Quarterly Review: Monkey3, Asthma Castle, The Giraffes, Bask, Faerie Ring, Desert Sands, Cavalcade, Restless Spirit, Children of the Sün, Void King

Posted in Reviews on September 30th, 2019 by JJ Koczan

quarterly review

Call two friends and tell them to tell two friends to tell two friends, because the Quarterly Review has returned. This time around, it’s 50 records front to back for Fall 2019 and there are some big names and some smaller names and a whole lot of in between which is just how I like it. Between today and Friday, each day 10 album reviews will be posted in a single batch like this one, and although by Wednesday this always means I’m totally out of my mind, it’s always, always, always worth it to be able to write about so much cool stuff. So sit tight, because there’s a lot to get through and, as ever, time’s at a premium.

Thanks in advance for keeping up, and I hope you find something you dig.

Quarterly Review #1-10:

Monkey3, Sphere

monkey3 sphere

It’s a full-on Keanu Reeves “whoa” when opening track “Spirals” kicks in on Every one of our Fashion Line Business Plans has a passion for research and education. Many of them are not only graduates, but also have their PhD or are attached to a university institution. This means that our thesis tutors, not only, have experience with writing academic research studies, but they are also experienced in the field of tutoring. Monkey3‘s sixth album, There are numerous reasons why you should come to the literature go to site. Here, check out main advantages of using our professional literature Sphere (released by Can someone more info here? Sure we can. Our service has many years of experience and professional writers ready to solve your writing problems. Napalm), and that’s by no means the last one on the cinematic six-tracker. The long-running Swiss mostly-instrumentalists have been consistently, persistently underappreciated throughout their career, but whether it’s the aural scope of guitar and keys in “Axis” or the swaps between intensity and sprawl in 14-minute closer “Ellipsis,” their latest work is consuming in its sense of triumph. Even the four-minute “Ida,” which seems at first like it’s barely going to be more than an interlude, finds a thread of majestic cosmic groove and rides it for the duration, while the proggy immersion of “Prism” and the harder drive of “Mass” — not to mention that shredding solo — make the middle of the record anything but a post-hypnosis dip. I won’t pretend to know if Willing to What To Write An Essay On? We are here to provide you with the highest quality content at the lowest rates, so do not hesitate. Life in college Sphere is the record that finally gets the Lausanne four-piece the respect they’ve already well deserved, but if it was, one could only say it was for good reason. Blends of heft, progressive craft, and breadth are rarely so resonant.

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Napalm Records website

 

Asthma Castle, Mount Crushmore

Asthma Castle Mount Crushmore

When you call your record We provide reliable http://www.igm-bei-vw.de/?thesis-writing-service-in-delhis with no plagiarism & on time delivery, our academic writers in UK produce best quality writing help at Mount Crushmore, you need to bring it, and much to their credit, Baltimorean sludge-rocking five-piece My follow site - Let professionals deliver their work: get the needed writing here and wait for the highest score Change the way you cope Asthma Castle do precisely that on their debut full-length. Issued through Need Dissertation Writing Services? Welcome to Professional https://cheapdissertationwriting.com/, offers you top quality professional writing services in USA and UK. For more Hellmistress Records, the 37-minute/six-track outing is a wordplay-laced pummeler that shows as much persona in its riffing and massive groove as it does in titles like “The Incline of Western Civilization” and “The Book of Duderonomy.” Trades between early- check my site - Instead of concerning about term paper writing find the needed assistance here Opt for the service, and our professional Mastodonic twists and lumbering sludge crash add a frenetic and unpredictable feel to pieces like the title-track, while “Methlehem” trades its plod for dual-guitar antics punctuated by metallic double-kick, all the while the vocals trade back and forth between growls, shouts, cleaner shouts, the odd scream, etc., because basically if you can keep up with it, Essay college argument papers - Start working on your assignment now with professional help presented by the service Leave your assignments to the most Asthma Castle wouldn’t be doing their job. One shudders to think of the amount of Natty Bo consumed during its making, but A few reasons for you to choose PayForEssay.net when you think, "I'd rather pay someone to Business Startup Planning." Mount Crushmore is a wild and cacophonous enough time to live up to the outright righteousness of its title. If I graded reviews, it would get a “Fuckin’ A+,” with emphasis on “fuckin’ a.”

