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Unearthly Trance Confirm Feb. 24 Release for Stalking the Ghost; New Single Streaming

Posted in Whathaveyou on December 16th, 2016 by H.P. Taskmaster

Jeez, Unearthly Trance. Save some crushing misanthropy for the rest of the class, would you? Or, you know, don’t. It would seem the intervening six-plus years have done little to dull the multifaceted intensity of the Brooklyn extreme sludge outfit, though that genre descriptor does little to capture their actual stylistic swath, which is just as likely to pull from death or black metal as from a meaty stoner riff.

Their last album, V (review here), came out in 2010, and in addition to essentially having picked up where they left off in terms of releasing through Relapse Records — that should say something in itself about the persistent appeal of the band; “Oh hey it’s been more than half a decade mind putting this out alright cool” — and having been recently confirmed to take part in Roadburn 2017 with more fest announcements to come, the trio have set a Feb. 24 release for Stalking the Ghost, their sixth full-length, and unveiled the track “Dream State Arsenal,” which if you’re feeling daring you can hear below.

Cover art is by Orion Landau, and not that you need me to tell you, but it’s pretty awesome.

From the PR wire:

unearthly trance stalking the ghost

UNEARTHLY TRANCE Announces New Album Stalking The Ghost; Premieres First Single

New York City sludge/doom/drone trio UNEARTHLY TRANCE reemerges from the shadows with Stalking The Ghost, their sixth full-length recording and first album in over seven years.

February 24th, 2017 will see the worldwide release of Stalking The Ghost via Relapse Records on CD, LP, and digital formats. Physical preorders and bundles are available via Relapse.com HERE and digital downloads can be preordered via Bandcamp at THIS LOCATION.

An esoteric ritual of seismic doom, Stalking The Ghost taps into the darkest realms of the occult over the course of seven tracks that reek of utter despair. Forming a balance between slow-churning maelstrom and spine-chilling harmony, wrapped beneath a blackened cloud of rumbling feedback, UNEARTHLY TRANCE sounds more powerful and exploratory than ever before. Recorded at Menegroth/The Thousand Caves Studios by Colin Marston (Krallice, Gorguts, Panopticon) and featuring cover art by Orion Landau (Yob, Red Fang, Graves At Sea), Stalking The Ghost restores misery to a gentrifying city.
Stalking The Ghost Track Listing:
1. Into The Spiral
2. Dream State Arsenal
3. Sycthe
4. Famine
5. Lion Strength
6. Invisible Butchery
7. The Great Cauldron
8. In The Forests Keep
In related news, UNEARTHLY TRANCE has been confirmed for next year’s prestigious Roadburn Festival with additional live dates to be announced soon.

UNEARTHLY TRANCE:
4/20/2017 Roadburn – Tilburg, NL

Hailing from Long Island/Brooklyn, New York, UNEARTHLY TRANCE was forged in 2000 by Ryan Lipynsky (guitar, vocals) and Jay Newman (bass), with Darren Verni (drums) joining the following year. Over the past fifteen-plus years, the trio has been creating the loudest, most harrowing blackened doom/sludge in the region. UNEARTHLY TRANCE established their early defining sound with the release of their first two full-lengths (2003’s Season Of Séance, Science Of Silence and 2004’s In The Red) released on Lee Dorrian’s Rise Above Records.

In 2006, UNEARTHLY TRANCE signed with Relapse Records and released three more critically acclaimed full-lengths (2006’s The Trident, 2008’s Electrocution, and 2010’s V) exposing the world to a palpable growth in their doom/sludge foundation and well-crafted songwriting. Over the years, the band has brought their crushing live show across North America, the UK, and Europe with legendary and acclaimed acts such as Electric Wizard, The Melvins, High On Fire, Grief, Sunn O))), Pelican, Sleep, Morbid Angel, Floor, Autopsy, Crowbar, and more.

http://www.facebook.com/UnearthlyTrance
https://unearthlytrance.bandcamp.com/album/stalking-the-ghost
http://www.relapse.com
http://www.relapserecords.bandcamp.com
http://www.facebook.com/RelapseRecords
http://www.twitter.com/RelapseRecords

