Chron Goblin to Enter Studio this Summer

Posted in Whathaveyou on May 14th, 2018 by JJ Koczan

Yeah, yeah, I know bands say all kinds of things in press releases — ‘we’re from Mars and only breathe hash oil!’ — but I wonder if Chron Goblin actually went to Nepal. I know they really played Desertfest, so that’s true. It’s the kind of thing I’d like to ask them. So I will:

Hey, Chron Goblin! Did you guys really go to Nepal? If so, what for? Did you play? Band field trip? What’s the deal?

Maybe they’ll be kind enough to answer in the comments, or maybe they’re too busy getting ready to head out for a string of shows this week alongside Cancer Bats, Black Mastiff and Iron Eyes ahead of entering the studio this summer to record the follow-up to 2015’s Backwater (review here). Either way, a trip to Nepal sounds pretty badass.

The Alberta natives also played the Calgary 420 Fest this past April with Anciients, Cowpuncher, the aforementioned Black Mastiff and a whole bunch of others, so they’ve been keeping busy.

They sent the latest news down the PR wire:

chron goblin

CHRON GOBLIN TO ENTER STUDIO SUMMER 2018

Chron Goblin booked to record fourth studio album at OCL Studios

Emerging from the dank swamplands of their last album, Backwater (2015 Ripple Music), the acidic blues rock foursome known as Chron Goblin is poised to enter the next chapter of their destiny.

Readily absorbing those warm solar rays and the truths it illuminates, the four friends have achieved some significant milestones over the past 12 months. From scaling the mountain ranges of Nepal to closing out Britain’s Desertfest with a bang, the enlightenment Chron Goblin’s members have received has not always been that which they were seeking, but that element of uncertainty is what makes life’s little twists all the more sweet.

Taking that sense of gratitude and humility first to heart and secondly into the studio, Chron Goblin has generated a fresh crop of potent material based on their greatest triumphs and misadventures. The two facets of existence go hand in hand, not unlike the hard-charging rhythms and cathartic vocals that have come to define the band, along with spot-on percussion, intoxicating swirls of psychedelic stringwork and earworm spawning lyrics that’ll keep you coming back for round after round. Vocalist and lyricist Josh Sandulak describes the album as “an amalgamation and reflection of all the experiences and growth we’ve had as a band and it’s a celebration of that journey.”

Stay tuned for more green-gold nuggets from the hardcore quartet with a penchant for creating arm-out-the-window rock anthems. Chron Goblin will be entering OCL Studios this summer to collaborate with Josh Rob Gwilliam, whose production and engineering skills has led to platinum records and Juno Awards. An incendiary new release is sure to follow.

Upcoming Tour Dates w/ Cancer Bats
May 16 Calgary Dickens
May 17 Red Deer Bo’s
May 18 Edmonton Starlite Room

https://www.facebook.com/ChronGoblin/
https://www.instagram.com/chrongoblin/
https://twitter.com/ChronGoblin
http://www.chrongoblin.com/
https://chrongoblin.bandcamp.com/

Chron Goblin, Backwater (2015)

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Calgary 420 Fest Lineup: Wo Fat, Black Mastiff, Anciients, Chron Goblin, Mammoth Grove and More to Play

Posted in Whathaveyou on April 6th, 2017 by JJ Koczan

wo fat necro blanca photography

Appropriately enough, the Calgary 420 Fest starts on April 20 and will feature a host of stoner and other heavy types of acts across its three-day stretch. Among the notables is Wo Fat (above), who’ll be making their debut appearance in Canada as headliners for the final evening, along with Black Mastiff and Anciients on the nights preceding, and a slew of native Canadian bands to go along with, from Mammoth Grove and Chron Goblin to the sludgy likes of Lavagoat and the classic heavy rock of La Chinga. There’s also a bunch of weedian whathaveyou going on as a part of it, as the PR wire details below, food trucks and a beard contest, so seems like a good time on any number of levels.

Details follow:

calgary 420 fest lineup

Calgary’s 420 Music & Arts Festival Announce Concert Line Up w/ Wo Fat, Anciients, Black Mastiff and more!

