Desert Survival: How to Do Psycho Las Vegas on a Budget

Posted in Whathaveyou on May 18th, 2017 by JJ Koczan

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Hey, if you’re going to go broke, let’s face it: You’re not likely to run into many causes as worthy as the lineup culled together for Psycho Las Vegas. It ain’t cheap — any event that advertises a payment plan obviously knows it’s a considerable ask — but whether you’re going to see Slo Burn for their only US gig or King Diamond doing Abigail or Mulatu Astatke because going to see Mulatu Astatke is a life-event, the arguments in favor are plentiful and convincing. Whatever else you want to say, Psycho Las Vegas is the first annually-held American festival with a focus on heavy and underground rock to really establish itself as world class.

That in itself is a reason to support the cause, whether it’s through a day ticket or a pass for the entire weekend, but it doesn’t necessarily lesson the expense of making the trip or staying in one of the US’ most lucrative tourist traps, let alone things like band merchandise, meals and the occasional adult beverage if you’re inclined to have one. The thought of seeing NeurosisSleep and Carcass share a stage over the course of a weekend or watching Conan, the new trio-incarnation of Pentagram and Yawning Man poolside or from the balcony of a room in the Casino Tower is incredible, and after hearing stories from those who undertook the journey in 2016 or attended the prior Psycho California in 2015, the idea wants nothing for appeal. Fiscal issues can be a bummer. By the time August rolls around, I’ll have been out of paid work for two months. I know how it goes.

And I’m hardly the most responsible person when it comes to money, but the truth of the matter is there are ways to mitigate costs for travel, lodging and other concerns, and if the thing preventing you from picking up a ticket to the show has been the seeming impossibility of affording a stay at the Hard Rock or of finding a cheap-enough flight to get there, maybe it’s worth trying to shift finances around to make it happen. Music is important, and when debt collectors are spamming your phone it’s hard to think about the non-cash value of life experiences, but the fact is the bills you need to pay will still be there. The bill with Corrosion of Conformity in a lineup alongside Kylesa‘s Laura Pleasants, Domkraft, Swans, Elephant Tree and Heavy Temple? Much less so.

Here are a few pointers that hopefully can save you a couple bucks. Some of it’s day-one stuff, but things like hotel picks and transportation nuances are good to know either way.

Check it out:

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Flying In
• Buy tickets on a Tuesday for the cheapest rates.
• Use a discount flight search.
• If you can, fly in on Thursday and leave on Monday for better rates, search different days and times to come in and leave.
• Book early. Rates go up in the summer.

Getting There
• Ride apps cost less than cabs.
• The Hard Rock is less than a mile from the airport. Cheap trip anyway.
• There are free shuttles from most Vegas hotels to the strip and tourist attractions.

Staying There
• This one is huge… don’t stay at the Hard Rock if you can’t afford it! Alexis Park, RUMOR, Red Roof Inn are all across the street and cheap. Scope out a position on a map if you need to; that’s what Street View is there for.
• Partner up to share rooms. You’ve got social media and it’s not like you’re going to do more than sleep and (hopefully) shower there anyway. Might as well join forces and save expense where you can.

Drinks
• BYO. Vegas has open-container laws. If you think hooch is too expensive at the Hard Rock, get loaded on the sidewalk before you go in.
• One way or another, hydrate. You’re staying in the desert in August. Don’t be stupid.

Psycho Las Vegas 2017 Lineup
Abbath, Ace Frehley, Black Anvil, Blood Ceremony, The Brian Jonestown Massacre, Buzzov*en, Carcass, Celeste, Chelsea Wolfe, Cirith Ungol, Cloud Catcher, Code Orange, Conan, Corrosion of Conformity, Cough, Cult Leader, Cult Of Luna With Julie Christmas Diamond Head, Domkraft, Earthless, Elephant Tree, Eternal Tapestry, Fister, Floorian, Gatecreeper, GEQ, Gojira, Gost, Graf Orlock, Heavy Temple, Hollow Leg, Inter Arma, Khemmis, King Diamond, Laura Pleasants & Special Guests, Magma, Manilla Road, Merlin, Minsk, Morne, Mothership, Mouth of the Architect, Mulatu Astatke, Murder City Devils, Mustard Gas & Roses, Myrkur, Neurosis, North, Oathbreaker, Pelican, Pentagram, Psychic TV, The Rods, Ruby the Hatchet, Sasquatch, Saturndust, Sleep, Slo Burn, Slomatics, Snail, Sons of Otis, Sumac, Summoner, Swans, The Skull, Toke, Urchin, Usnea, Vhol, Weedeater, Windhand, Wizard Rifle, Wolves in the Throne Room, Yawning Man, Year of the Cobra, Youngblood Supercult, Zeal & Ardor.

