The Obelisk Show on Gimme Radio Playlist: Episode 24

Posted in Radio on November 8th, 2019 by JJ Koczan

the obelisk show banner

It’s been forever since there was an episode of The Obelisk Show on Gimme Radio, but I’m glad to say that there was never any chance of it not continuing eventually. At least not one that I was told about — ha. Gimme had a bunch of specials booked, and well, if it’s me or the dude from Enslaved, or really anybody, I can’t really put up much of a fight that I should be given preference. I’m the dude who plays heavy rock on a metal station, and I’ve got a pretty good timeslot to do it. Yeah, I’m gonna get picked off in favor of special episodes. No worries. I kind of needed a break anyway.

So maybe think of this as the start of Season 2 of The Obelisk Show. I know that all the The Next Generation-era Star Trek shows operated with 24-episode seasons, but I don’t think anyone will begrudge me one fewer. Enterprise might’ve had a 23-episode season somewhere in there. I’d have to check. Either way, Season 2 picks up pretty much where Season 1 left off: a butt-load of new music and me nerding out about Colour Haze.

I talk a bit about the Høstsabbat fest in Norway that I went to last month, give the Brume record a plug and am a total geek for Al Cisneros’ bass tone on that new Om live release, so yes, pretty much the show is getting caught up with what’s been going on around here while it was off the air. A bit of shaking off the rust, but the playlist rules and I tried not to screw it all up too badly on mic. I haven’t heard the finished product yet, so we’ll see if it was a success. In any case, I hope you dig it.

The Obelisk Show on Gimme Radio airs at 1PM Eastern today.

Listen at: http://www.gimmeradio.com

Here’s the full playlist:

The Obelisk Show – 11.08.19

 

All Them Witches 1×1 1×1* 0:05:51
Ufomammut Satan XX* 0:03:12
Colour Haze Tempel Tempel 0:08:30
BREAK
Brume Scurry Rabbits* 0:10:58
Kadavar Children of the Night For the Dead Travel Fast* 0:05:59
The Lone Madman Häxan Let the Night Come* 0:07:29
Ogre King of the Wood Thrice as Strong* 0:05:41
Orodruin Letter of Life’s Regret Ruins of Eternity* 0:05:14
BREAK
Monolord Larvae No Comfort* 0:09:38
Bask Rid of You III* 0:04:40
Grin Helix Translucent Blades* 0:05:23
Om State of Non-Return BBC Radio 1* 0:08:22
Deaf Radio Dance Like a Reptile Modern Panic* 0:04:19
Devil to Pay 37 Trillion Forever, Never or Whenever* 0:03:10
BREAK
Clouds Taste Satanic Second Sight Second Sight 0:20:21
Total runtime: 1:48:47

The Obelisk Show on Gimme Radio airs every other Friday at 1PM Eastern, with replays every Sunday at 7PM Eastern. Next show is Nov. 22. Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

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Review & Track Premiere: Brume, Rabbits

Posted in audiObelisk, Reviews on November 6th, 2019 by JJ Koczan

brume rabbits

[Click play above to stream ‘Scurry’ by Brume. Rabbits is out Nov. 22 on Magnetic Eye Records.]

There are few if any moments in the lifespan of a band more exciting than when the potential they’ve shown early on comes to its moment of realization, and that is precisely where Rabbits finds San Francisco three-piece Brume. The five-track/43-minute label debut for Magnetic Eye Records follows their earlier-2019 split with Witch Ripper (review here) and answers the call put out by their 2017 full-length debut, Rooster (review here), as well as the 2015 12″ EP, Donkey (discussed here). It reaches toward new levels of atmospheric accomplishment, taking lessons from SubRosa on the quiet unfolding of opener “Despondence,” Uzala on the piano-and-string-laden centerpiece “Blue Jay,” mid-period Kylesa in the duet vocals of the penultimate “Lament” and Neurosis‘ landmark “Stones From the Sky” in the ending of closer “Autocrat’s Fool” without ever losing its sense of self. The three-piece of vocalist/bassist Susie McMullan, guitarist/vocalist Jamie McCathie and drummer Jordan Perkins-Lewis recorded with Billy Anderson (Acid KingSleepNeurosis, so many others), and their mission seems to have been to capture a sound somewhere between consciousness and a dream-state, to find that place that is aware enough to understand that it is not awake but still doesn’t completely wake up. I’m tempted to call it lucid dreaming, if only for how in control Brume seem to be of their approach within this ambient sprawl, but that shouldn’t be taken as saying that what they’re doing comes across as some kind of sham, because it doesn’t. Rather, whatever familiar aspects one might stumble upon in the nuance of Rabbits or in a given riff, the primary impression the trio make is individualized and clearly only growing more so.