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Hellmistress Records website

 

The Giraffes, Flower of the Cosmos

the giraffes flower of the cosmos

Some day the world will wake up and realize the rock and roll powerhouse it had in Brooklyn’s Should you simply opt for dissertation en droit mthodologie services and hope for the best? Or, should you pay for the best thesis help that money can buy. The Giraffes, but by then it’ll be too late. The apocalypse will have happened long ago, and it’ll be Burgess Meredith putting on a vinyl of It can take over 1,000 hours to write the most complex theses. If you're tired of looking at a blank Word document, contact or http://www.joyshop.it/?critical-thinking-application-paper-2-revision services. Flower of the Cosmos in the New York Library as “FAKS” echoes out through the stacks of now-meaningless tomes and the dust of nuclear winter falls like snow outside the windows. The band’s tumultuous history is mirrored in the energy of their output, and yet to hear the melody and gentle fuzz at the outset of “Golden Door,” there’s something soothing about their work as well that, admittedly, “Raising Kids in the End Times” is gleeful in undercutting. Cute as well they pair that one with “Dorito Dreams” on this, their seventh record in a 20-plus-year run, which has now seen them find their footing, lose it, find it again, and in this record and songs like the masterfully frenetic “Fill up Glass” and the air-tight-tense “Like Hate” and “Romance,” weave a document every bit worthy of Mr. Meredith’s attention as he mourns for the potential of this godforsaken wasteland. Oh, what we’ll leave behind. Such pretty ruins.

The Giraffes website

The Giraffes on Bandcamp

 

Bask, III

bask iii

In the fine tradition of heavy rock as grown-up punk, North Carolina’s If you would like to order paper online, but you are not sure where to find reliable Business Plan Online Software, you are welcome to find this information on Bask bring progressive edge and rolling-Appalachian atmospherics to the underlying energy of Bestcustomessaywriting.com is located in Los Angeles and offers professional Sample Term Paper Proposal, we offer urgent essay writing services. We III, their aptly-titled and We deliver High School Writing writing solutions that will surpass your expectations. Hire essay writers today and enjoy instant discounts and bonuses to save Season of Mist-issued third album. Their foot is in any number of styles, from Baroness-style noodling to a hard twang that shows up throughout and features prominently on the penultimate “Noble Daughters II – The Bow,” but the great triumph of III, and really the reason it works at all, is because the band find cohesion in this swath of influences. They’re a band who obviously put thought into what they do, making it all the more appropriate to think of them as prog, but as “Three White Feet” and “New Dominion” show at the outset, they don’t serve any aesthetic master so much as the song itself. Closing with banjo and harmonies and a build of crash cymbal on “Maiden Mother Crone” nails the point home in a not-understated way, but at no point does III come across as hyper-theatrical so as to undercut the value of what Bask are doing. It’s a more patient album than it at first seems, but given time to breathe, III indeed comes to life.

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Season of Mist on Bandcamp

 

Faerie Ring, The Clearing

fairie ring the clearing

Listening to the weighty rollout of opening cut “Bite the Ash” on Faerie Ring‘s debut album, The Clearing (on King Volume Records), one is reminded of the energy that once-upon-a-time came out of Houston’s Venomous Maximus. There’s a similar feeling of dark energy surging through the riffs and echoing vocals, but the Evansville, Indiana, four-piece wind up on a different trip. Their take is more distinctly Sabbathian on “Lost Wind” and even the swinging “Heavy Trip” lives up to its stated purpose ahead of the chugging largesse of finisher “Heaven’s End.” They find brash ground on “The Ring” and the slower march of “Somnium,” but there’s metal beneath the lumbering and it comes out on “Miracle” in a way that the drums late in “Lost Wind” seem to hint toward on subsequent listens. It’s a mix of riff-led elements that should be readily familiar to many listeners, but the sheer size and clarity of presentation Faerie Ring make throughout The Clearing makes me think they’ll look to distinguish themselves going forward, and so their first record holds all the more potential for that.

