The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Days of Rona: Mario Trubiano of Borracho (Washington, D.C.)

—

High-quality research click to read more for all purposes. Affordable prices, the best specialists on the web and 24/7 service How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Here we are about eight weeks in, and Borracho hasn’t had a lot of contact since just before the lockdown. We check in by text, and have done the requisite Zoom calls, but it hurts not be able to get in the jam space and play. Especially since we were just hitting our stride after the three years I lived in Peru. The current situation has delayed us finishing up recording on our new LP, which is almost completely recorded except for vocals on three songs. We were scheduled to finish that back on March 29, and while we’ve managed to proceed with mixing, the record won’t be done until we are able to get those tracks finished. But keeping hope for a release later this fall if things don’t deteriorate further. We’ve all been really following the stay home orders, so thankfully we are all healthy, as are our families.

procurement masters thesis http://oranltd.com/assignment-of-rents-and-leases/ dissertation consulting fees essay death penalty What are the quarantine/isolation rules where you are?

In D.C. we have been on a stay home order since March 13. We all live in different parts of the city, so it depends a bit where you are, but things are quiet. Now that the weather is turning there’s a lot more exercise and outdoor activity, which can feel weirdly disconcerting. It’s totally natural, but in this context kinda freaks you out. The whole D.C./Maryland/Virginia area is generally in sync on the rules, but since there are so many government and professional jobs around here, a lot of people are able to work from home.

reader writer thinker essay how to write college application formal research paper How have you seen the virus affecting the community around you and in music?

Well, right before the lockdown even happened D.C. had just lost the Rock and Roll Hotel, a fairly essential mid-sized venue where a lot of the national touring bands from our scene would regularly pass through. Small venues already had the cards stacked against them in D.C. proper, with major neighborhood demographic and economic shifts over the past 20 years, so I fear when they inevitably have to shut down from this crisis the city won’t be left with anyplace for local and smaller touring bands to play or hone their craft, and the scene will be hurt as a result. It obviously hurts not being able to go out to shows, connect with our friends from the local scene, and of course to play shows ourselves. The live streams haven’t been cutting it.

Our cheap essay writing service by professioanl essay typers is your answer to the question: Who can How To Write An Application Essay 8 2 for me? � We will recommend the best What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

It really doesn’t feel like we’re getting closer to “getting back to normal,” whatever that will be, but now that this has worn on so long it’s hard to imagine there won’t be some level of pushback to staying home through the whole summer. But the disruptions will definitely wear on, and the economic carnage is kind of hard to even fathom. But I am hopeful that we can weather this as a society, and in time we’ll learn and adapt in ways that could lead to unexpected improvements. As a band, Borracho is committed to getting our new record finished and released, and looking forward to hitting the stage whenever that’s possible.

http://borrachomusic.com
https://www.facebook.com/BorrachoDC/
https://borracho.bandcamp.com

Five years after joining forces on stage at a best college admission essays harvard Get More Info homework help for biology dissertation university of california los angeles Savage Magic Records showcase in California School Papers School Papers Do My Assignment services provided by Assignment Expert Help.com is among the premier assignment writing help Borracho and former Watch best videos about Cover Writing A Reflective Paper Jobs on our tube site! Adam West frontman tale of two cities essay First Writing Paper buying a dissertation help how to write a good medical school admissions essay Jake Starr — currently of Being Resume Writing Services Everett Wa we pride ourselves in writing successful business plans for our clients.Contact us today on 0851477625. Jake Starr and The Delicious Fullness — have put together a two-song 7″ single with a couple of We ordered college papers from the websites before composing our http://totaltheatre.org.uk/essay-on-sartre/. That's why you're on the right track to pick the Adam West tracks redone in the studio. Borracho drummer Welcome to leading platform of custom How To Make A Great Business Plans. We offering all kind of academic writing services like Best Paper Writing Service, Top Mario Trubiano played in the more garage-style rocking outfit as well, who were long a staple of the Washington D.C. underground, putting out a massive slew of short releases as well as five full-lengths, the last of which was offered up in 2008.