Of course, this is an ideal, but as one listens to McMullan‘s commanding voice in the YOBby melodic triumph of the chorus to second cut “Scurry” with McCathie in a backing role only to come to prominence himself in a quieter post-solo midsection, Rabbits makes a clear argument for the difference between internalizing an influence and acting off it and simply aping the work of others. They do the former, if I haven’t made that plain, following a linear path across two pairs of longer tracks split by the shorter “Blue Jay,” that only grows more hypnotic as it progresses from one section to the other. This too is a classic notion, that a full-length should unfurl itself like a journey and become more immersive as it takes its outward course from song to song, but saying that does little to convey the work that “Despondence” and “Scurry” — and I suppose “Blue Jay” as well — do in setting up the complementary trance-induction that comes with “Lament” and “Autocrat’s Fool.” And it’s not a radical change in running time, either. The first two cuts are a little over eight minutes apiece and the final two are just under 11 and 10, respectively. It’s not like they’re going from three-minute songs to 20-minute songs. But there’s a definite shift that takes place from one movement to the other nonetheless. It may just be a question of the patience and tempo of delivery, but it makes the overarching progression of Rabbits all the more engaging.

brume

That setup begins with the sparse guitar that opens “Despondence,” a soothing melancholy drift greeted by ethereal echoes as a bed for McMullan‘s voice, and it’s not until after three minutes in that the heavier push kicks in with drums, bass and a burst of volume that then plays through a series of back-and-forths, resolving itself in a weighted melodic wash as the vocals move to the front of the mix heading into the chorus at the song’s midpoint. This progression is fluid in itself and in the whole-LP groove it sets forth, and the effect that quiet beginning has is ongoing, both as a showcase of Brume‘s dynamic sound and as a direct lead-in for the rolling “Scurry,” which gets underway with more immediacy but still keeps some sense of the ambience of its predecessor as it does so, its hook more prevalent and a highlight of the album and the band’s career to-date. Specifically it seems to take influence from YOB‘s “Marrow,” but the sweep of McMullan‘s singing and McCathie‘s guitar is more than enough to pull that off in style and substance alike, and the emotion behind it feels nothing if not sincere. With McCathie‘s backing vocals positioned deeper in the mix, there’s all the more a sense of breadth to what’s still a prevalent forward push thanks to Perkins-Lewis‘ drumming, building through the verses only to open wider during the two choruses before guitar, bass and drums drop out to what would seem to be piano/keyboard with McCathie‘s voice in standalone fashion for a moment before the soaring lead takes hold en route to a more direct McMullan/McCathie duet that is a suitable payoff and then some.

With “Blue Jay” as the key moment of transition, there’s the threat that its own substance might be lost in the proceedings, especially as it’s shorter at just 5:46, but the arrangement takes care of that handily. It is, instead, another high point for Brume and, one hopes, something they continue to build on as they go forward from here — one could easily say the same of Rabbits as a whole. “Lament,” by contrast as the longest track, echoes the beginning of “Despondence” but is less stark in its own turns of volume and instead holds its swaying motion for seven of its 11 minutes before its full heft takes shape, again around a well-wielded vocal duet. If this is the direction Brume intend to follow, it is only to the fortune of anyone who might do likewise and will only see their personality as a band come further forward. The closing statement of “Autocrat’s Fool” plays severity off ambience off harmonies on the way to what seems to be a quiet finish until the aforementioned “Stones From the Sky” moment — all the more interesting since I wouldn’t necessarily call Brume post-metal, which is where one usually finds such things — kicks in to cap off, indeed cutting itself short mid-measure at the end. It’s a moment that underscores the message of the album as an entire work in that it sees Brume recast a familiar element or stylistic aspect toward their own purposes. Make no mistake, whatever Brume have done or will do, this is a special moment for this band. It sets up some lofty expectations for their next outing, to be sure, but most importantly, it establishes them as more than up to the challenge of creative evolution and expression.