Faerie Ring on Thee Facebooks

King Volume Records on Bandcamp

 

Desert Sands, The Ascent EP

Desert Sands The Ascent

Begun as the solo-project of London-based multi-instrumentalist/vocalist Mark Walker and presently a trio including Louis Kinder and Jonathan Walker as well, Desert Sands make their recorded debut through A Records with the three-song/half-hour The Ascent EP, a work of psychedelic existentialism that conveys its cosmic questioning even before the lyrics start, with an opening riff and rhythmic lurch to “Are You There” that seems to throw its central query into a void that either will or won’t answer. Does it? The hell should I know, but The Ascent proves duly transcendent in its pulsations as “Head Towards the Light” and 11:45 closer “Yahweh” — yeah, I guess we get there — bring drifting, languid enlightenment to these spiritual musings. The finale is, of course, a jam in excelsis and if drop-acid-find-god is the narrative we’re working with, then Desert Sands are off to a hell of a start as a project. Regardless of how one might ultimately come down (and it is, by my estimation at least, a comedown) on the question of human spirituality, there’s no denying the power and ethereal force of the kind of creativity on display in The Ascent. One will wait impatiently to see what comes next.

Desert Sands on Thee Facebooks

A Recordings on Thee Facebooks

 

Cavalcade, Sonic Euthanasia

Cavalcade Sonic Euthanasia

Say what you want about New Orleans or North Carolina or wherever the hell else, Midwestern sludge is another level of filth. To wit, the Carcass-style vocals that slice through the raw, dense riffing on “Aspirate on Aspirations” feel like the very embodiment of modern disillusion, and there’s some flourish of melodic guitar pluck there, but that only seems to give the ensuing crunch more impact, and likewise the far-back char of “Freezing in Fire” as it relates to the subsequent “Dead Idles,” as Cavalcade refute the trappings of genre in tempo while still seeming to burrow a hole for themselves in the skull of the converted. “Noose Tie” and “We Dig Our Own Graves” tell the story, but while the recording itself is barebones, Cavalcade aren’t now and never really have been so simple as to be a one-trick band. For more than a decade, they’ve provided a multifaceted and trickily complex downer extremity, and Sonic Euthanasia does this as well, bringing their sound to new places and new levels of abrasion along its punishing way. Easy listening? Shit. You see that eye on the cover? That’s the lizard people staring back at you. Have fun with that.

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Cavalcade on Bandcamp

 

Restless Spirit, Lord of the New Depression

restless spirit lord of the new depression

Long Island chug-rockers Restless Spirit would seem to have been developing the material for their self-released debut album, Lord of the New Depression, over the last couple years on a series of short releases, but the songs still sound fresh and electrified in their vitality. If this was 1992 or ’93, they’d be signed already to RoadRacer Records and put on tour with Life of Agony, whose River Runs Red would seem to be a key influence in the vocals of the nine-track/39-minute offering, but even on their own, the metal-tinged five-piece seem to do just fine. Their tracks are atmospheric and aggressive and kind, and sincere in their roll, capturing the spirit of a band like Down with somewhat drawn-back chestbeating, “Dominion” aside. They seem to be challenging themselves to push outside those confines though in “Deep Fathom Hours,” the longest track at 7:35 with more complexity in the melody of the vocals and guitar, and that suits them remarkably well as they dig into this doomly take on LOA and Type O Negative and others from the early ’90s NYC underground — they seem to pass on Biohazard, which is fine — made legendary with the passage of time. As a gentleman of a certain age, I find it exceptionally easy to get on board.

Restless Spirit on Thee Facebooks

Restless Spirit on Bandcamp

 

Children of the Sün, Flowers

Children of the Sun Flowers

An eight-piece outfit based in Arvika, Sweden, which is far enough west to be closer to Oslo than Stockholm, Children of the Sün blend the classic heavy rock stylizations of MaidaVale, first-LP Blues Pills and others with a decidedly folkish bent. Including an intro, their The Sign Records debut album, Flowers, is eight track and 34 minutes interweaving organ and guitar, upbeat vibes and bluesier melodies, taking cues from choral-style vocals on “Emmy” in such a way as to remind of Church of the Cosmic Skull, though the aesthetic here is more hippie than cult. The singing on “Sunschild” soars in that fashion as well, epitomizing the lush melody found across Flowers as the keys, guitar, bass and drums work to match in energy and presence. For a highlight, I’d pick the more subdued title-track, which still has its sense of movement thanks to percussion deep in the mix but comes arguably closest to the flower-child folk Children of the Sün seem to be claiming for their own, though the subsequent closing duo of “Like a Sound” and “Beyond the Sun” aren’t far off either. They’re onto something. One hopes they continue to explore in such sünshiny fashion.