Something cool for fans either of Essaywritingservice.org.uk is well known writing service offering Article About Essay Writing Services at cheap rates, we deliver work on time with 100% plagiarism free. Starr‘s work or of Looking for professional dissertation writing help and don't know where to find it? The answer is simple: at like it service, right here! Borracho, but clearly the kind of thing undertaken because they wanted to do it rather than as any sort of high-profile outing. Still, the most recent Get help from expert http://at.kdu.edu.ua/?how-to-plan-an-essay with all your tasks! College is the time of the year where individuals take on a greater role outside Borracho release was 2017’s English editing and Uk Best Essays for ESL speakers - available 24/7 from the professionals at Scribendi. Riffography (review here), so whatever they’ve got is welcome. One wouldn’t necessarily expect it to lead to any further collaboration, but of course one also never knows pretty much anything, ever, ever, ever, so take that for what it’s worth and maybe just dig into some songs. Cool.

From the PR wire:

Borracho with Jake Starr 7″ (SM-046)

If you were there for the Strange Magic Showcase Night #1 in Pomona, CA January 31st, 2015, then you saw Jake Starr take the stage with Borracho and knock out two amazing versions of Adam West classics. It sounded so incredible, we immediately got to talking about getting these two songs recorded in the studio and releasing a 7-inch. Lo and behold, and five years later it has actually happened! Here we have “Sixth Son of a Seventh Son” from Adam West’s 2002 single of the same name, and “Bulletproof” from Adam West’s 2005 album “Power to the People” completely re-imagined and re-recorded Borracho-style!

A side:
Sixth Son of a Seventh Son

B side:
Bulletproof

$10 + postage

300 copies pressed
100 on purple vinyl
100 on green vinyl
100 on traditional black vinyl

Release Date: February 25th 2020

http://borrachomusic.com
https://www.facebook.com/BorrachoDC/
https://borracho.bandcamp.com
https://www.facebook.com/SavageMagicRecords
http://savagemagicrecords.com/

Borracho, Riffography (2017)

About a week ago, the news came through that Washington D.C. heavy rockers Borracho had a reissue in the works through Cursed Tongue Records but that the label wasn’t going to reveal which one until it got a certain amount of showoff vinyl pics via the social medias with a hashtag “CTRBorrachoChallenge.” Guess they hit the mark, because today the label has unveiled that it’s the band’s 2011 debut, Splitting Sky (review here), that will see new life on LP this Spring. A May release is expected.

Hard to believe it’s been seven years since Splitting Sky actually came out, even in light of all that Borracho have accomplished in the time since. The album has actually been on vinyl before — No Balls Records out of Germany did a limited run — but I’d be curious to hear if the new remaster from Tony Reed does anything to the balance of the mix, which always seemed to favor the vocals of Noah Greenberg, who left the band before their next reord came out, at the forefront over the riffs.

Either way, Borracho have obviously made an awful lot of new friends since the days of the original Splitting Sky release, so for them and for collectors alike, this seems like another solid pickup from Cursed Tongue, who sent the following announcement along the PR wire:

CTR-008: Borracho – ‘Splitting Sky’ 2018 reissue, newly remastered and with original artwork, the way it has always been intended to look.

Splitting Sky was initially released on CD/digital back in 2011. A limited run vinyl pressing was also made, but copies have long sold out since and second hand prices have fetched stupid prices. Borracho are full of good momentum and with last years critically acclaimed 3rd full length ‘Atacama’ (Kozmik Artifactz) and the recent released compilation album of singles entitled ‘Riffography’ the band has a lot going on. The winds are blowing in the band’s favor and there’s no better time than now to reissue this great desert stoner rock album that by some critics and fans alike already has been heralded as a new-classic.

