Carlton Melton UK Tour Starts This Week

Posted in Whathaveyou on February 19th, 2018 by JJ Koczan

carlton melton

If you live or will happen to find yourself in the UK sometime in the next week, you might just have a good excuse here to freak the fuck out. Carlton Melton, San Franciscan lysergic experimentalists if ever there were any, are headed over this week to begin a tour in London that will take them up into Scotland and loop back down to finish in Leeds after an eight-show stretch supporting their new album, Mind Minerals (review here), which came out Feb. 2 via Agitated Music. So that’s the good news.

What’s the bad news? Nothing. There is no bad news this time. Isn’t that nice?

Carlton Melton had a couple of shows previously booked for Belgium and the Netherlands that I’ve included below just in case they’re still on, though the press release this time was only about the UK run. Better safe than sorry, but if you’re thinking about heading to Antwerp or Nijmegen, you might want to check those are actually still a go. Fair warning.

From the PR wire:

carlton melton tour poster

CARLTON MELTON UK TOUR DATES

CARLTON MELTON are bringing their futurescape soundtrack to the UK….

20/02 – London – The Shacklewell Arms
21/02 – Todmorden – Golden Lyon
22/02 – Glasgow – Nice n Sleazy
23/02 – Manchester – Soup Kitchen
24/02 – Brighton – Hope & Ruin
25/02 – Salisbury – The Winchester Gate
26/02 – Northwich – The Salty Dog
27/02 – Leeds – Wharf Chambers

Previously announced live dates:
28/02 BE Antwerp – Het Bos
03/03 NL Nijmegen – Doornroosje

New album “Mind Minerals” out now on Agitated Records

Searing guitar piercing the drone with relentless power, the core trio of Carlton Melton; Andy Duvall (drums/guitar), Clint Golden (bass guitar), and Rich Millman (guitar/synth), have some alchemical bond that’s helped them create a post-rock / psychedelic / freeform organic slab of American Primitivism / space drift , this is unashamed head-music from the melting pot of Northern California.. 5 decades ago this album would have been released on the ESP Disk Label or even Apple.. .there would have been no helter skelter if the desert Hippies had locked onto these vibes, plug in, turn on, tune out..float free.. Carlton Melton can provide your own aural microdose to reset your Mind / Psyche!!

http://www.carltonmeltonmusic.com/
https://www.facebook.com/Carlton-Melton-band-page-142609689122268/
https://www.facebook.com/AGITATEDRECORDS/
http://agitatedrecords.com/

Carlton Melton, “The Lighthouse”

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Quarterly Review: Carlton Melton, Horseskull, Dreadnought, Forsaken, Moon Rats, Son of the Morning, Jesus the Snake, Bert, Galactic Gulag, Band of Spice

Posted in Reviews on January 8th, 2018 by JJ Koczan

Lodewijk de Vadder (1605-1655) - 17th Century Etching, Landscape with Two Farms

Today begins the Quarterly Review. You know the deal by now. 50 records written up between today and this Friday, 10 per day. As always, it’s a huge swath of stuff, and by the end of it I’m usually ready to collapse in a heap, but I’ve yet to regret it afterwards, so we press on. I hope you find something you dig in all this. I say that every time, but it’s still true.

Speaking of digging, how about that new logo up there? Thanks goes out to the Lord of the Logos himself, Christophe Szpajdel, who took on the project. This is the second one he’s done for the site, and aside from being in a completely different style from the last — I like covering a good amount of ground, even in logos — I think it fits pretty well with a variety of aesthetics. Could be doom, could be heavy rock, psych, stoner garage, whatever. Anyway, I’m into it. Hope you are too.

