Seven Nines and Tens to Release Satisfy the Faction 2008-2018 Cassette Box Set

Posted in Whathaveyou on August 10th, 2018 by JJ Koczan

seven nines and tens

I don’t have the stats on the average lifespan of the average band, so I don’t can’t give you facts and figures — and something in writing about Seven Nines and Tens makes me want to quote statistics; can’t explain it — but I know that if you’ve lasted a decade without pummeling each other or, more simply, breaking up, you’re probably doing something right, and that’s worth celebrating. In the case of the aforementioned Vancouver four-piece, they’re marking the occasion with a tape box set through Coup Sur Coup Records titled Satisfy the Faction 2008-2018, which brings together the four albums the band has produced in that time under the guidance of founding guitarist Dave Cotton onto two cassettes in limited, hand-dubbed edition. The colors are random — I guess whichever blanks are picked up out of the pile — and the tracks sound huge and will come with a download for even more short-release-type stuff, singles and all that. Kind of a cool niche thing to note the passing of an important milestone for the band.

And pretty noteworthy as well that it’s the first release Coup Sur Coup is doing for them. You know your label means it when they not only pick up your band, but decide to do a career-spanning compilation as the first outing and hand-press the tapes. That’s love, pure and simple.

Coup Sur Coup has the release out Oct. 10 with preorders up as of today. Label honcho Max Cayer posted the following at their Bandcamp, where the orders can be placed:

seven nines and tens satisfy the faction 2008-2018

Seven Nines & Tens “Satisfy the Faction 2008-2018”

Here are the first 10 years of recorded output from seminal Vancouver band Seven Nines and Tens all under one umbrella, in digital and a very well assembled double cassette box set, dubbed, packaged, designed and hand numbered with heart and passion directly at Coup Sur Coup’s HQ, in Castlegar, British Columbia, Canada.

The band, started out life as a wholly instrumental act which combined elements of post-rock, post-metal and math rock into a complex sonic chimera.

Their evolution, over time and with line up changes, showed a band scaling back the guitar acrobatics in favor of huge shoegaze-inspired, post-rock walls of sound.

“We started off really progressive,” Dave Cotton, the only constant member of the band, founder, and songwriter, says. “I got really into Post-Metal for a while, and now it’s like psych-shoegaze post-metal, post-hardcore, and a little bit of classic rock; a little bit of Pink Floyd in there.”

It’s a heavier-than-heaven groove that balances a daydream shimmer with a mammoth rhythm section, a gorgeous collision between cascading atmospheres and alternative rock riffage.

This is a huge release for Coup Sur Coup, with a lot of special meanings.

It’s CSC first release to be made from the new office location in the Selkirk mountains of British Columbia, and fittingly so, with a band from the Province. It’s also our first attempt at documenting the entire career of one band up to this moment in time, and are extremely honored that said band is 7,9’s & 10’s.

A perennial favorite of mine and arguably one of the best and interesting band in Canada right now. Let alone the world. I intend on trying my best to shine a light on a vital group of musician making one hell of an interesting racket, for anyone willing to think outside the box, or look in odd places for something new.

This is, I hope, the beginning of a long and fruitful collaboration, this collection of the first 10 years of recorded input being the first pillar in that relationship.

This very special deluxe double cassette box set will include:

-All four albums on two randomly selected coloured cassettes, totalling 120 minutes of music. (Singles releases are not included on the box set, but will be included in the massive download link provided with the box set)

-Dubbed 2 at a time, with great patience and care, at our HQ in B.C.

releases October 10, 2018

http://www.facebook.com/sevenninesandtens
http://www.sevenninesandtens.com/
https://sevenninesandtens.bandcamp.com/
https://sevenninesandtens.com/
https://www.facebook.com/coupsurcouprecords
http://www.instagram.com/coup_sur_coup_records
https://twitter.com/coup_sur
https://coupsurcoup.bandcamp.com/album/satisfy-the-faction

Seven Nines & Tens, Satisfy the Faction teaser

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Zaum Post “The Enlightenment Pt. 1” Video; Touring Canada Next Month

Posted in Bootleg Theater on August 3rd, 2018 by JJ Koczan

zaum

I like the idea of a band saying goodbye to one release on the way to their next. I also like the idea of bands swapping tours — a little of the ol’ you-come-here-we’ll-come-there happening. Accordingly, as New Brunswick two-piece Zaum have a video posted for “The Enlightenment Pt. 1” from their 2016 album, Eidolon (review here), and seem to be using that as a means to bid farewell to the record as the make ready to have one out in 2019, and as they’re hitting the road in their native Canada alongside Gothenburg, Sweden, three-piece Firebreather, with whom they toured Europe in 2017, it seems like nothing but good news all the way around.

And fair enough on the timing of moving forward. Eidolon has sold through multiple vinyl pressings as well as a tape release and the band have a whopping five copies left of the CD as listed on their Bandcamp page at the time of this post. One imagines if they’re not gone before, they will be by the time the next tour is over. “The Enlightenment Pt. 1” of course comes from the album, but is an edit of the full side B track, the complete version of which runs a drone-filled 21 minutes and can be heard with its side A compatriot, “Influence of the Magi,” which also runs an even 21 minutes, in the player at the bottom of this post.

