Psychlona Premiere “Blast Off” Video; Venus Skytrip out Aug. 21

Posted in Bootleg Theater on June 23rd, 2020 by JJ Koczan

psychlona

Bradford, UK, kebab aficionados and groove purveyors http://www.furore.de/?sharp-words-editing-and-writing-services.org / Freelance Writing / Writing / Creative Writing / Web Site for Today's Working Writers Psychlona will release their second album, Hire someone to check online cheap only at Essay Agents. We can do accounting homework for money faster than anyone else. Pay us for Venus Skytrip, on Aug. 21 through You need not to be worried at all as our UK Dissertation Writers are there to provide you the http://bursabakaracicek.com/?map-of-egypt-homework-help service UK with high quality work Ripple Music (CD/DL) and I tried to Phd Thesis Csr but a show was on TV. A song was on the radio. A friend was texting me. My email chimed, and so, of course, I had to look at that. Cursed Tongue Records (LP). It is the follow-up to 2018’s Our professional online company provides its customers with great variety of http://www.kpria.cz/?admission-essay-editing-service-recommendations! You can find almost everything for a low Mojo Rising (discussed here) and sees the four-piece upping their game thematically and in terms of songcraft, presenting eight tracks across 49 minutes that won’t be pushed when they don’t want to go and yet seem to have no trouble whatsoever finding momentum when it suits them. To wit, the seven-minute opener, “Blast Off” — video premiering below — has a head of steam almost before you realize it in listening, and yet even as the subsequent “10,000 Volts” explodes in volume from its quiet beginning, setting up trades back and forth across its eight-minute span, Seek essay ghostwriter? Get ahead this year by relying on our blog link! Our benefits: fast turnaround, 100% originality, strict quality control Psychlona in no way sound rushed or out of step with what best suits the song.

“10,000 Volts” takes off in its second half, pushing out out out until finally it recedes to end quiet, and from there the beast that is http://opt-karp.ru/?essay-on-can-money-buy-happiness. Looking for a world-class essay writing service? We offer every type of essay service for a wide variety of topics. Venus Skytrip unfolds a succession of shorter pieces, with “Blow” (6:05) making its presence felt through a combinationPsychlona Venus Skytrip of earthbound chug and swing and airy vocal melody while the each-under-four-minutes pair of “Star” and “Edge of the Universe” seem set to motor full-on terrestrial desert-style until the latter winds up in atmospheric hypnosis for a stretch in its second half. They bring it back around — to their credit — but the journey’s a joy just the same, and more shifts between languid stoner vibes and massive volume play out through “Resin” and “Tijuana” seems to bring with it a new level of tonal fullness in following, so the band readily break out a series of tricks along the way before they get around to rounding out with “The Owl,” which fills the last nine minutes of We provide the great homework help as well as buy an essay, write my paper and see at affordable prices. Venus Skytrip with a purpose somewhere between heavy psychedelia and hard-edged stomp, at least until the riff builds into its crash just after five minutes in, the bass takes hold and leads into and out of the record’s last build, which like the thing itself, is a trip well worth taking.

If flashing lights, colors or ladies dancing in silhouette isn’t your thing, I guess maybe “Blast Off” is best left to play in the tab so you can listen while you go back to checking the news or staring at other people’s pretend lives on social media or whatever it is hu-mans do these days on their phones. Gotta be something. Maybe you caught a glimpse of College students can where can i buy a college essay from U K platinum essays. Students who want to buy the same should make orders online. The procedure of buying Psychlona in Not sure that a writing agency can help you with a college assignment? We know how to assure you! Read and learn the backup buy lab report offer Freak Valley‘s consolation stream last weekend. The band showed up to say hi and that they were already confirmed to appear in 2021, so that’s something to look forward to, and one expects they’ll do much supporting of How To Write A Good Paper In Colleges from EssayRoo, a trusted source of custom assignment writing service in Australia and abroad. Order now with a 15% discount! Venus Skytrip when the opportunity presents itself, as surely it will sooner or later.

Until then, there’s nothing like starting an album with a launch sequence, and yes, “Blast Off” has one. I’m happy to host the premiere of the track and the video below.

The band give their own view on things after the player, and you should read that because it rules.

