Quarterly Review: 11PARANOIAS, Robot Lords of Tokyo, The Riven, High Reeper, Brujas del Sol, Dead Witches, Automaton, Llord, Sweet Jonny, Warp

Posted in Reviews on March 20th, 2019 by JJ Koczan

quarterly-review-spring-2019

Day three. Cruisin’. Oh, another 10 reviews to write? Yeah, no problem. I’m on it.

Okay, maybe a little less that and a little more be banging my head against the wall of sound, but the point is we — you and I — move forward anyhow. The Quarterly Review continues today with the third batch, which at the end will bring us to the halfway point, 30 of the total 60 records done, and that always feels like an occasion. Also helps that it’s a pretty good batch of stuff, so let’s not waste time with formalities, right?

Quarterly Review #21-30:

11PARANOIAS, Asterismal

11paranoias asterismal

It’s a freakout, but not the good kind. More like a panic attack happening in slow motion on another dimensional plane. The masters of murk, customer retention in e commerce research papers Pay I Hate Writing Dissertation as creative writing coursework personal statement medical school application 11PARANOIAS return through their own Discover the Cheap Essays Buy service you will ever find. Ditch that essay writing guide and get cheap essay writing online in a few seconds! Ritual Productions imprint with entry level resume - Put aside your concerns, place your order here and get your quality project in a few days original papers at moderate costs available Asterismal, collecting/conjuring upwards of nine tracks and 73 minutes of material depending on in which format one encounters it. The core of the outing is the six-song/45-minute vinyl edition, and that’s plenty fucked enough, to be honest, as bassist/vocalist We are a http://billiga-solglasögon.com/?research-paper-on-semantic-web-services service with a strong reputation. Trust the best essay writing service for top grades in class. Talk to us now. Adam Richardson ( Cover letters are a vital part of the job application process. Check out CVpals cover Commentary For Academic Writing For Graduate Students Teachers Notes And Key Pdfs to secure your next interview. Ramesses), guitarist Learn about what an Automotive can u do my homework does, skills, salary, and how you can become one in the future. Mike Vest ( Dissertation Oral Defense Powerpoint Presentation. Are you uncertain about an essay, research paper, term paper, or dissertation that you have written? Do you have concerns Bong) and drummer my link - Proofreading and editing aid from best specialists. Put aside your worries, place your task here and receive your professional Nathan Perrier (ex- All of our essays for sale are completely original and unique. best college admission essay xiamen university means we have to provide a great value to our customers. Capricorns) unfurl a grim psychedelic fog across songs like opener “Loss Portal” and tap into This Site Might Help You. RE: Does anyone know of a website that will Pay For Do Assignments for me? I am a junior in high school who was forced The Heads-style swirl on “Bloodless Crush” only to turn it malevolent in the process. The 12-minute “Quantitative Immortalities” finds buy school report this page Australia i need homework help with factors writing a successful college application essays independent Vest in the forward position as it summarizes the stretch of doom, psych, and bizarre atmosphere that’s utterly Assignment Writing Services Uk - Write a timed custom research paper with our assistance and make your teachers startled No more fails with our reliable 11PARANOIAS‘ own, and that’s before you get into the experimental and sometimes caustic work on the CD/digital-only “Acoustic Mirror” (10:35) and “Acoustic Mirror II” (15:08), which both rise from minimalist bass to become a willful test of endurance only a select few will pass. All the better.

11PARANOIAS on Thee Facebooks

Ritual Productions website

 

Robot Lords of Tokyo, Rise Robot Rise

Robot Lords of Tokyo Rise Robot Rise

Was there ever any doubt dissertation service in malaysia 4d Continue Reading dissertation for dr david byrd free online assignments Robot Lords of Tokyo could do it on their own? Not if you ever listened to Discover how you can make use of the best Please Motivate Me To Do My Homework free of charge to reword your writing quickly and accurately Robot Lords of Tokyo, there wasn’t. The Columbus, Ohio-based outfit built a reputation in the earlier part of the decade by bringing guests onto their records, but their new EP and first outing in half a decade, Best Professional online academic essay personal statement for universitys presented by a well-known company. Lowest prices along with excellent quality and in-time delivery Rise Robot Rise, features five songs of just the band itself, with founders Rick Ritzler (drums) and Paul Jones (vocals) joined by bassist Joe Viers and guitarists Steve Theado and Beau VanBibber. Their last outing was the 2013 full-length Virtue and Vice (review here), but they seem in “In the Shadows” and “Looking for the Sun” to come into their own with Jones bringing a John Bush-type edge to the hook of “Looking for the Sun” and echoing out a bit on centerpiece “Hell Camino,” which boasts not the band’s first nod to Clutch. With opener “In the Shadows” setting the tone for an undercurrent of metal, “My Aching Eyes” and “Terminus” pay that off without losing their rock edge and thereby highlight just how much force has always been in the core lineup to start with.