It doesn’t at all take Zaum that long to immerse the listener in their tones and rhythm, though. The bass/synth/drum/noise combination is hypnotic from the outset even in its shortened video form, and the narrative of the clip itself is likewise intriguing. Enough so that I can’t help but wonder if the band might at some point do a video for “The Enlightenment (Pt. II)” before next year gets here and they record and release their third album. Seems by the end of the video that the story is just heating up.

That’s a dad joke. I can make those now.

More info and tour dates follow the video below.

Please enjoy:

Zaum, “The Enlightenment Pt. 1” official video

New Brunswick’s ECMA and Music NB award winning mantra doom duo ZAUM are sharing with fans their new music video for “The Enlightenment.” The track is off ZAUM’s second full length “Eidolon” released in 2016 via I HATE Records with distribution via Plastic Head/Sony Music throughout Europe and Century Media in North America to follow their 2014 debut album “Oracles”.

ZAUM’s Kyle Alexander McDonald (Bass/Vocals/Synth/Textures) comments:

“Being that I’m a giant fan of the work of Seth Smith and Nancy Urich (of CUT/OFF/TAIL) due to their unique and unconventional approach to filmmaking – I felt Seth’s David Lynch-esque perspective could be a bizarre yet intriguing take on “The Enlightenment” for people to consider. Their work (like our music) inspires and encourages thought rather than providing literal answers. I’m thrilled with the result and hope people open their minds to the layers of potential reality.”

In their three years as an active touring band ZAUM have amassed 200+ shows (mainly international) under their belts including support stints for Voivod, Pentagram, and Cauldron. The duo recently announced they will be embarking on Canadian dates in Ontario and Quebec (dates listed below) with support from Sweden’s FIREBREATHER whom the band toured Europe with last year.

ZAUM: Canadian Tour w/ FIREBREATHER
08/24/18 – Saint John, NB @ Secondspin *
09/13/18 – Ottawa, ON @ Orange Art Gallery **
09/14/18 – Montreal, QC @ Casa Del Popolo **
09/15/18 – Sudbury, ON @ Townehouse
09/16/18 – Hamilton, ON @ Doors
09/17/18 – Barrie, ON @ Foxx Lounge
09/18/18 – TBC @ TBC
09/19/18 – Kitchener, ON @ Hellcat
09/20/18 – Windsor, ON @ Windsor Beer Exchange
09/21/18 – Toronto, ON @ Coalition T.O.
09/22/18 – Quebec City, QC @ Scanner (venue change from Vietnam)
* denotes ZAUM only!
** denotes tribal dance artist Nawal Doucette performing in ZAUM

Zaum is:
Kyle Alexander McDonald (Bass/Vocals/Synth/Textures)
Christopher Lewis (Drums/Percussion)

Zaum, Eidolon (2016)

Zaum on Thee Facebooks

Zaum on Twitter

Zaum on Bandcamp

I Hate Records website

I Hate Records on Bandcamp

Superbob Records website

Superbob Records on Bandcamp

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Gypsy Chief Goliath Sign to Kozmik Artifactz; New Album Masters of Space and Time Announced

Posted in Whathaveyou on July 25th, 2018 by JJ Koczan

Cheers to Al ‘Yeti’ Bones and his cohorts in Gypsy Chief Goliath on signing to Kozmik Artifactz to release their impending fourth album, Masters of Space and Time. I haven’t yet seen a precise release date for the outing, and it’s entirely possible it could be up for early 2019 at this point. That’d be my bet, but I’ve certainly been wrong before. Either way, Masters of Space and Time will serve as Gypsy Chief Goliath‘s 2016 album, Citizens of Nowhere (review here), which you can hear streaming at the bottom of this post, should you be inclined to dig in. That’s what it’s there for.

The PR wire brings word of the signing and the new LP to come, and it looks an awful lot like this:

gypsy chief goliath

Kozmik Artifactz Sign Canadian Stoner Metal Heavyweights – Gypsy Chief Goliath

It is with great pride that we welcome Gypsy Chief Goliath to the Kozmik Family!

Canadian stoner metal heavyweights, Gypsy Chief Goliath are at it again, getting set to release their fourth album entitled Masters Of Space & Time via legendary German based record label, Kozmik Artifactz.

Originally established in 2009 by AL “The Yeti” Bones (formerly of The Mighty Nimbus, Georgian Skull, Mister Bones), this five piece, sonic wrecking crew have been building quite the name for themselves in the last decade. Not just in Canada, but globally throughout the underground music scene.

The band can be best described as a blend of 70’s Classic Rock/Heavy Metal with elements of 90’s Stoner Rock and Grunge.

The new album is quite different from previous work as the band seems to be more diverse in song writing and have strayed away from the wall of sound style, in exchange for a much more dynamic story telling roller coaster.

