Live Review: Blackwolfgoat Album Release with Bedroom Rehab Corporation, Sea and Shutup!! in Allston, 09.12.14Posted in Reviews on September 15th, 2014 by H.P. Taskmaster
It was just over a month ago I last saw Blackwolfgoat, in Portland, Maine, opening for We’re all Gonna Die‘s final reunion gig, so I’d say the stuff was pretty fresh in my brain, even aside from listening to the new album, Drone Maintenance, for an I’ll-get-there-I-swear-I-will review, but this was the release show for that record and sometimes you feel like maybe you need to show up. Another chance to scope out Connecticut duo Bedroom Rehab Corporation was added appeal, and it was the live debut from Sea, which boasts bassist/vocalist Stephen LoVerme of Olde Growth and guitarist Liz Walshak, formerly of Rozamov, so put that together with noise-riff duo Shutup!! opening, and yeah, it’s a night. A Friday, in Allston, in September. College kids, hip youngsters, and me, rolling down Harvard Ave. like a forest troll looking for parking. Around and around and around Allston’s designed-for-the-crowded-populace-of-1700 blocks I went, ducking drunk undergrads and Bruins fans. There were other shows around town. I knew where I wanted to be.
O’Brien’s was much as I left it whenever the last time I was there was. Low, red lights, equipment along the wall. They played Floor between bands, which was a nice touch, and people shuffled in and out over the course of the evening in various degrees of stupor. It wasn’t a rock show entirely, but there was a bit of that going on. Here’s how it all went down:
One of the issues with going to see drone live is that the crowd, especially after a couple minutes in, invariably starts to chatter, and you hear it over the performance, still very much in progress. The guitar/bass two-piece Shutup!! avoided this issue neatly by being so fucking loud you could barely hear yourself think, let alone transmit those thoughts verbally to another human being. Clever. Bassist Aarne Victorine is set to debut with another band, UXO (featuring Steve Austin of Today is the Day and Chris Spencer of Unsane), next year, but paired with guitarist Jon Christopher in Shutup!! the modus was forceful low-end rumble all the way. They were on as I was walking into O’Brien’s and clearly audible from outside, tossing in a few lumbering riffs to go with the massive wash of amp noise, feedback and effects that seemed to bite right past one’s earplugs — the cheap foam kind, but still. It was a short set, less than 20 minutes, but I doubt anyone there would argue they didn’t get their point across. Exploratory but vicious, heavy drone not for the faint of heart or the weak of tolerance.
It is a cruelty to judge a new band or anything they do by their first show, so I won’t, but don’t take that to mean newcomer four-piece Sea didn’t come across well or like they knew what they were going for. With a blend of flowing doom and some post-metal churning inflection, as well as a strobing desk lanp on top of guitarist Mike Blasi‘s amplifier timed to be’chopped drummer Andrew Muro‘s kit, Sea seemed to be on their way toward solid construction and an aesthetic in the making. LoVerme varied his vocals between post-Mastodon shouts and more subdued melodies, and Walshak and Blasi added ambient sprawl to quieter sections to contrast and complement the heavier push. Their songs, as I understand, are as yet untitled, but one could hear an oceanic theme at work, and while the project is nascent, there seemed to be potential at work as well. They were the fullest band of the night with twice as many members as anyone else, but received a warm welcome that, especially for a debut gig, didn’t seem like it could’ve left them disappointed. Will be interesting to see where they go as they continue to hammer out their sound (and light show).
Bedroom Rehab Corporation
Speaking of good bands getting better, the night also re-confirmed for me how far ahead of their 2013 debut, Red over Red (review here), are bassist/vocalist Adam Wujtewicz and drummer Meghan Killimade of Bedroom Rehab Corporation. After seeing them for the first time earlier this summer, this was already apparent, but no less so in Allston, the New London, CT, twosome engaging in varying doomly methods, Melvins-style crunch and a bit of noise punk to boot, the gruff shouts of Wujtewicz adding a sense of burl to the set. He announced their intention to record with Justin Pizzoferrato, who also helmed Red over Red as well as past and upcoming efforts from Elder and many others, in the coming months, and though they’ve worked together before, I wouldn’t be surprised if the next Bedroom Rehab Corporation is a much different affair than was the first. They seem to be in the process of discovering their sound and that only makes watching them play, even the older material with its seafaring thematic — New London is on the no-less-ambitiously-named Thames River, and is a town with a port history — more enjoyable.
After stints in recent years in Hackman, Black Pyramid, The Scimitar and most recently Kind, Blackwolfgoat seems all the more like the vehicle through which guitarist Darryl Shepard can express unmitigated joy in his craft. He’s all alone up there — wasn’t at this show, but we’ll get there in a second — looping guitar pieces on top of each other and feeling out the spaces his tones create. The project has proved more progressive over time. His first album on Small Stone, 2010’s Dragonwizardsleeve (review here), was rife with darkened noise, while the subsequent 2012 outing, Dronolith (CD released by The Obelisk’s in-house label, The Maple Forum), branched out to more varied atmospherics. With the new Drone Maintenance, the release this show was celebrating and a record I was fortunate enough to see in the making, Shepard again pushes himself toward traditional songwriting ideology, but maintains a full-headed sense of purpose to each piece, each one accomplishing a goal of its own feeding into the larger whole of the album. At O’Brien’s, new works like “Axxtrokk” and “White Hole” led to Shepard bringing up his Kind bandmate Matthew Couto (also Elder) for an entirely improvised jam that ended the set in a chaotic swirl of effects noise that refused to be grounded, either by Couto‘s drumming or the crowd’s expectation. Having seen Kind recently, I had some sense of what to expect from the collaboration, but the results were still the highlight of the evening and something special that hadn’t been done before. If that jam foretells a direction Blackwolfgoat might take, it’s one of any number possible for the wide open creativity on display.
Turns out Allston hadn’t gotten any less fucked up while I was inside O’Brien’s, but I mowed down zombies with video-game accuracy and grooved out to the Masspike without further incident. A couple close calls here and there, but easily a trip worth the risk.
Few more pics after the jump. Thanks for reading.