Quarterly Review #1-10:

Carlton Melton, Mind Minerals

carlton melton mind minerals

It might be decades before the dimension we live in has caught up to the plane from which Northern California’s Carlton Melton emanate their resonant transmissions of space-psych, but somehow time doesn’t seem to matter anyway when actually listening. To wit, Mind Minerals, the trio’s first LP since 2015’s Out to Sea, is an 11-track/76-minute whopper – unmanageable by any standard – but once it’s on, all you want to do is roll with it and by the time post-aptly-named intro “Untimely” has begat “Electrified Sky” has begat the droning “The Lighthouse” has begat the fuzzy swirl of “Eternal Return” has begat the 10-minute rumble-and-synth soundtracking of “Snow Moon,” etc., there’s neither escape nor the desire for it. Does it need to be a 2LP? Nope, but nothing needs to be anything, man. In the subdued boogie of “Basket Full of Trumpets,” the is-it-backwards slow freakout of “Sea Legs,” the experimental guitar ambience of “Way Back When,” headphone-ready minimalism of “Climbing the Ladder,” the shaker’s tension that sustains the otherwise wispy “Atmospheric River,” and the final fuzzy resurgence of “Psychoticedelicosis,” Carlton Melton thoroughly reaffirm their residency in the far, far out. Not that anyone was questioning their paperwork or anything.

Carlton Melton on Thee Facebooks

Agitated Records website

 

Horseskull, Chemical Winter Blues

horseskull chemical winter blues

With fluid shifts between Ripple-style straightforward heavy rock, rolling Sabbathian lumber and even some harsher sludge elements, the seven-minute “Black Dawn, Bright Day” sets a varied tone for Chemical Winter Blues, the second LP from North Carolina’s Horseskull. I’m not sure I’d declare any one side or the other the winner in the fight between them by the time the death ‘n’ roll of “Luckless Bastards” gives way to closer “Lost all I Had, then Lost Again” – itself a 17-minute noise-nodder triumph of, well, loss – but the trip through “Hypocrites and Pigs” and 10-minute centerpiece “The Black Flame of Cain” is unpredictable and fun to make in kind. Guitarist/vocalist Anthony Staton reminds a bit of Slough Feg’s Mike Scalzi in his cleaner delivery, which only adds to the album’s declarative feel, and the overarching groove surrounding from guitarist Michael Avery, bassist Robert Hewlett and drummer Steve Smith only reinforces the developing individualism.

Horseskull on Thee Facebooks

Horseskull on Bandcamp

 

Dreadnought, A Wake in Sacred Waves

dreadnought-a-wake-in-sacred-waves

There is very little beyond the reach of Denver four-piece Dreadnought. Their third album, A Wake in Sacred Waves (Sailor Records), blends open, psychedelic jazz, progressive black metal, folk and more into a sometimes-thrashing/sometimes-sprawling meld that recalls the promise of Grayceon and the poise of Opeth while at the same time casting its own impression in melody, arrangement, variety and scope. Opening with the 17-minute longest cut (immediate points) “Vacant Sea,” it brilliantly ties its elements together to present a story arc following in elemental theme from Dreadnought’s first two offerings in centering around the rise and fall of a water-born apex predator, the narrative of which plays out across its four intense, extended and resoundingly complex inclusions, which alternate between beautiful and terrifying in a way that leaves the line utterly blurred and irrelevant. Why this band isn’t on Profound Lore or Neurot, I have no idea, but either way, A Wake in Sacred Waves is a conceptual and manifest triumph not to be missed.

Dreadnought on Thee Facebooks

Sailor Records website

 

Forsaken, Pentateuch

forsaken-pentateuch

A spirit of classic doom metal abounds on Forsaken’s fifth long-player, Pentateuch (Mighty Music), which is the long-running Malta-based outfit’s first offering since 2009’s After the Fall, but though righteous fist-pumpers like “Primal Wound” and “Decalogue” carry an epic and unflinchingly progressive underpinning in their layered vocal melodies, a harsh snare sound and awkwardly punching bass stifle complete immersion. It’s less an issue in a cut like “Saboath (The Law Giver),” which has a full swing surrounding, but it makes post-intro opener “Serpent Bride” sound like a demo (unless it’s my digital promo?) in a way that sets an unfortunate tone in contrasting the obvious class and high-level execution of Pentateuch as a whole. It should be noted that even a rough production can’t hold “The Dove and the Raven” back from making its Candlemassian intent clear, but a record of such overall high standard should feel as crisp as possible, and particularly for being so many years in arriving, Forsaken’s latest seems to want more in that regard, despite the quality of the material that comprises it.