Brume website

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Megnetic Eye Records on Bandcamp

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Brume Set Nov. 22 Release for Rabbits

Posted in Whathaveyou on October 9th, 2019 by JJ Koczan

brume

The only question when Brume signed to Magnetic Eye Records in March for the release of their second album, Rabbits, was whether or not said record would be out before the end of this year. The answer is yes. And not saying I’m listening right now for the first time or anything, but the record’s gorgeous. Atmospheric in new ways for the band, and the high drama of centerpiece “Blue Jay” kind of blows the doors down from what you might expect a San Fran doom band to be doing on their sophomore LP. Billy Anderson recording never hurts, and the mood in that piece and elsewhere on the LP is something that will very obviously require more than a cursory airing to more fully appreciate. But the first impression — not that I’m listening right now, I’ll say again — is that those subsequent airings will indeed take place. Possibly right after this one is done.

I’ll hope to have more before Nov. 22.

From the PR wire:

brume rabbits

San Francisco’s BRUME Present Hauntingly Beautiful New Full-Length RABBITS Nov. 22

album explores soft and pummeling atmospherics

Riding the momentum of the past several years, spellbinding San Francisco doom trio BRUME are preparing to release their new album, Rabbits, coming November 22nd from Magnetic Eye Records. Their first for the label, it follows the band’s critically-acclaimed Donkey and Rooster releases, as well as their split with Seattle’s Witch Ripper earlier this year, indicating that BRUME are pushing forward as fast as their creativity allows.

Sabbathian sensibility is a must for any band worth their weight in doom, but when combined with a strong penchant for acts like Portishead and Bjork, BRUME are a graceful leader among the skull-crushing pack.

In 2014, they made their mark with debut EP Donkey, a sorrowful slow-burner drenched in reverb and wrought with patient mourning. Rooster saw them plunge deeper into the study of duality between harsh distortion and the soaring refrains of frontwoman Susie McMullan’s stunning vocals. “Our music is non-fiction; a time stamped truth,” she said, but the band’s creative drive contains a timelessness not quickly forgotten among the sea of contenders in doom metal.

New album Rabbits continues this theme, exposing a tight-knit crew at their most creatively expansive who’ve erected a monumental piece to capture and soothe the mind during this tumultuous cultural era. Tracks like “Lament” showcase a masterful grasp on tension-building and release; it’s a hypnotic lullaby and explosion in one, stretched over a singular sonic experience.

BRUME have absorbed the experience of playing prestigious stages at Desertfest London and opening for High On Fire in Europe, and are now ready to take on a bigger role than ever in the heavy underground with the release of Rabbits.

Brume
Susie McMullan: Vocals/Bass
Jamie McCathie: Guitar/Vocals
Jordan Perkins-Lewis: Drums

https://www.brumeband.com/
https://brumesf.bandcamp.com/
https://www.facebook.com/brumeband/
http://brume.bigcartel.com/
http://store.merhq.com
http://magneticeyerecords.com/
https://www.facebook.com/MagneticEyeRecords

Brume, “Man-Made” official video

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Magnetic Eye Records Completes Backing for Vol. 4 Redux & The Best of Black Sabbath Tributes

Posted in Whathaveyou on March 28th, 2019 by JJ Koczan

Wasn’t this bound to happen? Either Vol. 4 or Master of Reality? And by the way, there’s really no wrong answer there. So, you know, yeah. April 2020 is the listed ship date on Vol. 4 Redux and The Best of Black Sabbath, both of which continue Magnetic Eye Records‘ wildly successful ‘Redux’ series that’s already touched on HendrixFloydHelmet and has Alice in Chains on deck as a next installment. Still, obviously Black Sabbath have a special place in the history of heavy — right there at the start of it, maybe page three? — and accordingly, the big guns are coming out for the homage, whether it’s Matt Pike doing “FX” or Bongzilla taking on “Snowblind” or Tony Reed doing “Laguna Sunrise.” There’s no way it’s going to miss.