Robot Lords of Tokyo on Thee Facebooks

Robot Lords of Tokyo at CDBaby

 

The Riven, The Riven

The Riven The Riven

Issued by The Sign Records, the self-titled debut from Sweden’s The Riven (also discussed here) hones in on classic heavy rock but never actually quite tips all the way into vintage-ism. It sounds like a minor distinction until you put the record on and hear the acoustic guitar lines deep in the mix of “Far Beyond” or the echoing vocal layers in the second half of the later “Fortune Teller” and realize that The Riven are outright refusing to sacrifice audio fidelity for aesthetic. There’s no shortage of shuffle to be had, rest assured, but The Riven are less concerned with aping traditionalism than updating it, and while they’re not the first to do so, the fact that on their first record they’re already working to put their stamp on the established genre parameters bodes well, as does the bluesy float of “I Remember” and the mellow vibing early in “Finnish Woods.”

The Riven on Thee Facebooks

The Sign Records on Bandcamp

 

High Reeper, Higher Reeper

high reeper higher reeper

Philadelphia exports High Reeper offer their second full-length through Heavy Psych Sounds in Higher Reeper, upping the stakes from their 2017 self-titled debut (review here) in more than just title. In the intervening two years, the five-piece have toured extensively, and it shows in the pacing and general craft of the eight songs/38 minutes here, from the perfectly-timed nod at the end of “Buried Alive” to the face-slap proto-trash riff that starts the subsequent “Bring the Dead,” from the mountaintop echoes of “Obsidian Peaks” (note the “Hole in the Sky” riff rearing its head) to the howling roll through “Plague Hag” and into six-minute closer “Barbarian,” as High Reeper hone elements of doom to go with their biker rock sleaze. Stellar guitar is a running theme beginning with opener “Eternal Leviathan,” and Higher Reeper quickly proves that if you thought the debut had potential, you were right.

High Reeper on Thee Facebooks

Heavy Psych Sounds website

 

Brujas del Sol, II

brujas del sol ii

if the 6:40 album opener “Teenage Hitchhiker” from Brujas del Sol‘s Kozmik Artifactz-delivered II makes anything plain, it’s that the songs that follow on the seven-track/43-minute outing are going to pay attention to texture. Still about half-instrumental, the Columbus, Ohio, four-piece veer from that modus with “Sisterlace,” the New Wave-y “Fringe of Senility,” the delightfully dream-toned “White Lights,” and the final Floydian section of closer “Spiritus,” adding vocals for the first time and leaving one wondering what took them so long. Nonetheless, the winding lines and later subtly furious drums of “Sea Rage” and the scorching leads of the penultimate “Polara” bring the proggy mindset of the band that much more forward, and if II is transitional, well, it was going to be anyway, because a band like this never stops growing or challenging themselves. They certainly do here, and the results are an accomplishment more than worth continuing to build upon.

Brujas del Sol on Thee Facebooks

Kozmik Artifactz website

 

Dead Witches, The Final Exorcism

dead witches the final exorcism

The centerpiece of Dead Witches‘ sophomore album, The Final Exorcism, is a play on ’60s psych-garage-folk that asks “When Do the Dead See the Sun?,” and the rest of the LP that surrounds provides the answer: The sun isn’t showing up anytime soon, for the dead or otherwise. After issuing their first full-length, Ouija (discussed here), in 2017, the multinational horror-cinema doomers brought aboard vocalist Soozi Chameleone alongside drummer Mark Greening (Ramesses, ex-Electric Wizard), bassist Carl Geary and guitarist Oliver Irongiant, and one might be tempted to think of The Final Exorcism as a kind of second debut were it not for the fact that it’s so cohesive in its approach. With Greening‘s swinging march at the foundation, cuts like the title-track and “The Church by the Sea” stomp out thick-toned and grainy organic creep, plundering through the cacophonous “Lay Demon” en route to the abyssal plod of “Fear the Priest” at the end, fearsome in purpose and realization and hopefully not at all “final.” Like any good horror franchise, there’s always room for another sequel.