Forsaken on Thee Facebooks

Mighty Music website

 

Moon Rats, Highway Lord

moon-rats-highway-lord

I’ve already counted Highway Lord among my favorite debuts of 2017, but consider it’s worth taking a moment to underline the point of the heavy psych and stoner-fuzz wash that Moon Rats so vigilantly emit on cuts like the opening salvo of “Become the Smoke,” “The Dark Takes Hold” and “Heroic Dose,” balancing languid vibe and sonic heft atop gorgeously natural songcraft. Among the short-feeling 29 minutes and seven inclusions, with the title-track at the center shifting into “Overdose,” the deeply atmospheric “The Hunter” the and melodically spacious “Motor Sword” at the finish, there isn’t a weak spot to be found, and whether it’s the added dynamic of a key arrangement in the closer or the landmark feel of the hook to “Heroic Dose,” the Milwaukee five-piece tap into the there’s-no-rush-we’ll-all-get-there sonic sentiment that once made Quest for Fire so entrancing, while engaging subtle flourish of presentation that promises creative development to come. Bring it on. Please. The sooner the better.

Moon Rats on Thee Facebooks

Gloss Records website

 

Son of the Morning, Son of the Morning EP

son-of-the-morning-son-of-the-morning-ep

Newcomer four-piece Son of the Morning, with the crisply-realized three tracks of their self-titled debut EP, would seem right away to be trying to stake their claim on a piece of the Midwest’s doom legacy. Coiling between heavy rock swing and classic doom tonality, each cut, from “Left Hand Path,” which rounds out after its welcoming hook with a sample of what sounds like somebody hanging in the breeze, through the post-Uncle Acid riffing of “Release,” and the more ethereal, organ-laced psych of “House of Our Enemy,” offers its own take in a clearheaded and efficient five minutes, getting in, leaving its mark and getting out to make room for the next piece in this initial sampling. Potential abounds from vocalist/organist Lady Helena, bassist Lee Allen, guitarist Levi Mendes and drummer H.W. Applewhite, and the core question is how they might tie these elements together across a first full-length. It should be noted they sound more than ready to embark on that project and provide an answer.

Son of the Morning on Thee Facebooks

Son of the Morning on Bandcamp

 

Jesus the Snake, Jesus the Snake EP

 jesus-the-snake-jesus-the-snake

A 31-minute debut EP clearly meant to be heard in its entirety, Jesus the Snake’s self-titled treads some familiar ground in progressive heavy psychedelic instrumentalism throughout its four tracks – “Floyds I,” “Floyds II,” “Karma” and “Moment” – but with an inherent sense of mood and reach not unlike earliest My Sleeping Karma, its tonal warmth and emergent weight of groove find welcome all the same. Particularly for being the Portuguese outfit’s first public unveiling, the interplay of Joka Alves’ keys and Jorge Lopes’ guitar is immediately fluid, and as the bass of Rui Silva provides foundation to let drummer João Costa explore jazzy snare textures and stylistic nuance. It’s a beginning, and it sounds like a beginning, but Jesus the Snake also offers a richness and patience that many bands simply don’t have their first time out, and for that and the classic stoner fuzz of “Moment” alone, it’s easily worth the time and effort of thorough investigation.

Jesus the Snake on Thee Facebooks

Jesus the Snake on Bandcamp

 

BerT, The Lost Toes

bert-the-lost-toes

Officially defunct for some time now, Michigan’s BerT compile tracks from throughout their prolific and bizarre run in The Lost Toes (Madlantis Records), proffering a timeline of their post-Melvins avant weirdness that starts with their very first song, “Stuff,” and makes its way through various demos, lost tracks, noise experiments, etc., to the 11-minute drone-out “Return” at the finish line. The digital version on Bandcamp offers an origin story with each track – the 90-second noise rock blast “Human Bone Xylophone” was cut from 2012’s Return to the Electric Church for time concerns, and the subsequent “Commercial Break” (which, yes, is a commercial break) was a class project – but whether you engage the narrative or not, the enduring vibe remains strange and charming in its garage-fuckall, could-and-just-might-go-anywhere-at-any-moment kind of way. BerT were always good fun, and The Lost Toes serves as reminder of the personality they had together that was so very much their own.

