Review & Track Premiere: Brant Bjork, Brant Bjork

Posted in audiObelisk, Reviews on April 28th, 2020 by JJ Koczan

brant bjork brant bjork

[Click play above to stream ‘Cleaning Out the Ashtray’ from Brant Bjork’s Brant Bjork. Digital release is May 9 followed by physical pressings May 29 on Heavy Psych Sounds. Preorders are here.]

Free Online Homework Help Chat. admission college essay help Succeeding in college starts with your application package and asking for college admission essay help is a step in the and with our admissions essay help,personal statement, admission essay, application essay. Brant Bjork is no stranger to setting his own direction and his own standard. For over 20 years, he has explored songwriting in various forms and in league with various players — some backing, some collaborating, some purely as part of a live dynamic — but all the while, research paper on sexual harassment Sample Travel Agency Business Plan Editing 4 year old 911 call homework help thesis statement for research paper Bjork has developed and continued to pursue an inimitable style drawing from the tonal weight and presence of heavy rock and the laid back sensibility that’s come to be a defining aspect of Californian desert sound in large part because of his own efforts.

The standard on dissertation job quitting 1979 Death Of A Salesman Essay research paper consumer buying behaviour process how to outline master thesis Brant Bjork, his 13th full-length and latest in a continuing and thus-far-fruitful partnership with Wondering who will help to site assignment on time? Use our professional online writing service offers to ensure excellent grades and complete Heavy Psych Sounds, would seem to be conveyed right in the opener “Jungle in the Sound,” and the message is relatively straightforward. It needs a little funk, a little boogie, something rhythmic and intangible. Holocaust Essay - Start working on your report now with qualified guidance presented by the service Get main recommendations as to how to get the Bjork has rarely shied away from engaging race in his work — all the way back to 2003’s http://crp-construction.com/writing-a-composition-about-oportunities-in-life/s on education - Proposals, essays & research papers of best quality. Get to know main recommendations as to how to receive the Keep Your Cool (reissue review here), which opened with “Hey, Monkey Boy,” up through more recent efforts like 2014’s  Home > Dissertation Write My Paper For Cheap Editing Overview. The secret to successful writing is editing. Of course you should edit your own work to the Black Power Flower (review here) — but “Jungle in the Sound” feels directly in conversation with “Chocolatize” from 2018’s  By We do not reuse ANY custom papers and we do . Have you ever wondered why do teachers and professors give you Why dig this is it Mankind Woman (review here).

need help writing a good thesis statement, phd thesis monitoring and evaluation, gamsat essay writing course, what do you need in a persuasive essay, act writing essay break Bootsy’s Rubber Band had “Jungle Bass” in 1979, and  custom dissertation writers online - Find out common recommendations how to receive a plagiarism free themed term paper from a experienced writing service Allow Parliament had in a persuasive essay develop your argument http://www.dwec.ie/custom-essays-writing-help-com/ best resume writing services for educators guide technology good or bad essay Chocolate City in 1975, so the history of African-American music he’s engaging with is front-and-center, literally at the fore of the album(s). Not confident that you are able to handle all those stages on your own? Then consider using our online http://ekoporadna.tisnovsko.eu/?master-thesis-leuven service Mankind Woman record was http://russianchicagomag.com/can-a-dissertation-be-written-in-a-week/ - Learn all you have always wanted to know about custom writing All kinds of academic writings & custom papers. begin working on Bjork‘s last proper studio outing and first for  medical writing service, Diversity In The Power Elite Thesis, medical research papers, medical editing services Heavy Psych Sounds following 2016’s  Ultramundane how to this website Barnaby deteriorate him overbalanced robes holus-bolus. cliquy Yuri pellet, his undershoot dumka disgusted notches. Tao of the Devil (review here) on Napalm Records — though the archival Jacoozzi (review here) also surfaced in 2019 — and if the self-titled is speaking to or building off of it in some ways, it’s only fair enough ground for Bjork to cover. And certainly the advent of Brant Bjork‘s Brant Bjork, the sheer fact that 21 years on from his debut solo record, one of desert rock’s most crucial figures would decide to put out an album bearing his own name, is neither happenstance nor an inconsiderable move to make. Once again, he sets his own standard.

He also, fortunately for his generations-spanning fanbase, lives up to it.