Unearthly Trance, “Dream State Arsenal”

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The Obelisk All-Dayer 2016: Frank Huang Posts Videos from Full Lineup

Posted in Bootleg Theater on December 14th, 2016 by H.P. Taskmaster

the obelisk all-dayer

No question 2016 has had some highs and some lows, but for me, the first-ever The Obelisk All-Dayer, held Aug. 20 at Saint Vitus Bar in Brooklyn, was something truly special. Hardly stress-free, with the broken-down car and assorted this and that throughout the day and evening, but at the end of the show, my head down on the bar while DJ Adzo spun classic heavy rock after Mars Red Sky finished, barely able to stand, it was entirely worth every second of effort and freakout. What a blast.

As I dig into the wrap-up portion of the year, I’ve been thinking a lot about what was the real peak moment. I put a book out this year, which is something I’ve daydreamed of doing since I had the cerebral complexity to daydream. There’s always Roadburn. This past weekend sitting around playing video games with The Patient Mrs. was pretty sweet, if I do say so. But I keep coming back to The Obelisk All-Dayer, and I think that might be it.

That whole weekend was so special to me, not even just the show. It was an incredible time and I was humbled to see people enjoying themselves throughout the day, digging on the free tacos (thank you, Steve Murphy), gratified to hang out with good friends and to see excellent performances. It was an honor to play a part in hosting those who came out, including Brooklyn’s premiere videographer Frank Huang, whose work I’m thrilled to feature today.

If you’ve ever YouTubed anything from the Saint Vitus Bar or seen anything from the venue posted here, you know Frank Huang‘s work. Someday they’ll make a documentary about him, but until then I’ll just note that the guy is unparalleled in his dedication to capturing live music, and the quality of what he does has become an essential component of an entire generation of NYC showgoers’ live experience. Even for shows I attend, when I see Frank there, I look up the video afterwards, because inevitably his camera got something I missed. He is an invaluable resource and a gentleman to boot.

Below you can see snippets of varying length from each of the eight bands who played the All-Dayer, which Frank has newly posted with my deepest appreciation.

Whether you were there or not, I hope you’ll dig in and please, please enjoy:

Heavy Temple, Live at The Obelisk All-Dayer 2016

King Buffalo Live at The Obelisk All-Dayer 2016

Funeral Horse, Live at The Obelisk All-Dayer 2016

EYE, Live at The Obelisk All-Dayer 2016

Kings Destroy, Live at The Obelisk All-Dayer 2016

Snail, Live at The Obelisk All-Dayer 2016

Death Alley, Live at The Obelisk All-Dayer 2016

Mars Red Sky, Live at The Obelisk All-Dayer 2016

Once again, thanks to Frank Huang for being on hand to tape these sets, and to the Saint Vitus Bar for letting me put this show on. Stay tuned in the New Year for more info on The Obelisk All-Dayer 2018.

Frank Huang’s website

Saint Vitus Bar website

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Stardust VI Lineup Announced with Aluk Todolo, Insect Ark, Absu and More

Posted in Whathaveyou on December 9th, 2016 by H.P. Taskmaster

Is there such a thing as a post-festival? I suppose finding out might be the mission of Stardust VI – Dark Nights of the Soul, which is set to take place over a viciously-curated four-night span at Brooklyn’s venerated Saint Vitus Bar, with the likes of Insect Ark, Absu, Aluk Todolo, Obliteration and many others performing. The event has a kind of manifesto for its purpose that you can see below, and knowing that it’s headed up by writer/photographer/organizer/etc. Stefan Raduta, if the point doesn’t get driven home by the 900 words that follow, let me just say outright that this is clearly a work of passion brought to life. Raduta is among the most deeply, intensely driven individuals I’ve ever met in music — that includes artists — and I’ve no doubt that every second of these nights has been pored over and thought out to the utmost. Blood, sweat and tears? That’s just the start of it when it comes to anything Stefan does. Dude is ready to prolapse organs for something he believes in.

