Cortez Announce New Drummer; The Depths Below Due in June

Posted in Whathaveyou on April 10th, 2017 by JJ Koczan

Man, Cortez must be losing their minds to get this record out. Already last fall when the Boston-based outfit were announced as picked up by Salt of the Earth Records for the release, it was almost a year old, and well, it’s not like time has moved backward since then. We’re half a decade removed from their 2012 self-titled (review here), and in the interim, the band has only continued to push ahead, adding guitarist Alasdair Swan and now drummer Alexei Rodriguez (ex-Prong, 3 Inches of Blood) to the lineup with guitarist Scott O’Dowd, bassist Jay Furlo and vocalist Matt Harrington.

Time for The Depths Below to come out? Yeah, I’d say so. In welcoming Rodriguez to the group, they give a tentative June release date for the new offering, which they’ll reportedly tease with an advance track next month. The sooner the better all around, quite frankly.

More to come on this one, but yeah, I’d think as much as anyone is anticipating this thing being realized, the band must be pretty high on that list.

From the PR wire:

cortez

Cortez would like to officially announce the addition of our new drummer, Alexei Rodriguez. Alexei comes to us with vast experience – having played drums in such bands as Catharsis, Prong, 3 Inches Of Blood, among others. We are extremely excited about the future of Cortez and can’t wait to start recording new material. Alexei’s live debut with Cortez will be on May 20, 2017 at the 13th Floor Music Lounge in Florence, MA.

Cortez’ new album The Depths Below will be released in June on Salt Of the Earth Records. In anticipation of the album’s release, we will release a digital single of the song “Walk Through Fire” in May.

Cortez is:

Matt Harrington – vocals
Scott O’Dowd – guitar
Alasdair Swan – guitar
Jay Furlo – bass
Alexei Rodriguez – drums

https://www.facebook.com/cortezboston
http://www.cortezboston.com/
http://cortezboston.bandcamp.com/
http://www.twitter.com/cortezboston
http://saltoftheearthrecords.com/
https://www.facebook.com/SaltOfTheEarthRec

Cortez, The Depths Below teaser

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Summoner to Release Beyond the Realm of Light May 12

Posted in Whathaveyou on April 7th, 2017 by JJ Koczan

summoner

Massachusetts-based progressive heavy rockers Summoner have posted an album trailer for their upcoming third full-length, Beyond the Realm of Light. It’s less than a minute long, and I’m not sure which of the forthcoming outing’s tracks it features, but it seems to have an immediately more straightforward attack than did their last offering, 2013’s Atlantian (discussed here), which has sold through more vinyl pressings than I can even count at this point.

Dudes made an impression with that record for sure, and with Beyond the Realm of Light set to release on May 12 through Magnetic Eye Records — which will also feature the band on its upcoming Pink Floyd tribute, The Wall [Redux] (info here) — they seem poised to do likewise once more. To wit, they’ll be at Psycho Las Vegas in August, and they’ve got their own beer coming as well from Oliver Brewing. Doube IPA. Heady stuff.

I’ll hope to have more to come on this one as we get closer to the release, but in the meantime, the PR wire brings the Samantha Muljat cover art, the album details, and the aforementioned trailer, all of which rounds out to this:

summoner-beyond-the-realm-of-light

SUMMONER to Release New Album, ‘Beyond the Realm of Light’, May 12

Boston, MA hard rock foursome SUMMONER will release its new album, Beyond the Realm of Light, on May 12 via Magnetic Eye Records. Recorded at Q Division Studios (Pixies, Converge), produced by the band and mastered by Dave Shirk (Soilent Green, Pentagram), the LP fuses 70’s proto-metal, guitar rock and cosmic psych into a driving, six song testament to the power of the riff. Beyond the Realm of Light is the follow-up to SUMMONER’s 2013 full-length, Atlantian, hailed as, “heavy, psychedelic metal with a progressive edge.” Artwork for Beyond the Realm of Light was created by Samantha Muljat (Earth, Power Trip).