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Pentagram, “Relentless / Broken Vows” Live in Richmond, VA, 2017

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Psycho Las Vegas 2017 Makes Massive Lineup Announcement; Slo Burn, Vhöl, Pelican, Chelsea Wolfe, Melvins and Many More Added

Posted in Whathaveyou on December 17th, 2016 by JJ Koczan

Take a deep breath before you dive into the new lineup announcement from Psycho Las Vegas 2017. With 35-plus bands added, it officially qualifies as huge, and considering who those bands are — Slo Burn for a US-exclusive, plus bringing over the likes of Elephant Tree to play alongside SummonerHollow LegGatecreeper and others — it can be a lot to take in. If you haven’t had a meal yet today, you might want to eat something. Make sure you’re hydrated. Basically I want to avoid anyone fainting as a result of reading the list of bands. If you’re sensitive to flashing lights… you’re probably okay. But otherwise, check to see you have something soft to land on nearby, should you need it.

I missed Psycho this year owing to a new job and a general lack of funds. I’m not sure I can do the same in 2017. This one might just be a gotta-go kind of scenario. Fuckin’ Slomatics are gonna be there.

There are still more than 40 bands to announce, including headliners, whose names will be out at random points over the next 30 days.

Jeebus.

To the PR wire:

psycho las vegas 2017

Psycho Las Vegas 2017

August 18, 2017 – August 20, 2017
Hard Rock Hotel and Casino Las Vegas

Psycho Las Vegas today announces over 35 new additions to its massive 2017 lineup. The festival has quickly become the premier event in the US for underground heavy rock, psych, doom, alternative and beyond, and as the roster grows for this year’s edition, they’re clearly looking to push their boundaries even further.

Headliners remain TBA, but joining previously-announced generation-defining acts like Neurosis, Swans and French prog lords Magma, come UK grind legends Carcass, whose reunion continues to bring gruesome tales of dissections and unparalleled.

They’ll be in good company with Norwegian black metal legend Abbath, formerly of Immortal, who released a raging self-titled debut album under his own name this year, New York’s Myrkur, whose own debut, M, disrupted black metal genre convention on nearly every level, and USBM innovators Wolves in the Throne Room, who continue to refine a style they helped establish more than a decade ago.

Look for the Melvins to boggle brains with their brand of heavy rock – still unique unto itself after more than three decades – as well as for the new project Crystal Fairy with Buzzo and Dale from the Melvins, Omar Rodriguez-Lopez (Mars Volta) and Teri Gender Bender (Le Butcherettes) to bring to life their debut album, which releases in February on Ipecac Recordings.

This latest announcement also brings sludge-laden chaos from the pair of Weedeater and Buzzov*en, and Chelsea Wolfe to emit a darkness that even Las Vegas in the summer won’t be able to hold at bay.

The reunited Slo Burn (vocalist John Garcia’s first project post-Kyuss) will play an exclusive US show at Psycho, and a special highlight performance from psych-jazz legend Mulatu Astatke is open eyes, ears and minds alike as he celebrates a career spanning more than 50 years.

Also added have been long-running mischief-makers Murder City Devils, alt-rock legends Echo and the Bunnymen, progressive thrashers Vhöl (members of YOB and Agalloch), Pelican, Cult of Luna, Psychic TV, and as it did with the landmark 2016 edition, the fest digs deep into the heavy rock underground once again to unearth the best of up-and-coming bands from the States and beyond. Along with the already confirmed riff-crushers Windhand, Blood Ceremony, Slomatics and Domkraft, Elephant Tree (UK) have signed on alongside fellow fest-newcomers Khemmis, Sumac, Gatecreeper, Snail, North, Cult Leader, Hollow Leg, Summoner, Floorian, Wizard Rifle, Merlin and Morne.