Dig it:

Stardust VI to feature performances by Slagmaur, Aluk Todolo, Absu, Obliteration

Book presentation and lecture by Metastazis

From February 2nd to February 5th, 2017, Stardust VI – Dark Nights of the Soul will take place in Brooklyn, NY at Saint Vitus Bar. Although appearing on the surface to be a conventional “music festival,” Stardust VI – Dark Nights of the Soul is anything but “conventional.” Presented by the Stardust NYC collective, Stardust VI – Dark Nights of the Soul will not only feature music performances by the likes of Absu, Slagmaur, Aluk Todolo, Obliteration, Dispirit, Lluvia, Lycus, Blood Incantation, and Hail among others – 22 bands in all, with 23 total performances – but will also feature a special book presentation and lecture by acclaimed artist Metastazis.

FULL EVENT INFO, ALONG WITH TICKET INFORMATION, CAN BE FOUND HERE.

For the past five years, Stardust NYC has endeavored with their Stardust series to present, simply, an artistic event for artists and art lovers. It is completely democratized from the bog-standard “copy/paste festival.” There are no “headliners” nor openers; every artist is considered equally amazing and important, part of a unique fabric binding together great art; and the curation itself – and its fluidity across each day’s performance, all carefully selected – is diverse, esoteric, and exotic. In essence, it’s for us.

“We started the Stardust Series five years ago with the genuine intention of creating an atypical platform that will help the underground music scene in its full diversity and splendor,” the collective write. “As part of that mission, we want to deliver a high-quality curation meant to support true artistry and passion. We believe that actions always speak louder than words, and we continue on our path of celebrating unknown Greatness.”

“More than anything, we envision Dark Nights Of The Soul to be a unique and genuine event of discovery,” they continue, on the topic of the sixth installment. “We’d like to see people want to open new doors for themselves, to get out of their comfort zones and completely lose themselves in the Moment. To be utterly shaken from body to soul by something completely new is a blessing, and many times life-changing. This is the true live experience we aim for each and every time.”

Where else can you witness the first US performance of Norway’s singular Slagmaur – itself a rarity, on any continent – alongside America’s equally singular Absu? Or the occult krautrock of France’s Aluk Todolo alongside the gnarly death metal of Norway’s Obliteration? Or an event that gives equal footing to freak folk, black metal, and ambient drone?

Take Madison Mandrake, for example, a stunning freak rock/dark folk entity from Oakland, whom Stardust NYC discovered in the woods of Cascadia at this year’s Thirst For Light Festival. Here’s a band with just one EP out yet who will play after Absu, so they can take the audience even further away from this world. They represent the quintessential artist for Stardust VI – Dark Nights Of The Soul: completely unknown to the world, but utterly sublime, cathartic, and exotic. They are the Heroes; they are the perfect embodiment of the artists who have chosen to suffer and sacrifice all they have in order to bring things of awe, sorrow, beauty, and wonder into this often grey and banal world. Like many of you reading this and like every other artist on the bill, they have chosen this life of financial uncertainty, relationship instability, pinnacle highs and soul-crushing lows so that they can share their beauty with the world, with us. We should cherish them, embrace them, and learn how to show our gratitude for their sacrifice, because if we don’t, we’re going to ask ourselves one day what happened to our music?

Not only that, but Stardust VI – Dark Nights of the Soul will witness the book release of Metastazis’ Fire Work With Me. This nearly 300-page book presents a broad selection of many of the visual productions created by the graphic design studio Metastazis the past 15 years. And it goes way beyond the mere compilation of album covers: Fire Work With Me offers more than a decade of documents, studies, and often unpublished texts. Since the early 2000s, Metastazis leader Valnoir has worked with over 70 bands and artists, including the likes of Morbid Angel, Behemoth, Sunn O))), Laibach, Alcest, Watain, Blut Aus Nord, Paradise Lost, Arcturus, Ulver, Samael, and Amorphis among many others.