Featuring vocalist / bassist Chris Johnson (Doomriders, Deafheaven touring bassist), guitarist AJ Peters, drummer Scott Smith (Plagues) and guitarist Joe Richner (Plagues), SUMMONER formed in 2009 (as Riff Cannon). In the time since, the quartet has released two studio albums — 2012’s Phoenix and the aforementioned Atlantian — praised for their creative power and “riffs that Mastodon, Thin Lizzy, Torche would be proud to call their own”. The group’s live performances have been called “atmospheric and heavy, melodic and propulsive” and have seen SUMMONER perform alongside Cave In, Worshipper, Magic Circle and more.

On the strength of its live set, SUMMONER has been asked to perform at the 2017 Psycho Las Vegas Festival, set for August 18-20 at Sin City’s Hard Rock Hotel. For full details, visit this location.

Track listing:

1.) New Sun
2.) The Huntress
3.) Beyond the Realm of Light
4.) The Emptiness
5.) Skies of the Unknown
6.) Into Oblivion

Pre-order Beyond the Realm of Light at THIS location.

In additional news, Baltimore’s Oliver Brewing Company will release a limited edition “Beyond The Realm of Light” double IPA on May 13, in tribute to SUMMONER. The special beer is part of the breweries’ “Long Live Rock and Roll” double IPA series, released in collaboration with the bands and record labels that soundtrack its brewing process. Previous artists featured include Mothership and The Well. For more details, visit this location.

https://www.facebook.com/Summonerband/
https://summonerboston.bandcamp.com/
http://store.merhq.com/
http://magneticeyerecords.merchnow.com/

Summoner, Beyond the Realm of Light album trailer

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Rozamov, This Mortal Road: Beating a Path

Posted in Reviews on March 2nd, 2017 by JJ Koczan

rozamov this mortal road

Consuming in its atmospheric darkness and vicious in intent, the debut album from Boston trio Rozamov arrives not without the ground suitably prepared. Actually, it’s been something of a wait. Founded in 2011 by the trio appearing here of guitarist/vocalist Matt Iacovelli (also piano), bassist/vocalist/noisemaker Tom Corino (also of Kind) and drummer Will Hendrix (since replaced by Jeff Landry), as well as guitarist Liz Walshak, they would quickly turn around two EPs, a self-titled and Of Gods and Flesh, in 2012 and 2013, offering heavy-toned crusher riffs with a thrashy edge and a nascent undertone of doom.

It didn’t seem unreasonable to think a full-length would follow soon after, but Rozamov took something of a turn at that point. They parted ways with Walshak (now in Sea) and undertook their first real stretch of touring. I don’t know what other work they were doing, but by the time 2015 came around and they released their cross-coastal split 7″ with L.A.’s Deathkings (review here), they were a different band. Still heavy, still nasty, but driven in a post-sludge direction in a new way and one that, excitingly, was more their own than what they’d shown on their earliest work. As their first long-player, This Mortal Road lands via Battleground Records and Dullest Records with five tracks/40 minutes that draw that line further out to a new point in their longer-term progression. It has been a while in the making, but it’s a pivotal declaration from Rozamov of who they are as a band, and it comes through loud and clear in these songs. Emphasis on loud.

With a recording and mix by Jon Taft at New Alliance Audio and mastering by Nick Z. at New Alliance East Mastering, This Mortal Road seethes with a particularly New England-style anger and intensity. It is bookended by its two longest pieces in the opening title-track (10:49) and closer “Inhumation” (11:29), and finds a sense of variety in switching between Iacovelli‘s shouts and cleaner, post-Oborn howls, and Corino‘s shouts, which particularly on the rolling second cut “Wind Scorpion” remind of Rwake‘s poetic extremity. There is precious little letup, as “This Mortal Road” makes plain at the outset, beginning almost like the listener got there late with an unfolding mid-paced intro that leads the way into the first verse, cleaner-sung than much of what will follow and thoroughly doomed.