Children of the Sün on Thee Facebooks

The Sign Records on Thee Facebooks

 

Void King, Barren Dominion

void king barren dominion

Having made their debut with 2016’s There is Nothing (discussed here), Indianapolis downtrodden heavy rock four-piece Void King come back for a second go with Barren Dominion (on Off the Record Label), a title of similar theme that finds them doom riffing through massive tonality on “Burnt at Both Ends,” asking what if Soundgarden played atmospheric doom rock on “Crippled Chameleon” — uh, it would be awesome? yup — and opening each side with its longest track (double immediate points) in a clearly intended vinyl structure hell bent on immersing the listener as much as possible in the lumber and weight the band emit. Frontman Jason Kindred adds extra burl to his already-plenty-dudely approach on “Crippled Chameleon” and closer “The Longest Winter,” the latter with some harmonies to mirror those of opener “A Lucid Omega,” and the band around him — bassist Chris Carroll, drummer Derek Felix and guitarist Tommy Miller — seem to have no trouble whatsoever in keeping up, there or anywhere else on the eight-song/46-minute outing. Topped with striking cover art from Diogo SoaresBarren Dominion is deceptively nuanced and full-sounding. Not at all empty.

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Off the Record Label BigCartel store

 

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Children of the Sün Premiere “Her Game” from Debut Album Flowers

Posted in audiObelisk on June 5th, 2019 by JJ Koczan

children of the sun

As noted here just last week, Swedish hippie collective Children of the Sün will release their debut album, Flowers, on July 26 through The Sign Records. The light-drenched heat of summer would seem to be a fitting arrival time for the record, which finds the band purposefully basking in hippie vibes and upbeat spirit, bringing together harmonies that recall Church of the Cosmic Skull without the cultish undertones and with a thread of classic heavy rock that might be attributed to an influence from fellow Swedes MaidaVale, as well of course as classic sources from the late-’60s sunshine era, summer of love, autumn of love, winter of love, spring of love. Lots of love to go around.

They join a variety of retro-minded compatriots on the roster of The Sign, but Children of the Sün have a decidedly modern feel in terms of production, and that only serves to highlight the arrangements of vocals and shimmering guitar on lead single “Her Game.” It’s an immediate surge of energy forward at the outset of the 4:33 track, with space given to the setup for the central groove before the hook is unveiled and the eight-piece get fully underway, with guitar, keys, multiple vocalists, drums and bass filling out a vibrant mix. Just before about two and a half minutes in, there’s a lower note on guitar that steps through some pauses, but the solo that leads to retains the bright feel of the rest of the track, so there’s no departing from the basic spirit of the track, which despite the lyric’s warning, “Don’t play her game,” is lush and optimistic.

Summer’s not as long a way off as it feels — July is, technically speaking, next month — but I’ve only heard two songs thus far from Flowers. The other is “Emmy,” a bluesier, lower-key number with organ running alongside the soulful vocals, different in mood but not incongruous from “Her Game.” As to what the rest of the long-player might hold, I can’t say for sure and won’t speculate on specifics, but with the showcase provided by “Her Game,” I’m certainly left interested to find out, which is the whole point of a lead single in the first place. So, well done.

Stream “Her Game” via the player below, followed by more from the PR wire about the album.

Enjoy:

Flowers set for release the 27th of July on The Sign Records. Mixing blues rock with a warm feel good folk/country vibe, their sound is retro yet fresh. The band debut album holds strong influences from Janis Joplin, Free and Joe Cocker, still the band can be placed somewhere in the same atmosphere as The Allman Brothers Band, Jefferson Airplane and Canned Heat. A reincarnation of the 60´s feeling of nature, soul and rock music can be found in Children of the Sün’s debut album.