And yet, his work exceeds by far the limits of common musical illustration; Fire Work With Me hereby reveals a wide range of projects that flirt with contemporary arts and the fringes of legality, including cooperation with the North Korean state. Many leading figures in the worlds of design and music, such as David Vincent (Morbid Angel), Kristoffer Rygg (Ulver), Erik Danielsson (Watain), and MkM (Antaeus) as well as Steven Heller (honored by first lady Michelle Obama for the National US design award), Mirko Ilic, Miran Mohar (NSK), and Morten Traavik exclusively contributed to this publication by providing their own texts and articles. At Dark Nights of the Soul, in addition to the US premiere of the book, Valnoir will give a special lecture on the fourth and final day, February 5th.

As a leadup to the launch of Stardust VI – Dark Nights of the Soul, an exclusive full-album stream of Slagmaur’s forthcoming (and LONG-awaited) Thill Smitts Terror will be revealed in the weeks ahead. In the meantime, the full and final lineup is as follows:

Thursday, February 2nd
Dreadlords
Destroying Angel
Joy Shannon and the Beauty Marks
Scout Pare-Philips
tickets: http://www.ticketfly.com/event/1393627

Friday, February 3rd
Aluk Todolo
Uada
Dispirit
Blood Incantation
Sanguine Eagle
tickets: http://www.ticketfly.com/event/1393668

Saturday, February 4th
Lluvia
Obliteration
Young And In The Way
Reptilian
A God or an Other
Inculter
Insect Ark
tickets: http://www.ticketfly.com/event/1393729

Sunday, February 5th
Slagmaur
Madison Mandrake
Absu
Spectral Voice
Lycus
Aluk Todolo
Hail
Metastazis – Fire Work With Me US book premiere and lecture
tickets: http://www.ticketfly.com/event/1393745

https://www.facebook.com/events/135674466908454/
www.facebook.com/stardustnyc
www.saintvitusbar.com

Aluk Todolo, Live in Poland, June 12, 2016

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Truckfighters and Kings Destroy Announce North American Tour Dates

Posted in Whathaveyou on December 8th, 2016 by H.P. Taskmaster

Swedish fuzz forerunners Truckfighters will return to the US next month for a tour that will find them joined by Brooklyn heavy noise rockers Kings Destroy. The shows, presented by Tone Deaf Touring and Fuzzorama Records, begin Jan. 18 in Somerville, MA, at the Once Ballroom and head into the Midwest and down into the South before looping back up the East Coast to finish at Goldsounds in Brooklyn, NYC.

For both bands, the January touring follows European runs. Truckfighters are currently wrapping an extensive stint supporting their latest full-length and Century Media debut, V (review here), for which they’ve basically been on the road since September. Even then, a US tour was in the works, as bassist/vocalist Oskar “Ozo” Cedermalm confirmed in an interview conducted at Høstsabbat in Oslo, Norway. It is hardly their first, and judging by the “LEG 1” that appears on the tour poster below, I’m guessing it won’t be their last before the cycle for V comes to a close, probably sometime late in 2017 or in 2018.

You might recall Truckfighters‘ first US tour was in 2011, half a decade ago, and it just so happens that Kings Destroy played the New York stop on it (review here) — a night at the Cake Shop on which a crowd who largely didn’t know what it was in for was handed its collective ass. Five years later, Kings Destroy are recently returned from a European tour of their own, conducted alongside The Skull in November, still heralding their 2015 self-titled third album (review here). They’ll take a break from writing the follow-up to do these shows, which is about as good an excuse as any I can come up with for leaving the rehearsal space. Whether or not they’ll have new material ready for the stage, I don’t know, but it doesn’t seem like the least likely thing in the world. I seem to recall some of the songs for the self-titled being thoroughly road-tested.