At about three minutes in, the roll-and-rumble comes to a halt and they turn to a quieter but still tense stretch of guitar and either keys or guitar effects leading to an instrumental midsection that gradually, patiently, brings them around to the opener’s grueling, shouted apex, in which the full impact of their churn really begins to show itself, perhaps as a precursor to “Wind Scorpion,” which is marked out by Hendrix‘s tortured thud and the play between the bass — which, on a tonal level, feels like it might just bury us all — and the airier impulses of the guitar.

rozamov-photo-by_Reid_Haithcock

When they hit into a stop, as they do several times in the verse, I don’t care what speaker you’re listening on, it sounds like it’s about to blow. Vocals are shouted with a sense of the space in the room in which they were recorded, but not necessarily buried in the mix for effect, and as “Wind Scorpion” passes its midpoint, Corino and Iacovelli seem to come together on vocals in a moment of extra-righteous malevolence, transitioning into a slow-motion nod drawn to more resonant thudding and a plotted but effective layered-in lead that rounds out. They cap side A with a final chug that, in the context of the lurch and push before it, feels almost humorous in its understatement.

It’s important to note that while This Mortal Road is unquestionably structured to break into two sides, as mentioned above, the flow front-to-back is linear and the resulting full-album feel palpable. Listening digitally or on CD, there’s a quick stop between “Wind Scorpion” and the subsequent “Serpent Cult,” which brings back the clean vocals, but in their order as much as in how “Serpent Cult” feeds into the two-minute interlude “Swallowed and Lost” and that feeds into the finale, Rozamov do well in creating an immersive experience — think Steve Buscemi in a woodchipper, you children of the ’90s — across the presentation of the record as a whole, which is something that, as a newer and less mature outfit, they probably wouldn’t have been able to do.

“Serpent Cult” proves a worthy centerpiece of the tracklist as it oozes forth to execute its seven minutes of hellscaping, and though its instrumental aspects are thoroughly, persistently sludged, the shifts in vocal approach offer diversity both on their own and in relation to “Wind Scorpion” before it. Vague speech, either sampled or spoken, accompanies the piano of “Swallowed and Lost,” and the movement into “Inhumation” — a title that brings to mind some lost death metal band from either Florida or New York — comes via a brief foreboding drone. Fittingly enough, “Inhumation” is the darkest, most outwardly brutal inclusion on This Mortal Road, making its way toward a crawl in its second half that seems bent on tearing itself apart from about its seventh minute onward.

Noble, and I’m not sure how else Rozamov might’ve ended the album other than with the noise and feedback they do, but it follows a churning roll into the bleakest sphere the band has yet to occupy, as though they were forcibly willing themselves to be heavier, meaner, rawer. That impression, savage as it turns out to be in the actual listening experience, is another sign of how much they’ve grown, and while This Mortal Road was recorded over a span of months, the obvious efforts Rozamov have put into crafting their aesthetic with it can be heard in the overarching cohesiveness of purpose in the songs. In other words, it took a while for the band to realize This Mortal Road, but This Mortal Road seems to be all the more realized for that, and as their debut, it strikes with deceptive efficiency and poise. Is it possible for something so harsh to be progressive? One gets the sense that as Rozamov continue forward, they’re setting themselves up to pursue an answer.

Rozamov, This Mortal Road (2017)

Rozamov on Thee Facebooks

Rozamov on Bandcamp

Battleground Records website

Battleground Records on Thee Facebooks

Battleground Records webstore

Dullest Records on Bandcamp

Dullest Records on Thee Facebooks

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Gozu Announce West Coast Tour with Ape Machine

Posted in Whathaveyou on February 17th, 2017 by JJ Koczan

gozu photo tim bugbee

Turns out Gozu‘s upcoming Northeastern run is only half the story. There’s a whole other coast to cover! My understanding is the Boston four-piece are hard at work putting together riffs and structures for a quick-turnaround follow-up for 2016’s Revival (review here) and have plans to hit the studio this summer, but before they get there, they’ll head West in April to join Ape Machine for 11 dates heralding the worthy cause of the latest full-length.

