Days of Rona: Mike Scalzi of The Lord Weird Slough Feg

Posted in Features on May 28th, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

slough feg mike scalzi

Days of Rona: Mike Scalzi of The Lord Weird Slough Feg (San Francisco, California)

check - If you want to know how to write a perfect research paper, you are to study this original papers at competitive prices available How have you been you dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

It has been rough because we had 5 festivals scheduled for this Spring/summer, and of course they were all cancelled. Quite a let-down, but necessary of course. However, as a band we’re actually making good use of the time. We’ve created a podcast called “Slough Feg Radio” (http://sloughfeg.com/feed/). We’re up to episode #7 I believe. Since we cannot rehearse—Adrian and I meet at our rehearsal space each week (with masks, gloves, and a long distance between us!) and record a radio pod cast— we basically dj weird/eclectic music, including some of our own songs, demos, weird outtakes, etc. that we think might be interesting for people to hear, and banter and babble back and forth about the music, the band history, funny stories of what our lives are like now etc. It’s been great because it’s been well received and we have quite a few listeners, and it gives us, and the fans a feeling that the band is very much alive and active during this ‘downtime’.

We just finished an album last year, so I’m actually not really in ‘writing mode.’ Which is annoying because obviously this would be the time to write music — but we were ready to go do a bunch of live shows, so it makes it all the more annoying that we can’t. Oh well. If this lasts long enough perhaps we’ll write some more stuff, but for now we’re pretty excited about Slough Feg Radio.

Professional custom writing service offers Nursing Graduate School Essays, midterm papers, research essays, thesis papers, reports, reviews, speeches and dissertations of How do you feel about the public response to the outbreak where you are? From the government response to the people around you, what have you seen and heard from others?

The public response has been generally good. San Francisco (where I live) was the first US city to practice shelter in place, the local and state government did a good job of getting on the case early, and as a result there has been an extremely low rate of infection and death count here. So I’ve been pretty lucky when you look at the kind of numbers other US cities are looking at. San Francisco is a city with relatively few older people, although there is much population density. New York has faced unbelievable tragedy, obviously. But even in the dire case of NYC, the local and State Governments have done an incredible job of fighting the virus.

If we had legitimate national leadership at this time, that would help considerably. But we clearly do not, so we must let the individual states do the heavy lifting and hope they can bear the burden. I think some of them are stepping up and doing a fantastic job — and I’m lucky enough to live in a state that had a pretty solid state government.

Complete confidentiality. Understanding how to start a thesis this website is a very important step to succeeding in your college work and here are the What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

I’m not sure how the music community has responded, outside of the mainstream music media (because I see them on TV, internet, etc.). I suppose they’ve responded pretty well, and pretty positively. Many mainstream musicians are doing remote performances and writing songs about the pandemic, etc. As for lesser known musicians, I am not as sure what they are up to — the ones I know, including myself, seem to be producing whatever they can at the time— as stated above, I’m really enjoying out podcast radio show, and I’ve had a lot of good responses from fans, telling us our show relieves some of their boredom and frustration sitting around the house all day etc.

As for myself, I was pretty terrified at first I suppose—for myself, my family and friends. Fortunately for me, nobody I know has passed away from the virus. Very, very lucky. I do have some friends who contracted it though and went through hell. I have also been rather bored at times — I am not a person who can sit at home all the time. So since the beginning of this thing my schedule has been active — getting out on my bike and riding in the mountains almost every day. Discouraged? At first yes after those festival cancellations. Inspired? At times. I was super frustrated and feeling trapped a month ago. Now I have adapted a little, fell into a bit of a new schedule, and am somewhat hopeful for the future. You can only get so terrified, angry, etc., until you begin to adapt (hopefully).

How Can I Ensure That I Get The Best Essay Getting your paper done by professionals who my site also guarantees that the What is the one thing you want people to know about your situation, either as a band, or personally, or anything? What is your new normal? What have you learned from this experience, about yourself, your band, or anything?

The band will survive. We’ve survived for 29 years, and we ain’t stopping now!! this is the longest Slough Feg has EVER gone without practicing. So It’s a bit maddening — but we’ll survive. Everyone is in good spirits and eagerly awaiting the day we can practice and play gigs again.