Please enjoy:

Psychlona, “Blast Off” official video

Behind The Trip – Psychlona on Venus Skytrip:

After the unexpected memorialisation (hmm) of our debut, we started to think about where we should go boldly with the next one. We knew we didn’t want to lose too much of the rawness and homespun vibe that defined the scratchy fun of the first album, but we also wanted to go one step further with this effort and really focus the sound. So the two-step plan would be number one: make it heavier and two: turn up the spaciness to the nth. As is tradition around these parts we hunted down a stack of the area’s finest grilled kebabs and various fermented beverages, descending on The Cave – a place of pure tyranny and filth, but also home – for writing sessions taking place between October and January (a leisurely pace was also integral to the process, natch).

The songs were coming on nicely, we had fallen upon a winning formula that was something along the lines of more chilli = better song, but we needed to decide on a venue to match our aspirations of ‘going nuclear’. Step forward Andy Hawkins and The Nave. We were made aware of Andy by our regular sound tech who had recorded his band’s last album with Andy and recommended we work with him. Instantly Andy ‘got’ us and with a punk rock pedigree to boot we knew he was our guy – regaling us deep into the night with chaotic tales of Captain Sensible and traffic cone theft (events may or may not be true).

Anyway, come February Andy began putting us through our paces and by way of the incredible live room at The Nave – an old church hall – we were able to capture some truly huge drum sounds (see The Owl). Technical wizardry abounds (Andy), fuzz pedals galore, sausage rolls and a cauldron full of Yorkshire Tea later guitars, bass and vocals (real tape echo, obvs) were all down. Notwithstanding a much welcome intervention from a global pandemic, we emerged from the back door of the church stumbling towards the light – battered, bruised and with a suspected case of rickets among the maladies – clutching a grubby acetate of spaced out hard rock jams.

So there it was, behold, an album, eight tracks of new Psychlona. When the fog receded from our scorched minds it appeared we’d taken a year long ride through space taking in Venus and Mars before doing a quick lap of the Sun (Blast Off), encountered 27 club rock ‘n’ roll tragedy (Star), drifted around in a smoke fuelled beachside dream (Resin) before taking a lengthy acid trip courtesy of The Owl himself. Who knows where chapter 3 could take us?

Psychlona on Bandcamp

Psychlona on Thee Facebooks

Psychlona on Instagram

Cursed Tongue Records store

Cursed Tongue Records on Thee Facebooks

Cursed Tongue Records on Instagram

Ripple Music on Thee Facebooks

Ripple Music on Instagram

Ripple Music on Bandcamp

Ripple Music site

Tags: , , , , , ,

Days of Rona: Phil Hey of Psychlona

Posted in Features on April 13th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

psychlona phil hey

Days of Rona: Phil Hey of Psychlona (Bradford, UK)

Your subscription . Faculty members can i commerce phd thesis from Harvard Business School and Harvard Graduate School of Education launched the How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

It’s been a bit tricky for us as we’re currently recording our new album which is scheduled for release in August. It’s nearly finished but we’ve had to grab days here and there and go to the studio separately to record our relevant instruments. Will be worth the effort though as it’s sounding cool so far. Think pretty much all our live stuff we had planned for the year will be cancelled which sucks as we had a few major festivals lined up. The main thing is getting through all this together, there’s always another year. All of us have managed to remain virus free so far…

Writing a conclusion for kids - top 10 resume writing services http://www.geht-auch-anders.de/english-news-paper-in-vadodara/ To An Essay literary analysis essay on 1984 dissertation student room What are the quarantine/isolation rules where you are?

We’re currently on lockdown here in the UK which is okay so far but I see a lot of people not taking it seriously and bending the rules. Rules are usually there to be broken but not this time. I was over in Spain a couple of weeks ago and was on lockdown there for a week also.

So you're thinking: 'I need someone to my review heres for me right now.' Click here and our top experts will make your academic problems vanish. Leave How have you seen the virus affecting the community around you and in music?

It’s all been pretty positive so far with many bands doing the live streaming n stuff. It’s not so good for us as we haven’t got a live set at the moment due to the time consuming writing and recording for the album. I hear of some small venues closing their doors maybe for good already which is sad. We need to have a massive party at the end of all this to get things moving again.