Gypsy Chief Goliath are:
Al “the Yeti” Bones
Adam Saitti
Darren Brush
Dustin Black
John Serio
Nick Angelini

http://www.gypsychief.com
http://www.facebook.com/GypsyChiefGoliath
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

Gypsy Chief Goliath, Citizens of Nowhere (2016)

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Zaum Announce Tour Dates with Firebreather

Posted in Whathaveyou on July 23rd, 2018 by JJ Koczan

zaum

Hey, look. Whenever Zaum want to get back in the studio and work on their third full-length, that’s cool by me. They want to jump right in and have at it? Great. They want to take a little time and hit the road with obvious-buds Firebreather and hammer out the stuff on tour first? Super. After their 2016 album, Eidolon (review here), I have every faith that the Moncton, New Brunswick, duo know what’s best. However they want to go, that’s cool by me.

Not that “being cool by me” is here or there, you understand. But still. Go get ’em, dudes.

Zaum and Firebreather toured Europe together in Sept. 2017, so their hooking up again for this Canadian run a year later only seems fair. The two bands go way back, as Zaum also toured with Galvano, the prior outfit of Firebreather guitarist Mattias Nööjd and drummer Fredrik Käll. Sometimes you get along with somebody. I’m kind of surprised the two bands haven’t put out a split at this point. Zaum — vocalist/bassist/synthesist/sitarist Kyle Alexander and singly-named drummer Lewis — are also reportedly looking to tour the US in 2019, and presumably the new album will be out by then too. Good news all around.

Poster and tour dates follow, courtesy of the social medias:

zaum firebreather tour

One last tour before we head into the studio for album #3. We’ll have our brothers FIREBREATHER from Sweden in tow! Poster by Josiah Barnett.

08/24/18 – Saint John, NB @ Secondspin **
09/13/18 – Ottawa, ON @ Orange Art Gallery
09/14/18 – Montreal, QC @ Casa Del Popolo
09/15/18 – Sudbury, ON @ Townehouse
09/16/18 – Hamilton, ON @ Doors
09/17/18 – Barrie, ON @ Foxx Lounge
09/18/18 – TBC @ TBC
09/19/18 – Kitchener, ON @ Hellcat
09/20/18 – Windsor, ON @ Windsor Beer Exchange
09/21/18 – Toronto, ON @ Coalition T.O.
09/22/18 – Quebec City, QC @ Vietnam
** denotes ZAUM only!

ZAUM is:
Kyle Alexander : Vocals, Basses, Sitar, Synth.
Lewis : Drums, Lights

ZAUM recognize the support of Music / Musique NB and the Government of New Brunswick

https://www.facebook.com/zaumn/
https://twitter.com/zaumdoom
https://www.instagram.com/zaumdoom/
https://zaum.bandcamp.com/
https://www.facebook.com/ihaterecords/
https://ihate.bandcamp.com/
http://www.ihate.se/

Zaum, Eidolon (2016)

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Quarterly Review: Worshipper, Dopethrone, The Mystery of the Bulgarian Voices, Omen Stones, Capra, Universo Rojo, Sergeant Thunderhoof, Fire Down Below, Stone Deaf, Cracked Machine

Posted in Reviews on July 20th, 2018 by JJ Koczan

quarterly-review-CALIFORNIA-LANDSCAPE-Julian-Rix-1851-1903

Well, we made it to the end of another Quarterly Review. One more batch and then it’s off to planning the next one for late September/early October. I hope you have found something this week that you’ve really dug. I have. A few, to be honest. Not everything is going to stick with every listener, of course, and that includes me, but for as much as putting this one together has been, there’s been some really good, year-end-list-type stuff included. At least as far as my own list goes. I sincerely hope you agree.

So let’s do this last one, then go sleep for a couple hours. Alright? Here we go:

Quarterly Review #41-50:

Worshipper, Mirage Daze

worshipper mirage daze

I don’t know if Worshipper knew they’d be embarking on their first West Coast tour in Summer 2018 when they hit Mad Oak Studios in Oct. 2016 to record the four cover tracks for their Mirage Daze EP on Tee Pee Records, but it certainly worked out in the Boston four-piece’s favor. Following-up their 2016 debut, Shadow Hymns (review here), Worshipper present four cover tracks in Uriah Heep’s “Easy Livin’,” The Oath’s “Night Child,” Pink Floyd’s “Julia Dream” and The Who’s “Heaven and Hell,” and while I’m a little sad that “Heaven and Hell” isn’t the Black Sabbath song, which I think they’d nail if they tried it, and I’m glad to have a studio version of their take on Floyd’s “Julia Dream,” which from the first time I saw them live was always a pleasure to watch live, I think the highlight of Mirage Daze might be “Night Child.” I never bought that The Oath record, and Worshipper’s take on its lead single is about the best argument I’ve seen for doing so. It may or may not be a stopgap issued to coincide with the tour, but Mirage Daze is a welcome arrival anyway. It’s a fan piece? Well, I’m a fan, so right on.