April 20, 21, 22 @ Distortion
3828 MacLeod Trail S., Calgary, Alberta T2G 2R2

Big Rock Brewery & METALHEADS UNITED Presents the 420 Music & Arts Festival at Distortion – Live Music Venue in Calgary, AB, Canada, April 20, 21 and 22, 2017.

The 420 Music & Arts Festival is a three day celebration featuring 22 Stoner Rock, Desert Rock, Doom & Sludge Metal and Fuzzy, Kick Ass Rock n Roll bands surrounding the culture that is 420. Headlining this inaugural year all the way from Dallas, TX for their first Canadian performance, stoner legends WO FAT, Vancouver’s ANCIIENTS and Edmonton/ Vancouver based BLACK MASTIFF.

In addition to all the rad music, festival attendees will have the opportunity to view and purchase the work of select local artists, artisans and craftsman at the 420 Expo, Saturday, April 22 at Distortion from 10am-4pm. Interspersed with vendors of interesting and eclectic wares will be information on medical marijuana and hemp products and even more 420 enthusiasts. Select vendors, artists and marijuana related companies will be available in the evenings at the festival as well. NORML (National Organization for the Reform of Marijuana Laws) will be in attendance to answer questions.

You will be able to indulge your desire for munchies with a variety delectable culinary creations from some of Southern Alberta’s best food trucks. If that isn’t enough, each night of the festival there will be an opportunity to show off your glorious facial hair in our beard contest. Celebrity judges will decide who moves onto the final round on the last night of the festival where one beard will rule them all!

* Big Rock Beer is exclusive beer for the 420 Music & Arts Festival

* 420 Music & Arts Festival will be the very first Canadian performance by Dallas, TX stoner rock legends Wo Fat

Festival Lineup:

Overall Festival Event Link (Main Link) www.facebook.com/events/226953177757584/

Wednesday, April 19 – Pre-Fest – FREE SHOW + Advance Pass Pick Up

Ten Dead Crow
Terminal Human Condition

Thursday, April 20
FB Event www.facebook.com/events/240616399708945/

Black Mastiff (Edmonton, AB/Vancouver, BC)
HighKicks (Calgary, AB)
La Chinga (Vancouver, BC)
The Electric Revival (Calgary, AB)
Buffalo Bud Buster (Calgary, AB)
Hypnopilot (Calgary, AB)
Set & Stoned (Crossfield, AB)

Friday, April 21
FB event www.facebook.com/events/1702426476734012/

Anciients (Vancouver, BC)
Dead Quiet (Vancouver, BC)
Lavagoat (Saskatoon, SK)
Orbital Express (Regina, SK)
ChronoBot (Prince Albert, SK)
Lordosis (Calgary, AB)
Hunted By Ravens (Red Deer, AB)

Saturday, April 22
FB event www.facebook.com/events/795080193963870/

Wo Fat (Dallas, Texas, USA) First ever appearance in Canada
Chron Goblin (Calgary, AB)
Cowpuncher (Calgary, AB)
Mammoth Grove (Calgary, AB)
NVGR (Nikki Valentine & Gypsy Riders) (Calgary, AB)
Black Thunder (Regina, SK)
Brown Dwarf (Red Deer, AB)
Bazaraba (Calgary, AB)

Ticket links:

Available at http://www.420musicandartsfestival.ca/store-2/ and on FB page on the festival store https://store10885031.ecwid.com/.

https://www.facebook.com/events/226953177757584
http://www.420musicandartsfestival.ca/
http://www.twitter.com/420FestivalYYC
http://www.facebook.com/420MusicAndArtsFestival
http://www.instagram.com/420MusicandArtsFestival

Wo Fat, Midnight Cometh (2016)

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Chron Goblin Announce UK and European Live Dates

Posted in Whathaveyou on February 27th, 2017 by JJ Koczan

chron goblin

Moments ago, and probably it went on longer than it should have, I started this post talking about how the impending horrors of global climate change would eventually make Canadians of us all, and how particularly Americans would swarm to the north to escape the just-went-outside radiation burns and dried-up landscapes and turn the newly-thawed tundra into strip malls because we’d learned nothing. Shit was grim, I don’t mind saying.