Essay Writing Nz are difficult to write if you make it by your own. Our experienced professors can help your to earn final degree without stress! What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

We love playing music but the world is in bad shape at the moment. We’ll all be there after all this has passed. Speaking for Ppsychlona as a collective I’ll just say love, respect, peace and we’ll see you at a venue as soon as possible. stay safe.

psychlona.bandcamp.com
http://www.facebook.com/Psychlona/
http://instagram.com/psychlona
http://cursedtonguerecords.bigcartel.com/
https://www.facebook.com/CursedTongueRecords
https://www.instagram.com/cursedtonguerecords
https://www.facebook.com/theripplemusic/
https://twitter.com/RippleMusic
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Tags: , , , , , , ,

Psychlona to Release Mojo Rising on Ripple Music & Cursed Tongue Records

Posted in Whathaveyou on July 27th, 2018 by JJ Koczan

psychlona

Cooperation! Spanning continents! Cursed Tongue Records and Ripple Music align to stand behind Mojo Rising, the debut album from Bradford, UK, four-piece Psychlona, and they leave little question as to why. The album — nine songs/50 minutes running from “Stone” to “Beakfoot” with a riffy, desert-stretched-out but still weighted course worthy of the band’s moniker — hits with a bit of Clutchy blues in “Big River” and a whole lot of early Fu Manchu-style roll in “Juju,” but it’s ultimately the psychedelic thread that ties it all together, whether it’s the brash pub-style riffage of “Down in the Valley” or jam-into-shove-into-jam-into-slowdown groove in “Burning Cave,” a spacious lead guitar tone that conjures impossible reaches no matter how much crunch seems to be surrounding. And make no mistake, here’s plenty of crunch to go around.

The album seems to have been taken down from Bandcamp, which will happen with this kind of thing when a previously-issued record gets picked up, but if you’ve got Spotify you can stream it for the time being at the bottom of this post. Otherwise, the release date for the well-supported offering is Nov. 30, so you can mark your calendars, make your preorders or whatever it is you need to do. Plenty of time.

Copious kebab-centered info follows here, courtesy as ever of the PR wire:

PSYCHLONA SIGNS TO CURSED TONGUE RECORDS AND RIPPLE MUSIC FOR WORLD WIDE RELEASE OF THEIR DEBUT ALBUM ‘MOJO RISING’ IN NOVEMBER 2018.

Cursed Tongue Records and Ripple Music have teamed up for a joint release of City of Bradford, UK stoner rockers Psychlona’s heavy grooving debut album ‘Mojo Rising’. The four brads or ‘dirty desert rock kebab eating mofos’, as they prefer to introduce themselves, impressed both labels on an immense level when their debut album hit the online web-spheres back in the spring of 2018. A hard-hitting, heavy-driving, fuzz-drenched foundation forms the basis on which flares and outbursts of guitar-swirls spirals to another dimension in time and space.

Mojo Rising is the premiere sonic excursion to a heady generation looking for a new mode of transportation to mindful salvation (oh, ok back it up). You got the point made here. So, if spacy, psyched out stoner rock is the thing that float your boat, look no further as Psychlona got you plenty covered. Mojo Rising ought to hit an audible solar plexus on any fan of Spaceslug, Kyuss, Dozer, Fu Manchu and Monster Magnet.

Psychlona is a fairly new band, but already stands out as a strong, unified entity with many years under the belt. However it was in summer 2015 when Phil (guitar/vocals) walked into a scruffy bar to watch an equally scruffy band knock out a few scruffy tunes. Scanning the immediate vicinity to see who else was out tonight, a shabby drunken figure barely able to stand but fully able to hold his beer glass leered out of the dark shadows. Enter Dave (guitars). Dave and Phil had shared various stages on the same bill over the preceding few years as members of The Drastics and Threshold Shift. It was the obvious thing to do – form a new band. The fact they were both guitarists and didn’t have a bass player or drummer around wasn’t a problem. Both were aware of a local four stringer called Martyn who had played previously in other bands with Phil. Rehearsals began soon with no agenda but more importantly no drummer. Various percussionists came and went. After some time passed finally a solid contendor (Scott) to the drum stool entered. Initial sessions went well but the guys knew they needed to ask Scott a very important question – how do you like your kebabs? With extra chilis was the response from the bearded one. A match made in heaven then and he joined the family. Rehearsals, gigs, more rehearsals, new material brings us to the present day – the impending release of Mojo Rising on both CD, digital and vinyl.