Cursed Tongue Records is inclined to give ‘Splitting Sky’ a well deserved makeover, brushing of all the cobwebs and breed new life into the furrows of this hard-hitting rock. The vinyl re-issue is entirely newly remastered for optimal vinyl playback by no other than Tony Reed and it’s also featuring the original artwork with new layout and design. Splitting Sky will thus yet again be available for the vinyl fans, but this time around the way it was initially intended to look and sound while bearing all the hallmarks of high quality and attention to detail that a Cursed Tongue Records release has come to offer.

BANDCAMP (stream/download): http://borracho.bandcamp.com/album/splitting-sky

BIO:
Borracho is a three piece heavy rock band from Washington, DC. In the five years since releasing their 2011 debut Splitting Sky, they have become a staple of the Mid-Atlantic — and US — stoner rock scene. 2013’s follow up Oculus highlighted a band in metamorphosis, moving the band forward sonically with a leaner lineup, but continuing their emphasis on song construction and memorable melodies. With a substantial offering in Ripple Music’s 2015 inaugural Second Coming of Heavy, Chapter One, the band showed their continued commitment to the almighty riff, and plenty of variety in their approach, even within only 22 minutes of scathing rock.

Along with their two LPs, Borracho has dropped a half-dozen limited edition vinyl singles and split 7”s to satisfy fans and collectors around the globe. The band has worked with labels from the US, Spain, Germany, and Japan to get their music to the masses, and has teamed up with similar acts Cortez, Geezer, and Eggnogg — even their own former band Adam West — on split releases. The past two years has pushed Borracho to both Europe and the west coast of the United States to preach their gospel of low and heavy grooves.

With the 2016 release of their third LP Atacama, the band is primed for a larger audience, with a totally organic and diverse collection of heavy anthems to get people up onto their feet and raising their fists in a glorious Hallelujah.

2018 sees the Borracho’s 2011 debut album reissued on vinyl via Cursed Tongue Records and furthermore the band has also started working on their 4th full length album. So the band might be seasoned but the three gringos behind the stearing wheel are far from done, quite opposite they seem to age in style and class, remaining everso evident and vibrant. Only a few things in life are for certain; one of them is that Borracho came to play heavy-AF riffs, rock-out and have a good time – and they never left!

CTR-008, Borracho – ‘Splitting Sky’, official release date: May 2018
Pre-orders start in April.

Borracho is:
Steve Fisher – Lead Guitar & Vocals
Tim Martin – Bass
Mario Trubiano – Drums

(Noah Greenberg handled vocal duties on Splitting Sky, but afterwards he left the band and moved abroad.)

Produced, recorded and mixed by Frank Marchand in Studio A at Airshow Mastering, Takoma Park, Maryland in March 2011. Mastered for vinyl by Tony Reed of HeavyHead Recording Co. All words and music by Borracho. © 2011 Repetitive Heavy Grooves Music. Band photography by Margaret Allen. Cover concept, layout and design by Tim Martin Designs, Washington, D.C. Additional design and artwork for this vinyl edition by Michael Andresakis.

Track listing:

Side A
1. Redemption
2. Concentric Circles
3. Bloodsucker
4. Grab The Reins

Side B
5. All In Play
6. Never Get It Right
7. Grinder

http://borrachomusic.com
https://www.facebook.com/BorrachoDC/
https://borracho.bandcamp.com

https://www.facebook.com/CursedTongueRecords/
https://www.instagram.com/cursedtongue
http://cursedtonguerecords.bigcartel.com/

Borracho, Splitting Sky (2011)

Here’s a fun one: We know that D.C. heavy groovers Borracho recently issued their Riffography (review here) collection spanning their 10 years together front to back with assorted unreleased or at very least rarer-than-not tracks. That came out through Ripple Music. Their preceding 2016 full-length, Atacama (review here), came out via Kozmik Artifactz, where 2013’s Oculus (review here) and their 2011 debut, Splitting Sky (review here), landed through Strange Magic Records and No Balls Records, respectively.