Ultimately, I opted to scrap the screed, because there’s little one might talk about that’s further away from the good-times-had-by-all party vibing of Calgary’s Chron Goblin. The four-piece, who released their third album, Backwater (review here), late in 2015 on Ripple Music, are headed over to the UK and Europe for a quick run that centers around an appearance at Desertfest London 2017. You might recall Total Volume, which is involved in this run as well along with Snuff LaneRipple and Buried in Smoke, brought the band over early last summer. As I understand it, the only thing better than going is making a return trip, so safe travels and rock and roll all around.

Chron Goblin have also been demoing new material, so you know, if you’re not feeling particularly hopeful about the future, there’s a bit of reason to.

Dance, dance, dance:

chron-goblin-uk-eu-tour

Chron Goblin – UK & Euro Tour 2017

Chrome up your pipes and break out the botanicals. Chron Goblin is poised to descend upon fortress UK/Europe. Hailing from the backwaters of The Great White North, this potent four-piece invokes the smell of diesel and pot-distilled gin with their rugged, yet refined, approach. The hangover cure you have been praying for, Chron Goblin’s airtight performance will screw your head on right and prime you for yet another night — of rock ‘n’ roll revelry!

We’re stoked to return to UK/Europe this spring! Big thanks to everyone who helped to make this tour happen!

Chron Goblin UK & Europe Tour 2017:
04.28 Birmingham UK
04.29 London UK
04.30 Oxford UK
05.01 Bristol UK
05.02 Bournemouth UK
05.04 Coventry UK
05.05 Westmalle BE
05.06 Siegen DE

chrongoblin.com
facebook.com/ChronGoblin
chrongoblin.bandcamp.com

Chron Goblin, Backwater (2015)

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Desertfest London 2017: Individual Day Schedules Announced

Posted in Whathaveyou on January 30th, 2017 by JJ Koczan

I have no problem admitting to feeling overwhelmed looking at the full lineup and individual day splits for Desertfest London 2017. I mean, seriously. Look at that poster. What a way to spend a weekend.

Likewise, I have few grand reflections to offer in light of that overwhelming feeling, except perhaps to take a step back and be massively impressed at how much this event has grown in just six incarnations. Along with Desertfest Berlin, the London edition has become an anchor not only for the UK heavy rock underground — which is well represented here as ever in Elephant TreeBlack SpidersStubbVodunPigs Pigs Pigs Pigs Pigs Pigs PigsTerminal CheesecakeChubby Thunderous Bad Kush MastersMammoth Weed Wizard Bastard, and so on — but for bands from abroad as well. You’ll note the three headliners: two American, one Norwegian, and the next line down on the poster is two Swedish, one American. Desertfest London 2017’s reach feels wider than ever. Staring at the final lineup, it’s clear just how much of a big fucking deal this festival has become.

Wish I could be there to see it.

Here’s the announcement of the individual day lineups from their website:

desertfest london 2017

DESERTFEST 2017 DAY SPLITS AND DAY TICKETS ARE HERE!

Finally, the Desertfest 2017 day and stage splits are here, along with individual day tickets. It’s the point of the year where you can start planning the weekend, you can imagine the sets in your head and you can curse those god damned clashes.

Last things first, let’s get straight to that insane Sunday main-stage. To celebrate The Roundhouse joining the Desertfest family, we made their debut appearance something special. Not only will stoner doom icons Sleep be topping the bill, but the Roundhouse hosts a full bill of huge acts. Candlemass, with over three decades of underground acclaim to their name, bring the epic doom metal. USA’s Wolves in the Throne Room bring the atmospheric black metal. Traditional doom metal stalwarts Saint Vitus bring the classic riffs. And how about this for a ‘curtain jerker’? Bongzilla bring the raw weed metal for their second show of the weekend; more on the first later.

It’s not just about the Sunday though. Friday’s stage at the Electric Ballroom is headlined by returning heroes Slo Burn whose short run in the mid 90s furthered the then fledgling stoner rock scene. One band they surely had an impact on is Lowrider, who play Europe’s finest stoner rock alongside them. Ukraine’s Stoned Jesus celebrate their resonant album Seven Thunders Roar, and 1000Mods and Pontiak round up the main stage on the Friday.