Further lineup announcements will follow in the New Year — including headliners — so stay tuned for more from the best and biggest heavy festival the US has ever seen.

Psycho Las Vegas 2017 Confirmed lineup:
MURDER CITY DEVILS
NEUROSIS
MULATU ASTATKE
SWANS
CARCASS
WOLVES IN THE THRONEROOM
CRYSTAL FAIRY
MAGMA
CHELSEA WOLFE
SLO BURN
CULT OF LUNA
ABBATH
SUMAC
MYRKUR
PELICAN
WEEDEATER
ZEAL & ARDOR
SLOMATICS
OATHBREAKER
VHOL
COUGH
BLOOD CEREMONY
INTER ARMA
THE SKULL
WINDHAND
BUZZOVEN
MINSK
CODE ORANGE
KHEMMIS
GATECREEPER
NORTH
CULT LEADER
SNAIL
WIZARD RIFLE
MERLIN
FLOORIAN
DOMKRAFT
ELEPHANT TREE
MORNE
HOLLOW LEG
SUMMONER

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Elephant Tree, Elephant Tree (2016)

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Roadburn 2017: Magma, Chelsea Wolfe, SubRosa, Slomatics, Wretch, Ahab, Mysticum, Crippled Black Phoenix, Deafheaven and More Added to Lineup

Posted in Whathaveyou on October 18th, 2016 by JJ Koczan

Roadburn 2017 banner

Great googly-moogly, Roadburn. If Roadburn 2017 didn’t already have your attention when it announced Coven as part of its first revelations for next year’s lineup — and it should have, make no mistake — then this should do the trick. The list is, frankly, overwhelming, and it speaks both to how immense the scale of Roadburn has become and how much the event continues to strive to push the boundaries of what it does. The first acts for the day curated by BaronessJohn Dyer Baizley? Magma and Chelsea Wolfe. SubRosa playing two sets, one of which is comprised of this year’s magnificent For this We Fought the Battle of Ages (review here) in full, the other a stripped-down, at least semi-acoustic version of the band. Leif Edling of Candlemass debuting his new project The Doomsday Kingdom. Slomatics, Dylan Carlson of Earth, Wretch, Inter Arma, Crippled Black Phoenix (hope they’re on the Main Stage; fingers crossed), Woe, Ahab, so many more it’s astounding.

If Roadburn 2017 was like, “Okay, that’s it. We’re done.,” could you really argue with what’s been put together already? The terrifying thing is they’re still just getting started.

Fresh off the PR wire:

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New names added to Roadburn Festival 2017 ahead of ticket onsale

• MYSTICUM to bring their incredible stage show to Roadburn 2017
• CHELSEA WOLFE and MAGMA are the first names confirmed for John Dyer Baizley’s curation
• THE BUG VS DYLAN CARLSON OF EARTH confirmed for a special Roadburn show
• DEAFHEAVEN finally make their Roadburn debut at the 2017 edition
• SUBROSA to play two exclusive sets
• …and more.

ROADBURN FESTIVAL is pleased to add new names to the bill for Roadburn 2017. The 22nd edition of Roadburn Festival will take place April 20-23, 2017 at the 013 Venue, Tilburg, The Netherlands.

MYSTICUM have been confirmed to play the main stage at Roadburn 2017, bringing their distinctive brand of black metal to Tilburg. Back in 1996, MYSTICUM wrote the rulebook, for what industrial black metal should be with their debut album, In The Streams of Inferno – and then swiftly torched it. Renowned for their incredible stage show, MYSTICUM have some clear intentions for Roadburn 2017: “We shall invade your minds and tear your souls apart.”

MYSTICUM will play the 013 venue on Saturday, April 22.

John Dyer Baizley has confirmed the first two names for his curated event: CHELSEA WOLFE and MAGMA.