Now. One of these LP offerings has been picked up for a vinyl release by Cursed Tongue Records, but the label isn’t quite ready to say which one. What they’re doing instead is hosting an Instagram challenge where you put your favorite Borracho platter on your turntable, snap a picture of it on your fancy phone, and post it up on Instagram with the hashtag “CTRBorrachoChallenge.”

As soon as they get to 30 posts, Cursed Tongue will reveal which album it’s releasing. See? I told you it was a fun one.

Details follow:

-|- CTR-BORRACHO CHALLENGE -|-

CTR has just announced the signing of mighty Borracho out of DC, US for impending vinyl release. However, before we reveal what album we are talking about you will have to accept a little challenge!

The idea is to get many release pictures posted all around Instagram in order to draw attention toward the Borracho. They have released many things on vinyl along the years; so many people have them in their collection; they just need to dust them off and blast them on their turntable!!!

Dust off one of your Borracho vinyl copies and post a picture of it with the following hashtag #CTRBorrachoChallenge

Once we get 30 posts, we will unveil the album details \,,/

Meanwhile, you can take all the guesses you want

#CursedTongueRecords #CTR #Borracho #BorrachoBand

Borracho is:
Steve Fisher – Guitar, Vocals
Tim Martin – Bass
Mario Trubiano – Drums

http://borrachomusic.com
https://www.facebook.com/BorrachoDC/
https://borracho.bandcamp.com
https://www.facebook.com/CursedTongueRecords/
https://www.instagram.com/cursedtongue
http://cursedtonguerecords.bigcartel.com/

Borracho, Riffography (2017)

Full disclosure, this past summer I was asked by Borracho to write the liner notes for this release. If you think that means there’s a conflict of interest in my covering Riffography on an editorial level, two things: First, I took no payment. Second, it’s more of an alignment of interest than a conflict, since if I wasn’t interested in them in the first place, I probably wouldn’t have done the liner notes and I wouldn’t be writing about Riffography again now. Still, if you think that means I can’t be impartial, well, impartiality is a myth and I write about the records I feel like writing about. Get over it.

I’ll admit I didn’t think much of Borracho around the time of the Washington, D.C.-based heavy rockers’ 2011 debut, Splitting Sky (review here). I’d heard significant hype about the then-four-piece (always a turnoff) and I found the album in need of a deeper-sounding mix and an editorial impulse. Promising “Repetitive Heavy Grooves” as a slogan, it delivered, but didn’t seem to have the dynamic behind it to stave off redundancy while riding its formidable grooves. Part of my issue as well was the gruff vocal approach of guitarist Noah Greenberg, who was too far forward ahead of his and Steve Fisher‘s guitars. I mention this only to emphasize the most underappreciated and undermentioned aspect of everything Borracho have done since Splitting Sky: their growth.

Now the trio of Fisher, bassist/backing vocalist Tim Martin and drummer Mario Trubiano, they’ve never put out a release that did not showcase marked progression from the one before it, and it’s precisely that story that Riffography (on Ripple Music) is telling as it marks a decade since their first outing, a split 7″ with Adam West the featured track from which, “Rectify,” opens here in suitably raw and rudimentary fashion. Cuts from Borracho‘s three to-date LPs — Splitting Sky, 2013’s Oculus (review here) and 2016’s Atacama (review here) — aren’t featured (one exception), but the narrative arc of Borracho‘s ongoing creative development is clearly represented nonetheless across a packed-in 13 tracks and 75 minutes of weighted riffs, nodding rollout and periodically driving thrust.

Key moments of transition — most notably the departure of Greenberg from the band following Splitting Sky and Fisher taking hold of the frontman role — are depicted, and between “Rectify” and early off-album pieces like “Mob Gathering,” “Circulos Concentricos,” and “Short Ride (When it’s Over),” the collection effectively sets up a timeline that ends with the three songs from Borracho‘s portion of the first installment of Ripple‘s The Second Coming of Heavy (review here) split series — a pivotal moment of arrival in 2015 — and their latest single, “Border Crossing” (premiered here).