Worshipper on Thee Facebooks

Tee Pee Records website

 

Dopethrone, Transcanadian Anger

dopethrone transcanadian anger

Montreal scumsludgers Dopethrone return with Transcanadian Anger, an eight-track blister-fest of crunch riffing and misanthropic vibes. Delivered through Totem Cat Records, the 36-minute Weedeater-gone-bad-drugs sludge assault seems to invite superlatives front to back, even in the slamming instrumental “Killdozer” – a tribute to the band? – and the swinging penultimate cut “Kingbilly Kush.” Elsewhere, opener “Planet Meth,” “Snort Dagger,” “Tweak Jabber” and “Scuzzgasm” celebrate addiction and violence unto oneself and others, making a spectacle of decay set to voluminous sludge riffs and abrasive vocals. This is Dopethrone’s aesthetic territory, and they’ve done well over the last decade to make it their own. As they answer 2015’s full-length, Hochelaga (review here), and the next year’s 1312 EP with yet another filth-caked collection, they seem all the more in their own league of aural and narcotic self-punishment. They could be straightedge vegans for all I know, but they sure sound high as fuck, and I guess that’s the point. So, well done.

Dopethrone on Thee Facebooks

Totem Cat Records webstore

 

The Mystery of the Bulgarian Voices, BooCheeMish

the mystery of the bulgarian voices boocheemish

Lisa Gerrard of Dead Can Dance would seem to be trying to solve The Mystery of the Bulgarian Voices, a choral group from Bulgaria who, seemingly until teaming with Gerrard for the Prophecy Productions release BooCheeMish was known by the French name Le Mystère des Voix Bulgares. Whatever you call them, their history dates back nearly seven decades and their harmonies are utterly timeless. BooCheeMish is comprised of gorgeous folk renditions for 45 minutes of world-building perfection. Percussion of various sorts provides backing and on pieces like “Rano Ranila” they speed through at a pace and arrangement that’s head-spinning, while the later “Zableyalo Agne” finds them joined by flute for a nigh-religious experience and the subsequent “Tropanitsa” has a bounce worthy of any good times one might to envision from its evocative pulse. One can’t help but feel a bit of the cultural voyeur in taking it on – as well as feeling totally outclassed in reviewing it – but these songs were clearly meant to be enjoyed, and as their ambassadors, The Mystery of the Bulgarian Voices genuinely serve a public best interest.

The Mystery of the Bulgarian Voices on Thee Facebooks

Prophecy Productions website

 

Omen Stones, Omen Stones

omen stones omen stones

Virginia duo Omen Stones have no online presence as yet. No songs streaming. No cheeky logos-on-photos social media posts that new bands do when they’re sitting on their hands waiting to get material out there. What they – and by “they,” I mean guitarist/vocalist Tommy Hamilton of Druglord and drummer Erik Larson of Backwoods Payback, The Might Could, Alabama Thunderpussy, etc. – have is a four-song self-titled EP collecting about 13 minutes of material in demo fashion, bringing forth the Southern-shuffle-gets-weird-then-explodes opener “Secrete” as a first impression of a deceptive approach. You think it’s all good and then you get punched. Go figure. “Secrete” is also the longest track (immediate points) at 4:06, and the forward charge and harsher vocal of “Fertile Blight” follows, catchy as it is mean, and more indicative of what’s to follow in the maddening tension of “Sympathy Scars” and the fuckall sludgepunk of “Purity Tones.” Immediately against-trend, Omen StonesOmen Stones is a bird of prey unto itself. Hopefully at some point soon they make it publicly available.

Druglord on Bandcamp

Erik Larson on Bandcamp

 

Capra, Unholy Gallows

Capra Unholy Gallows

Taking influence from hardcore punk, post-hardcore and sludge, Lafayette, Louisiana’s Capra seem to fit in a Midwestern style of semi-metallic aggression that has flourished in the wake of the likes of The National Acrobat and Coliseum. The foursome’s Unholy Gallows single follows their also-two-song self-titled 2016 EP, and finds Tyler Harper (also of the recently-defunct The Midnight Ghost Train), Jeremy Randazzo, Ben Paramore and Lee Hooper aligned in their purposes of riff-led bludgeoning. Unholy Gallows is two songs/six minutes long – not by any means an afternoon commitment in terms of listening – but its furies are unveiled in far less time than that, and both “Red Guillotine” and “Hot Lips” waste no time in doling out their beatings. A sense of heft stems from tonal thickness, but they make it move to a propulsive degree, and aside from a quick feedback intro to “Red Guillotine,” there’s no letup; even as “Hot Lips” slows the pace some initially, it maintains geared toward foreshadowing the next fist to fly.

Capra on Thee Facebooks

Capra on Bandcamp

 

Universo Rojo, Impermanencia

Universo Rojo Impermanencia

Sprawl, sprawl, sprawl. Into space. Universo Rojo’s excellent four-track debut album, Impermanencia, makes you want to speak slowly enough to feel the words vibrate out of your mouth. The Chilean four-piece offer lengthy, jam-based excursions that echo out their feel across vast reaches of effects, progressive rhythm and melody-making unfurling all the while beneath an overarching swirl of effects, guitars and synth running atop the mix like competing currents of water. Opener “¿A Dónde Ir?” (8:13) gives way to the flute-laden krautrockism of “Visión Planetaria de los Tiempos” (8:40) as vocalist/guitarist/clarinetist Ferro Vargas-Larraguibel, drummer Naim Chamás, bassist Cristóbal Montenegro and synthesis Francisco Arellano conjure such molten possibilities. Though it’s just 34 minutes, Impermanencia is nonetheless expansive, with the 9:36 “Cinco (La Quinta Dimensión)” finding a place between drift and psych-jazz undulations while closer “Inmaterialización del Sentimiento Cósmico” (7:32) lets out a full-impulse burst of energy that’s blinding if you know just where to look. Not to be missed.