BerT on Thee Facebooks

The Lost Toes at Madlantis Records website

 

Galactic Gulag, To the Stars by Hard Ways

galactic gulag to the stars by hard ways

Brazilian instrumental troupe Galactic Gulag traffic in cosmic heft across the five pieces that comprise their first full-length, To the Stars by Hard Ways, but there’s ultimately little about the album that seems to be the hard way. If anything, it’s easy: Easy to groove on, easy to let it unfold over you in a spacious psychedelic drift, easy to nod along as the bassline of “Escape from Planet Gulag” picks up from 12-minute opener “Home.” Easy even to get lost in the sax-laden swirl-bounce off-kilterism of “The Hollow Moon.” So yeah, guitarists Breno Xavier and Pablo Dias, bassist Gabriel Dunke and drummer César Silva might be overselling a sense of difficulty, but as “Space Time Singularity” rolls into the shreddy-style fuzz of 15-minute closer “Eta Orionis,” there are clearly more important issues at hand. Like space. And riffs. And tone. And everything else that’s working so well for the Natal-based foursome on this jam-laden debut.

Galactic Gulag on Thee Facebooks

Galactic Gulag on Bandcamp

 

Band of Spice, Shadows Remain

band of spice shadows remain

Former Spiritual Beggars and The Mushroom River Band vocalist Christian “Spice” Sjöstrand has been fronting the namesake act Band of Spice – formerly Spice and the RJ Band — for over a decade now, and Shadows Remain (Scarlet Records) follows 2015’s Economic Dancers (review here) as their fifth overall full-length. After the suitably-drunk-sounding vocals-only intro “Only One Drink,” the album rides the line between classically metallic tones and heavy rock riffing, a cut like “Don’t Bring Me Flowers” having little time in its 2:46 for brooking nonsense of any sort while later pieces like “Apartment 8” and “The Savior and the Clown” find time for more brooding and sentimental fare, and the penultimate “Take Me Home” and closer “Apartment 8 (Part II)” offer acoustic-strummed departure, so while the 51-minute runtime gives the 13-tracker something of a CD-era throwback feel and the songwriting the resolute in its straightforwardness, neither is Shadows Remain completely single-minded in its approach. A touch of grunge-funk in “Sheaf” goes a long way as well in lightening the mood, making the whole presentation all the more pro-shop, as it should be.

Band of Spice on Thee Facebooks

Scarlet Records on Bandcamp

 

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Carlton Melton to Release Mind Minerals Feb. 2

Posted in Whathaveyou on November 27th, 2017 by JJ Koczan

carlton melton

You ever run into a band who are so good you’re almost scared to listen to them because you know if you do you’re going to want to immediately own whatever it is you just put on? Like, you know you don’t really have the money to spend, but you’re going to hear whatever release it is and be like, “Well shit, now I need this.” That’s me and NorCal psych weirdos Carlton Melton. I don’t think I’ve ever heard a track from the band that didn’t make me feel like I should purchase their entire discography, and that this point, that would be no minor undertaking. Still, as pursuits go, noble.

Carlton Melton fucking rule, I guess is my point.

Their new album, Mind Minerals, is out Feb. 2 on Agitated Records, and onto the list of 2018’s most anticipated records it goes. If you need to ask why, see the paragraph immediately above.

Info and tour dates from the PR wire:

carlton melton mind minerals

Announcing CARLTON MELTON new album “Mind Minerals” on Agitated Records

Release date: 2nd February 2018

This will be Carlton Melton’s first full length release since 2015’s widely lauded “Out To Sea” double opus, itself a languid drifting of drones and psychedically enhanced riffmongering. Sure, there’s been some long EP releases since… Hidden Lights in 2017 (featuring the immeasurable drone sike float on “Rememory”) and Aground in 2016 (a companion, the Desert Island weather beaten psych-flow follow up to Out To Sea), now its time to soak up… Mind Minerals.