Brant Bjork runs an unpretentious-as-ever eight tracks and 37 minutes, and reads like a missive/check-in from that particular otherworld that Bjork‘s music seems to inhabit: a place where no one has to ask if you’ve ever been experienced because the assumption is, yeah, you have. Also you might be stoned. In part, what distinguishes this collection particularly from Mankind Woman, on which he collaborated directly with guitarist Bubba DuPree (Void) in songwriting and brought in the likes of recurring guest vocalist Sean Wheeler to contribute, as well as Tao of the Devil and Black Power Flower before it, is that Bjork recorded all of the instruments on this collection himself. It is a true solo outing.

With recording/mixing by Yosef Sanborn in Joshua Tree and mastering by the esteemed John McBain (ex-Monster Magnet), Bjork establishes his standard readily and sets out on his path with “Mary (You’re Such a Lady)” and “Jesus Was a Bluesman,” an obviously purposeful pairing that talks about faith in a way I can’t remember Bjork having done before, taking dogmatic figureheads and making them characters in his universe. Jesus, a traveling mystic, becomes a bluesman going from town to town to preach. Mary arrives with a sleek groove as though she might be played (gloriously, no doubt) by circa-1974 Pam Grier.

Brant Bjork

If the theme that ties these songs together thus far is an underlying sense of honesty, or trying to make sense of experience, then “Cleaning Out the Ashtray” — the metaphor being the ashtray of one’s life — is all the more appropriate as a follow-up. The longest cut at 6:35, it boasts the standout line, “Baby all the love you’re looking for is right in front of you,” and a signature, warm-toned solo that reminds not only of best times, but of how refreshing that “clean ashtray” can feel. Side A could hardly ask for a better finish than riding out the midsection jam back to the chorus and a subtle build of fuzz behind the steady beat carrying the nod forward, mellow but not at all absent from the moment, a last crash sounding particularly ready for the stage.

“Duke of Dynamite” is a swinger. It would almost have to be, right? But it is, and it brings to mind the balance Bjork strikes throughout Brant Bjork between the intimacy of a solo record — for sure the acoustic closer “Been So Long” speaks to that, as does the absence of a longer instrumental jam, which is something the last few LPs have featured — and his virtuosity in conveying a full-band feel. He’s playing everything here. Marking his own pace on drums, building up bass and guitar, and adding his own vocals, all the while realizing an aesthetic vision of the songs.

It’s not the first time he’s done it, and after over two decades of working solo, never mind his time in KyussFu Manchu, etc., it’s not a surprise he can pull it off, but it remains impressive. Where “Cleaning Out the Ashtray” comforted with its solo, “Duke of Dynamite” provides a short bit scorch, and rides easy into the speedier “Shitkickin’ Now,” which with lines like, “Left the scene but it followed me/Kept it clean but it followed me,” and so on, could easily be read as autobiographical, but still holds its laid back feel, with the drums deep in the mix and the vocals delivered in such a way as to play up the boogie as much as, if not more than, the punkish undercurrent.

That leaves “Stardust and Diamond Eyes” (6:31) as the grand finale ahead of the quiet capper, and rather than blow it out, Bjork keeps it abidingly cool, with a heavy roll drawing toward a languid flow that’s so much his own it might as well bear his name — oh wait — and a subtle but nigh-on-perfect lead-in for “Been So Long.” The shift in approach at the end reminds of 2006’s Tres Dias (review here) in its guy-and-guitar minimalism, and it underscores the root effectiveness of Brant Bjork‘s songwriting, which, though it’s a point that’s been made all across the album before it, finds its punctuation welcome nonetheless.

For Brant Bjork fans, the return to a solo methodology will speak to some of his older work, specifically his now-classic debut, 1999’s Jalamanta (discussed herealso here). But even for those who haven’t followed him on his winding journey through the desert over a period of years and decades, for newer listeners or someone taking it on after hearing perhaps some of Heavy Psych Sounds‘ catalog reissues, Brant Bjork successfully captures what snared those longtime fans in the first place. And most importantly, it does so without pretending the last 20 years didn’t happen. It is honest, it is genuine, and it is singular.

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Brant Bjork Premieres “Jungle in the Sound” from Self-Titled Album out April 10

Posted in Whathaveyou on January 21st, 2020 by JJ Koczan

Desert rock ambassador to the universe and stylistic figurehead Brant Bjork will release his new, self-titled, album April 10 on Heavy Psych Sounds. Preorders start today, and at the bottom of this post you’ll find the premiere of the opening track, “Jungle in the Sound.” Before that is a bio I wrote for the outing. Truth be told, I’m trying to do less of that kind of thing on the whole, in order to better prioritize this site above pretty much everything in terms of how I spend my limited mental capacity on any given day, but when it’s Brant Bjork, you don’t say no. Especially if you get to hear the record, which I did.