The very nature of a release like Riffography is such that, in order to work, it needs to be honest on the level of “warts and all.” It’s true that in the years since Splitting Sky, Borracho have built and worked hard to maintain significant momentum when it comes to their stylistic maturation, the chemistry between Fisher, Martin and Trubiano and amassing an audience. As far as narratives go, theirs is cleaner than most.

But still, Riffography tells the story from all sides, and while largely consistent on the basic level of their sound — the band has worked over the years on multiple occasions with producer Frank “The Punisher” Marchand — these songs aren’t without their bumps and/or bruises. Of particular note is a version of “Stockpile” with Greenberg still in the lineup. That track would appear on Oculus with Fisher on vocals, but it speaks directly to that essential transition in the group and to their trying to make it work as a foursome despite their original singer moving away.

And for what it’s worth, they seem to have learned lessons from their first LP in terms of finding a balanced approach. By the time they get into “Know My Name” from their 2014 split with Boston’s Cortez (review here), however, it’s Fisher up front, getting his footing as a singer and setting in motion a process still happening in building his confidence at the mic while also holding down the fuzz riffing that has helped earn the band such wide distinction throughout their time together.

“King’s Disease” from the 2015 split with Brooklyn’s Eggnogg (review here) follows and seems to return to an earlier rawness of approach with dry-sounding vocals, drums and guitar and bass tones, but works well to emphasize the classic-style swing Borracho honed as a three-piece and the way in which their “Repetitive Heavy Grooves” learned at that point to add engaging subtleties to go along with the forward march at their core.

And while I won’t take away from Oculus at all or the role that album played in establishing Borracho as the band they are today, it was their appearance on The Second Coming of Heavy that really solidified their presence and let listeners know who they were going to be. “Fight the Prophets,” “Superego” and “Shark Tank” remain a thick, rolling and satisfying listen — an EP unto themselves — and in light of the band’s to-date high-water mark in Atacama, one can hear the jammy aspects of that record taking shape in the solo sections of “Superego” and in the first half of “Shark Tank” as a precursor to the thrust that follows later.

It would be fair enough to leave the story there, but “Border Crossing,” which is shorter at 4:10, and a cover of Scorpions‘ “Animal Magnetism” originally intended for use on an unmaterialized tribute CD cap Riffography with perhaps a look forward at how Borracho will keep combining the various personality aspects that have emerged in their sound over time. No question Atacama was their greatest triumph to this point — and well it should be — but Riffography makes its point unarguably that Borracho are not now and have never been a band to hold still in their sonic take and not push themselves forward each time out. Accordingly, I’d no more expect their next long-player to rest on Atacama‘s laurels than I expected Atacama to stay in the realm of Oculus.

Further, if one wants to examine Riffography on a meta-level, in addition to summarizing Borracho‘s first decade together, it also serves to hold the momentum until that proverbial “next album” arrives, which again, is something they’ve always done so well. It might seem like a curio or a piece for fans more than casual listeners, but in both its exclusives and its gathered inclusions, Riffography puts due emphasis on how special a band Borracho have become over the last 10 years and reminds that their evolution is ongoing. For that, it is ultimately about their future nearly as much as their past.

Borracho, Riffography (2017)

Borracho on Thee Facebooks

Borracho on Twitter

Borracho on Bandcamp

Borracho website

Ripple Music on Thee Facebooks

Ripple Music on Twitter

Ripple Music on Bandcamp

Ripple Music website/

By way of a confession, I wrote the liner notes over the summer for the forthcoming Riffography compilation from D.C.-based heavy riffers Borracho. I’ll hope to post them here sooner or later — the writing process involved a great, hour-long conversation with the guys from the band that went all the way back to their start and wound up looking ahead to their plans beyond their most recent long-player, last year’s excellent Atacama (review here), and it was a real thrill to get their perspective on their growth and the core relationship they share as friends and players and how the two interact to make them who they’ve become musically over time. I was honored to be asked to be a part of the project.