Revival was, as you’ll recall, issued by Ripple Music, and after playing Psycho Las Vegas and touring Europe with Holy Grove in the months following its release Gozu signed a deal to release their next album through Metal Blade imprint Blacklight Media. Momentum is obviously on their side as they get ready to record again, and I’m intrigued to find out whether that push plays into the intensity of the new material itself — Revival wasn’t short on drive. I’ve already nagged them about letting me do an in-studio feature when they go in, so I’ll keep you posted on what I know when I know it.

Here’s the tour announcement for the West Coast run, courtesy of the PR wire:

Gozu announces northeast and west coast USA tour dates

Massachusetts-based rock/metal outfit Gozu has announced a short run of tour dates next week, which will see the band perform in Philadelphia (PA), Brooklyn (NY), Dover (NH), and Portland (ME). Following this northeast trek, Gozu will appear on the west coast in April alongside Ape Machine. See below for all dates!

Gozu tour dates
Feb. 22 – Philadelphia, PA – Kung Fu Necktie w/ The Age of Truth, Kingsnake
Feb. 23 – Brooklyn, NY – Lucky 13 Saloon w/ Pants Exploder, Eyes of the Sun, Eat
Feb. 24 – Dover, NH – The Dover Brickhouse w/ KYOTY, Tar
Feb. 25 – Portland, ME – Geno’s Rock Club w/ Sylvia, All Night, Lousy

Gozu tour dates
w/ Ape Machine
Apr. 12 – Los Angeles, CA – Viper Room
Apr. 13 – San Diego, CA – Soda Bar
Apr. 14 – Santa Cruz, CA – Blue Lagoon
Apr. 15 – Sacramento, CA – Starlite Lounge
Apr. 16 – San Francisco, CA – Elbo Room
Apr. 17 – Fresno, CA – TBA
Apr. 18 – Bend, OR – Volcanic Theater
Apr. 19 – Eugene, OR – Old Nicks
Apr. 20 – Portland, OR – Kenton Club
Apr. 21 – Seattle, WA – Funhouse
Apr. 22 – Bremerton, WA – Manette Saloon

Formed in 2010, Gozu have released one EP and three full-lengths to-date, and are currently writing their fourth studio album, set for a 2017 release via Blacklight Media / Metal Blade Records. Fronted by Marc Gaffney on vocals and guitar, Doug Sherman on guitar, Joe Grotto on bass, and Mike Hubbard on drums, the band’s sound is tailor-made for blasting out the car speakers via international radio airwaves. Having already been aired on national television (USA) via MTV (‘Road Rules’, ‘Dudesons’, ‘Real World’), NBC, and NASCAR, Gozu aims to take their critical and commercial success to new heights on their upcoming debut for Blacklight Media / Metal Blade Records, with worldwide touring to follow. Previously, the group shared the stage with the likes of St. Vitus, Pallbearer, Lo Pan, Storm of Light, Helmet, Elder, Mos Generator, and Fu Manchu in the States, as well as Yob, Church of Misery and Kvelertak in Europe at Roadburn (Netherlands) and DesertFest Berlin (Germany). 2017 will surely see Gozu back on the road again, and at the forefront of the heavy rock and metal world.