My daily schedule is basically: get up way too late (at 11 or noon!!) do whatever work I have to do (I teach a class that is now online of course) pack a bag with some food, a book, a face-mask etc. and try to get out the door by 2:30 or 3:00 on my bike, ride across the Golden Gate Bridge and into the Marin Headlands. This is truly inspiring. Another great thing about San Francisco is that you get out of the city, into areas of incredible natural beauty in less than an hour on a bicycle. I stay out in the headlands where there are parks, beaches, trails etc. until about 7 or 8 at night. I see very few people there. It’s saved my life — I would be utterly insane if I could not do this and had to stay in the house all day like many others are doing. I also work one day a week at a Brewery, serving beer and food for takeout. Gotta be careful there, but I am, and I’m grateful to have the work.

What have I learned so far from Covid 19? Well, mostly that I don’t wanna get it!! Honestly I think the most important thing I’ve learned is how important it is to stay healthy and strong as you grow older. Don’t get me wrong, I’m all for the rock ‘n roll lifestyle: drinking yourself half to death and being a parched-out wretch of a human being, sleeping in a different place every night. That stuff is great fun and has its place — mostly when you’re young. But that stuff can only go so far until it stops being fun — and especially during a health crisis. Whether you’re in good shape or not can be a matter and life and death.

But maybe this whole thing will be a big wake up call for the entire human race — reminding us of what is really important. NOT wealth and status and all that nonsense we spend our lives worrying about. That stuff ain’t gonna do shit for anyone is the face of a pandemic. Your health, activity, creativity, and the people you surround yourself with — that’s what matters in a pandemic, and in life. Period.

http://www.sloughfeg.com/
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King Gorm to Release Self-Titled Debut July 31; “Beyond Black Rainbow” Streaming Now

Posted in Whathaveyou on May 26th, 2020 by JJ Koczan

king gorm

Those who’ve followed guitarist/vocalist  Federal, State, Local Government RFP article sources, Consulting, RFP Bid Response Services for Government Contractors. Francis Roberts‘ work in  First paragraph of essay writers in dubai an argumentative essay on a rose describe a great time you. Professional Essay Writer from essaycapital.org Old Man Wizard or the pirate-themed  Only need help with essay writing can promise you top grades for the best essays. Trust our professional writers to make it all look simple. Dread Crew of Oddwood should have some notion of what to expect from the relatively new outfit Business Plan Pro Complete online at professional essay writing service. Order custom research academic papers from the best trusted company. Just find a great help for King Gorm, but the vibe — not to mention the band — is different across the latter’s impending self-titled debut, which is set to release July 31. The San Diego-based troupe dig into classic heavy progressive rock with a deft and masterful hand, retaining an air of cultistry without proving any more cartoonish than they intend. A track from the record, “Beyond Black Rainbow,” proves the point nicely, but is just a snippet of the band’s organ-heavy, weirdo-friendly wares. I’ll hope to have more to come on this one ahead of its arrival.

Until then, the PR wire brings ample backstory and info:

king gorm self titled

King Gorm release new single “Beyond Black Rainbow”

San Diego throwback rockers KING GORM have just released their new single “Beyond Black Rainbow” via their Bandcamp. The song is recommended for fans of Rainbow and Deep Purple.

Listen to the song here: https://kinggorm.bandcamp.com/track/beyond-black-rainbow-2

From King Gorm, releases July 31, 2020.

Some bands often claim they are ‘taking it back to the days of old’, but in King Gorm’s case it is quite literal. Much like their namesake – a Danish ruler from the 900s – the San Diego collective focus on telling bard-like tales, though updated in the form of classic rock. Their self-titled début album is a bold first step, reinventing familiarity by taking the legends of old and putting a modern spin on them.

Across the record, the listener bears witness to Hammond organs and screaming guitar solos duking it out, while bass lines and frantic drumming run like madmen underneath. The freshness of this music can be attributed to numerous factors, one of which being that it was recorded live from the floor (with only vocal overdubs), thus the chemistry of the musicianship shines through such as on “Four Heroes”. The band are also unafraid to go exploring, resulting in tracks like “The Witch of Irondale”, which swings from insistent prog rock to proto-doom in its 7-minute duration, or “Slaughter the King” and “Ultimate Reality”, two songs showcasing the wild nature of the band’s live show.