The Electric Ballroom on Saturday will be swarming with Turbojugends as death-punk grandmasters Turbonegro turn Camden into party central. John Garcia sticks around for a solo show, sure to feature classics from his years of nonstop mastery in the stoner rock scene. Sheffield’s rock and roll five piece Black Spiders visit London for one last time on their farewell tour, with Satan’s Satyrs and Avon rounding up the main stage.

As ever though, it doesn’t stop at the main stages. Our regular partners have delivered three stages with diverse lineups. Human_Disease_Promo and When Planets Collide take over The Underworld on Saturday in a bill headlined by Bongzilla with a special set celebrating the band’s early work. The Quietus stage is led by synth wavers Zombi, and Nightshift Promotions bring an eclectic mix led by Hungary’s Apey & the Pea. To be honest, just stick a pin in the lineup poster and you’re guaranteed a good time.

For those who can’t make the full weekend, we have a limited number of individual day tickets. Priced at £40 for Friday tickets, £40 for Saturday tickets and £45 for Sunday tickets, links are below.

So there we have it. Our final lineup for Desertfest 2017. We hope you’re as excited as we are to get back to Camden this April and riff London to the ground.

DESERTFEST LONDON 2017 Final Lineup:
SLEEP
SLO BURN
TURBONEGRO
CANDLEMASS
WOLVES IN THE THRONE ROOM
SAINT VITUS
JOHN GARCIA BAND
BONGZILLA
LOWRIDER
SCISSORFIGHT
BLACK SPIDERS
SAMSARA BLUES EXPERIMENT
THE PICTUREBOOKS
STONED JESUS
SATAN’S SATYRS
INTER ARMA
WEAR YOUR WOUNDS
1000MODS
STEAK
AVON
DEATH ALLEY
DEAD LORD
BOSS KELOID
PONTIAK
YURI GAGARIN
HARK
VODUN
CHRON GOBLIN
PIGS PIGS PIGS PIGS PIGS PIGS PIGS
THE WELL
MAMMOTH STORM
CELESTE
STUBB
MONOLITHIAN
WUCAN
VENOMOUS MAXIMUS
BRUME
APEY & THE PEA
ELEPHANT TREE
GRAVE LINES
IRON WITCH
EARTH SHIP
BACKWOODS PAYBACK
WIZARD FIGHT
BRULE
CLOSET DISCO QUEEN
GRAND MAMMOTH
CHUBBY THUNDEROUS BAD KUSH MASTERS
MAMMOTH WEED WIZARD BASTARD
SAMAVAYO
WELCOME BACK DELTA
DEAD LETTUCE
MONSTERTONE
LEDFOOT
ZOMBI
TERMINAL CHEESECAKE
KHÜNNT
BASK
BRUXA MARIA

http://www.desertfest.co.uk/#tickets-section
https://www.eventbrite.co.uk/e/desertfest-2017-tickets-27305267791
http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://twitter.com/DesertFest
https://www.instagram.com/desertfest_london/

Dead Lettuce, Booze and Blues EP (2015)

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Erosion Festival 2016: Acid King, Saint Vitus, The Skull and More to Play

Posted in Whathaveyou on May 9th, 2016 by JJ Koczan

Working out of a home-base in Missoula, Montana, Erosion Festival 2016 has announced a formidable lineup bringing together bands from the West Coast and the Midwest and beyond, including headliners Saint Vitus, Acid King and The Skull, for a two-night stint at Stage 112. Familiar names from the Pacific Northwest include Mos Generator, Witch Mountain, Mammoth Salmon, Teepee Creeper, Mother Crone and Disenchanter, and they’re joined by Thorr Axe, Chron Goblin, Stone Elk, Wizzerd, American Falcon, and others for a heavy weekend surrounded by mountains and Montana’s open sprawl. I wonder if it snows in Missoula in October.

There’s more info to come from the fest in terms of who’s playing when, how much tickets are, how to buy them, when to buy them, and so on, but the lineup is the news here and the lineup is more than solid. If you’re wondering, Missoula does have an international airport. Not that I’ve looked or anything, but flights seem to be pretty cheap.