Gozu line-up:
Marc Gaffney – guitar and vocals
Joe Grotto – bass and low end
Mike Hubbard – drums and percussion
Doug Sherman – lead guitar and sounds

https://www.facebook.com/GOZU666/
https://twitter.com/gozu666
https://www.instagram.com/gozu666/
http://gozu.bandcamp.com/
https://www.facebook.com/BlacklightMediaOfficial/
metalblade.com

Gozu, Revival (2016)

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Gozu Announce Northeastern Tour Dates

Posted in Whathaveyou on February 6th, 2017 by JJ Koczan

gozu (ph by james jay fortin)

It’s been kind of quiet from the camp of Boston heavy rockers Gozu since the announcement late last year that they’d signed to Metal Blade Records imprint Blacklight Media for the release of their next album. They shared the stage with Truckfighters last month in Somerville, MA, and I’ve heard rumblings about a return to Europe sometime in 2017, but my sense is they’ve been taking advantage of the winter season to hunker down, stay inside and set to work on the follow-up to 2016’s excellent Revival (review here), the charge of which was delivered via Ripple Music.

A release in 2017 would be Gozu‘s fastest turnaround, and of course there are contingencies like label scheduling, pressing, distribution, etc., to consider — let alone the recording process itself — so I don’t know if we’ll see it this year or in 2018. They were in the ‘Definitely Could Happen’ section of my most anticipated albums list, and particularly with the momentum they have on their side after the new signing, touring Europe with Holy Grove, and so on, yeah, it’s possible, but we’ll have to wait and see what materializes. While the energy of Revival was a big part of what made it work so well, I’d rather they didn’t actually rush the writing process, especially since their next outing has the potential to expand their reach so greatly with Metal Blade‘s promo/distro machine behind it. So yeah, off to the rehearsal space with you guys.

Nonetheless, one gets restless, right? And a couple days out are good for the soul, so Gozu will head south from MA later this month and make their way back to New England, playing Philly, Brooklyn, New Hampshire and Portland, Maine, along the way on a kind of during-the-week winter getaway tour. Shaking off the rust? Maybe testing out a new song or two? You’ll have to go to a show to find out, I suppose.

They’re keeping some cool company as well on the run. Dates/particulars follow:

gozu winter getaway

Gozu – Winter Run 2017

Looking forward to seeing y’all!! Some upcoming shows with lots of friends!

Gozu live:
02/22 Philadelphia PA Kung Fu Necktie w/ The Age of Truth, Kingsnake
02/23 Brooklyn NY Lucky 13 Saloon w/ Pants Exploder, Eyes of the Sun, Eat
02/24 Dover NH The Dover Brickhouse w/ KYOTY, Tar
02/25 Portland ME Geno’s Rock Club w/ Sylvia, All Night, Lousy

https://www.facebook.com/GOZU666/
https://twitter.com/gozu666
https://www.instagram.com/gozu666/
http://gozu.bandcamp.com/
https://www.facebook.com/BlacklightMediaOfficial/
metalblade.com

Gozu, “Disco Related Injury” Live at Desertfest Berlin 2014

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Rozamov Announce Coast-to-Coast US Tour

Posted in Whathaveyou on January 26th, 2017 by JJ Koczan

Not to say I called it or anything — though I most definitely, definitely called it — but Boston three-piece Rozamov have announced a considerable round of tour dates in support of their forthcoming debut album, This Mortal Road. It’s a run that will take them from one coast to the other as they herald the March 3 release on Battleground Records and Dullest Records, and includes a certainly noteworthy appearance at the Austin Terror Fest, put on by the same crew as the South West Terror Fest.

There are a few open days around that appearance that I assume will be filled by gigs at SXSW or on their way to or from Austin, but either way, it’s a substantial amount of travel and an awesome barrage of shows, so all the best to Rozamov on hitting the road hard and getting out to deliver their onslaught in-person. I haven’t heard the record yet, but I’m rooting for these guys already to make a significant impression this year. A tour like this won’t hurt.

From the PR wire:

rozamov us tour

ROZAMOV Announces US March Tour Supporting This Mortal Road Full-Length

Boston’s ROZAMOV will tour across the US in support of their upcoming debut full-length, This Mortal Road, beginning directly in conjunction with the album’s release through Battleground Records and Dullest Records.