Despite the band’s young age, Psychlona has already played with and shared stage with 1968, Barbarian Hermit, Loomer, Morass of Molasses as well as their good mates Ironrat and Lizard Tongue. The band also organise and promote their own festival twice a year (Idlefest), which is growing bigger each time. On the signing with Danish based label Cursed Tongue Records and US-label Ripple Music, Psychlona comments: “We’re proud to be joining the Ripple and Cursed Tongue families. Two of the most proactive labels with a genuine passion for the bands and music both from within their own rosters but also from the whole scene in general with genuine love and support going out to everyone involved. They’ve also tolerated our shit jokes and English sense of humour so far… time will tell… second album guys?”

Regardless what the future holds the here and now is glowing hot. Psychlona came from space to grace our earthly souls and make our mojo rise. It’s soon time to groove along to one of this year’s best desert stoner rock albums. Get psyched!

Mojo Rising will be out on CD and digital via Ripple Music and vinyl via Cursed Tongue Records in November.

CTR-014 Psychlona – ‘Mojo Rising’, vinyl official release date: November 30th, 2018

Psychlona is:
Phil Hey – Guitar & Vocals
Dave Wainfor – Guitar
Martyn Birchall – Bass
Scott Frankling – Drums

All tracks written and performed by Psychlona
Engineered and mixed by Dave Wainfor
Mastered by James Grover
Artwork by Kyrre Bjurling
Inner photo by Jez Sheard
Layout & Design by Michael Andresakis

Track listing:

Side A
1. Stone
2. Ride
3. Down In The Valley
4. Big River

Side B
5. Your God
6. Juju
7. Black Dog
8. Beakfoot

psychlona.bandcamp.com
http://www.facebook.com/Psychlona/
http://instagram.com/psychlona
http://cursedtonguerecords.bigcartel.com/
https://www.facebook.com/CursedTongueRecords
https://www.instagram.com/cursedtonguerecords
https://www.facebook.com/theripplemusic/
https://twitter.com/RippleMusic
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Tags: , , , , , ,

Quarterly Review: Gruntruck, The Dead Ends, Albatross Overdrive, High Priestess, Monolith Cult, Kayleth & Favequaid, Black Wail, Psychic Lemon, Ixion, Rattlesnake

Posted in Reviews on January 10th, 2018 by JJ Koczan

Lodewijk de Vadder (1605-1655) - 17th Century Etching, Landscape with Two Farms

Day Three of the Quarterly Review! I don’t know about you, but I’m feeling great. Plowing through, hearing a ton of good stuff. The week is rolling and though it’s most definitely caused me to be a neglectful husband and father for the last 72 hours (so far!), at very least the music is killer. That’s something, right? I didn’t really have a theme in picking today’s batch, but there are some commonalities between some of the inclusions all the same. See if you can find them, like one of those old puzzles in a Highlights magazine in your orthodontist’s wood-paneled office. Ready? Okay, let’s go.

Quarterly Review #21-30:

Gruntruck, Gruntruck

gruntruck-gruntruck

Held back due to legal issues with their original label, Roadrunner, the self-titled third album from Seattle groove-grungers Gruntruck hits like an open time-capsule nearly two decades after the fact of its recording: a little dusty but full of vitality and potential for what could’ve been. With a tad more crunch than the likes of Soundgarden and a crunch less TAD than TAD, Gruntruck found a middle-space between the melodies of their age and scene and heavier impulses, and if songs like “Trip,” the post-Nirvana “Build a Hole,” and the later “Spy” sound dated, well, they should. They are dated. It’s an album that was recorded over 20 years ago. That does nothing to take away from the quality of the songwriting, however, as closer “Flang” shows by demonstrating how thin the line between grunge and heavy rock has always been in the first place, let alone how fluidly Gruntruck were able to cross from one side to the other.