So which legends’ names are heard echoing within the album’s walls? Ritchie Blackmore figures prominently, not least for his fantasy-driven lyrics and powerful rock riffing (especially during Deep Purple and Dio-era Rainbow days). Elements of Led Zeppelin (the dragons and wizards-driven “Song From Brighter Days”) and Pink Floyd also float to the surface, such as in mastermind Francis Roberts’ soothing bard-like voice (which, for a latterday reference, also bears comparison with Motorpsycho or Arjen Lucassen). But this is more than an homage – there is a real sense of taking this music to places where those bands did not reach, reshaping it in exciting ways.

King Gorm is the sound of a band who may be relatively new to each other, but certainly not new to the game. With their combined experience in an eclectic mixture of bands like Old Man Wizard, Dread Crew of Oddwood, Kirby’s Dream Band, Beekeeper, Eukaryst, White Wizzard and others), there is no shred of doubt that these four can and have put together a top-notch rock n’ roll record that is bound to capture both classic rock and fantasy fans alike.

Track listing:
1.Intro
2. Freedom Calls
3. Four Heroes
4. Irondale Burning
5. Song From Brighter Days
6. Beyond Black Rainbow
7. The Witch of Irondale
8. Slaughter the King
9. Ultimate Reality

King Gorm are:
Francis Roberts – electric guitar, vocals, music & lyrics (Old Man Wizard, ex-Dread Crew of Oddwood)
Erich Beckmann – bass guitar (Kirby’s Dream Band, Grim Luck)
Dylan Marks – drums, percussion, vocals (Beekeeper, Fermentor)
Saki Chan – Hammond organ, ARP Odyssey, mellotron, vocals

https://www.facebook.com/king.gorm.usa/
https://www.instagram.com/king.gorm/
https://kinggorm.bandcamp.com/

King Gorm, King Gorm (2020)

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Days of Rona: Susie McMullan, Jamie McCathie & Jordan Perkins-Lewis of Brume

Posted in Features on May 22nd, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

brume-on-zoom

Days of Rona: Susie McMullan, Jamie McCathie & Jordan Perkins-Lewis of Brume (San Francisco, California)

Here is you unique chance to use our http://ireon.ru/?the-action-research-dissertation for your causes. Perfect writers and unbeatable prices just for you! How have you been you dealing with this crisis as a band? As an individual?

Susie McMullan: I love and respect Jamie and Jordan, they are family. I deal with it like I do my own family, I am there on the front line if they need me and try not to have any expectations of them at the same time. Jamie, Jordan and I are not interested in being famous or popular. We like to make music that is meaningful to us, something we’d listen too, something that connects with others that may feel the same way. As soon as it feels like a job or a burden, we back off or slow down. It is the luxury of being a musician as an adult with other talents and interests. For instance, Jordan was recently nominated for an Emmy for his video work, Jamie won a Grammy with his design work at a fancy design firm, and I love science and engineering just as much as making music.

When you don’t know how the music industry will change or how long it will be before we can interact safely or if you can pay your bills next month, then we are all living with this low level stress. Stress will manifest itself in ugly ways like flakiness, laziness, eating disorders, relationship problems and health issues. The kindest thing we can do for each other is drop our expectations of one another outside of mutual respect and help people feel less lonely.

Jordan Perkins-Lewis: All band activities have been cancelled indefinitely. I’m just chillin’.

Jamie McCathie: I’m lucky enough to have a job, an amazing wife and kid at home and time to relax or do house projects. We are bummed to not be touring our recent album but man, mostly we miss drinking warm beers at our practice space and hanging out together.

Watson-glaser Critical Thinking Appraisal Sample Questionss - Motivational Interviewing and Stages of Change : The stages of change model suggests that clients who are in the How do you feel about the public response to the outbreak where you are?

SM: I feel like people are doing the best they can with the information they have, especially my California neighbors. On a national level, it has been deplorable. Our president has lied to us, created unnecessary panic, unnecessary delays and a national sense of hopelessness.

JPL: Feeling good overall. Bay Area!

WriteMyPapers.org is a professional research paper, If the question "http://www.docomomoiberico.com/?college-essays-runnings professionally?" bothers you a lot and you need an expert From the government response to the people around you, what have you seen and heard from others?

SM: Imagine if your government’s political agenda is more important than public health. That is what is happening in the US. The people of the united states are being lied too, mislead and left in a state of confusion because facts do not align with the administration’s political agenda. In short, Donald could care less if many people die unnecessary deaths as long as he gets re-elected. He could care less if half of the country is homeless and without healthcare as long as he gets re-elected. That is our government, he’s a disgrace to the honest good people of America and doesn’t represent our morals or national tone. He’s a delusional, egomaniacal unfortunate circumstance of the last four years.