Universo Rojo on Thee Facebooks

Universo Rojo on Bandcamp

 

Sergeant Thunderhoof, Terra Solus

sergeant thunderhoof terra solus

Kudos to Bath, UK, four-piece Sergeant Thunderhoof on starting off their sophomore long-player, Terra Solus, with the album’s longest track in “Another Plane.” And likewise for the blend of psychedelia and burl that unfolds. In taking on the follow-up to their 2015 debut, Ride of the Hoof, they offer eight cuts and 51 minutes of spacious riffing charged with just an undercurrent of English boozer burl, Elephant Tree and Steak meeting head on for a raucous session of who knows what. “B Oscillation” taps nod and particularly satisfying fuzzy warmth in its lead section, while even a would-be bruiser like the subsequent “Diesel Breath” has a trip-out included. There is time for such things as every track but the penultimate and relatively minimalist soundscaper “Half a Man” tops six minutes, but Sergeant Thunderhoof make a much richer impression overall than their moniker might lead one to believe, and close out in particularly resonant fashion with “Om Shaantih,” emphasizing the breadth and post-rock elements that help make Terra Solus so engaging from the outset.

Sergeant Thunderhoof on Thee Facebooks

Sergeant Thunderhoof on Bandcamp

 

Fire Down Below, Hymn of the Cosmic Man

fire down below hymn of the cosmic man

The adaptation of Kyuss’ “Thumb” riff for Fire Down Below’s “Ignition/Space Cruiser” after the “Red Giant” intro on their second album, Hymn of the Cosmic Man (on Ripple), is nothing short of a clarion to the converted. The Belgian unit’s mission would seem to be to find that place on the horizon where the desert ground and space itself seem to meet and become one, and as side A closer “The Cosmic Pilgrim” turns from its initial crunch into more patient and drifting psych, they’d seem to get there. Atsmophere is certainly central to the record, as the aforementioned “Red Giant” and its side B counterpart “Nebula” demonstrate, never mind the other five tracks, and even as “Saviour of Man” runs through its janga-janga stoner-riffed hook there’s a flourish of effects to create a balance between the earthbound and the interstellar. Side B’s “Ascension” and especially 11-minute album-closer/highlight “Adrift in a Sea of Stars” seem to find the balance the four-piece is shooting for all along, and just before the nine-minute mark when the thick, fuzzed-out riff emerges from the jammy lead, the entire impetus for their journey seems to be laid bare. Well done.

Fire Down Below on Thee Facebooks

Ripple Music on Bandcamp

 

Stone Deaf, Royal Burnout

stone deaf royal burnout

Denver, Colorado’s Stone Deaf present a sans-frills desert rock vibe across the eight tightly structured tracks of their sophomore album, Royal Burnout (on Black Bow Records). Specifically, the compressed crunch in the guitar tone and some of the start-stop bounce riffing in cuts like “Room #240” and “Monochrome” seem to be drawn from the Songs for the Deaf methodology, and some of the vocals on opener “Spitshine” (video premiere here) remind of Queens of the Stone Age as well, but Stone Deaf – whose moniker, then, would be well sourced – have a deeper root in punk rock that underscores the “Go with the Flow” thrust of “Deathwish 62” as well as the chugging verses of “Boozy Spool” immediately preceding. It’s a sound that benefits greatly from the sharpness of its delivery and the craft Stone Deaf bring to it, and even when they seem to loosen up a bit on the midpaced pre-finale “That Lefty Request,” there’s a fervent sense of a plan unfolding. That plan would seem to be a success.

Stone Deaf on Thee Facebooks

Black Bow Records webstore

 

Cracked Machine, I, Cosmonaut

cracked machine i cosmonaut

Originally released last year, Cracked Machine’s debut, I, Cosmonaut, finds vinyl issue through PsyKA Records and earns it well with six tracks/45 minutes of mostly-instrumentalist and progressive space-psych. One assumes there’s a narrative thread at work across the span, as guitarist Bill Denton, bassist Chris Sutton, keyboardist/vocalist Clive Noyes and drummer Blazej Gradziel weave their way through “Twin Sons Rising” and “New Vostok” at the outset into the easy flow of “Baikonur Cosmodrome,” the harder-hitting title-track, the fuzzy declaration of “Svetlana” and the patiently executed 10-minute closer “Transorbital,” Denton’s guitar singing all the while. These places and, maybe, characters would seem to weave together to tell the story in impressions largely open to interpretation and correspondingly open in terms of their creativity, sounding spontaneous and maybe live-recorded if not entirely improvised, instead working to a plan for where each inclusion should go or end up. As Cracked Machine’s first album, it’s an ambitious work that does far more than get the band’s feet wet. It takes them out of the atmosphere and embarks on a journey beyond that one hopes is just beginning.