Gruntruck on Thee Facebooks

Found Recordings website

 

The Dead Ends, Deeper the Dark the Brighter We Shine

the-dead-ends-deeper-the-dark-the-brighter-we-shine

This warm and psychedelically charmed debut from Kavala, Greece’s The Dead Ends works quickly to deliver its cumbersome title-line in opener “Memory Ship (Sails at Dawn)” amid a build of organ-laced Doors-style drama, but the overarching spirit of the Sound Effect Records release is nonetheless patient and fluid. The keyboard work of vocalist Giorgos Sechlidis proves to be a major standout factor on the playful “Narri-E Narri-O” as rhythms and melodic elements out of Greek folk rear their head, and as guitarist Serios Savvaidis and drummer Dimitris Apostolidis provide vocal support throughout, the nine tracks of Deeper the Dark, the Brighter We Shine envelop with a depth that corresponds to their outward reach, still based around pop structures practically and conceptually, but feeling open and resolved to remain that way all the same. The jangly “Peter 2:18” closes out by building into a melodic wash, as if to underscore the potential within this exciting outfit’s budding stylistic nuance.

The Dead Ends on Thee Facebooks

Sound Effect Records website

 

Albatross Overdrive, Keep it Running

albatross-overdrive-keep-it-running

Issued in 2016, Albatross Overdrive’s second full-length pulls together a sans-pretense 31 minutes of barroom-style heavy rock born of the California desert but not necessarily indebted solely to its aesthetic so much as to boozy swing and chug and meaner, engine-revving impulses. “Fire Dancer” and “Higher” make impressions early with catchy choruses and hard-delivered riffs, a touch of metal to the latter particularly, and the later “Preaching Love Not War” boasts a highlight performance from bassist Mark Abshire, formerly of Fu Manchu, while gritty vocalist Art Campos leads the five-piece – completed by guitarists Andrew Luddy and Derek Phillips and drummer Rodney Peralta – through the grunge-chug of “Earth Mother,” recalling Alice in Chains’ “Again” in its cadence momentarily, though ultimately driven along its own course, headed into closer “Neva,” which finishes the album in top form just as it might cap a raucous live set on any given and much-improved Friday evening.

Albatross Overdrive on Thee Facebooks

Albatross Overdrive website

 

High Priestess, Demo

high-priestess-demo

Los Angeles trio High Priestess were recently snagged by Ripple Music for the release of their impending debut album this year, and on the strength of this five-track demo, one could hardly argue. Tonally rich, perfectly paced in its rollout, melodically centered and meditative with surprising flashes of metallic noise, cuts like 10-minute opener and longest track (immediate points) “Firefly” offer psychedelic immersion and a sense of worldmaking rare in a band’s first long-player, let alone their initial demo. Weighted low end gives Demo an earthy sensibility, and there’s definitely a desert-style aspect to “Take the Blame” and “Mother Forgive Me,” but the intertwining vocal melodies of guitarist/organist Katie Gilchrest and bassist Mariana Fiel atop Megan Mullins’ drums provide a spaciousness well across the line of transcendent into ethereal psychedelia. Likewise, after the salvo of “Firefly” and its nine-minute companion “Despise,” the peaceful, organ-laced closer “Earth Dive” draws emphasis on sonic diversity with its patient build and underlying command. Especially as demos go, High Priestess’ is dangerously coherent.

High Priestess on Thee Facebooks

High Priestess on Instagram

 

Monolith Cult, Gospel of Despair

monolith-cult-gospel-of-despair

From the first listen onward, the hardest thing about putting on Monolith Cult’s second full-length, Gospel of Despair, is actually letting the seven tracks play without constantly interrupting them by saying “hell yes.” Whether it’s the hook of opener “Disconnection Syndrome,” the subsequent plod of the title-track that follows, the massive slowdown that hits about a minute into “Sympathy for the Living” as it moves into its chorus, or the Candlemassian finale chug and stomp of “Death Means Nothing,” the Bradford, UK, five-piece’s follow-up to their 2013 debut, Run from the Light (review here), dwells in similar terrain between righteous classic metal and doom as Cruz del Sur denizens Argus, and the band are likewise firm in their purposes and assured in their delivery. “King of all that’s Lost” feels exceptionally weighted in its impact, but set next to the faster motion in the first half of the penultimate “Complicit in Your Abuse,” it feeds into an overarching flow and sense of leather-on-fistpump-or-headbang-take-your-pick-ready audience response. Hell yes? Oh, hell yes.