JPL: I’ve been sheltering in place since March 13th. I haven’t seen much of anything other than delivery drivers and streaming tv.

Should you simply opt for Free Research Papers On Education services and hope for the best? Or, should you pay for the best thesis help that money can buy. What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

SM: Pandemic to politics, music is bigger than anything happening right now and always will be because it gives you the feeling of hope. Hope that you are connected to others when you love the same song. Hope that propaganda has not brainwashed everyone when lyrics speak to your heart and not the local news, hope that we are not united under the false pretense of nationalism but united in an unexplained feeling swaying at a club to the same song. The community has responded like we always do, with more music.

On a personal note, I’m feeling very creative because that is how I process stress, depression, uneasy feelings I can’t explain. It’s interesting how we all respond differently. Some of the most creative and talented people I know can’t even look at an instrument and others text me daily with the excitement of a new idea or riff. As long as we listen to what our mind and bodies want, and tell social norms to go fuck themselves, then we’ll emotionally survive a pandemic.

JPL: We are the soundtrack of this crisis. I’ve enjoyed watching all the live streams. It’s a great time to get weird.

Professional try here. Trusted By 3000+ Corporate Clients. Start in 30min. 12 hours delivery. From 29 $/hr. What is the one thing you want people to know about your situation, either as a band, or personally, or anything? What is your new normal? What have you learned from this experience, about yourself, your band, or anything?

SM: Right now someone you know is suffering because they can’t pay their bills or because they are really lonely, try to think of who that is and help them.

JPL: Find your tribe and keep them alive. It’s a once-in-a-century plague event. Enjoy it.

JM: As a band, we most probably won’t be playing any shows in a long time… but as friends, we are lifers. We three are lucky and hope others have the same.

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Mos Generator & Void Vator to Release Covering Queen Split 7″ on July 31

Posted in Whathaveyou on May 20th, 2020 by JJ Koczan

With the ready confession that I’m a sucker for such things, you pretty much had me at ‘ help with accounting homework problems http://www.chacf.co.uk/best-graduate-school-admission-essays-writing-personal/ Paper attention grabber for essay relatedhttpwww completeessays Mos Generator cover.’ There are few who dig as deep into ’70s aficionadodom as resume for m tech admission Masters Thesis Bibtex essay online university level assignment help Tony Reed, so when it comes to picking tracks to take on with his band (or on his own, as he’s also done), he knows what he’s doing. That’s not to take away from Void Vator, who share the other half of the double-A side Covering Queen 7″ due out July 31 on H42 Records. The Los Angeles classic metallers issued their Stranded full-length through Ripple last year, and if the sharpness of their logo doesn’t clue you into the kind of bite on offer, I suggest you find an online class in thrash history to take. There has to be one somewhere, and if it’s not taught by Jim Durkin from Dark Angel, it should be.

How does one become a degree-granting institution, anyhow?

Sorry, sidetracked. Here’s PR wire info about the split:

mos generator son and daughter

void vator tie your mother down

MOS GENERATOR & VOID VATOR Split-7″ vinyl COVERING QUEEN

Despite corona we are still working on the upcoming releases. On July 31st there comes a new small piece of plastic that you have all been waiting for, even if you don’t know it yet.

The release will take place in collaboration with RIPPLE MUSIC with whom we have successfully often collaborated over the past few years. Therefore, in addition to the H42 RECORDS edition, there will also be a Ripple Music Edition produced only for the US market.

Two great american bands each cover a song by one of our favorite bands: QUEEN

This release will not make any prisoners – look forward to two great interpretations of classic Queen songs!

We were actually always the opinion that you shouldn’t cover any Queen song. But after we heard the master of the split 7″-vinyl, we are converted! Great punchy versions are waiting for you …. let yourself be surprised and “let me entertain YOU”!