Cracked Machine on Thee Facebooks

Cracked Machine at PsyKA Records webstore

 

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La Chinga Announce Sept. 7 Release for Beyond the Sky; New Song Streaming

Posted in Whathaveyou on July 2nd, 2018 by JJ Koczan

 

la chinga

Canadian heavy rockers La Chinga are getting ready to follow-up their 2016 Small Stone debut, Freewheelin’ (review here) with Beyond the Sky, and suitably enough, the first word one hears on the new album is “woo!” That exclamation arrives at the beginning of opening track “Nothin’ That I Can’t Do,” which is streaming now to mark the opening of preorders through Small Stone‘s Bandcamp page and serves an immediate reminder of La Chinga‘s songwriting prowess and aesthetic inspired by classic heavy. In under three minutes, it earworms its way into the brain and sets up residence for a much longer haul. Certainly Freewheelin’ had similar catchiness working in its favor, but it’s nice to know that hasn’t diminished in the interim. As a teaser for the rest of the record, it bodes well.

Oh, and the Alexander von Wieding cover art is awesome. The song, that cover and the album details all came down the PR wire lookin’ like this:

la chinga beyond the sky

LA CHINGA: Hard Rock Power Trio To Release Beyond The Sky Full-Length This September Via Small Stone; New Track Streaming + Preorders Available

Hard rock power trio LA CHINGA will release their impending new full-length, Beyond The Sky, via Small Stone this fall.

The follow-up to LA CHINGA’s 2016 critically-lauded Freewheelin’ full-length was captured at Vancouver’s fabled Warehouse studio with no-less-fabled producer Jamey Koch (DOA, Copyright, Tragically Hip). Opening track “Nothin’ That I Can’t Do” sets the agenda for Beyond The Sky’s forty-five minutes of sublimely confident freedom rock, sometimes meaty and beaty (“Mama Boogie,” “Death Rider”), sometimes glam-handed (“Killer Wizard”), and occasionally even dirtbag pretty (“Keep On Rollin’). When it all melts into a puddle of phased goo in the final bars of “Warlords,” the listener has been rolled, boogied, and otherwise supernaturally conveyed well beyond the sky, maybe even beyond ridiculous.

LA CHINGA’s Beyond The Sky will see release September 7th, on CD, LP, and digital formats via Small Stone. For preorders go to THIS LOCATION where “Nothin’ That I Can’t Do” can be streamed.

Beyond The Sky Track Listing:
1. Nothin’ That I Can’t Do
2. Wings Of Fire
3. Mama Boogie
4. Black River
5. Beyond The Sky
6. Keep On Rollin’
7. Killer Wizard
8. Death Rider
9. Feel It In My Bones
10. H.O.W.
11. Warlords

LA CHINGA was forged in 2012, although in reality it was conceived about a year earlier when bassist/vocalist Carl Spackler was surfing in Southern California and his Chicano beach buddies kept hailing each other with the mysterious phrase: “La chingaaaaa!” It was then that Spackler’s dream of a hard rock power trio built on erogenous funkadelic rhythms and a devotion to life’s more sublime pleasures — chief among them: tequila — was now embodied inside a beautifully obscene two-word incantation.

Drummer/vocalist Jay Solyom and guitarist/vocalist Ben Yardley — also a noted professor of Theremin — were conscripted shortly after, both veterans of Vancouver’s notoriously dead-end music scene, both beautifully obscene in their own right. LA CHINGA’s self-titled debut record was rushed out of a makeshift studio in 2013 on nothing but fumes and the liberating force of not giving a shit, landing like a hairball crossed with a stink bomb inside a world of yoga pant commerce, condo developments, and Macbook “musicians.” This was a revolutionary act, or maybe a devolutionary one, at least.

Meanwhile, Spackler was busying pouring all off his demented ’70s obsessions into wild three-minute homemade music videos, finding the visual language of fuzz itself inside shitty horror films as he furnished the great infernal drive-in of his mind. Somehow, miraculously, this charming brew conspired to make LA CHINGA the hottest bunch of stoned ape groovers to hot wheel out of the Pacific Northwest since forever. Freewheelin’ followed in 2016 on Small Stone, and so did unhinged tours of Europe, more year-end accolades, and festival slots (420 Fest, Sasquatch). In late 2017, LA CHINGA entered Vancouver’s Warehouse studio with producer Jamey Koch. The result is Beyond The Sky, available this fall via Small Stone. This is how it feels to get chinga’d, amigos. Surf’s up.