Describing himself as “a loyal devotee of her songwriting, performance and recorded output”, John echoed many Roadburn attendees in calling for the return of CHELSEA WOLFE to the Roadburn stage. Having performed at the festival in 2012, and again this year as part of Converge’s Blood Moon Set, we’re thrilled to have CHELSEA WOLFE back in Tilburg.

Unequivocally one of the most talked about moments in the history of Roadburn was MAGMA’s overwhelming performance at the 2014 festival. These seminal progressive rock pioneers went down a storm, and to this day, we still hear so many attendees talking about MAGMA’s set, and craving their return for Roadburn.

Both acts will perform on Friday, April 21 at the 013 venue, as part of John Dyer Baizley’s curation.

Although they come from disparate sonic universes, THE BUG (electronic music wizard Kevin Martin) and DYLAN CARLSON (mastermind of the massively influential EARTH, who have graced Roadburn with their presence in 2009 and 2011) are nevertheless two of the more revered names in experimental music as a whole. Their paths crossed in 2014, when they surprisingly teamed up on a Record Store Day exclusive release. Americana meets industrial, minimalism meets pulsating dance beats, metal meets electronics… who knows what can happen when THE BUG meets DYLAN CARLSON OF EARTH? One thing is for sure, the walls will shake.

THE BUG VS DYLAN CARLSON OF EARTH will perform at the 013 venue on Saturday, April 22.

DEAFHEAVEN’s appearance at Roadburn has been a long time coming. As divisive as they are inclusive, DEAFHEAVEN have thrown the field wide open with regards to what it means to be a metal band. They have managed to bring extreme metal fans to the same room as shoegaze and post-rock/metal fans; their music doesn’t simply tick all those genre boxes, it plays join the dots with them – just as we like to do at Roadburn Festival.

DEAFHEAVEN will play at the 013 venue on Thursday, April 20.

SUBROSA’s For This We Fought The Battle Of Ages has been out less than two months, but at Roadburn HQ it not only hovers near the top of our album of the year lists, it is marked as a future classic. We are delighted to have the Salt Lake City five-piece perform the album in full at Roadburn 2017. Not only that, they will perform SubRosa – Subdued; a not-quite-acoustic set with all the passion at a fraction of the volume of a regular SUBROSA set.

SUBROSA will perform For This We Fought The Battle of Ages at the 013 venue on Thursday, April 20, and Subrosa – Subdued on Friday, April 21.

• CRIPPLED BLACK PHOENIX will fuse progressive rock, post-rock and righteous, guitar-driven heaviness. Prior to their Roadburn appearance, Crippled Black Phoenix will play Doornroosje, Nijmegen (NL) on December 10.
• DÄLEK will bring a different kind of heaviness to the Roadburn stage, and comment “Some people might wonder why a hip-hop act was added to the bill… we intend to show them why.”
• AHAB will play The Call of the Wretched Sea in full
• ZHRINE bring a slice of Icelandic darkness to Roadburn
• AUÐN join their Icelandic brothers, delivering windswept, atmospheric black metal
• ALUK TODOLO will perform latest album Voix in full
• ZU bring their frenzied experimentation to Roadburn 2017 again
• INTER ARMA will make a triumphant return to Roadburn, and no doubt deliver yet another stunning performance
• Leif Edling’s THE DOOMSDAY KINGDOM will make their live debut at Roadburn 2017
• Karl Simon brings his post-Gates of Slumber band WRETCH to Roadburn for their European debut
• Thick tones, soaring melodies, and bone-crunching rhythms will be the order of the day for SLOMATICS
• WOE bring their passionate and potent American black metal to Tilburg
• ULTHA will be making a bid for the heaviest set of the day when they perform
• EMPTINESS will blend black metal and power electronics

Tickets for Roadburn 2017 will go on sale from Thursday, 20 October 2016. They will be available to purchase in person from the 013 venue, Tilburg, The Netherlands from 6.30pm local time – and ticket buyers are invited to the pre-sale party at the venue featuring Ortega and Gomer Pyle. Tickets will go on general sale at 9pm (NL and mainland Europe)/ 8pm (UK)/ 3pm (East Coast USA)/ 12 noon (West Coast USA). Tickets can be purchased from this link.