My only hope is that High Reeper make “Changes” heavy.

Interested to see how The Best of Black Sabbath pans out as well, with Year of the CobraElephant Tree and Earthless and a host of others confirmed. I saw Elephant Tree do a killer version of “Paranoid” live this past Fall. Wouldn’t mind a studio take on that from them as well.

But really, there’s no way to lose here.

Word from Magnetic Eye follows:

vol 4 redux

If you told us even as recently as six weeks ago that we’d be working on a Redux version of Black Sabbath’s Volume 4 and, before the end of March, artists including The Obsessed, Whores, Zakk Wylde, and Matt goddamn Pike would have all committed to be part of the project, we would’ve probably answered, “Wow.”

And if you’d then said, “Oh yeah, you’ll also assemble a Best of Black Sabbath companion LP featuring Earthless, Elephant Tree, Year of the Cobra, and tons of other great artists including a whole crop of brand-new Magnetic Eye roster bands, who by the way you’ll find time to sign during all the madness of your Vol. 4 Kickstarter,” we’d have most likely said, “piss off.”

And yet, here we are, and all of the above has come to pass.

We are indeed reduxing Volume 4 and offering up a Best of Sabbath companion record, we do have some of the greatest heavy artists in the world committed to be part of this project, and we did somehow find time to sign three new bands during all of this, each of whom we’ll have a new record coming from later this year, and all of whom we’re inviting to be part of the project.

So, yeah. Wow.

THOU – WHEELS OF CONFUSION / THE STRAIGHTENER
THE OBSESSED – TOMORROW’S DREAM
HIGH REEPER – CHANGES
MATT PIKE – FX
SPIRIT ADRIFT – SUPERNAUT
BONGZILLA – SNOWBLIND
WHORES – CORNUCOPIA
TONY REED – LAGUNA SUNRISE
HAUNT – ST VITUS DANCE
ZAKK SABBATH – UNDER THE SUN / EVERY DAY COMES AND GOES

ALBUM ART AND DESIGN ALYSSA MOCERE

IN ADDITION, WE HAVE INCREASED THE SCOPE OF OUR PROJECT TO INCLUDE 13 ADDITIONAL BLACK SABBATH SONGS ON A BEST OF BLACK SABBATH REDUX RECORD.

Summoner
Elephant Tree
Scott Reeder
IRONWEED
Earthless
Chris Wyse
Rwake
Mooner
Year of the Cobra
Leather Lung
Brume
Caustic Casanova
Dead Witches

http://store.merhq.com
http://magneticeyerecords.com/
https://www.facebook.com/MagneticEyeRecords

Black Sabbath, “Snowblind”

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Brume Sign to Magnetic Eye Records

Posted in Whathaveyou on March 26th, 2019 by JJ Koczan

Brume will enter the studio next month to record their second full-length, Rabbits, for release on Magnetic Eye Records. They’ll be working with none other than Billy Frickin’ Anderson — whose CV I’d list even in part but frankly it’s exhausting to think about all the good records he’s helmed, up to and including Brume‘s 2017 debut, Rooster (review here) — on the effort, which also follows their first incursion to Europe, something that one highly doubts will be a one-time-only event. A Fall release would put them right in line for festival season. Just saying.

But of course there’s a lot that needs to happen A-to-B on that one, perhaps most pivotally actually making the album. And “late 2019” can turn into “early 2020” before you know it. I just get excited about these things and about cool bands doing cool stuff, like signing to labels and making new albums and touring. Always a good time.

Cheers to Brume and Magnetic Eye on the partnership and here’s looking forward to the album when it’s ready to roll.

Announcements from band and label follow:

brume magnetic eye

BRUME – Magnetic Eye Records

We are thrilled to announce our signing to Magnetic Eye Records! We head to the studio with Billy ( Everything Hz ) to record ‘Rabbits’ in April and will see a late 2019 release. We have been eyeing up MER and its insane roster for quite some time and honestly couldn’t imagine a more fitting family of stoner metal misfits for Brume to be a part of.