I’ve been invited on this tour and am hoping to tag along starting either in Kansas City or Tulsa, depending largely on which I can fly into directly and for what cost. We’ll see how it goes. In the meantime, here are the dates, which I dutifully transcribed from the poster and turned blue:

truckfighters kings destroy poster

Truckfighters with Kings Destroy:
01.18 Somerville MA Once Ballroom
01.19 Montreal QC Bar Leritz
01.21 Ottawa ON House of Targ
01.22 Toronto ON Hard Luck
01.23 Pittsburgh PA Cattivo
01.24 Chicago IL Reggies
01.25 Minneapolis MN 7th St. Entry
01.26 Kansas City MO Riot Room
01.27 Tulsa OK Downtown Lounge
01.28 Dallas TX Curtain Club
01.30 New Orleans LA Siberia
01.31 Atlanta GA Drunken Unicorn
02.01 Richmond VA Strange Matter
02.02 Philadelphia PA Kung Fu Necktie
02.03 Brooklyn NY Goldsounds

http://www.truckfighters.com
https://www.facebook.com/truckfighters
https://twitter.com/truckfighters
https://www.youtube.com/user/TruckfightersTV
http://www.centurymedia.com/

https://www.facebook.com/KingsDestroy/
http://www.kingsdestroy.com/
https://kingsdestroy.bandcamp.com/
http://warcrimerecordings.com/
https://www.facebook.com/WarCrimeRecordings

Truckfighters, “Hackshaw” official video

Kings Destroy, “Smokey Robinson” official video

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Spotlights Announce Spiders EP Due Dec. 9

Posted in Whathaveyou on November 21st, 2016 by H.P. Taskmaster

spotlights

Brooklyn heavy post-rock duo Spotlights made their full-length debut earlier this year on Crowquill Records with Tidals, an album that earned them a support slot on a summer tour for Deftones and Refused — because the ’90s — and considerable acclaim besides. I’ll actually have it in the next Quarterly Review, which will be kind of a stuff-I-should’ve-already-written-about wrap-up for 2016, hopefully at the end of next month, between Xmas and New Year’s. You know, when the rest of the universe is spending time with family and relaxing and deciding what promises they’re going to make to themselves and break in a month. Wow. Shit got dark quick there. Apologies. I’m sure we’ll all keep our promises.

Though some of us are still just catching up to it, Spotlights are moving past their first album already with a new EP titled Spiders that will be out Dec. 9. It’s got three tracks, an original, a Mew cover that’s streaming below, and a remix by Aaron Harris, formerly of Isis, and some blinding cover art. The PR wire sent info along for your perusal and mine.

And really, 2017’s gonna be a good year. I’d ask how much worse it could possibly get, but I think we all know the answer to that question.

Here goes:

spotlights-spiders

SPOTLIGHTS: dream-rockers resurface with “Spiders” EP

Heavy dream-rockers Spotlights resurface with a new 3-song EP, Spiders, to be released December 9th.

The Brooklyn-based married couple made waves earlier this year with the release of debut full-length Tidals and a summer US tour supporting Deftones and Refused.

New EP Spiders consists of a reworking of an older Spotlights song, a cover of a song by Danish band Mew, and a remix of one of Tidals’ tracks, by former Isis drummer Aaron Harris.

December 9th, Spiders will be available directly from the band in the US, in digital and CD formats. Spiders and Tidals will both see a UK/European release via Plastic Head Distribution.

Tracklist:
1) A Box of Talking Heads
2) She Spider (Mew)
3) Joseph (Aaron Harris remix)

Spotlights is:
Sarah Quintero – Bass/Guitar/Vocals
Mario Quintero – Guitar/Synths/Vocals
Josh Cooper – Drums (Live)

https://www.facebook.com/spotlightsband
https://twitter.com/Spotlightsband
http://spotlights.bandcamp.com/
http://crowquillrecords.com/

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Thralldom to Release Time Will Bend into Horror Nov. 11

Posted in Whathaveyou on November 2nd, 2016 by H.P. Taskmaster

thralldom-photo-by-dp-demis-photography

Don’t count on the streaming track below to speak for the whole of Thralldom‘s upcoming Time Will Bend into Horror full-length, but even as just three-plus minutes to go on, “Chronovisions” gives a glimpse of raw black metal that seeks to push beyond stylistic confines. In true black metal form, the project, spearheaded by Ryan Lipynsky of Unearthly Trance and Jared Turinsky, hasn’t been active in a decade, but will release Time Will Bend into Horror digitally through Ritual Productions on Nov. 11 and it comes with many elaborate aesthetic comparisons, from dark electronica to impressionist mastery.