From the festival:

erosion-festival-2016

We are very excited to finally announce our entire 2016 Erosion Festival line-up! It’s an honor to have these awesome bands on board for 2016, please welcome SAINT VITUS, THE SKULL, ACID KING, and WITCH MOUNTAIN!

Erosion will be held in Missoula, MT on Friday October 14th and Saturday October 15th @ Stage 112. 18 bands total for 2 nights of heavy music and great times we hope to see you there!

We will have ticket information soon, our facebook event page, and the official Erosion Fest 2016 poster, with all the information you’ll need.

Thank You all for supporting us and we’ll see you in October!

Erosion Festival lineup:
Saint Vitus
The Skull
Acid King
Witch Mountain
Mos Generator
Thorr Axe
Mammoth Salmon
Mother Crone
Disenchanter
Chron Goblin
Teepee Creeper
Swamp Ritual
Stone Elk
American Falcon
Shramana
Wizzerd
The Old Ones
Piranha Dog

https://www.facebook.com/erosionfestival/
http://www.stage112.com/

Acid King, “Teen Dusthead”

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Chron Goblin Announce European Tour with Los Disidentes del Sucio Motel

Posted in Whathaveyou on April 5th, 2016 by JJ Koczan

chron goblin

This won’t actually be Chron Goblin‘s first European incursion, since the uptempo Calgary good-time rockers hit UK shores to play Desertfest London three years ago. It will definitely, however, be the first time they cross the Atlantic (and much of the North American continent to get there, if you want to be geographically correct about it) in support of their new album, Backwater (review here), and that’s enough to make it an event. They’re joined in this endeavor by the France-based/Spanish-named thematic riffers Los Disidentes del Sucio Motel, also labelmates on Ripple Music, and the run starts May 31 in their hometown of Strasbourg, near the German border.

The two groups will be back and forth between France, Germany and Switzerland through June 12, with the shows presented by Total Volume AgencyChron Goblin put the word out via the social medias, from whence the following poster by Un Sang d’Encre and info comes, followed by the band’s video for “Fuller,” ready for the digging:

chron-goblin-los-disidentes del sucio motel tour

Chron Goblin to tour Europe May 31 – June 12

We are overjoyed to announce that we’ll be playing in France, Germany and Switzerland with Ripple Music labelmates Los Disidentes Del Sucio Motel this spring! This is a dream come true for us and we’ve been itching to return overseas since performing at Desertfest UK in 2013. Many thanks to Total Volume Agency for setting this up and cheers to Un Sang d’Encre for the wicked Beavers and Roosters tour poster.

Chron Goblin & Los Disidentes del Sucio Motel on tour:
May 31 – La Maison Bleue / Dirty 8 – Strasbourg (Fr)
June 1 – Rare Guitar – Münster (De)
June 2 – Immerhin Würzburg – Wurzburg (De)
June 3 – cassiopeia Berlin – Berlin (De)
June 4 – Rockpool eV – Halle (De)
June 6 – Bucéphale – Draguignan (Fr)
June 7 – Post Tenebras Rock – L’Usine – Genève (Ch)
June 8 – Gaswerk – Winterthur (Ch)
June 9 – Coq d’Or – Olten (Ch)
June 10 – Les Passagers du Zinc – Besançon (Fr)
June 11 – Warmaudio – Lyon (Fr)
June 12 – Le Klub – Paris (Fr)

https://twitter.com/ChronGoblin
http://www.chrongoblin.com/
https://www.facebook.com/ChronGoblin
http://www.ripple-music.com

Chron Goblin, “Fuller” official video

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Quarterly Review: Chron Goblin, Slabdragger, Jupiter, Izo, Cultist, Haoma, Spaceslug, Slush, Menimals, The Linus Pauling Quartet

Posted in Reviews on April 1st, 2016 by JJ Koczan

the obelisk quarterly review spring 2016

Thus ends another successful Quarterly Review. And by successful I mean I survived. There were a few minutes there when I actually thought about spreading this out to six days, doing another batch of 10 on Monday, but then what happens? Then it’s seven days, then eight, then nine, and before I know it I’m just doing 10 reviews every day and it’s more of a daily review than a quarterly one. Next week we’ll get back to whatever passes for normality around this place, and at the end of June, I’ll have another batch to roll with. Maybe the beginning of July, depending on time. In any case, thank you for reading this week. I hope you’ve found something in all this that you’ve dug, and that this final round offers something else that resonates.

