Friday Full-Length: Candlemass, Nightfall

Posted in Bootleg Theater on March 6th, 2015 by JJ Koczan

Candlemass, Nightfall (1987)

I don’t think there’s any measure by which Candlemass‘ 1987 sophomore outing, Nightfall, doesn’t rate as a doom classic. On a sheer album level, in terms of what I grab off the shelf when I want to listen to the band, I’ll admit to a preference for the Stockholm unit’s 1986 debut, Epicus Doomicus Metallicus, with Johan Längquist singing,but Nightfall is an LP of undeniable force, and it was their first to be fronted by Messiah Marcolin, beginning what some would argue is the most pivotal era in their tenure. It’s fair to argue that Epicus had its epic side, but Marcolin‘s voice brought a new theatrical element to bassist Leif Edling‘s songwriting, and while it would continue to develop over the band’s next two albums, 1988’s Ancient Dreams and 1989’s Tales of Creation — as with a lot of classic metallers, the ’90s were not especially kind to Candlemass — one can already hear the grandiosity taking hold in the band’s approach on songs like “The Well of Souls,” “Samarithan,” and “At the Gallow’s End.” Peppered with instrumentals and interludes, Nightfall wanted nothing for atmosphere, and in a time when doom and metal could hardly have been considered as separate entities, it opted for a more poised, classical character.

That’s not to say it didn’t also spawn the cult-classic video for “Bewitched,” just that musically and vocally it was shooting for something more sophisticated than either thrash or the by-then-waning NWOBHM. Or at least that’s how it sounds 28 years later. Marcolin left the band in 1991 and was replaced by Thomas Vikström and then Björn Flodkvist. After a dissolution following 1999’s From the 13th Sun, Candlemass reformed in 2005 with Marcolin once more up front with Edling, guitarists Mats “Mappe” Björkman and Lars “Lasse” Johansson, and drummer Jan Lindh, but by the time 2007’s King of the Grey Islands surfaced, it was Robert Lowe of Solitude Aeturnus in the vocalist role; a position he’d hold through 2009’s Death Magic Doom (review here) and 2012’s Psalms for the Dead (review here), also earning the distinction of being the singer for Candlemass‘ first-ever US tour. Though they’ve threatened retirement several times, Candlemass are still active, with former Therion vocalist Mats Levén as their frontman and Per Wiberg (ex-Opeth, also Kamchatka) on keys. The last few years have seen numerous compilations and live album released, including the Epicus Doomicus Metallicus Live at Roadburn 2011 LP (review here) that reunited them with Johan Längquist for the first time since he sang on the debut.

Hope you enjoy it.

Lot of posts this week. Like a lot. The least any day had was five, two days had six (that includes today) and yesterday I think there were seven. Madness. I got a note yesterday from someone on Thee Facebooks who said The Obelisk was one of his “favorite news sites,” which was interesting to me because that’s not really how I think about what I do. I guess the news posts are cool and it’s nice when people share the links and all that and I try to keep up as best I can — I’m already behind for Monday, so you can see how well that goes — but the reviews take so much more time and thought. Can’t fight City Hall, though. News it is. A fascinating glimpse at an identity for a project that’s been in flux more than six years now. One day I’ll settle into something.

Tonight I’m going to see ElderMos Generator and Magic Circle in Providence, so expect a review of that on Monday. Next week is The Patient Mrs.‘ Spring Break, and we’ll be traveling — to Maryland; woo. — so I’m not sure how much I’ll be able to get posted on any given day. One imagines less than seven posts. Fucking madman. But anyway, Monday will bring a full-album stream from Black Rainbows and I’ve got a special Wino Wednesday premiere booked for a Wino & Conny Ochs track from their forthcoming Freedom Conspiracy release, so keep an eye out for those. Other stuff is in the works too. Very hush-hush. Hopefully by the end of the week the new Acid King and Blackout records will have been reviewed.

Spring Break, woo!

At least baseball’s back on.

Hope you have a great and safe weekend and that you dig the Candlemass. Please check out the forum and radio stream.

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