Mind Minerals finds Carlton Melton in fine fettle, all the songs were recorded and engineered at El Studio in San Francisco by Phil Manley on September 3rd and 4th 2016 (except ‘untimely’ – recorded at the Dome by Brian McDougall), the studio setting suits them — a logical progression from a weekend’s recording out at the Dome.
Under Manly’s watchful ear/eye, Carlton Melton have created a futurescape soundtrack.., a “3001 Space Oddyssey”. The drums are more pounding and direct than before, the constantly re-assuring bass creates a helping hand to propel you through the clouds of static and shards of electrifying guitar dazzling your horizon. Synths help soothe the sharp edges and lull you into some out of body experience whilst and orchestrated calamitous scree pulls you back…. This is a breathless, yet deep breathing album. It demands full immersion…

Searing guitar piercing the drone with relentless power, the core trio of Carlton Melton; Andy Duvall (drums/guitar), Clint Golden (bass guitar), and Rich Millman (guitar/synth), have some alchemical bond that’s helped them create a post-rock / psychedelic / freeform organic slab of American Primitivism / space drift , this is unashamed head-music from the melting pot of Northern California.. 5 decades ago this album would have been released on the ESP Disk Label or even Apple.. .there would have been no helter skelter if the desert Hippies had locked onto these vibes, plug in, turn on, tune out..float free.. Carlton Melton can provide your own aural microdose to reset your Mind / Psyche!!

Andy Duvall plays juno synth on ‘the lighthouse’

Special guests:
Phil Manley – juno synth on ‘snow moon’ and ‘sea legs’ / Guitar on ‘eternal returns’ and ‘psychoticedelicosis’.
John McBain – guitar on ‘electrified sky’ and ‘way back when’ / synth/mellotron/guitar on ‘atmospheric river’.

All songs mastered by John Mcbain at JPM mastering.
Cover artwork is “Walls” (2013) by Andy Vogt

Tracklist
1. Untimely
2. Electrified Sky
3. The Lighthouse
4. Eternal Returns
5. Snow Moon
6. A Basketful Of Trumpets
7. Sea Legs
8. Way Back When
9. Climbing The Ladder
10. Atmospheric River
11. Psychoticedelicosis

Carlton Melton will BE TOURING next year! Confirmed dates below:
08/02 NL Groningen – Vera
09/02 DE Wurzburg – Immerhim
10/02 DE Berlin – Noise Testament
11/02 DE Oldenburg – MTS
12/02 DE Bamberg – Pizzini
14/02 AT Wien – kramladen
15/02 ITA Treviso – AltroQuando
16/02 ITA Torino – Magazzino Sul Po
17/02 ITA Fidenza (Parma) – Arci Taun
19/02 FRA Paris – Instant Chavires
20/02 UK London – The Shacklewell Arms
21/02 UK Todmorden – Golden Lyon
22/02 UK Glasgow – Nice n Sleazy
23/02 UK Manchester – Soup Kitchen
24/02 UK Brighton – Hope &Ruin
25/02 UK Salisbury – The Winchester Gate
26/02 UK Northwich – The Salty Dog
27/02 UK Leeds – Wharf Chambers
28/02 BE Antwerp – Het Bos
03/03 NL Nijmegen – Doornroosje

*More dates to be announced*

http://www.carltonmeltonmusic.com/
https://www.facebook.com/Carlton-Melton-band-page-142609689122268/
https://www.facebook.com/AGITATEDRECORDS/
http://agitatedrecords.com/

Carlton Melton, Out to Sea (2015)

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Wrapping up #VinylDay2017

Posted in Features on July 26th, 2017 by JJ Koczan

Grooves and platters galore. My motivation behind doing Vinyl Day 2017 was simple: I felt like listening to records and sharing that process. It was kind of an off-the-cuff thing. Just an idea I had and ran with it. I figure it doesn’t need to be anything more than that, right? Isn’t putting on an album its own excuse for putting on an album? I tend to think so.

And yeah, I made it a hashtag. Because it’s the future, and hashtags. Instagrammaphone and whatnot. I’m a novice at best when it comes to the social medias, but it seems to me that if you’re going to share a full day’s worth of what you’re listening to, that’s the way to do it. So that’s what I did. If I clogged up your feed or whatever and it pissed you off, sorry.