The new ROZAMOV tour will begin with a record release show the day This Mortal Road is issued, Friday, March 3rd, in Allston, Massachusetts. From there, the band will venture in a clockwise path around the country through the entire month. At press time, nineteen shows have been confirmed, with several additional performances yet to be announced. Hush will join ROZAMOV on first three shows in Brooklyn, Baltimore, and Richmond, and the tour also includes a set at Austin Terror Fest. The remaining dates will be issued in the coming days, as the band issues further information and audio to the anxiously anticipated This Mortal Road.

This Mortal Road will see release March 3rd on vinyl through Battleground Records, on CD and cassette through Dullest Records, and digitally through ROZAMOV. Digital preorders are posted HERE, and physical preorders at Battleground HERE and Dullest HERE.

ROZAMOV Tour Dates:
3/03/2017 O’Briens – Allston, MA *record release show
3/08/2017 The Well – Brooklyn, NY w/ Hush
3/09/2017 The Depot – Baltimore, MD w/ Hush
3/10/2017 25 Watt – Richmond, VA w/ Hush
3/11/2017 Star Bar – Atlanta, GA
3/12/2017 The Nick – Birmingham, AL
3/13/2017 Shantytown Pub – Jacksonville, FL
3/18/2017 The Lost Well – Austin, TX @ Austin Terror Fest
3/19/2017 Zombies – Amarillo, TX
3/20/2017 Moonlight Lounge – Albuquerque, NM
3/21/2017 Yucca Taproom – Tempe, AZ
3/22/2017 Complex – Los Angeles, CA
3/24/2017 High Water Mark – Portland, OR
3/25/2017 Funhouse – Seattle, WA
3/26/2017 Club X – Salt Lake City, UT
3/27/2017 Bar Bar – Denver, CO
3/28/2017 Riot Room – Kansas City, MO
3/29/2017 Livewire Lounge – Chicago, IL
3/30/2017 Buzzbin – Canton, OH

With five monolithic passages consuming over forty minutes of textured, melody-laced doom metal, This Mortal Road presents a sonic catharsis featuring the longest, heaviest, and most progressive tracks ROZAMOV has ever created. The crushing production was recorded and mixed by Jon Taft at New Alliance Audio, and mastered by Nick Z at New Alliance East Mastering, the album finalized with photography by Andrew Weiss and layout by Matt Martinez.

https://www.facebook.com/Rozamov
http://battlegroundrnr.com/
http://www.facebook.com/battlegroundrecords
http://battlegroundrecords.bigcartel.com
https://dullestrecords.bandcamp.com
https://www.facebook.com/DullestRecords

Rozamov, This Mortal Road album trailer

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Worshipper Post “Darkness” Video

Posted in Bootleg Theater on January 26th, 2017 by JJ Koczan

worshipper

Boston’s Worshipper offer a suitably crisp reminder of the quality of hooks proffered on their debut album last year with their new video. The clip, for the cut “Darkness,” is somewhat obscure visually, but the message could hardly come through clearer. Shadow Hymns (review here) was released by Tee Pee Records and found a place for itself on the fine line between heavy rock and classic metal, managing to harness an atmospheric presence amid what was otherwise unabashed structural traditionalism.

I called it one of 2016’s best debuts, and it easily was that, but it was also one of the most individualized, refusing to bow to aesthetic when it might cost Worhispper some detriment to songwriting.

Maybe that doesn’t make sense until you actually hear what guitarist/vocalist John Brookhouse, guitarist Alejandro Necochea, bassist/backing vocalist Bob Maloney and drummer Dave Jarvis proffer on a song like “Darkness,” but the niche they craft between familiarity and nuance of style and performance is something special and something particularly rare for bands making their debut. The interplay of acoustic and electric guitar on “Darkness,” for example, could otherwise consume the work of groups looking to indulge some progressive vision, but Worshipper back away from this impulse and instead let the track’s chorus do the talking for them.