Let’s party 2019!

Says Magnetic Eye: BRUME brings its melodic drone-doom approach to MER after having released several records, toured the US and Europe, and played festivals from Austria to London. Their San Francisco aesthetic brings a welcome West Coast infusion to the label, and this April sees them entering the studio with distortion guru Billy Anderson to embark on recording their forthcoming label outing… which we cannot wait to share with you.

Brume
Susie: Vocals/Bass
Jamie: Guitar/Vocals
Jordan: Drums

https://www.brumeband.com/
https://brumesf.bandcamp.com/
https://www.facebook.com/brumeband/
http://brume.bigcartel.com/
http://store.merhq.com
http://magneticeyerecords.com/
https://www.facebook.com/MagneticEyeRecords

Brume, “Man-Made” official video

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Witch Ripper & Brume Stream Split MMXIX in its Entirety

Posted in audiObelisk, Bootleg Theater on March 14th, 2019 by JJ Koczan

brume

witch ripper

So, first things first: Witch Ripper and Brume release their Split MMXIX this Friday, March 15, through DHU Records. Second, with Witch Ripper working with Matt Bayles and Brume working with Billy Frickin’ Anderson on production, it should come as no surprise that the thing sounds awesome. From the opening High on Fire-through-a-meat-grinder churn of the early going in Witch Ripper‘s 13-minute-long “1985” and the melancholy creep that follows before they build back up to the last apex, to the fallout symptoms at the end of “Man-Made” (you’ll see it in the video) to the timeless and familiar strains of “In the Pines” as rendered through Brume‘s melodic lurch and longing, Split MMXIX is of course more than the sum of those behind the board, behemoths of the monolithic — or was that monoliths of the behemoth? — as they are, it’s also the result of two bands working each on their own level to affect that consuming sonic largesse. “1985” was recorded when Witch Ripper tracked their 2018 debut, Homestead, while Brume‘s “Man-Made” and “In the Pines” are older and newer recordings, respectively, brought to bear with the sense of lumber one has come to expect from the San Francisco three-piece.

With its extended runtime, the opener consumes the entirety of side A of the vinyl and puts it to good use. Tones are weighted and the initial plod is given duly guttural vocal accompaniment for about the first half of the track, and as it hits the midpoint, “1985” breaks to a stretch of quiet, classically metallic guitar, dramatic and atmospheric and a stark turn from the grit preceding, but not entirely out of place — or at least not anymore than it’s intended to be. Clean-sung lines top as the bass and drums casually work their brume witch ripper split mmxixway back in and Witch Ripper push forward on a subtle build for the next couple minutes, a tolling bell seeming to signal the shift into the grander instrumental solo section that pays off the track in epic metal fashion. The band note below that “1985” was taken off the album because it was too long, and listening to it, one tends to believe them. It is long, but that only seems to make it all the more worthy of the showcase it has here alongside the work of Brume, who follow their 2017 debut, Rooster (review here), with these two tracks showcasing their evolving personality.

“Man-Made” — the video below directed by the band’s own Jordan Perkins-Lewis — seems to rumble out its start in answer to “1985” back on the A side, but obviously that’s just coincidence of tone; it’s an older song recorded before the band knew it would be on this split. The impact of its riffing is well met by the nuclear test footage sped up to match the rhythm of the strumming guitar, and over the eight minutes, “Man-Made” evolves into a maddened beast before, like “1985” before it, dropping to mellow but tense guitar. The difference is “Man-Made” resumes its previous heading and caps with its central riff in the forward position and feedback leading the way via fadeout into “In the Pines,” written by Huddie “Lead Belly” Ledbetter and given generational breadth through a particularly tortured performance by Nirvana on MTV Unplugged. Brume make it sound massive, thereby demonstrating not only the malleability of the song itself, but their own reach as they move beyond their debut into this release and whatever might come after.