Quarterly Review #41-50:

Chron Goblin, Backwater

chron goblin backwater

Calgary party rockers Chron Goblin pay homage to Seattle with a song named after the city on their third album, Backwater (on Ripple Music), but they continue to have way more in common with Portland, Oregon. The follow-up to 2013’s Life for the Living (review here) pushes into psychedelic groove early in its title-track and gets bluesy for most of the subsequent “The Wailing Sound,” but it seems even that song can’t resist the urge to throw down and have a good time by the end, and cuts like “Give Way,” the galloping opener “Fuller” and the requisite “Hard Living” reaffirm the band’s commitment to heavy riffs and positive vibes. The stylistic elephant in the room continues to be Red Fang, but as they’ve done all along, Chron Goblin work in shades of other influences in heavy rock – if they were from the Eastern Seaboard, I’d call it Roadsaw – and put a stamp of their own on the style.

Chron Goblin on Thee Facebooks

Ripple Music

 

Slabdragger, Rise of the Dawncrusher

slabdragger rise of the dawncrusher

“Mercenary Blues” is near-immediate in telegraphing the level of heft Slabdragger will emit across their second album, Rise of the Dawncrusher, which tops an hour in five tracks (one of them four minutes long) and shifts between clean vocals, screams and growls from bassist/vocalist Yusuf Tary and guitarist/vocalist Sam Thredder as drummer Jack Newham holds together tempo shifts no less drastic. The shorter cut, “Evacuate!,” is an extreme take on heavy rock, but as Slabdragger move through the extended “Shrine of Debauchery” (12:23), “Dawncrusher Rising” (15:16) and “Implosion Rites” (17:20), their methods prove varied enough so that their material is more than just an onslaught of thickened distortion. I wouldn’t call it progressive exactly, but neither is it lunkheaded in its intention or execution, as the chanted melodies buried deep in “Shrine of Debauchery”’s lumber, derived perhaps in part from Conan and Sleep but beholden to neither so much as its own righteous purposes.

Slabdragger on Thee Facebooks

Holy Roar Records

 

Jupiter, Interstellar Chronodive

jupiter interstellar chronodive

Finnish heavy psychedelic rockers Jupiter take a decidedly naturalist position when it comes to their style. Yeah, there are some effects on the guitars throughout Interstellar Chronidive, the trio’s second album behind 2014’s Your Eccentric State of Mind, but it’s more about what the three players can accomplish with dynamic tempo and mood changes than it is creating a wash, and that gives songs like “Stonetrooper” and “Dispersed Matter/Astral Portal” a classic feel despite a decidedly modern production. “Premonitions” provides raucous fuzz worthy of any next-gen stoners you want to name, and the 14-minute “In Flux” answers its own initial thrust with and expansive, liquefied jam that’s all the more emblematic of the organic core to their approach, Hendrix-derived but not Hendrix-emulating. Bright guitar tone, rich bass and swinging drums aren’t necessarily unfamiliar elements, but the touches of space rock narration on “Dispersed Matter/Astral Portal” and the consuming nod of closer “Vantage Point” assure there’s no shortage of personality to go around.

Jupiter on Thee Facebooks

Jupiter on Bandcamp

 

Izo, Izo

izo izo

Also stylized as IZ? with a long accent over the ‘o,’ Izo is the self-titled debut from Italian double-guitar instrumental four-piece Izo, who bookend four flowing and densely weighted progressions with an intro and outro to add to the atmospheric breadth. Rather than choose between heaviness or ambience, Izo – guitarists Paolo Barone and Maurizio Calò, bassist Francesco de Pascali and drummer Luca Greco – play both into each other so that a song like “Hikkomori” is as engaging in its heft as it is hypnotic. That might be easier to do without vocals, but it’s essential to Izo’s approach, and something that, for their debut, sets up future expansion of post-metal and psychedelic elements. I’m not sure if there’s a theme or narrative for the album, but consistent use of Japanese language and imagery ties the material together all the same, and Izo emerge from their first album having shown a clearheadedness of purpose that can only continue to serve them well.