With Brookhouse‘s vocals out front, the scorch-prone leads of Necochea peppered with class throughout, and the dead-ahead drive from Jarvis and Maloney, the execution of “Darkness” happens smoothly and efficiently, and the song is lean without giving up a natural feel. They probably could’ve picked any number of tracks from Shadow Hymns and made a video for it and I’d say the same thing, but that doesn’t make it any less true. It just makes it a really good album.

Credits follow the clip below. Please enjoy:

Worshipper, “Darkness” official video

WORSHIPPER – “Darkness” from the album ‘Shadow Hymns’
Music by Worshipper
Lyrics by John Brookhouse

Directed by Duncan Wilder Johnson
http://www.dwjcreative.com

Art Direction by Bob Maloney

Available now on CD & LP via Tee Pee Records.

Purchase from Tee Pee Records here: http://bit.ly/2e2SBA5
Purchase on iTunes: http://apple.co/2eAA5ei

Worshipper on Thee Facebooks

Worshipper on Instagram

Worshipper on Twitter

Worshipper on Bandcamp

Tee Pee Records website

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Rozamov Unveil This Mortal Road Cover Art; Album Trailer Posted

Posted in Bootleg Theater, Whathaveyou on January 13th, 2017 by JJ Koczan

rozamov

Sometime in between now and its March 3 release, it doesn’t seem unreasonable to expect Boston atmospheric doomers Rozamov to announce the tour currently being booked with which they’ll support This Mortal Road, their debut full-length. The only question is how long and how far it and they will go. Set for issue through Battleground Records and Dullest Records, Rozamov‘s first outing requires emphasis as such — that is, I have to remind myself they don’t already have an LP out — because of all the three-piece have accomplished over the last couple years, establishing their dominance in their local scene and branching out to tour, play Psycho California, release two EPs and other shorter offerings besides, open for Slayer, on and on. Dudes have done a lot to lead into this record. Can’t imagine they’ll start half-assing now, in the crucial moment of bringing it to bear. Keep an eye out for tour news, and likely more besides.

For example, today I have the particular pleasure of unveiling the cover art — photography by Andrew Weiss, layout by Matt Martinez — for This Mortal Road, as well as the tracklisting for the five-song offering and a brand new teaser featuring a quick snippet of their bleak wares. I could ramble on about how much I’m looking forward to this record, but you don’t care, and the really important stuff — the art, tracks, and video — is below. So let’s do that.

It comes, of course, from the PR wire:

rozamov this mortal road

Boston-based ROZAMOV has issued the details and a brief trailer for their upcoming debut full-length, This Mortal Road, which is set for co-release through Battleground Records and Dullest Records in March.

With five monolithic passages consuming over forty minutes of textured, melody-laced doom metal, This Mortal Road presents a sonic catharsis featuring the longest, heaviest, and most progressive tracks ROZAMOV has ever created. The crushing production was recorded and mixed by Jon Taft at New Alliance Audio, and mastered by Nick Z at New Alliance East Mastering, the album finalized with photography by Andrew Weiss and layout by Matt Martinez. The cover art, track listing, and a brief trailer for This Mortal Road, featuring a clip of audio, have been issued.

This Mortal Road will see release March 3rd on vinyl through Battleground Records, on CD and cassette through Dullest Records, and digitally through the band. Stand by for additional audio samples, an official video, and more to be released in the coming weeks. A North American tour is currently being booked in support of This Mortal Road.

This Mortal Road Track Listing:
1. This Mortal Road
2. Wind Scorpion
3. Serpent Cult
4. Swallowed And Lost
5. Inhumation

Preorders live at: http://battlegroundrnr.com and https://rozamov.bandcamp.com/album/this-mortal-road

https://www.facebook.com/Rozamov
http://battlegroundrnr.com/
http://www.facebook.com/battlegroundrecords
http://battlegroundrecords.bigcartel.com
https://dullestrecords.bandcamp.com
https://www.facebook.com/DullestRecords

Rozamov, This Mortal Road album trailer

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