Below, you’ll find all three tracks on Split MMXIX presented across three different YouTube clips. Not how these kinds of things usually work, but go with it. Witch Ripper have a creepy spider to go with “1985,” while Brume have a static image for “In the Pines” and the aforementioned bomb-dropper clip for “Man-Made.” One way or the other, it all makes sense atmospherically with the release itself, which is unapologetic in its heft and worthy of whatever volume you can give it.

Comment from the bands and more follows the videos.

Please enjoy:

Witch Ripper, “1985”

Brume, “Man-Made” official video premiere

Brume, “In the Pines”

Witch Ripper on “1985”:

Recorded during the “Homestead” sessions by Matt Bayles (Isis, Mastodon, Minus the Bear) it was cut from the full length because frankly, it was too damn long to fit on the vinyl. Luckily we found a home for the song as our side of a killer split with San Francisco doom weirdos Brume. The song “1985” is one of our most ambitions creations yet. At 13 minutes strong the song moves from grunge inspired doom riffs to a psychedelic clean bridge and huge musical soaring outro. It’s got a lot. Lyrically it’s about knowing that you love music, not knowing how long you can do it for but not wanting to give up that dream. Something that I think we can all relate too.

Brume on “Man-Made” & “In the Pines”:

Brume’s two tracks on the split are a celebration of the SF Trio’s second home, the Pacific Northwest and bring to light recordings old and new. “Man-Made” is the first track the band worked with producer Billy Anderson (Neurosis/Sleep) and was recorded in Portland while on their first West Coast tour in 2015. “In the pines” is the most recent track recorded with Billy (also in Portland), some three years after. The cover was pulled together for a show in Seattle, paying homage to both Nirvana and Leadbelly. What better way to release these tracks than with label mates Witch Ripper from Seattle?

Brume/Witch Ripper Split MMXIX

Side Witch Ripper
A1. 1985

Side Brume
B1. Man-made
B2. In the Pines

Pre orders go live Friday January 25th at 7PM CET

Official release date March 15th

The Brume/Witch Ripper Split will be released on 3 different limited edition color vinyl options

DHU Exclusive: Limited to 90 copies
Witch Ripper Edition: Limited to 100 copies
Brume Edition: Limited to 100 copies

Brume
Susie: Vocals/Bass
Jamie: Guitar/Vocals
Jordan: Drums

Witch Ripper
Curtis Parker: Vocals/Guitar
Joe Eck: Drums
Brian Kim: Bass
Coltan Anderson: Guitar

Brume website

Brume on Bandcamp

Brume on Thee Facebooks

Brume BigCartel store

Witch Ripper on Bandcamp

Witch Ripper on Thee Facebooks

Witch Ripper on Instagram

DHU Records on Thee Facebooks

DHU Records on Instagram

DHU Records on Twitter

DHU Records on Bandcamp

DHU Records BigCartel store

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Witch Ripper and Brume to Release Split MMXIX March 15

Posted in Whathaveyou on January 15th, 2019 by JJ Koczan

brume

witch ripper

Nobody here loses. Two bands and a label team up, everybody gets circa-100 copies to sell, and everyone helps each other promote it. What Brume, Witch Ripper and DHU Records have going with the Split MMXIX is basically the idea behind doing a split in the first place. Two bands are showcased with the promotional help from an imprint and everybody gets to put out something new. The fact that Seattle four-piece Witch Ripper take up their whole side with their “1985” opus is a bonus, as is Brume‘s side B take on “In the Pines,” the Huddie “Lead Belly” Ledbetter track known to an entire generation as “Where Did You Sleep Last Night” as covered by Nirvana once upon a time on MTV Unplugged. Hard to argue with the pick, frankly.

The release is out March 15 and the preorders start Jan. 25. I wouldn’t be surprised if the pressing sold out on preorders alone, but whether or not the thing actually makes it to its release date, everyone still wins.

From the PR wire:

brume witch ripper split mmxix

Brume/Witch Ripper Split MMXIX (DHU023) Pre order + release date

San Francisco’s Doom Trio Brume have teamed up with Seattle’s Stoner Metal misfits Witch Ripper to bring you a split of unforgiving heaviness to ring in the New Year of Heavy MMXIX

Witch Ripper open the gates on Side A with a mind melting 13+ min track called “1985”. A track that was recorded during their magnificent debut “Homestead” recording session released last year, so you know you will be swept up once again in their punishing assault!