For more information on the pre-sale party, click HERE.

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SubRosa, For this We Fought the Battle of Ages (2016)

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ROADBURN 2016 DAY THREE: Times of Grace

Posted in Features, Reviews on April 16th, 2016 by JJ Koczan

roadburn 2016 day three (Photo by JJ Koczan)

04.17.17 – 01:26 – Hotel room, Tilburg

We were done with the Weirdo Canyon Dispatch folding ritual early this afternoon. Third time’s the charm. The issue was finished and printed and put online (you can read it here) by a little bit before one o’clock, so I decided to head back to the hotel to have a drink of water, get my head around the day, dick around on my phone, etc.

dool 1 (Photo by JJ Koczan)En route, something caught my ear wafting out of the Cul de Sac. It was Rotterdam natives Dool soundchecking, and from outside, they sounded pretty damn good. Their name had come up in the office since they’re this year’s “Roadburn Introduces” pick, and I decided pretty quickly that I’d have to check them out even just going by what I heard on my way by, so I got back in time to get a spot up front and attended their arrival. They’ve got members of The Devil’s Blood in bassist Job van de Zande and drummer Micha Haring and Gold‘s Nick Polak on guitar along with Reinier Vermeulen, and guitarist/vocalist Ryanne van Dorst, and maybe since they’re not brand new players out of the gate it shouldn’t be a surprise they were in such command of their sound, but for a band who doesn’t have more than a single out, they were impressive in their presence on stage and in the cohesion of their aesthetic, copping elements of goth rock to darken up heavy grooves for an early crowd.

When they got to “Words on Paper,” van Dorst switched out her electric guitar for an acoustic one, and the effect of the added resonance to Polak‘s and Vermeulen‘s guitars was palpable. Every Roadburn brings a pleasant surprise. Dool were definitely mine this year. This morning, I knew nothing about them. Now I’ll be keeping an eye out for news about their debut album. They’d wrap up in time for Skepticism to start on the Main Stage. skepticism 1 (Photo by JJ Koczan)The Finnish funeral doomers hit the quarter-century mark in 2016, and they marked the occasion with a special fan-selected set that focused heavily on their 1995 debut LP, Stormcrowfleet, with “Sign of a Storm,” “By Silent Wings” and “The Everdarkgreen,” as well as their 2003 third outing, Farmakon, with “Farmakon Process,” “The Raven and the Backward Funeral” and “Shred of Light, Pinch of Endless.” They had “The March and the Stream” from 1998’s Lead and Aether in there as well, but whatever they were playing, it all crawled, gruelingly, further into a deep, black abyss of church-organ-laced doom, heavy on drama and impassable in tone.

Frontman Matti Tilaeus added to the drama, the bowtie of his formalwear undone — as apparently it will be — and the white roses he carried out with him when he came on stage laid on the tops of the monitors for extra funereal effect. They played mostly in the dark, and were a reminder of just how much what we think of today as death-doom owes its crux to what Finland conjured in the mid-’90s. It was a surprise to walk out of the Main Stage room when they were done and find the sun was still up. How could daylight still even exist after such a thing? I’d ponder the question during an initial loop through the merch area while waiting as I have been for months, years, to see Brothers of the Sonic Cloth, also playing the Main Stage. The Tad Doyle-fronted outfit released their also-awaited self-titled debut (review here) on Neurot Recordings, and though they toured to support it — with Neurosis, no less — I didn’t get to go to that show and my soul has had a dent in it ever since.

brothers of the sonic cloth 1 (Photo by JJ Koczan)Well, Brothers of the Sonic Cloth‘s sheer tectonic heaviness took that dent, bumped it out and polished it up real nice. And by that I mean that, while the video screen behind them showed suitably-themed images like the earth as a ball of fire, volcanoes, arcane rituals and so on, they played so furiously loud and with such heft of low end that the floor of the big room actually shook. They had a second guitarist on stage right with bassist Peggy Doyle, and drummer Dave French was in the back, but as a whole unit, Brothers of the Sonic Cloth came together to hone pure aural destruction for the duration of their set, Tad‘s seething rasp and screams placing him at the center of the churn, not nearly as morose as Skepticism had been, but viscerally angry and geared for maximum impact. When the asteroid hits planet earth in whatever year that is — could be tomorrow for all I care; I’m at fucking Roadburn — it will sound like Brothers of the Sonic Cloth. I own two of their t-shirts. When they were done I felt like maybe that’s not enough.