Izo on Thee Facebooks

Acid Cosmonaut Records

 

Cultist, Three Candles

cultist three candles

Cultist made their introductory statement in the early hours of 2016 with Three Candles, a five-song EP from the social media-averse Cleveland, Ohio, trio featuring members of Skeletonwitch, Mockingbird and Howl. In the wall of fuzz they construct, the swing injected into their rhythms and the use of multiple vocalists, there’s a strong undercurrent of Uncle Acid to “Path of the Old One,” but “Consuming Damnation” distinguishes itself with a more aggressive take, rawer in its melodies, and the creeping closer “Eternal Dark” is up to something entirely more doomed. How this balance will play out with the more familiar riff-patterning in “Follow Me” is the central question, but for their first tracks to be made public, Cultist’s Three Candles offers fullness of sound and the realization of an aesthetic purpose. Yes, there’s room to grow, but they already have a better handle on what they want to do than a lot of bands, so it should be interesting to keep up.

Cultist on Instagram

Cultist on Bandcamp

 

Haoma, Eternal Stash

haoma eternal stash

Ultra-thick, ultra-dank, Haoma is the work of Swedish duo R (bass/vocals) and S (drums), and the three-tracker Eternal Stash is their second self-released EP. The offering takes its title from the opener and longest track (immediate points), and wastes no time with subtlety in getting down on molten Cisneros-style stoner-doom grooves. Sleep meets Om isn’t a huge divide to cross, but there’s a blown-out sensibility to the vocals as well that speaks to some element of Electric Wizard at play, and the overarching roughness suits Haoma’s tonal crunch well. Even when they break to wah bass in the second half of “Eternal Stash” to set up the ensuing jam, this underlying harshness remains, and “Unearthly Creatures” and “Orbital Flight” build on that, the latter with a march that feels more decidedly individual even if constructed on familiar ground. Heavy, raw, unpretentious celebration of groove is almost always welcome by me, and so Haoma’s Eternal Stash is likewise.

Haoma on Thee Facebooks

Haoma on Bandcamp

 

Spaceslug, Lemanis

spaceslug lemanis

Another boon to Poland’s emerging heavy rock scene, Wroclaw’s Spaceslug slime their way out of the ground with their debut long-player, Lemanis, a seven-cut paean to weighted tone and laid back roll. Vocally, the trio seem to take a cue from the Netherlands’ Sungrazer, but their riffs are far more dense and while the penultimate interlude “Quintessence” and the earlier “Galectelion” demonstrate a sense of spaciousness, the context in which that arrives is much more weighted and, particularly in the second half of “Supermassive,” feels culled from the Sleep school of Iommic idolatry. No complaints. The record clocks in at 43 minutes all told and in no way overstays its welcome, rounding out with the nine-minute title-track, an instrumental that’s probably not improvised but comes across as exploratory all the same. The CD version is out through BSFD Records, but don’t be surprised when someone picks it up for a vinyl issue, as both the front-to-back flow and the artwork seem to be made for it.

Spaceslug on Thee Facebooks

Spaceslug on Bandcamp

 

Slush, American Demons

slushies american demons

An element of twang that seems present even in the most uproarious moments of SlushAmerican Demons tape comes to the fore with the brief “Leshy,” a quick, fleetly-strummed bit of slide guitar the follows highlight cut “Bathysphere” and precedes “Death Valley,” both of which bask full-on in the garage shake, proto-punk vibe and anything goes swagger the Brooklynite trio have on offer throughout their third EP. That countrified twist plays well alongside the drawling skate rock of “In the Flesh,” which seems to take on some of The Shrine’s West Coast skate vibes with a twist of New York fuckall, and the quick crotchal thrust off “Silk Road,” which serves as Slush’ most purely punkish moment. “Death Valley” closes out with a tale of drugs and the desert, the vocals somewhere between Misfits and early Nick Cave, drenched in attitude and accompanied by fuzz that seems to be likewise. Bonus points for the silver tape and copious included art and info.