LA CHINGA is:
Jason Solyom: drums, percussion, vox
Carl Spackler: bass, vox
Ben Yardley: guitar, vox, theremin

http://www.facebook.com/La-Chinga
http://www.smallstone.com
http://www.facebook.com/smallstonerecords

La Chinga, Beyond the Sky (2018)

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Voivod to Release The Wake in September; European Tour Announced

Posted in Whathaveyou on June 13th, 2018 by JJ Koczan

voivod

Ten million metal bands. Only one Voivod. And woe unto those who can’t do the math on that. The stalwart-among-stalwarts Canadian prog-metal pioneers will release their umpteenth long-player this Fall via Century Media. It’s been dubbed The Wake and will arrive in time to catch the four-piece on their way out to Europe for a huge round of touring that includes support from Maggot HeartNightrage and Bio-Cancer in alternating slots. No audio or track titles yet for the record, but the release is still three months out and CM is pro-shop, so they’re not about to give everything away in one press release. In any case, who could read another list — say, one of the album’s tracks — without getting exhausted after looking at all those tour dates anyway? I’m out of breath by the time they get to Krakow.

More details forthcoming, then, and fair enough. The more I get to talk about Voivod kicking ass, the merrier. And you know my disposition can get pretty merry. I know it’ll certainly be that way watching them at Psycho Las Vegas in August.

To the PR wire, then:

VOIVOD EURO TOUR POSTER

VOIVOD – Announce new album “The Wake” and European tour!

Canadian progressive sci-fi metal innovators VOIVOD are not only celebrating their 35th band-anniversary, but have also just wrapped up studio-work for their upcoming new studio album entitled “The Wake”. Expected for a late September worldwide release via Century Media Records, “The Wake” is the highly anticipated successor to 2013’s “Target Earth” album and the 2016 mini-album “Post Society”.

VOIVOD drummer Michel “Away” Langevin checked in with the following comment:

“We are thrilled to let you know that our new album, “The Wake”, is completed! The music is like a futuristic prog thrash metal trek with many twists and turns, and the story involves the usual Voivodian topics: disasters, chaos, conflicts, strange plots and alternate consciousness. We are excited with the result and can’t wait to get the material out to you this fall!

Also, try to catch us when we tour Europe in September and October. It will be a great opportunity for the band to test some songs from our upcoming album.”

Here is a list of the comprehensive European run, which will feature the following rotating support acts: Maggot Heart (from 7th until 16th Sept), Nightrage (from 18th until 26th Sept) and Bio-Cancer (from 28th Sept until 20th Oct):

VOIVOD – European Tour 2018:
07.09.2018 Prague (Czech Republic) – Futurum *
08.09.2018 Poznan (Poland) – U Bazyla *
09.09.2018 Warsaw (Poland) – Hydrozagadka *
10.09.2018 Krakow (Poland) – Kwadrat *
11.09.2018 Bratislava (Slovakia) – Randal Club *
13.09.2018 Cluj-Napoca (Romania) – Flying Circus Pub *
14.09.2018 Belgrade (Serbia) – Elektropionir *
15.09.2018 Budapest (Hungary) – Durer Kert *
16.09.2018 Vienna (Austria) – Szene *
18.09.2018 Bologna (Italy) – Locomotiv **
19.09.2018 Rome (Italy) – Largo **
20.09.2018 Milan (Italy) – Santeria **
21.09.2018 Winterthur (Switzerland) – Gaswerk **
22.09.2018 Seyssinet Pariset (France) – Ilyade **
24.09.2018 Barcelona (Spain) – Boveda **
25.09.2018 Madrid (Spain) – Nazca **
26.09.2018 Porto (Portugal) – Hard Club **
28.09.2018 Marseille (France) – Jas’ Rod ***
29.09.2018 Paris (France) – Petit Bain ***
30.09.2018 Nantes (France) – Ferrailleur ***
02.10.2018 Southampton (UK) – The Joiners ***
03.10.2018 Cardiff (UK) – The Globe ***
04.10.2018 Leeds (UK) – Temple Of Boom ***
05.10.2018 Glasgow (UK) – Cathouse ***
06.10.2018 Manchester (UK) – Rebellion ***
07.10.2018 London (UK) – Underworld ***
09.10.2018 Brussels (Belgium) – Magasin 4 ***
10.10.2018 Amstelveen (The Netherlands) – P60 ***
11.10.2018 Eindhoven (The Netherlands) – Dynamo ***
12.10.2018 Cologne (Germany) – Luxor ***
13.10.2018 Hamburg (Germany) – Logo ***
14.10.2018 Copenhagen (Denmark) – Pumpehuset ***
15.10.2018 Stockholm (Sweden) – Klubb Nalen ***
17.10.2018 Helsinki (Finland) – Tavastia ***
18.10.2018 Tampere (Finland) – Klubi ***
20.10.2018 Oslo (Norway) – John Dee ***

Support bands:
* Maggot Heart (from 7th until 16th Sept)
** Nightrage (from 18th until 26th Sept)
*** Bio-Cancer (from 28th Sept until 20th Oct)

Previously, VOIVOD will also appear at selected festivals in North America as follows:

VOIVOD – Live 2018:
29.06.2018 Jonquière (Canada) – Jonquiere en Musique Festival
29.07.2018 Montreal (Canada) – Heavy Montreal Festival
08.08.2018 Lévis (Canada) – Festivent
18.08.2018 Las Vegas (USA) – Psycho Las Vegas Festival