Dead Witches on Thee Facebooks

Heavy Psych Sounds website

 

Automaton, TALOS

automaton talos

It was hard to know where Automaton were headed after they remixed their debut EP, Echoes of Mount Ida (review here), and released it in LP format with two additional tracks. The original version was raw and weighted, the remix spacious and psychedelic. With TALOS, their first proper long-player (on Sound Effect Records), they answer the question with seven songs/48 minutes of expansive and richly atmospheric post-metal, seeming to take from all sides and shift their focus between crushing with dense tones on 11-minute opener and longest track (immediate points) “Trapped in Darkness,” as well as the frantically drummed “Automaton Marching,” “The Punisher” or the end stage of “Talos Awakens” and honing more of a varied and atmospheric approach throughout the sample-laced “Giant of Steel,” the drifting “Submerged Again” and the minimalist acoustic-led closer “Epilogue,” all the while donning both an overarching concept and a new level of production value to bolster their presentation. It is a significant step forward on multiple fronts.

Automaton website

Sound Effect Records website

 

Llord, Cumbria

llord cumbria

Raging and experimental, the rumble-laden Barcelona duo Llord make their full-length debut on Féretro Records with Cumbria, which culls together five punishing-but-still-atmospheric tracks of plod and drive as bassist Aris and drummer David share vocal duties and bludgeoning responsibilities alike. Ill-intentioned from the get-go with the two-minute “Adtrita Sententia,” Cumbria unfurls its 29-minute run like a descent into low-end madness, varying speed and the amount of samples involved and bringing in some guest gralla on “Brega” and closer “Kendal/Crewe,” but finding itself in a consistent tonal mire all the same, shouts reverberating upward from it as through trying to claw their way up during the collapse of earth beneath their feet. It is brutal — an extreme vision of atmospheric sludge that makes the concept of a guitar riffing overtop seem like an indulgence that would only dull the impact of the proceedings as they are, which is formidable.

Llord on Bandcamp

Féretro Records on Bandcamp

 

Sweet Jonny, Sweet Jonny

sweet jonny sweet jonny

I can’t claim to be an expert on the ways of Britpunk classic or modern, but UK swagger-purveyors Sweet Jonny weave a heaping dose of snearing attitude into their self-titled, self-release debut album’s 12 tracks, and it comes set up next to a garage rock fuckall that isn’t necessarily contradicted by the actual tightness of the songwriting, given the context in which they’re working. “American Psycho,” well, that’s about American Psycho. “Sick in the Summer?” Well, guess that could be taken multiple ways, but somebody’s sick in any case. You see where this is going, but Sweet Jonny bring character and addled-punk charm to their storytelling lyrics and barebones arrangements of fucked-up guitar, bass and drums. I don’t know what the punkers are into these days, but the vibe here is rude in the classic sense and they bring a good time feel to “Superpunch” and “It Matters Not” — which stretches past the four-minute mark(!) — so what the hell? I’m up for something different.

Sweet Jonny on Thee Facebooks

Sweet Jonny website

 

Warp, Warp

warp warp

If the approval stamp of Nasoni Records isn’t enough to get you on board — and it should be, frankly — the Sabbathian lowercase-‘g’ ghost rock Warp proffer on their self-titled debut is bound to turn heads among the converted. The Tel Aviv-based outfit tear through eight tracks in a crisp, bitingly fuzzed 28 minutes, taking on classic boogie and doom alike before they’re even through opener “Wretched.” They get bonus points for calling their noise interlude “‘Confusion Will Be My Epitaph’ Will Be My Epitaph,’ as well as for the shuffle of “Gone Man” that precedes it and the stomp of “Intoxication” that comes after, the latter a rhythmic complement to the central progression of second cut “Into My Life,” which only departs that snare-snare-snare to soar for a dual-layered solo. Hard not to dig the space-punk edge of “Hey Little Rich Boy II” and the throttled-back stoner nod of closer “Enter the Void,” which is done in under five minutes and still finds room for the album’s best stop-and-crash. Fucking a.