The following came in off the PR wire:

thralldom-time-will-bend-into-horror

Ritual Productions Initiate Thralldom

It is with immense pleasure to initiate Thralldom onto the Ritual Productions roster and announce the digital release date on November 11th of their first rite in ten years, entitled Time Will Bend Into Horror.

Purveyors of the occultist realm may recognise the name from years long passed, being something of an enigma amongst underground metal circles. Indeed, Thralldom have now returned with their first offering in over a decade, consisting once again of Ryan Lipynsky aka Killusion (Unearthly Trance, Serpentine Path, The Howling Wind) and Jared Turinsky aka Jaldagar. Although the alchemists remain the same, this is a new incarnation for the project: Thralldom 3.0.

Textures and tones from their ancient demo days and the experimental blackened noise for which they garnered acclaim melds with their new mentality which focuses more on the nuances of riff, drum and guitar interlacing. Devoid of genre limitations and gimmicks, never bounded by time or space, Thralldom refuse to tread paths gone before on Time Will Bend Into Horror. The six tracks transverse and re-morph sonic terrain, with licks of black, thrash, doom, old-school metal, industrial, noise and dark electronica but never exclusively, always experimental. You’ll find your subconscious entranced, limbs paralysed from the morose stillness before being ensnared into a blistering headbanging frenzy all whilst your face mirrors that of Edvard Munch’s ‘The Scream’. You will not know when your corporeality or psychosis will manifest or seize in its consciousness during the album and that is why the intricacies found on Time Will Bend Into Horror is an alchemical abstract art that amalgamates and subverts the mind/body dichotomy through its evocation of fear, pensiveness, horror.

TIME WILL BEND INTO HORROR TRACK LIST
1) Cosmic Chains
2) Chronovisions
3) Stars and Graves
4) The Corpse Of The Radar Towers Over All
5) Dark Grey Mist
6) Transmission

Thralldom are essential elements in the dark arts. Never fearful of exploring uncharted territory, they trust and learn from the chaos transmuting this into instinctual soundwaves. Time Will Bend Into Horror evokes a variety of moods through its fractured fluidity ultimately making this a magikally compelling listen. After 10 years away, it is now time for Thralldom’s subliminal, subversive and sinister sonics to re-enter the atmosphere and align latent areas of your psyche. We invite you to join this séance.

https://thralldomthralldom.blogspot.co.uk/
https://www.facebook.com/thralldom
www.ritualproductions.net
www.facebook.com/ritualproductionsuk
www.twitter.com/ritualmusic

Thralldom, “Chronovisions”

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Battle of Mice to Release All Your Sympathy’s Gone Discography 2LP Dec. 23

Posted in Whathaveyou on October 27th, 2016 by H.P. Taskmaster

battle-of-mice-vinyl

Brooklyn post-metallers Battle of Mice had three releases out between 2006 and 2008. There was their stunning debut full-length, A Day of Nights (discussed here), which in my opinion continues to stand as one of the finest outings of its genre, offering a rare emotional resonance often cast aside in favor of ultra-cerebral chug and ambient interplay, as well as a preceding split with Red Sparowes and Made out of Babies and a following 2008 split with Jesu. That’s it. The band came to an unceremonious finish, and they were done. No talk of a reunion. No farewell show. No second album. Nothing. It was a cold ending.

Belgian imprint Consouling Sounds gives Battle of Mice their (over)due with All Your Sympathy’s Gone: The Complete Recordings, a 2LP that takes its title from the first lyric of A Day of Nights opener “The Lamb and the Labrador” and will be out Dec. 23. The package, which you can see above, is available now to preorder and for me, I’m just happy to have the excuse to revisit the band’s work, which though it’s a shock to think it’s been a decade since it came out, remains as powerful as it was when it was first released.

Info follows. Don’t miss this one:

battle-of-mice-all-your-sympathys-gone

It’s with tremendous pride we can announce the preorder for “All Your Sympathy’s Gone | The Complete Recordings”, collecting all of Battle of Mice’s music on a lavish gatefold double vinyl set.