For anyone who might’ve missed it, it turned out to be nine records of various sorts. Here they are, complete with accompanying audio when I could get it, because it’s the age of instant gratification:

There you have it. Had to be Sleep to end it. Pretty awesome day of music on the whole, and whatever was on your playlist yesterday, if it was this stuff or anything else, I hope you enjoyed. I’m gonna call Vinyl Day 2017 a definite win. Thanks for reading.

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Carlton Melton to Release Hidden Lights EP Aug. 25; New Video Posted

Posted in Whathaveyou on June 26th, 2017 by JJ Koczan

carlton melton

Don’t sweat it if you see something waving in the distance — that’s just the collective freak-flag representing the right-on psychedelia proffered by San Francisco trio Carlton Melton. The improv-specialist instrumental three-piece have a new three-song EP titled Hidden Lights due Aug. 25 from Agitated Records that’ll be released on limited vinyl and “unlimited download” — I like that — as the follow-up to their 2015 outing, Out to Sea. They have a new video for the title-track streaming now.

The PR wire has it like this:

carlton-melton-hidden-lights

CARLTON MELTON announce new EP ‘Hidden Lights’ on Agitated Records & share title track video

Artist: Carlton Melton
Title: Hidden Lights
Label: Agitated Records
Format: 12″ / DL

Release date: 18th August ’17

San Francisco tripmakers-supreme Carlton Melton return with a new 25 minute-plus three track 12″ EP for Agitated Records, their first release since their widely received 2LP “Out To Sea” in 2015 and, indeed the accompanying 2016 RSD “Aground” 12″ release.

Hidden Lights is the first missive from recent recordings undertaken once again at El Studio with the watchful engineering and collaboratory help of Phil Manley (Trans AM / Lifecoach / Fucking Champs). Phil throws in some slinky guitar moves that help make the Carlton Melton Magick Karpet soar… John McBain (Evil Acidhead /Monster Magnet /Wellwater Conspiracy ) also guests on keyboards, and has once again mastered the ’Melton’s sike-adelic-drone to perfection.

The band CARLTON MELTON formed along the Mendocino County coastline in Northern California on the weekend of July 17th, 2008. The idea to play live, loud, improvised, experimental, instrumental, psychedelic music in a geodesic dome had been discussed for many years prior to this date. The opportunity came to fruition after the dome was completely rebuilt and the acoustic sounds inside were fully realized.

It is understood this music is not for everyone. If you prefer top-notch, modern day production and crafty songwriting you may want to stop here. If you prefer old SST label cassette tapes or an early Spaceman 3 cassette you recently found wedged in the back seat of your car you may dig some of this… or perhaps you like to listen and gaze at an old David Crosby LP now and then. 

Released on 500 12″’s or unlimited DL!!!

Take a trip to the hidden lights… immerse…

Tracklist
01. Rememory
02. The Warbler
03. Hidden Lights

Carlton Melton:
Andy Duvall
Rich Millman
Clint Golden

www.carltonmeltonmusic.com/
https://www.facebook.com/Carlton-Melton-band-page-142609689122268/
http://agitatedrecords.com/
http://en-gb.facebook.com/pages/AGITATED-RECORDS/100542643334300
https://twitter.com/AgitatedRecords

Carlton Melton, “Hidden Lights” official video

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Desertfest Belgium 2015: Melvins Out; Ufomammut, Causa Sui, Valient Thorr, Carlton Melton, Child and Wheel of Smoke In

Posted in Whathaveyou on July 13th, 2015 by JJ Koczan

desertfest belgium 2015 banner

Am I crazy, or does demanding a refund after the Melvins drop off a festival bill seem completely over the top? I mean, I agree Desertfest Belgium 2015 should give their customers the chance to back out if they so desire, but who goes to a fest to see one band in the first place? And it’s not like the Melvins aren’t on tour nine months out of every single year. I guess it just wouldn’t occur to me to be like, “No Melvins? Fuck this!” but then, I’m not the hugest Melvins fan anyway. Maybe those people exist. Takes all kinds.

Desertfest Belgium 2015 looks pretty sweet with Orange Goblin and Fatso Jetson on top of the bill, and adding UfomammutCausa SuiValient ThorrCarlton MeltonChild and Wheel of Smoke, as they have today certainly doesn’t hurt their case any. I don’t have tickets, but if I did, I’d keep them.