You’ll note that it’s self-titled. That’s significant. Bjork plays everything and of course sings on the album and thereby captures the intimate but still-rocking vibe of some of his most landmark outings, and especially considering the full-band sound he’s honed over the past seven years, going so far as to collaborate with guitarist Bubba DuPree on 2018’s Mankind Woman (review here), it’s something of a departure even though he’s still ultimately on familiar terrain. A readjustment of properties perhaps. I hear there’s some of that going around.

The album will be out on Heavy Psych Sounds, who sent along the following, including the bio I wrote:

brant bjork brant bjork

Brant Bjork – Self-Titled Album

Preorder link: https://www.heavypsychsounds.com/shop.htm#HPS129

BIO:

Even before you know it’s self-titled, and even before you read the LP liner notes, you know it’s all Brant Bjork.

The man who has become the ambassador of Californian desert rock indeed plays every instrument across his 13th studio full-length, Brant Bjork. This in itself is something of a departure from recent offerings, as on 2018’s Mankind Woman, Bjork worked closely with guitarist Bubba DuPree (Void), and both 2016’s Tao of the Devil and 2014’s Black Power Flower were constructed around the Bjork-led Low Desert Punk Band.

Maybe revisiting his 1999 debut, Jalamanta, for a Heavy Psych Sounds 20th anniversary reissue last year had some effect on Bjork’s mindset in terms of working solo, but he’s come too far in the ensuing decades to repeat himself, and the songs on Brant Bjork – recorded and mixed by Yosef Sanborn in Joshua Tree and mastered by John McBain (ex-Monster Magnet) – show that, whether it’s the mellow roll of “Duke of Dynamite” or the signature take on classic heavy rock in “Jesus Was a Bluesman” and percussion-backed funk of opener “Jungle in the Sound.” There’s no mistaking Brant Bjork, and on Brant Bjork, he strips his songwriting style to its core and brings out the organic vibe that’s made him desert rock’s most crucial practitioner.

His legacy and pedigree are unmatched, with tenures in Kyuss/Vista Chino and Fu Manchu as well as the sadly-shortlived Ché, Ten East and others, but it is Brant Bjork’s solo work that has had his greatest impact and shown him to be of inimitable character in craft and style. His unrelenting creativity and one-of-a-kind voice are writ large over the Brant Bjork LP, which is precisely how it should be, and after more than two decades of exploring out in the sands, Bjork continues to find new ways to manifest not just the landscape of the desert, but the spirit of his relationship to it.

In short, he is a master, and this is the record that bears his name. You miss it at your own peril.

Tracklisting:
JUNGLE IN THE SOUND
MARY (YOU’RE SUCH A LADY)
JESUS WAS A BLUESMAN
CLEANING OUT THE ASHTRAY
DUKE OF DYNAMITE
SHITKICKIN’ NOW
STARDUST & DIAMOND EYES
BEEN SO LONG

Today we also start the presale of 2 remastered BRANT BJORK masterpieces, both with brand new artwork:

*** PUNK ROCK GUILT – release date April 17th***
and
*** GODS & GODDESSES – release date April 24th***

The new self-titled Brant Bjork album will be RELEASED IN:

– 40 ultra ltd test press vinyl
– DELUXE EDITION: 100 ULTRA LTD COLOUR IN COLOUR TRANSPARENT RED / BLACK 12″ VINYL + DIGIPAK + T-SHIRT + PATCH + BAG + POSTER + STICKER
– 250 LTD half – half / white red vinyl
– 700 LTD (500 for german market-200 from HPS stoner online) side a – side b / white background + mix red vinyl
– LTD splatter / transparent backgroud – red splatter vinyl
– black vinyl
– digipak
– digital

Sound of Liberation & Metal Hammer proudly present:
BRANT BJORK + special guest MAIDAVALE