Warp on Bandcamp

Nasoni Records webstore

 

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Brujas del Sol Premiere “Sisterlace”; II Preorders Available; Art and Tracklisting Revealed

Posted in audiObelisk, Whathaveyou on October 5th, 2018 by JJ Koczan

brujas del sol

We’re getting dangerously close to the previously-announced Oct. 19 release date for Brujas del Sol‘s second album, II. Preorders have gone up through the label, Kozmik Artifactz, and below, you’ll find the unveiling of the Will Fugman cover art and the tracklisting, as well as the premiere of the track “Sisterlace,” which is the first audio to come from the heavy progressive mostly-instrumentalists’ latest work. The song features on side A of the vinyl, following “Teenage Hitchhiker” and “Sea Rage,” and features a echoing tones that are spacious and resonant in a way that very much typifies a lot of what’s coming from the Columbus, Ohio-based four-piece, as well as vocals from guitarist Adrian Zambrano, which only serve to make it more memorable as it moves into a fuzzy crunch and uptempo push ahead of “Fringe of Senility,” which rounds out the first half of II with a New Wave/krautrocking feel still marked out by Zambrano‘s own drifting guitar.

Zambrano is joined in the band by bassist Derrick White, drummer Josh Oswald and keyboardist Phillip Reed, the latter two of whom would seem to have come aboard since 2015’s Starquake 7″ (review here), which followed the digital track “Occultation” and their prior full-length debut, 2013’s Moonliner. In the five years since that first outing, Brujas del Sol have undergone not just the lineup changes, but a process that makes them both more patient in their execution and also more purposeful as songwriters. II ranges pretty broadly, but it’s by no means inaccessible, tapping spacey Floyd and Hawkwind impulses and filtering through prog rock as only Rush fans could do.

Art, info and audio follow here. Dig:

brujas del sol ii

Adrian Zambrano on “Sisterlace”:

“Sisterlace” was the first song we wrote for this album and coincidentally, the first song we decided needed vocals. The title came to our bassist, Derrick, in a strange dream, which inspired us to write it. If we had to choose the quintessential Brujas song, with all the elements that define our band, this is it.

Preorders available at: http://shop.bilocationrecords.com/navi.php?suche=brujas+del+sol&lang=eng

Brujas del Sol, II tracklisting:
Teenage Hitchhiker
Sea Rage
Sisterlace
Fringe of Senility
White Lights
Polara
Spiritus

Album art work done by Will Fugman, http://willfugman.com/

The album release show is Nov. 9 at Rumba Cafe with Pale Grey Lore and Playing to Vapors.

Brujas del Sol is:
Adrian Zambrano – High end/Vocals
Derrick White – Low end
Josh Oswald – Percussion
Phillip Reed – Keyboards

https://www.facebook.com/BrujasdelSol/
https://brujasdelsol.bandcamp.com/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

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Brujas del Sol Sign to Kozmik Artifactz; New Album II out Oct. 19

Posted in Whathaveyou on August 29th, 2018 by JJ Koczan

Columbus, Ohio-based atmospheric heavy rockers Brujas del Sol — who might be more progressive than they are psychedelic but are still a pretty good bit of both and why quibble anyway? — have signed to Kozmik Artifactz. They’ll release their second album, titled simply II, through the storied imprint on Oct. 19 with the full vinyl treatment. The four-piece was last heard from with late-2015’s single, Starquake (review here), and II will follow some five years behind their 2013 debut, Moonliner. That outing was released through Devouter Records.

Brujas del Sol mark the latest in an impressive and geographically varied string of pickups for Kozmik Artifactz, which in addition to the label comprises one of the leading European distros, and one wonders if perhaps in aligning with them, Brujas del Sol might have eyes on a European tour sometime in 2019. Or maybe they just wanted to put the record out on wax. That’d be fair enough, and Kozmik Artifactz certainly seem to know what they’re doing when it comes to such things. I guess the point is kudos all around. I’ll hope to get to hear the album.

The label’s announcement follows here:

brujas del sol

***NEW SIGNING – BRUJAS DEL SOL***

Today we officially welcome Brujas del Sol to the Kozmik fold. We’ll be releasing their new album “II” on the 19th of October, on heavy weight gatefold vinyl.

“We are very thrilled to be a part of the Kozmik Artifactz family. It is an honour to be among such an incredible line-up of bands.

Our new album, II, comes on the tail end of big changes among the members in the band. Both musically and personally. With influences within the prog, psych and post-rock communities, we feel we will be a nice addition the Kozmik Krew.

Those who enjoy hypnotic rhythms, fuzzy and modulated guitars, pulsating analogue synthesis and songs that blend progressive, space rock and heavy influences will appreciate II.”

Brujas del Sol is:
Adrian – High end/Vocals
Derrick – Low end
Josh – Percussion
Phillip Reed – Keyboards

https://www.facebook.com/BrujasdelSol/
https://brujasdelsol.bandcamp.com/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

Brujas del Sol, Starquake (2015)

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