Slushies on Bandcamp

Lean on Bandcamp

 

Menimals, Menimals

menimals menimals

Strange spirits are afoot throughout MenimalsMenimals, the maybe-debut from the Italian troupe who engage wantonly in the proliferation of post-Mike Patton creepy darkjazz across five cuts of sparse, spacious weirdness. Issued through Phonosphera/Riot Season, it’s a work of high atmospheric density but ultimately more about mood than sonic impact, evoking complex shapes – dodecahedrons, tetrahedrons, octahedrons – as a mirror for its own quizzical mission. The kind of record that those who don’t spend time trying to figure it out are going to have more fun with, it makes its most effective impression on “Transitioning from a Cube to the Octahedron” on side B, evoking minimalist drone rock atmospheres as whispered vocals tie it to the rest of Menimals’ bizarre vibe. That’s not to take away from the noisy finish of closer “Bird on the Wind as a Hinge,” which follows, just to note that Menimals manage to somehow find balance in all the subdued seething and resonant experimentalism.

Menimals on Thee Facebooks

Riot Season Records

Phonosphera Records

 

The Linus Pauling Quartet, Ampalanche

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By way of a confession, I wanted to end this batch of 50 reviews with something I knew I dug, and that distinction goes to Houston rockers Linus Pauling Quartet, whose latest full-length, Ampalanche, is released via the label wing of Italian ‘zine Vincebus Eruptum. An album that offers some of the most pretense-free rock flute I’ve ever heard on “Slave to the Die,” it’s a down-home weirdo rocker that might, at a moment’s notice, plunge full-on into psychedelia in “Sometimes” or, say, include a 49-minute echoing space-drone “Vi, de Druknede (We, the Drowned)” as a download-only bonus track, and the fact that Linus Pauling Quartet can always be relied on for something different but consistent in charm and the quality of songwriting is not to be taken for granted, whether it’s the Midwestern noise rock of “Brisket” or the fuzzy roll of dreamy album-closer “Alive.” Yeah, I was doing myself a favor by finishing with Ampalanche. I have absolutely zero regrets. Linus Pauling Quartet continue to be woefully underappreciated.

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Vincebus Eruptum webstore

 

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Chron Goblin Post New Video for “Fuller”

Posted in Bootleg Theater on November 30th, 2015 by JJ Koczan

chron goblin

Not really a surprise that the video for “Fuller,” taken from Chron Goblin‘s newly released third album and Ripple Music debut, Backwater (review forthcoming), would be a good time — that’s kind of the band’s thing — but that doesn’t make it any less enjoyable. The new clip from the Calgary-based heavy rock foursome chronicles a freaked-out day in the life of a pizza deliverer, and that includes a guest appearance from the Gimp or otherwise some dude in a wrestling mask, doing stoned doughnuts in an empty parking lot, and dropping off lunch at the Breaking Bad trailer out in the middle of nowhere. I’ve never delivered pizzas professionally, but I imagine it’s pretty accurate to the reality of the situation.

The final stop? To Chron Goblin‘s rehearsal space, where the band awaits two pepperoni pies. As to whether or not they actually get them, I won’t spoil the video entirely, but as ever, it’s more about the journey than the destination, and “Fuller” makes for a fun trip along the way. A catchy, upbeat riff-and-hook approach is cut into a couple times for video/sound effects — the squealing tires into the guitar solo is particularly effective — and the song stands up well to the comedy, which it would have to for this kind of thing to work. Tension builds as the groove thickens later on, but though the stakes are high, e.g. pizza en route, but Chron Goblin never lose sight of the party they’re throwing sonically, and coupled with the songcraft they display throughout Backwater‘s entirety, that’s more than enough to hold even the most fickle of attentions for four minutes or so.

If anyone needs me, I’ll be ordering a pizza.

Enjoy:

Chron Goblin, “Fuller” official video

We are proud to present a new music video for “Fuller”! Check out the ill-fated pizza delivery action adventure featuring the lovely and hilarious CJ. Directed, edited, and shot by our very own Josh Sandulak.

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Chron Goblin Twitter

Chron Goblin merch

Ripple Music

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