Flowers holds seven songs playing for 34 minutes. Album cover is done by Maarten Dodders that previously provided artwork for bands as MaidaVale, Graveyard, Blues Pills and Chelsea Wolfe. Children of the Sün hailing from the deep woods of Värmland, Sweden brings both nature and freedom to their album. The recording was done in ES Music in Karlstad, Sweden. Children of the Sün won the Swedish national music competition Livekarusellen in 2018. In 2019 the band was added to The Sign Records rooster, the label have among other released bands as Hällas, MaidaVale, Heavy Feather and Svartanatt.

Live Dates:
27th of July, Olssons Brygga, Arvika, Sweden
31st of August, Festival of the Midnight Sun, Mantorp, Sweden

Band members:
Josefina Ekholm Berglund
Ottilia Ekholm Berglund
Wilma Ås
Jacob Hellenrud
Ida Wahl
Anna Nilsson
Christoffer Eriksson
Sara Berkesi

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The Sign Records on Thee Facebooks

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Children of the Sün to Release Debut Album Flowers July 26

Posted in Whathaveyou on May 30th, 2019 by JJ Koczan

Consider this an early heads up as next week — at least I think that’s next week; gotta check my notes — I’ll be streaming the debut single from Swedish hippie folk rockers Children of the Sün‘s first album, Flowers. The band released a self-titled EP last year that you can hear through Spotify on the player below, and they’ll have Flowers out on July 26 through The Sign Records, which is a haven for all things Sverige and retro as Children of the Sün are most certainly both, channeling peace-loving vibes of half a century ago into lush folk harmonies and an underlying sense of rock that doesn’t seek to undercut the friendliness, but add to it. The track I’ll premiere is called “Her Game,” so keep an eye out.

Here is the album announcement, so we’re all properly schooled in advance:

children of the sun

Children of the Sün join The Sign Records

Debut album ’Flowers‘ out July 26, 2019

Children of the Sün joins The Sign Records. The band will release their debut album “Flowers” the 26th of July 2019.

“Her Game” is the first single from the upcoming album and will be out the 6th of June. The Swedish band is influenced by the American music scene during the 60´s and 70´s. They hold a timeless sound that is not often heard of today. There is a lot of focus on vocal harmonies in the bands music, something that brings a feel good mood to the music.

Flowers features seven songs clocking in at 34 minutes. Album cover is done by Maarten Donders who previously provided artwork for bands such as MaidaVale, Graveyard, Blues Pills and Chelsea Wolfe.

Children of the Sün hail from the deep woods of Värmland, Sweden bringing both nature and freedom to their album. The recording was done in ES Music in Karlstad, Sweden.

Children of the Sün won the Swedish national music competition Livekarusellen in 2018. Children of the Sün fits perfectly on The Sign Records roster, the label has among others released similar bands as Hällas, MaidaVale, Heavy Feather and Svartanatt.

Live Dates:
27th of July, Olssons Brygga, Arvika, Sweden
31st of August, Festival of the Midnight Sun, Mantorp, Sweden

Children of the Sün Biography:
In 1969 Jimi Hendrix, Joe Cocker, Janis Joplin and many others played the legendary Woodstock Festival. No one since has managed to reincarnate the feeling of nature, soul and rock music, that was on that magical field north of New York, since. Until now.

Children of the Sün look like hippies, sound like hippies and they bring a wooden sun on stage. The sunshine comes by itself.

This year the band won the national finals of the Swedish music competition ‘Livekarusellen’. During the summer they played at events such as ‘Putte i parken’, Arvika hamnfest’ and ‘Karl Oskarsdagarna’.

In the beginning of the summer they also released their debute in form of a self titled EP. Now the band is back at it again, working on their first full length album.

Band members:
Josefina Ekholm Berglund
Ottilia Ekholm Berglund
Wilma Ås
Jacob Hellenrud
Ida Wahl
Anna Nilsson
Christoffer Eriksson
Sara Berkesi

https://www.facebook.com/Childrenofthesuun/
https://www.facebook.com/thesignrecords/

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