Aside from the fact that Astrosoniq drummer/producer Marcel van de Vondervoort is deeply involved with recording and mixing the audio streams of each Roadburn that so often become groups’ live albums, and aside from the fact that after I first dug into their last studio LP, 2010’s Quadrant (review here), I decided I needed to hear every record they’d ever put out — 2006’s Speeder People (review here), 2005’s Made in Oss EP (review here), 2002’s Soundgrenade (review here) and 2000’s Son of A.P. Lady (review here) — I have been waiting years to see Astrosoniq play Roadburn, and their set was made all the more special by the fact that fest organizer Walter was doing live visuals as he did for The Heads last year. The band hasn’t had much if any live activity over the last few years. It’s now been seven since Quadrant was first issued in Europe. I knew it was going to be something special. I knew I was lucky to see them. I don’t think I knew just how much that would be the case.

On record, they hop genres with attention-deficit regularity, but in the Green Room, tastrosoniq 1 (Photo by JJ Koczan)he band were much more fluid. They jammed out with the best of anything I’ve seen at Roadburn 2016, and I’ve seen a few jams. Guitarist Ron van Herpen had guested the other night with Death Alley, but really stood out during “As Soon as They Got Airborne,” an extended take that was only part of the larger highlight that was the set as a whole. “You Lose” from Son of A.P. Lady was another standout, that album having just received a limited vinyl reissue that’s caught my eye in the merch area downstairs at the Patronaat. May or may not get to pick its deluxeness up to take home, but Astrosoniq made an easy case with what I’ll hope is a return to activity that results — eventually; doesn’t have to be this week; next week is fine — in a new full-length. Their native Oss is about 35 minutes from Tilburg by car, just on the other side of den Bosch, and they got the hometown greeting from a strong Dutch contingent represented in the crowd. I knew they would be a hard act to follow.

I watched a bit of Tau Cross — with Away from Voivod on drums and Rob Miller from Amebix on vocals — on the Main Stage before heading over to Het Patronaat to catch the start of Beastmaker, as Lee Dorrian‘s curation was continuing over there. I miss-timed it and didn’t actually get to see them apart from their soundcheck, blowing my chance at Carousel in Extase at the same time, and routed back to the 013 proper to watch Converge do their special ‘Blood Moon’ set comprised of their slower and more experimental material. After their Jane Doe set the other night, which I caught the tail end of, the vibe was almost completely different. Yeah, Jacob Bannon still writhed and paced back and forth and whatnot, but there were more clean vocals — giving Stephen Brodsky (Cave In) another chance to shine, which he did — and they brought out Steve Von Till of Neurosis and Chelsea Wolfe to add their voices to the mix, and Ben Chisholm fleshed out textures on keys, resulting in a rich sound that pushed away from hard/metalcore in favor of something less stylistically hinged. Even for being selections from past records, ‘Blood Moon’ set its own context, and even in the parts that converge 1 (Photo by JJ Koczan)didn’t feature Von Till, one could hear a strong sense of influence from Neurosis in what they were doing.

At that point, I decided to do something I hadn’t done since I got to Tilburg: I stopped and had a meal. I left Massachusetts on Tuesday evening. Today was Saturday. Since then, I hadn’t had time to actually sit down to a dinner, lunch, breakfast, anything. I bumped into Weirdo Canyon Dispatch photog extraordinaire Paul Verhagen and we grabbed a bite, with Exile on Mainstream‘s Andreas Kohl joining later, before Amenra went on the Main Stage. I had mixed veggies — broccoli, brussels sprouts, string beans, some other green thing chopped up — a boneless chicken thigh, a spicy chicken wing and a considerable amount of green salad, dry. It might as well have been birthday cake.