It has been 10 years that Battle of Mice released their groundbreaking album “A Day of Nights”. The band, consisting of Josh Graham (A Storm of Light, IIVII, ex- Neurosis, ex- Red Sparowes), Julie Christmas (ex- Made Out of Babies), Joel Hamilton (Book Of Knots), Tony Maimone (Book of Knots, Pere Ubu (Official)) and Joe Tomino (Fugees, Dub Trio, Peeping Tom), was heralded as a post-metal supergroup. Battle of Mice unfortunately existed only a few years, but their musical legacy is tremendous. The album, previously released on Neurot Recordings, never saw a vinyl release. For this 10th anniversary, Consouling Sounds wants to pay homage to this seminal album by releasing it on vinyl for the very first time, augmented with the music from their split album, collecting all of Battle of Mice’s music on a lavish 2LP set.

The music has been especially remastered by Doug Henderson (also Swans, The Necks, Insect Ark, …), who revisited the original master recordings for this vinyl reissue.

To commemorate this special occasion, none other than Dehn Sora designed a special shirt. You can get this shirt from size S to XXL as a stand-alone order, or you can buy it as a package deal together with the 2LP.

Preorder now for a December 23 release here: http://consouling.be/album/battle-mice-sympathys-gone-complete-recordings/

https://www.facebook.com/battleofmice/
https://www.facebook.com/ConsoulingSounds/
http://consouling.be/

Battle of Mice, A Day of Nights (2006)

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Kings Destroy Touring Europe in Nov. with The Skull

Posted in Whathaveyou on September 15th, 2016 by H.P. Taskmaster

Brooklyn’s Kings Destroy will head to Europe this fall. The genre-defiant five-piece will head overseas with Chicago’s The Skull for the first time since the release of their 2015 self-titled third album (review here), which was released by War Crime Recordings, who, in the interest of full disclosure, also pressed up my book. I’ll confess I was invited to go along with Kings Destroy on this tour as I did twice in the US circa 2014, but the basic fact of the matter is those kinds of things are way easier to do when you’re out of work, which, at the moment, I’m not. Unless I get canned between now and then. If that happens, I’m fucking there.

The Obelisk All-Dayer veterans will be keeping good company one way or another, both in touring with The Skull and in bringing aboard none other than the Mayor of Boston Heavy, Darryl Shepard (Kind, The Scimitar, Hackman, Milligram, Blackwolfgoat, so many others) himself — to play bass no less. Shepard had a few words about filling the low-end position this time out, and you’ll find those, Kings Destroy‘s announcement, the dates, and the stream of the self-titled below, because I’m thorough like that when I like a band this much.

Have at you:

kings-destroy

Excited to announce that Kings Destroy will be joining The Skull for the majority of their British/European tour in November! Some additional German KD-only dates TBA. See you on the road!

Darryl Shepard on touring with Kings Destroy:

When Kings Destroy ask you to play bass for them on their European tour, you say yes. I’m very honored and excited to be joining these guys on bass for their tour with The Skull in November.

The Skull & Kings Destroy Nov. 2016 European tour:
03.11.2016 GB London @ Koli’s Night Club
04.11.2016 GB Bristol @ Exchange
05.11.2016 GB Milton Keynes @ Crauford Arms
06.11.2016 GB Birmingham @ The Rainbow
07.11.2016 NL Tilburg @ Little Devil
08.11.2016 NL Utrecht @ DBs
09.11.2016 DE Karlsruhe @ Jubez
10.11.2016 AT Vienna Doom Over Vienna Festival @ Viper
12.11.2016 NL Nijverdal @ Cult-Art Shop
13.11.2016 NL Drachten @ Iduna
14.11.2016 DE Wiesbaden @ Schlachthof
15.11.2016 DE Kassel @ Schlachthof
16.11.2016 DE Hamburg @ Hafenklang

https://www.facebook.com/KingsDestroy/
http://www.kingsdestroy.com/
https://kingsdestroy.bandcamp.com/
http://warcrimerecordings.com/
https://www.facebook.com/WarCrimeRecordings

Kings Destroy, Kings Destroy (2015)

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