Kind of a bummer situation that seems to have led to the Melvins backing out, though. You can read about it below, as sent down the PR wire:

desertfest belgium 2015 poster

MELVINS FORCED TO CANCEL DESERTFEST 2015

We have to start off this announcement with some very unfortunate news: Melvins will not be playing the 2015 edition of Desertfest Belgium.

The band was forced to cancel their appearance at the festival due to an exclusivity contract for their shows at the 2015 Incubate festival in Tilburg. This fact unfortunately only surfaced after our public announcement had been made. We have tried to negotiate a deal that would be satisfactory for both events, but to no avail. Desertfest Belgium has no choice but to accept there will be no Melvins at our 2015 edition.

We want to stress that we at Desertfest were not made aware of this exclusivity deal at the time the booking was confirmed. Please understand that the band also has no choice in the matter.

We can only offer you our sincere apologies, and we hope we have your understanding and support in this most unfortunate turn of events. But in the case this makes you reconsider your purchase of an early bird ticket, we want to offer our supporters the chance to demand a refund.

Tickets will be refunded for two weeks on from today (until 27/7), contact us through contact@desertfest.be.

However, before you make such a drastic decision, you may first want to read this first:

NEW NAMES confirmed for DesertFest 2015!

UFOMAMMUT
Ufomammut needs no introduction, as they have long established their status as one of the most potent, powerful and artistic contemporary doom artists in existence. They offer a unique brand of psychedelic sludge, blending primordial acid with sinister atmospheres and gloomy sounds of vintage electronics.

In fifteen years the band has performed at international music festivals like Roadburn, Hellfest, Dour Fest, Stoned from the Underground, Up in Smoke and many more… Their live show is supported by the internationally acclaimed video and graphic art of Malleus, whose visuals match the devastating impact of Ufomammut’s massive sound.
http://www.ufomammut.com/

VALIENT THORR
“My God they’re striking. All Hail Thorriors!” – Wayne Kramer, MC5. A wild-ass rock’n’roll band said to hail from the inner core of the planet Venus. Since crash landing on Earth in the year 2000 they’ve played well over 1500 shows all over the world, including stints at festivals like Download, Sonisphere, Hellfest, Graspop and Roskilde.
http://www.valientthorr.com/

CARLTON MELTON
They play live, loud, improvised, experimental, instrumental, psychedelic music that they record in a geodesic dome near the coast of Northern California. This should tell you everything you need to know about this bunch of rock royalty (including ex-members from cult band Zen Guerilla). Long Live Dome Rock!
http://www.carltonmeltonmusic.com/

CAUSA SUI
Causa Sui’s sound has been described as the sound of a giant wave rolling up through the last four decades of rock. Over the course of eight albums since 2005, they have developed an eclectic instrumental sound that owes as much to electric Miles Davis or Can as it does to more familiar stoner rock. They are now recording the follow-up to the highly acclaimed ‘Euporie Tide’ album from 2013.
http://elparaisorecords.com/artists/causa_sui

CHILD
Formed in the rock n roll underground of Melbourne, Australia in 2012, Child take pride in upholding the strong tradition of Australian rock that preceded them with the likes of AC/DC, The Easybeats, Rose Tattoo or Billy Thorpe and the Aztecs. Drawing influence from an ever growing sonic palette, you will find Child’s roots tightly entwined in and around the Blues whilst taking a heavier and more visceral approach.
https://childtheband.bandcamp.com/

WHEEL OF SMOKE
Wheel of Smoke (Leuven, BE) has been dwelling the Belgian underground rock scene with smoking mix of heavy, 70’s tinted rock, blended with a dash of grunge and postrock. They’ve shared the stage with many bands including Baby Woodrose, Hypnos 69, Sungrazer, The Machine, My Sleeping Karma…
https://wheelofsmoke.bandcamp.com/

https://www.facebook.com/desertfestbelgium
https://twitter.com/desertfestBE
http://www.desertfest.be/

Ufomammut, Live at Saint Vitus Bar, May 19, 2015

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Carlton Melton Meets Dr. Space Live from Roadburn Festival 2014 Available to Preorder

Posted in Whathaveyou on May 11th, 2015 by JJ Koczan

It was a spacey happening, rest assured, when Carlton Melton, stepping out from their San Francisco home, hit Roadburn 2014 and paired up with none other than Øresund Space Collective figurehead and roving jammer Scott “Dr. Space” Heller. Each of the two parties is plenty freaked out on its own, but the combination worked to push even deeper into the cosmos, their mission of exploration made bolder by the alliance between them.