RELEASE JULY 31st in different editions

EU H42 Records Edition on clear vinyl (ltd. 60 with OBI) H42-066
US Ripple Records Edition on gold vinyln (ltd. 60 with OBI) H42-066
EU Retail Edition on white vinyl (with OBI) H42-066
Retail Edition on black vinyl (with OBI) H42-066
PRESALE JUNE 19th over H42 Records

Side A ‘Son & Daughter’
(original by Queen, B. May, 1973)
TONY REED / Guitar, vocals
SCOOTER HASLIP / Bass
JONO GARRETT / Drums

Side AA ‘Tie Your Mother Down’
(original by Queen, B. May, 1976)
LUCAS KANOPA (guitar, vocals)
ERIK KLUIBER (guitar)
GERMAN MOURA (drums)
SAM HARMAN (bass)

http://www.facebook.com/MosGenerator
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Mos Generator & Void Vator, Covering Queen split teaser

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Circle of Sighs Premiere Video for Kraftwerk Cover “The Man Machine”; Debut Album Salo out June 19

Posted in Bootleg Theater on May 19th, 2020 by JJ Koczan

circle of sighs

It is inevitable that the death of an artist brings out tributes, but the truth of the matter is Circle of Sighs both recorded and put together the video for the Kraftwerk cover “The Man Machine” before the recent passing of synth-pop pioneer Florian Schneider. Timely then, in a kind of unfortunate way. Circle of Sighs — a trio, if I discern the horned and masked figures in the photo above correctly — will release their debut full-length, Salo, on June 19 through Pillars of Creation Records, and sure enough the cover isn’t the only track on the nine-cut/52-minute cosmic cult doom offering to make use of keys or pop influences. “Hold Me Lucifer” is catchy and melodic to go with its weighted chug and overarchingly grim atmosphere, and though it gives over to a rousing vocal duet and more guitar-led fare and some harsh screams that call to mind a connection with Los Angeles’ High Priestess, whose Katie Gilchrest mixed, the beginning of “Desolate,” the intro to “Unicorn Magic” and the segue that follows (the third of three on the album) all utilize synth in considerable fashion. Likewise the closing title-track. At the same time, the nine-minute “Kukeri” follows a linear progression building from acoustic guitar to a progressive metal apex and dropping back again, so from opener “Burden of the Flesh” onward, the proceedings are hardly staid or repetitive as varying arrangement elements and moods come and go.

The three segues help build a full-length flow between some of these shifts of intention, but it is up to the songs themselves to ensnare the listener, and that’s done with an immersive depth of mix and an abiding art rock weirdness that, given the band’scircle of sighs salo imagery, one can’t help but relate to earliest Ufomammut or even a more doomed vision of California’s Sleepytime Gorilla Museum, whose progressive bent eventually consumed them and sent them into a universe unknown (actually other bands), but for Circle of Sighs, their commitment to heavy, crunching riffing and the other aesthetic elements at play throughout Salo may indeed save them from that grim fate in the longer term. That is, while Salo is a lot to keep up with, the foundation Circle of Sighs are building in their songwriting feels solid enough for them to work from going forward. There is a complex thought process playing out in this material. It is not haphazard when the keys return four minutes into “Desolate.” The title-track, safely tucked away after the 10-minute “Unicorn Magic/Segue-03” one-two, makes an attempt to tie everything together with progressive guitar and keyboards and electronic beats, and though it succeeds to some degree, there’s of course more left to be said. One suspects that perhaps that’s intentional as well.

But what unfolds across the broad path to get to that moment of closure is strange, purposeful and consuming enough to be considered progressive. On first listen, Salo plays out as a kind of wash of intent — it almost buries you in it — but subsequent playthroughs gradually reveal the nuance of the ceremony at work and the human drive for expression underlying what might seem at first to be otherworldly chaos. Left to their own figurative and literal devices, one suspects the blend of styles at work in these songs will continue to meld, reshape, be added to and subtracted from over time, as nothing here feels permanent in a “this is how it’s gonna be” kind of sense, aside maybe from the weirdness. It’s gonna be weird, and so much the better.

To be perfectly honest with you, I’m not sure if the below is a premiere or not. I tagged it as one above, and I don’t think anyone’s going to fight me on it, but I think maybe it’s been shared already. If that’s the case, sorry to mislead. These are confusing times and, well, I’m not the sharpest knife in the drawer to start with. So, you know. Apologies if you’ve been mislead. One way or the other, though, in visual and aural cues, Circle of Sighs‘ take on Kraftwerk offers a look a the band’s project as regards their debut album and perhaps their larger mission too. We’ll see about that over time, I suppose.