More details and news and VOIVOD and “The Wake” following soon…

VOIVOD line-up:
Snake – Vocals
Chewy – Guitar
Rocky – Bass
Away – Drums

http://voivod.com
http://www.facebook.com/Voivod
http://www.centurymedia.com
http://www.youtube.com/centurymedia
http://twitter.com/centurymediaeu
http://www.facebook.com/centurymedia
http://www.cmdistro.com

Voivod, “Target Earth” official video

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Vision Éternel Post Documentary Footage; Announce Contest Winner; Discuss New Music

Posted in Bootleg Theater on May 31st, 2018 by JJ Koczan

vision eternel box set documentary

Many doings in the camp of Montreal’s Vision Éternel. Like, a whole bunch. You might recall in April when the one-man ambient outfit co-hosted a contest here to giveaway a copy of the newly issued An Anthology of Past Misfortunes boxed set. The set is ultra-comprehensive, entries were emailed direct to Alexandre Julien, and a winner picked to receive the five EPs the band has done to-date, the demos/rarities tape, as well as a shirt, flyers, the liner notes and other sundry goodies. Like I said, it’s a comprehensive set.

Never content to rest on his recent laurels or, apparently, ever, Julien has now announced that he’s working on a sixth EP for his outfit, and that in addition to that, he’s given away a digital discount to everyone who entered the contest, and gone out to the woods — because, yes, the woods — to make a bit of a documentary talking about how the boxed set came together, what’s included, and so on. Looks like he found a nice spot for the chat, and as he opens up number 001 of the limited release, he talks about the timing of the EPs, when they came together and how, as well as some of the aesthetic development of the project, the designers he’s worked with and more.

The video is six minutes and in that time, Julien gives a clear sense of the heart that’s gone into the project and into this particular aspect of it. That seems to be what’s at the core of Vision Éternel and just about everything Julien does with the band. It’s a deeply personal work and the thought and emotion put into it is plain to both see and hear in the output.

Clip and news follow. Please enjoy:

Vision Éternel, An Introduction to An Anthology of Past Misfortunes Boxed Set

On May 24th, Vision Éternel undertook an excursion in the Laurentian Mountains forest to film a new documentative video. Luckily, it was a beautiful sunny day, and despite the bugs enjoying the weather as much as we were, we had a lot of fun. We found a nice clearing in the middle of the woods where we set up the shot with cinematographer Rain Frances.

The new footage was filmed to showcase and discuss the band’s newest release, the “An Anthology Of Past Misfortunes” boxed set, released through Abridged Pause Recordings last month. Vision Éternel founder Alexandre Julien made himself comfortable in the woods and explained how the boxed set was conceptualized and went over all of the contents of the package.

Contest Winner

On April 11th of 2018, Vision Éternel announced a giveaway contest in promotion of the band’s new retrospective boxed set, “An Anthology Of Past Misfortunes”. Contestants had a full month to enter the drawing by sending an email to the band with their favourite Vision Éternel t-shirt color and size. Vision Éternel, Abridged Pause Recordings and The Obelisk would like to thank all the wonderful people and fans of the band who participated in this contest.

Today, the band is proud to announce a lucky winner who will not only receive a full boxed set, which in itself holds five compact discs, one cassette, two stickers, six business card flyers and a two-page postcard insert, but in addition to that, two sold-out posters, a t-shirt and the band’s entire remastered digital discography. The boxed set is autographed and personalized to the winner.

The winner is: Randy Blood! Congratulations!

But wait! There’s more!

The band is so appreciative of everyone who participated in the giveaway that everyone will be receiving consolation prizes. No one leaves empty-handed. All participants have been emailed a free download of Vision Éternel’s entire 2017-remastered digital discography and a 15% discount coupon code valid on any and all items at Vision Éternel’s web store (even the boxed set). This will be arriving in a separate email so look for it!

New EP?

For the last eight years, Vision Éternel founder Alexandre Julien has been working on the retrospective boxed set “An Anthology Of Past Misfortunes” to give a proper physical home to the band’s previous releases (2007-2015). Now that it’s out, the band is eager to move forward with new material. Vision Éternel is now actively writing and demoing new songs for a planned sixth extended play.

A handful of new Vision Éternel songs were demoed at Mortified Studios in the summer of 2017 while the band celebrated its ten-year anniversary. It is unknown if any of these ideas will evolve into material for the planned sixth EP. A few more songs have already been demoed in 2018. The band hopes to complete the extended play by the end of the year and is aiming for an early 2019 release. Graphic illustrator Costin Chioreanu has already been secured to design the concept album’s artwork.

In addition to the forthcoming extended play and the previously announced impending music video for “Sometimes In Longing Narcosis”, Vision Éternel is also considering putting out a single and a cover song in 2018.

Vision Éternel website

Vision Éternel on Thee Facebooks

Vision Éternel on Twitter

Vision Éternel on Instagram

Vision Éternel on Soundcloud

Vision Éternel on Spotify

Vision Éternel on Bandcamp

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