-albums foremost we wish to say:

THANK YOU! Thanks to all who went to our concerts and bought the records. Thanks to our crew, the promoters, local staffs and all who helped. Thanks to all the bands who shared the stage with us and all the musicians who contributed to our recordings. Thanks to all who wrote and spread the word. Thanks to our families who tolerate and support all this!

Thanks for all the friendship we found and could share!

And we have a lot of plans for 2019:
– we keep on working through our back-catalogue and will add more remastered Hi-resolution downloads to our webshop.
– After all the old digital data could be restored Los Sounds De Krauts finally will be remixed and reissued on DLP, 2CD and download.
– Live Vol. 2 will be released soon – recordings from Duna Jam 2007 – parts of the legendary Tempel-concert and a wonderful session on the beach….
– For April we already booked the studio for the basic-track recordings of our upcoming album….

And we want to play live a lot – a first tour is already booked – after the shows with Jan were received so very well last year you can look forward to see us as a fourpiece again in May ; )

02.05. Nürnberg, Hirsch ( + Monkey 3)
03.05. Berlin, Desertfest
04.05. NL-Nijmegen, Sonic Whip
05.05. UK – London, Desertfest
06.05. F – Paris, Petit Bain ( + The Devil and the almighty Blues)
07.05. Aachen, Musikbunker ( + Monkey 3)
08.05. Hannover, Musikzentrum ( + Monkey 3)
09.05. Leipzig, Werk 2
10.05. Stuttgart, Universum ( +The Devil and the almighty Blues)
11.05. Passau, Zauberberg

www.soundofliberation.com/colour-haze
http://colourhaze.de/
www.elektrohasch.de

Colour Haze, In Her Garden (2017)

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