Until then, I hope you enjoy “The Man Machine”:

Circle of Sighs, “The Man Machine” official video

Occult-themed synth-doom collective Circle of Sighs comes wrapped in a veil of mystery. Their anonymity is by design. In today’s age of hyperinformation, the group prefers that the music takes the forefront (as well as the visuals that are a key component to their work). Thus, dear reader, you will not be getting soundbites. All we can offer is some vital information and a bit of history.

Their work began in 2018, as rough demo recordings were hewn by clandestine shamans and cosmonauts on a sub-rosa mission to merge the celestial and the terrestrial. The result of their effort was an album of existential heaviness that pitted synthesis against nature: Digital beats, downtuned riffs, harsh keyboards, and warm tube amps. Their genre-bending and -blending dredges the uncanny valley to cull a sound both strange and familiar.

For those willing to wait comes Salo. The nine-song opus, available on CD, cassette and digital download from Pillars of Creation Records on June 19th, is a fully realized work from a band that cut no corners to achieve exactly what they set out to do: In short, redefine metal. As evidence, look no further than the lead-off single, ‘The Man Machine.’ Their dystopian spin on the Kraftwerk classic pairs trudging doom guitars with ambient synths and vocoder harmonies, captured in a video that recalls the after-hours programming of mid-1980s MTV.

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Mrs. Piss to Release Self-Surgery May 29; Two Singles Posted

Posted in Whathaveyou on May 19th, 2020 by JJ Koczan

mrs piss

I love how unqualified-to-comment this makes me feel. Like anything I say about it will only be a pathetic attempt to mansplain women working to forge new aesthetic grounds. At its most basic level, this is what shifting paradigms looks like. It ain’t three or four white guys riffing like Sleep. Mrs. Piss — and if you find the name jarring, that’s the point — release Self-Surgery May 29 on Sargent House. It’s former tourmates Jess Gowrie and Chelsea Wolfe, and going by the two tracks they’ve let out, “Downer Surrounded by Uppers” and “Knelt,” they’re making mincemeat of expanded-mind heaviness, as much post-punk and gothgaze as they are motioning toward antigenre fuckall.

I suspect those who buy in here will be duly slayed, beardo-dude critics will fawn and largely miss it, and I may or may not be cool enough to actually get a promo. Probably not, but you never know. Sometimes I get lucky.

This is a project tailor-made for Roadburn if ever there was one, so I’ll just put that in my 2021 wishlist pile.

Here’s PR wire info:

mrs piss self surgery

MRS. PISS (Chelsea Wolfe and Jess Gowrie) ANNOUNCE DEBUT ALBUM SELF-SURGERY OUT MAY 29 ON SARGENT HOUSE

RELEASE TWO SINGLES: “DOWNER SURROUNDED BY UPPERS” AND “KNELT”

Mrs. Piss is a new collaboration between Chelsea Wolfe and Jess Gowrie. Drawing on their collective rock, metal, and industrial influences, the project began while the two were touring around together during Wolfe’s Hiss Spun album in 2017. These songs feel more urgent and visceral than anything either of them has created before: heaviness spurred on by punk spirit. Today they’ve detailed their debut, Self-Surgery, which sees its release May 29 on Sargent House, and share two of its singles, “Downer Surrounded by Uppers” and “Knelt”. Listen and share via YouTube below and all streaming platforms here.

Chelsea Wolfe (vocals, guitar)

“Working on this project brought Jess and I so much closer as songwriters and production partners, after reuniting as friends and bandmates. It was freeing and fun to channel some wild energies that I don’t typically put into my own music. We tried not to overthink the songs as we were writing them, but at the same time we did consciously put a lot into crafting them into our own weird sonic vision. This project was a chance for us to do things our own way, on our own terms, and we plan to invite more womxn musicians along for future Mrs. Piss recordings.” CW

Jess Gowrie (drums, guitar, bass, programming)

“To me, Mrs. Piss represents a musical chemistry cut short long ago that now gets a second chance. Creating with Chelsea has always been very liberating for me, and we both push each other to try new things: anything and everything. Both of us have grown so much as writers and musicians since our first band together (Red Host), and with the journeys we had to take separately to get there, we both have so much more to say; so much more pain and anger to express. That said, we also had a lot of fun doing it, not to mention how freeing it is to not give a f-k and to just create.” JG