Monolith Cult on Thee Facebooks

Transcending Records

 

Kayleth & Favequaid, The Second Coming of Heavy – Chapter Six

kayleth-favequaid-second-coming-of-heavy-chapter-six

In bringing together Verona’s Kayleth and Palermo’s Favequaid, The Second Coming of Heavy – Chapter Six works more on a direct theme than some of the other installments in the impressive and impactful series from Ripple Music. But if there’s a particularly nation’s scene worth highlighting in the heavy rock underground, the emergent riffy movement in Italy makes a riotous case for itself as Favequaid bull-in-a-china-shop their way through the nine-minute “Hypochondria” on side B or Kayleth unfold the highlight nod and melody of “The Survivor” earlier, hitting a mark of spatial weight that’s as much about its crash as reach. Starting with the atmospheric pulse of “Desert Caravan” and following up “The Survivor” with the melodic push of “Magnetar,” Kayleth come across as the more progressive of the two outfits, but with the brash finale of “First” rounding out, Favequaid help put emphasis on the underrated diversity within Italian heavy rock on the whole, and maybe that was the idea in the first place.

Kayleth on Thee Facebooks

Favequaid on Thee Facebooks

 

Black Wail, Chromium Homes

black-wail-chromium-homes

Though it gradually comes to life around an intro of Hendrixian noodling at the start of “They,” its opener and longest track (immediate points), the third EP from New Jersey’s Black Wail, Chromium Homes, isn’t through that same song before a decidedly Dio-esque “lookout!” is tossed into the pot. Abrasive, sludgy screaming follows. So yeah, it gets weird pretty quick, but that turns out to be the fun of the 27-minute six-tracker, since it just as easily digs back into languid wah-led groove or lets its keyboards flesh out classic heavy rocking melodies. “Thee Ghost” chugs metallic before stepping back to a harmonized a capella midsection and swinging to its finish, and the title-track basks in heavy blues rock like nothing ever happened – the perfect setup for the nastier “The Dead Man’s Hand,” and weirdo bounce-into-punk-thrust of “Radioactive Mutation” that follow. And because why the hell not: a closing doomed-out cover of “Norwegian Wood.” Somehow that was the only thing missing. Black Wail are getting strange and daring you to do the same. If you think you’re up for it, maybe you are.

Black Wail on Bandcamp

Rhyme and Reason Records

 

Psychic Lemon, Frequency Rhythm Distortion Delay

Psychic-Lemon-Frequency-Rhythm-Distortion-Delay

Prepare for spacedelic immersion. Somewhere there’s a countdown happening and waiting on the other end of it is Psychic Lemon’s sophomore LP, Frequency Rhythm Distortion Delay, the title of which reads like the recipe from which its five tracks have been constructed. The 41-minute sprawler from the London-based trio sets itself to the task of atmospheric breakout with 8:31 opener “Exit to the Death Lane,” and while it’s hard not to be drawn immediately to a track called “International Fuzz Star” – let alone one that’s almost 10 minutes long – one skips the cosmic-grunge shuffle of “Hey Droog!” and the sped-up Sonic Youthism of centerpiece “You’re No Good” at one’s own peril. They tease tension in the kick drum but ultimately end up soothing in meandering closer “Satori Disko,” but the progressive threat has been laid all the same, and it says something about their accomplishment overall that even in the final moments of Frequency Rhythm Distortion Delay, one can’t be certain where Psychic Lemon might be headed next.

Psychic Lemon on Thee Facebooks

Tonzonen Records webstore

 

Ixion, Return

ixion return

Brittany, France-based Ixion is a project spearheaded by multi-instrumentalist/growler/recording engineer/cover artist Julien Prat, and Return (on Finisterian Dead End) is the band’s third full-length. With clean vocals contributed by Yannick Dilly (who also mixed), it captures a contemplative and majestic balance of hope and sorrow, woeful in its extremity but bright-toned in its sprawling lead guitar figures in pieces like “Into Her Light” and the later “Stranger.” This meld fascinates throughout the nine-song/47-minute run, but it’s the poise of execution of all these ideas that make cuts like “Back Home” and the electronics-infused “Contact” stand out and recall some of the best moments of mid-period Katatonia, and from opener/longest track (immediate points) “Out of the Dark” onward, Return makes plain its self-awareness and resilience in capturing its formidable stylistic intention in the reality of the recording. It is a true work of beauty-in-darkness and affecting in both its scope and raw emotionalism.