Amenra are something of a fixture around Roadburn. The Belgian atmospheric sludgers played in 2007, they played when Neurosis curated in 2009, they played in 2013 and they’ll play again at the Afterburner. That’s nothing to complain about, I’m just noting it because perhaps it was part of what drove them to do something different this time around, performing mostly acoustic with seven players seated arranged in a circle on the stage to stark lighting and deeply melancholic reinterpretations of their songs. Of course, they also have a new LP out, Alive, on Consouling Sounds working in similar forms — it features a faithful cover of Tool‘s “Parabol,” which they also played — but even in this different incarnation, it was plain to hear the impact of Neurosis on their methods and of Scott Kelly and Steve Von Till‘s solo works on their dark-folk and minimalist (if you can call something with seven people on stage minimalist) brooding.

Vocalist Colin H. van Eeckhout said from the stage they were nervous amenra 1 (Photo by JJ Koczan)and doing their best, possibly after someone shouted “Slayer!” in the crowd. If they were uncomfortable, it was hard to tell from the harmonies. When they were done, they left one at a time until only a single guitarist remained, his back to the crowd. Then he got up and walked away and the part he was playing kept going. It was a loop, obviously — that’s not exactly a magic trick at this point — but it made for a striking visual all the same and said something about the resonance of their material, being brought down on a slow fade as the crowd erupted again. There would be a 40-minute break before Neurosis came on, which, to be completely honest, felt like an eternity.

From Brothers of the Sonic Cloth onward, everything on the Main Stage at Roadburn 2016 today was building toward the Neurosis 30th anniversary set. From Tad Doyle‘s grunge roots to Tau Cross‘ own in crust and progressive thrash, to Converge and Amenra having both — in very different ways, granted — found inspiration in their work, Neurosis was at the core of what the whole day was about, and the push forward was leading inextricably to their set as the culmination. Not to say it was seven-plus hours of setup and nothing more, just that the clearly purposeful flow of the day was designed with its direction in mind. It was not an accident.

neurosis 1 (Photo by JJ Koczan)They opened with “Lost” from 1993’s Enemy of the Sun, and among the you-were-never-gonna-see-Neurosis-play-this highlights were “Pain of Mind” and “Self-Taught Infection” from 1988’s Pain of Mind debut, “To What End?” from 1990’s The Word as Law, a cover of Joy Division‘s “Day of the Lords,” and, gloriously, “Takeahnase” from 1992’s Souls at Zero, arguably the point at which they really started to branch beyond their beginnings in crust and hardcore punk and move into the various forms of aggression that they continue to develop now — the easy word for it is post-metal, but it’s post-metal because Neurosis made it that way. With more recent inclusions like “At the Well” from 2012’s Honor Found in Decay (review here) and “Water is Not Enough” from 2007’s Given to the Rising, along with “Times of Grace” from the 1999 album of the same name, “Left to Wander” from 2004’s The Eye of Every Storm, as well as the closing pair of “Through Silver in Blood,” from the 1996 LP of the same name, and “Stones from the Sky” from 2001’s A Sun that Never Sets.

Between all of that and “An Offering” from the Sovereign EP, there was not one record in their discography unrepresented. That made the event even more special — they’ll follow-up with a second installment for the Afterburner tomorrow — but the truth of the matter is that anytime Neurosis shows up, it’s special. I know they’ve done more touring in the last year than in the decade prior, but still, I don’t think there’s a band on the planet that captures the same measure of intensity, of raw passion, of volume-assault-as-spiritual-refuge that Neurosis does, and whether it’s Noah Landis using the entire universe for source material for samples and manipulated transitional drones for between songs, Steve Von Till and Scott Kelly complementing each other on guitar and vocals as one might expect for two guys who’ve been fronting a band together for 30 years, Dave Edwardson‘s continued ferocity on bass or Jason Roeder‘s cyclical drum patterning, everything they do is a lesson in the ethic of putting creativity first. They have a new record coming out at some point. I don’t know what it sounds like or what it’s called, but I feel comfortable in the knowledge that neurosis 2 (Photo by JJ Koczan)it will step forward from where they were with Honor Found in Decay, because they’re Neurosis, and that means no compromising.