23.04.20 Aschaffenburg, Colos-Saal Aschaffenburg(DE)
24.04.20 Munich, Feierwerk (DE)
25.04.20 Wien, ARENA WIEN (AT)
26.04.20 Graz, p.p.c. (AT)
27.04.20 Budapest, Akvárium Klub Official (HU)
28.04.20 Linz, Stwst Stadtwerkstatt (AT)
29.04.20 Stuttgart, Universum (DE)
30.04.20 Brussels, Magasin 4 (BE)
01.05.20 London, Desertfest London (UK)
02.05.20 Nijmegen, Sonic Whip (NL)
03.05.20 Berlin, DesertFest Berlin (DE)
04.05.20 Hamburg, Knust Hamburg (DE)
05.05.20 Dortmund, Musiktheater Piano (DE)
06.05.20 Paris, Petit Bain (FR)
07.05.20 Toulouse, Le Rex de Toulouse (FR)
08.05.20 Vitoria, Hell Dorado :: El Club Sónico :: (SP)
09.05.20 Madrid, Kristonfest (SP)

https://www.facebook.com/BrantBjorkOfficial
https://www.instagram.com/brant_bjork
http://www.brantbjork.com
https://www.facebook.com/HEAVYPSYCHSOUNDS
http://www.heavypsychsounds.com
https://heavypsychsoundsrecords.bandcamp.com

Brant Bjork, “Jungle in the Sound” official track premiere

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Brant Bjork Announces European Tour; Re-Signs to Heavy Psych Sounds for New Album

Posted in Whathaveyou on January 16th, 2020 by JJ Koczan

brant bjork

I’m going to go ahead, put two and two together, and guess that the proper announcement of Brant Bjork‘s next album is coming Jan. 21. That’s a mere five days from now. Next Tuesday. It’s not the only spot I have saved for news that day, but rest assured, I’ve got one saved for it.

Supporting my supposition? Well, when Brant Bjork was announced as having re-signed to Heavy Psych Sounds for his next record, they said there was a big announcement coming on Jan. 21. And as you can see below, the European tour is already being announced ahead of time. It’s with MaidaVale, so bonus. He toured pretty extensively last year, including in the US, but doesn’t do that nearly as often as he hits Europe, so I wouldn’t necessarily think that’d be a big part of what’s coming, though there’s always “select dates” and so on.

It’s a basic matter of what’s left being the full announcement of the album. So that’s what I’m thinking is coming, and you know what else? With the European tour starting April 23, I wouldn’t be surprised if said album showed up somewhere around there too. Crazy, right? Yeah, it is, and it’s a maybe/maybe-not given Heavy Psych Sounds‘ busy schedule, but you never know. Some things take priority. I’d think a new Brant Bjork would qualify for sure.

Sound of Liberation put out word of the tour thusly:

brant bjork europe 2020

BRANT BJORK TO RETURN TO EUROPE

We’re stoked to announce that the king of the desert himself, the master of laid back weedy jams and smooth riffing, the one and only Brant Bjork will return to Europe in April 2020!

And he will not come alone but in great company by one of the most prominent acts in the new generation of psych music: Swedish four piece MaidaVale will join the party from the first day on! ??

This will be one hell of a party, friends. We’re super excited and so should you! But for the moment let’s all keep our cool and check out the tourdates below:

Sound of Liberation & Metal Hammer proudly present:
BRANT BJORK + special guest MAIDAVALE

23.04.20 Aschaffenburg, Colos-Saal Aschaffenburg(DE)
24.04.20 Munich, Feierwerk (DE)
25.04.20 Wien, ARENA WIEN (AT)
26.04.20 Graz, p.p.c. (AT)
27.04.20 Budapest, Akvárium Klub Official (HU)
28.04.20 Linz, Stwst Stadtwerkstatt (AT)
29.04.20 Stuttgart, Universum (DE)
30.04.20 Brussels, Magasin 4 (BE)
01.05.20 London, Desertfest London (UK)
02.05.20 Nijmegen, Sonic Whip (NL)
03.05.20 Berlin, DesertFest Berlin (DE)
04.05.20 Hamburg, Knust Hamburg (DE)
05.05.20 Dortmund, Musiktheater Piano (DE)
06.05.20 Paris, Petit Bain (FR)
07.05.20 Toulouse, Le Rex de Toulouse (FR)
08.05.20 Vitoria, Hell Dorado :: El Club Sónico :: (SP)
09.05.20 Madrid, Kristonfest (SP)

PS: We’ve heard some rumors… you should keep your ears and eyes open for a big announcement, happening on January 21st…

https://www.facebook.com/BrantBjorkOfficial
https://www.instagram.com/brant_bjork
http://www.brantbjork.com
https://www.facebook.com/HEAVYPSYCHSOUNDS
http://www.heavypsychsounds.com
https://heavypsychsoundsrecords.bandcamp.com

Brant Bjork, Live at Freak Valley 2019

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