Ixion on Thee Facebooks

Finisterian Dead End website

 

Rattlesnake, Outlaw Boogie

rattlesnake outlaw boogie

It’s just three songs, but Rattlesnake’s debut demo, Outlaw Boogie (also discussed here), was enough of an aesthetic mission statement all the same to wind up on my list of 2017’s best short releases, and with the swing and swagger provided by drummer/vocalist Adam Kriney of The Golden Grass, the classic-style riffing of guitarists Blake Charlton (Ramming Speed) and JP Gilbert (also vocals) and the wah bass Don Berger brings to “The Reason Why,” well, the reason why is frickin’ obvious. The New York-based newcomers capture a bright ‘70s vibe not dissimilar from The Golden Grass’ self-titled debut, but less serene and more urgent, more charged in its purposes on the whole, and dudelier in that okay-now-it’s-time-to-grow-a-mustache kind of way. Unsurprisingly, Outlaw Boogie is almost maddeningly catchy and cohesive and clear in its direction and intent, and the band seem to arrive in their conceptual foundation ready to move forward onto the next stage of their development. The only reason I call the three-tracker a demo at all and not an EP is because the band does. Otherwise there’s very little about it that doesn’t already denote it as a professional-grade work.

Rattlesnake on Thee Facebooks

In for the Kill Records webstore

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Lazarus Blackstar and Black Shape of Nexus Stream Split LP in Full

Posted in audiObelisk on December 2nd, 2013 by JJ Koczan

Generally, a split release is a good way for one act to build a bridge to another. When bands team up, it’s not just about putting their own material out there, but also about joining forces with a community and saying, “This represents us too.” One imagines that if there was anything drawing British sludge riffers Lazarus Blackstar and German post-metallurgists Black Shape of Nexus together, it wasn’t so much the desire to build a bridge as the shared affinity for laying waste to infrastructure in general. This coming February, they’ll issue two sides of sonic oblivion via Alerta Antifascista Records that highlights both the commonalities and the differences between the two acts.

In the case of Lazarus Blackstar, their two extended inclusions — “Command and Control” and “Whispering through Broken Teeth” — continue the pummeling course that was found on their 2012 third full-length, Hymns for the Cursed. The British outfit will mark a decade under their moniker in 2014 (they started out earlier as Khang), and the 10 years of experience bleed into both these tracks in thick tones, deviations into deathly gurgles, and the glee with which the five-piece seem to jump to either side of an extreme sensibility. Concocting a massive lurch in “Command and Control,” they move a bit faster initially in “Whispering through Broken Teeth,” but though they slow down later, the even bigger shift is in the inclusion of Mellotron sounds in the song’s second half along with cleaner, chanting vocals.

The 11-minute “Honor Found in Delay” from Black Shape of Nexus has the distinction of being not only a ridiculously clever reference — you’ll recall the name of the last Neurosis record — but also the longest song present, and the atmosphere and effects live up to both the name and the allusion. There’s a linear build throughout and a near-constant feeling of propulsion that emerges, reminding some of Souls at Zero‘s unmitigated intensity, while “Always and Only” a more straightforward root in its undulating noise rock groove, like the creeping moments in latter-day Unsane, and builds to a suitably bombastic, feedback-drenched conclusion, throaty screams seeming to be swallowed by the distorted morass from which they emerged as a rising swirl and concluding sample from 1984 takes hold.

As a conclusion, that one at least fits with the band and label’s stated anti-fascist stance — “If you want a picture of the future, imagine a boot stamping on a human face, forever” — and given the melee of noise preceding, it’s an image that works on multiple levels. It might take a few listens for the full brunt of the Lazarus Blackstar and Black Shape of Nexus tracks to sink in, but considering the split doesn’t come out for another two months, there’s plenty of time. Check out all four songs on the player below, and please enjoy:

Here is the Music Player. You need to installl flash player to show this cool thing!

Lazarus Blackstar and Black Shape of Nexus‘ split is set for release Feb. 13, 2014, on Alerta Antifascista Records in an initial pressing of 500 (100 grey, 100 white, 300 black) 180g vinyl with heavy stock cover and obi strip. Info and updates at the links.

Lazarus Blackstar on Thee Facebooks

Black Shape of Nexus on Thee Facebooks

Alerta Antifascista Records

Alerta Antifascista Records on Bandcamp

Tags: , , , , , , , ,