On Side B Brume grace us with a song recorded between the debut “Donkey” and follow up full length “Rooster”, a relentless 8+min Doom anthem called “Man-made” which starts as slow as you know them to be, then bursts into a mid paced groove that will have you banging your head uncontrollably before sending you out into oblivion as they quiet down before the last storm. And, to top it off, Brume does a cover of the classic Leadbelly song “In the Pines” or “Where Did You Sleep Last Night” (also covered by Nirvana and Mark Lanegan respectively) in their own traditional Doomed way, so get ready!

Presented here is the cover artwork, done by the incredible photographer Katrin Albert

Brume/Witch Ripper Split MMXIX

Side Witch Ripper
A1. 1985

Side Brume
B1. Man-made
B2. In the Pines

Pre orders go live Friday January 25th at 7PM CET

Official release date March 15th

The Brume/Witch Ripper Split will be released on 3 different limited edition color vinyl options

DHU Exclusive: Limited to 90 copies
Witch Ripper Edition: Limited to 100 copies
Brume Edition: Limited to 100 copies

Brume
Susie: Vocals/Bass
Jamie: Guitar/Vocals
Jordan: Drums

Witch Ripper
Curtis Parker: Vocals/Guitar
Joe Eck: Drums
Brian Kim: Bass
Coltan Anderson: Guitar

https://www.brumeband.com/
https://brumesf.bandcamp.com/
https://www.facebook.com/brumeband/
http://brume.bigcartel.com/

https://witchripper.bandcamp.com/
https://www.facebook.com/Witchripper/
https://www.instagram.com/witch_ripper/

https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://twitter.com/dhu_records
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Brume, Rooster (2017)

Witch Ripper, Homestead (2018)

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Brume Headed to Europe This Weekend; Playing with High on Fire and More

Posted in Whathaveyou on August 9th, 2018 by JJ Koczan

BRUME

San Francisco three-piece Brume hit the UK last Spring in time to play Desertfest London 2017 and toured with Gurt on that trip, so I guess everyone got along well enough since they’re doing it again. Not Desertfest, the touring part. This time it’ll be a couple shows in the Netherlands together and one at The Black Heart — which is a great place to hang out, so long as you don’t try to bring your baby — in addition to Brume appearing at a fest in Austria and playing a gig in Budapest alongside fellow Bay Area denizens High on Fire, which sounds like an utter blast. Oh, and Elephant Tree are on that Black Heart show too, so all the better. If you get to talk to them, please send my best.

Brume released their debut full-length, Rooster (review here), last year through Doom Stew and DHU Records. Dates and a couple quotes from the band follow here for your perusal:

brume european tour poster

BRUME // EUROPEAN TOUR // AUGUST // 2018

It’s tour season and we’re hitting the bricks. Austria, Budapest, Netherlands, UK. Here we come…

Susie: “Music is life. Europeans understand that better than anybody else in the world. We can’t wait to be reunited.”

Jamie: “We are crazy excited about Europe. We’ve played out a lot this year but this these dates will be the cherry on the cake and a chance to try out some new material. Getting back on stage with Gurt is always the most fun too, London will be a PARTY.”

Brume European tour:
11 – Aug / Sauzipf Rocks Festival Dobriach, Austria
12 – Aug / Durer Kert Budapest, Hungary w/ High on Fire
16 – Aug / Studio de Veste Leiden, Netherlands*
17 – Aug / Butchers Tears Amsterdam, Netherlands*
18 – Aug / The Black Heart London, UK* w/ Elephant Tree
* Dates with Gurt

Brume are:
Susie McMullin – Vocals/Bass
Jordan Perkins-Lewis – Drums
Jamie McCathie – Guitar

https://www.brumeband.com/
https://brumesf.bandcamp.com/
https://www.facebook.com/brumeband/
http://brume.bigcartel.com/
https://www.doomstew.com/
http://darkhedonisticunionrecords.bigcartel.com/

Brume, European tour trailer

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