Like just about everything that happens within the bounds of RoadburnCarlton Melton Meets Dr. Space — the best ’50s sci-fi flick that never got made — was captured in its 90-minute entirety, and will be out through Lay Bare Recordings and Burning World soon. Not sure on the exact release date, but how do you pinpoint the birth of a galaxy anyway? It’ll be along sooner or later, and it’s available to preorder now. Set it and forget it.

To my knowledge, this was the only time these two have collaborated and I haven’t heard about any further action to come, so it’s kind of a special one-time deal that, as someone who stood in the back of the Cul de Sac and felt the wash surround me from all sides, is worth digging into. The preorder announcement follows:

carlton melton meets dr. space live from roadburn festival 2014

Hear! hear! Lay Bare Recordings proclaims:

Pre-order: Carlton Melton meets Dr. Space, live from Roadburn 2014.

Pass the word!!!

http://burningworldrecords.com/…/carlton-melton-meets-dr-sp…

Carlton Melton is a psychedelic rock band from San Francisco who have been blazing their own trail of psychedelic rock and far out drone sounds for the past many years. This was the bands 2nd appearance at Roadburn and a special meeting with Dr. Space from the Øresund Space Collective was arranged at the Cul De Sac in Tilburg on Sunday April 13th. The band debuted 4 new songs never performed live before with or without Dr. Space (tracks 2-5). The full 90min spaced out set was mixed by Dr Space with assistance from Johan Dahlström. Enjoy the trip..

http://carltonmeltonmusic.com
https://oresundspacecollective.bandcamp.com/
http://laybarerecordings.com

Carlton Melton Meets Dr. Space, Live from Roadburn Festival 2014

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Roadburn 2014: Sets from ASG, Carlton Melton, E-Musikgruppe Lux Ohr, Gozu, Hull, Mansion, Nicklas Barker & Reine Fiske and New Keepers of the Water Towers Available to Stream

Posted in audiObelisk on August 27th, 2014 by JJ Koczan

I’m always happy to post streams from Roadburn, and I think I’ve made that clear over the last half-decade, but this batch in particular features two of my favorite performances from this year’s fest, namely Brooklyn’s Hull, who played Day One, and Boston’s Gozu, who played Day Three. The two bands are pretty far from each other sonically and aesthetically, but both are fantastic at what they do and for me represent where I come from (the New York area) and where I’m at now (the Boston area). So in addition to having enjoyed watching these guys wreck up Stage01 and the Green Room, respectively, I’m happy now to have the chance to revisit those memories. Heavy riffs and fuzzy feelings.

Also cool to hear Mansion‘s set again, which was something of a sleeper, and Carlton Melton, who were so psyched out I almost broke a vinyl-buying embargo, as well as acts I missed like E-Musikgruppe Lux OhrNew Keepers of the Water Towers and ASG. As ever, all the sets were recorded by the venerable Marcel van de Vondervoort and his team, and they’ll be available into perpetuity so that future generations can know just how much they suck in comparison to the rock and roll we beheld.

So behold:

ASG – Live at Roadburn 2014

Carlton Melton – Live at Roadburn 2014

E-musikgruppe Lux Ohr – Live at Roadburn 2014

Gozu – Live at Roadburn 2014

Hull – Live at Roadburn 2014

Mansion – Live at Roadburn 2014

Nicklas Barker & Reine Fiske – Live at Roadburn 2014

New Keepers Of The Water Towers – Live at Roadburn 2014

Thanks as always to Walter and the Roadburn crew for permission to host the streams. To check out past streams from Roadburn 2014 click here, here and/or here, and to read the coverage from this year’s fest, click here.

Roadburn’s website

Marcel Van De Vondervoort on Thee Facebooks

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