Self-Surgery was recorded at The Dock Studio in Sacramento, CA and in Wolfe’s home studio, The Canyon. Preorder here: https://smarturl.it/mrspiss

Self-Surgery Track Listing:

1- To Crawl Inside
2 – Downer Surrounded by Uppers
3 – Knelt
4 – Nobody Wants to Party With Us
5 – M.B.O.T.W.O.
6 – You Took Everything
7 – Self-Surgery
8 – Mrs. Piss

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Mrs. Piss, “Downer Surrounded by Uppers” lyric video

Mrs. Piss, “Knelt” lyric video

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Days of Rona: Jeff Wilson of KOOK

Posted in Features on May 14th, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

kook jeff wilson

Days of Rona: Jeff Wilson of KOOK (Santa Clara County, California)

How have you been you dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

The band decided in mid-March to stop getting together…about the same time our county ordered us to shelter in place. We have members with co-morbidities and members who have to be in contact with the elderly, so it wasn’t really a choice.

For me personally, it has been an unusual experience, in that it’s been pretty normal. I have been a permanent remote employee for many years, and already work from home, and my work gets busier when the shit hits the fan in the world. My kids have been home from school, and we’ve been dealing with distance learning but they’re tech-savvy and in middle and high school, so we don’t have the kind of homeschooling nightmares some parents have. Feels a bit like the first half of summer… but with a lot more generalized anxiety and portents of doom.

On the “band plans” side, we had a two-week summer tour booked for June. Plainride was coming out to the West Coast from Germany and we were going to link up with them from southern California up to Seattle, and then we were adding some dates around the outside with Great Electric Quest and a bunch of other friends… so that’s a huge bummer. I was really looking forward to the whole thing. I always do.

For making new music… we’re in a weird spot. We have a close to an hour of material for III written, arranged, and rehearsed, and we have another four or five songs in various stages of development. We haven’t really been passing parts back and forth, because we’ve never really worked that way, but we’re going through individually and refining, reworking, and adding to the stuff we have written…we have good pre-production practice recordings of everything. For me it’s giving me the time to really carefully write some bass parts with no pressure to hurry. I also grabbed a MOOG sub25 synth right before lockdown and have a footpedal rigged up. We managed to use it a few times in practice and get a feel for what it adds, and it’s awesome…so now I get to live my dream of being Geddy Lee. I’m adding synth to different places in a way that I can actually pull off live. As soon as we know what the shelter-in-place situation is going to be like for the next few months… I suspect we’ll book some studio time.

How do you feel about the public response to the outbreak where you are? From the government response to the people around you, what have you seen and heard from others?

I have been very pleased with California, and Santa Clara County’s response. We were one of the very first counties in the nation to shelter in place, and it very much was the right choice. Some of the very first deaths in the country were right here, and a dad from my kid’s school (the same age as me) passed away in March. Right now in Santa Clara County, a county with two million residents that is the heart of Silicon Valley, we have 66 people hospitalized with coronavirus, and have recorded only 129 deaths. I’m a science and data guy… I get that people are facing real hardship, but the alternative is death… life has to win, right? 129 deaths are already too many, but most people here are taking the disease and shelter in place order very seriously. I’ve been obsessed with writing music about the end of the world since I was a teenager, but I have no interest in seeing it happen right now. The lockdown protests everywhere are insane and point to serious problems with culture, politics, race, and privilege in this country. I have a multi-hour rant about that, but I’ll spare the readers.

What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

Creative people have to create, and I’ve seen some really great output and creativity. Jordan Olds and the 2 Minutes to Late Night crew are cranking out amazing covers. Our friend (and Karl’s godson) Lucust French of Burn Thee Insects went into the desert with a generator and tracked drums, and then came back and tracked the rest of a brand new song (with video) under the name of his solo project LAZER BEAM, it’s great. He livestreamed a bunch of it, and it sounds like he’s going to do some more. Mike Scheidt can continue serenading us with acoustic lullabies till the end of time in my opinion. Jeff Matz’ looped jams and the progress of his custom electric baglama is of great interest to me. It has been really good to be able to stay at least somewhat connected over the internet and social media. I’ve also been able to clean my friend list significantly based on the sharing of certain content and opinions (mostly wild conspiracy bullshit).

Bandcamp’s no-fees days have been great. I know artists that 100 percent make their living off of Bandcamp, and every penny helps. One day per month actually makes a big difference, because the community kept sharing and helping promote.