I kind of lost my shit during that especially blistering rendition of “Takeahnase,” and I expect tomorrow and Monday I’ll be good and sore. Who cares? Not me. I’m back at it in the morning for the last issue of the Weirdo Canyon Dispatch and more bands for the Afterburner, which basically is just another day of Roadburn at this point. Fine by me. It’s gone quickly in 2016 — how do you pack a year’s worth of living into four days? — so I’ll take everything I can get.

More pics after the jump. Thanks for reading.

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Portugal’s Amplifest Announces Film Screenings; Lineup Additions Confirmed

Posted in Whathaveyou on July 22nd, 2014 by JJ Koczan

I’ll be honest. There are times when I post about all these badass European fests when I get frustrated, wondering when I might get to see Conan and Black Shape of Nexus and YOB and Wovenhand on the same bill in the US. But you know what the answer to that question is? Never. It’s never gonna happen. Talk to me all you want about the growing fest culture in the States — meaning there are like two that are sustainable over the long term — but we’re likely to win the World Cup before we’re able to make a show like this happen. Our healthcare sucks too and we’ve spent over a decade bankrupting ourselves fighting needless wars so that five or six dickbags can viciously profiteer therefrom. You take the good with the bad. At least we’ve got new Sleep.

I won’t get to Amplifest in Portugal, unfortunately, but if you’re in that part of the world at the beginning of October, consider yourself fortunate. The two-dayer has confirmed screenings for two Chelsea Wolfe films, and added Swans and others to its already considerable lineup.

Behold:

AMPLIFEST: Chelsea Wolfe’s “Lone” and “March of the Gods” to be screened || Swans, Cult of Luna, Ben Frost & more confirmed

Amplifest is due to happen in Porto, Portugal, on the 4th and 5th of October. This year’s line-up features performances from Swans, Cult of Luna, Ben Frost, Conan, Pallbearer, Wolvserpent, Wovenhand, Pharmakon and more. Tickets on sale.

Chelsea Wolfe’s “Lone” and documentary on metal music in Botswana “March of the Gods” will be screening in Amplifest 2014, scheduled to the weekend of October 4th and 5th. With talks with the confirmed artists and exhibitions still to be announced, this year’s edition will also feature concerts and performances from artists as influential and important to modern art and music as Swans, Cult of Luna, Ben Frost, Marissa Nadler, Yob, Wovenhand, Wolvserpent, or Pharmakon, to name just a few.

“Lone” works as a cinematic counterpart of Chelsea Wolfe’s latest album “Pain is Beauty”, but it stands perfectly on its own as a beautiful and enthralling art piece. Crafted both by Wolfe herself and renowned director Mark Pellington, “Lone” brings to a visual dimension all the distinctive factors in Chelsea Wolfe’s music: beauty in darkness, innocence and violence. Following her memorably breathtaking show at last year’s Amplifest, we will again be delighted by Chelsea Wolfe’s art, this time on screen.

Heavy Metal music is, unquestionably, a product of western culture – but the anger that leads to such an extreme way of expression is universal. “March of the Gods”, directed by Raffaele Mosca, is a rockumentary that portrays the thriving Metal scene in Botswana, a sparsely populated, and mostly deserted, country in Southern Africa. With a focus on the story of Wurst, one of Botswana’s most popular metal bands, the film shows us how such an orthodox music style can blend with African traditions and create a microcosm full of passionate and peculiar characters.

Announced acts: Alhousseini Anivolla, Ben Frost, Black Shape of Nexus, Bosque, Conan, Cult of Luna, Hexis, Marissa Nadler, Pallbearer, Peter Brötzmann & Steve Noble, Pharmakon, Swans, Urfaust, VVOVNDS, ?, Wolvserpent, Wovenhand, Yob

Amplifest is more than a festival, it’s an experience. It is due to happen in Porto, Portugal, on the 4th and 5th of October. Tickets available at AMPLISTORE:
2-day passes: 65 euros
1-day pass: soon

http://www.amplificasom.com/
http://www.facebook.com/pages/Amplificasom/182459678459276
http://twitter.com/#!/amplificasom

Chelsea Wolfe, “Reins” Live at Amplifest 2013

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