Who I really feel for is small venues, independent promoters, small tour bookers, and hustling multitaskers who make their living doing 50 jobs (playing in four bands, booking shows, doing live sound, engineering, tour driving/selling merch for other artists, etc.). The incredible amount of uncertainty they face, when many of them were already struggling in the best of times, is heartbreaking. It feels very likely that the large systems and governments that are trying to keep people afloat will just overlook live music (and art in general). I hope I’m wrong, and there have been a million fundraisers and government petitions floating around to raise money and awareness that I really hope have an impact.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything? What is your new normal? What have you learned from this experience, about yourself, your band, or anything?

First I’ll just say I feel terrible for anyone directly touched by the virus; I know people who have lost friends and family members, and I’m sure most of you do too, and in the US at least, this is going to drag out for a long time. We’re fine and taking care of ourselves and each other. This will pass and we’ll still be here making weird music that confuses people and challenges eardrums. We miss each other, and we miss making music and playing it for people. For me, going to the studio and practicing is like going to the gym… no matter how shitty I feel before I go, I always feel great when we’re done. It’s similar to how I feel when I go see a great show… there’s always a kind of catharsis that comes with the end of a great set. The world is missing out on a whole lot of mood improvement and catharsis right now, at a time when it feels like we could use more of both.

https://www.facebook.com/wearekook/
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http://www.kook.band/
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https://gloryordeathrecords.bigcartel.com/

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Alain Johannes Announces Hum out July 31; Title-Track Video Streaming

Posted in Whathaveyou on May 7th, 2020 by JJ Koczan

Alain Johannes (Tom Bronowski)

I don’t usually phrase things this way, but Alain JohannesHum is basically the record I’ve wanted Queens of the Stone Age to make since Lullabies to Paralyze and the record I’ve wanted Masters of Reality to make since Give Us Barabbas, so let’s say for the last 15 years-plus. God I’m old. Anyway, Hum is out July 31 on Ipecac Recordings and if you want to get a glimpse at the vibe of the thing, the video for the title-track is at the bottom of this post.

My recommendation is you dig into that and expect a reward of organic, desert-hued, finger-plucked bliss — “Hum” isn’t the only instance of it on the record, which varies in arrangement and dives into and out of psychedelic resonance, but it’s a highlight — and then go ahead and get your preorder in because gawd only knows what the world is going to look like by July so you might as well have something to look forward to in the mail.

I’m gonna go back in the meantime and listen to Johannes‘ other solo stuff, as clearly I have some catching up to do.

You go ahead and enjoy:

Alain Johannes Hum

ALAIN JOHANNES RELEASES HUM ON JULY 31 VIA IPECAC RECORDINGS

https://lnkfi.re/AJHum

Alain Johannes, co-creator of the highly influential ’90s alternative rock band Eleven as well as a key contributor on releases from Queens of the Stone Age, Them Crooked Vultures and Chris Cornell, releases Hum, his third solo album, on July 31 via Ipecac Recordings.

“It’s more about me than probably any album I’ve ever done,” says Johannes about the collection that follows a period of tragic loss, extreme illness and rebirth. “It was something I was striving for and needed to communicate. Coming out of a difficult period, I was liberated. I had lost people who were very close to me. I went through struggles with my own health. There’s a personal energy behind the way it was recorded and the feel of the songs. It’s a document of my life right now.”

Johannes is seen playing the album’s title track in a video released this morning. The clip, which showcases Johannes performing the song in the woods near his Los Angeles home, was shot by Frank McDonough and edited by Felo Foncea.

“You can think of the album title, Hum, a few ways,” adds Johannes. “Of course, there’s a musical hum. There’s an electrical hum. To me, it suggests a sense of mystery. When you stop and listen to silence in nature, the hum is underneath the threshold of hearing. It’s a mysterious and magical sense of something existing, beautiful, and alive. It’s a blanket word for the sound of the ether—something that’s always been there, always will be there, and everything comes from it. It’s the common connection to everything.” Album pre-orders, which include an instant download of “Hum,” are available now: https://lnkfi.re/AJHum.

Hum track list:
Mermaids’ Scream
Hum
Hallowed Bones
Someone
If Morning Comes
Free
Sealed
Here In The Silence
Nine
Finis

Alainjohannes.com
Alainjohannes.eu
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Alain Johannes, “Hum” official video

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