Point is, that while I’ve known about Riffography for a while, I’m still really glad to see it’s coming out. The release — through Ripple, out Dec. 8 — follows a timeline narrative of studio outtakes, 7″ off-album tracks and things like that to add to and flesh out the story of Borracho‘s growth as told by their proper LPs, and though it’s different recordings from different times throughout their years together, you get a sense of what’s been at their root all along and, of course, how they’ve grown around that.

Of course, some of the material on Riffography has been out there already for public consumption, but today, I’m thrilled to host the premiere of the previously unreleased “Border Crossing,” which was originally recorded to be part of Borracho‘s portion in Ripple‘s The Second Coming of Heavy – Chapter One split release with Geezer but wound up not being included. Worth noting that H42 Records will also have a 7″ of “Border Crossing” out on Dec. 8, about which you can read more here.

You’ll find the song itself at the bottom of this post, after the following info on Riffography from the PR wire. Enjoy:

BORRACHO: DC Heavyweights to Release New Album Next Month on Ripple Music

Riffography is released worldwide on 8th December 2017 on Ripple Music

Ripple Music is thrilled to announce the worldwide release of Riffography, a brand-new compendium which pulls together an entire decade’s worth of blood, sweat and rare riffs from one of Washington, DC’s heaviest rock bands, Borracho.

Ten years on from when the trio first got together (and six from the release of the band’s debut album Splitting Sky in 2011), the story of Borracho is one of change, graft, survival, and ultimately, a groove-laden style that has secured them a place at the centre of the US underground stoner rock scene. Drawing on influences that span decades, they combine soaring musicality with subterranean propulsion, encompassing the hard-driven classic rock/metal of Black Sabbath and Mountain, stoner jams of Clutch and Fu Manchu and epic progressive sensibilities of Mastodon and High on Fire.

With Riffography however, what we have in essence is a retrospective companion piece that enriches both their history and discography; with rare cuts from 2013’s follow-up, Oculus, via their inclusion on Ripple Music’s The Second Coming of Heavy series, right the way up to the release of their third album, last year’s brilliant Atacama.

While you can listen to just about any of band’s albums one into the next, those albums alone rarely tell the whole story. In between these key releases, Borracho dropped half-dozen or so limited-edition vinyl singles and split sevens, amassed an enviable collection of unreleased tracks and recorded alternate takes of their own material, with a mind to satisfy fans and collectors around the globe.

Riffography was mastered for digital release by Tony Reed at Heavy Head Recording Company in Port Orchard, WA, and is officially released worldwide on 8th December via Ripple Music. The previously unreleased track ‘Border Crossing’ was recorded and mixed by Frank Marchand in 2014 as part of the Second Coming of Heavy sessions.

Cover illustration by Andrea Nakasato, Lima, Peru – www.facebook.com/andreanakasatoarte

Tracklisting:
1. Rectify
2. Circulos Concentricos
3. Mob Gathering
4. Short Ride (When It’s Over)
5. Stockpile
6. Know the Score
7. Know My Name
8. King’s Disease
9. Fight the Prophets
10. Superego
11. Shark Tank
12. Border Crossing
13. Animal Magnetism

Borracho is:
Steve Fisher – Guitar, Vocals
Tim Martin – Bass
Mario Trubiano – Drums

http://borrachomusic.com
https://www.facebook.com/BorrachoDC/
https://borracho.bandcamp.com
http://www.ripple-music.com
https://ripplemusic.bandcamp.com
https://www.facebook.com/theripplemusic/

Look carefully into the PR wire info below and you’ll see that on Nov. 20, I’ll be hosting a premiere of the title cut from Borracho‘s new seven-incher, Border Crossing. Pretty nifty if you ask me. The D.C.-based trio have a well-established track record of delivering choice riffs and heavy grooves at no point, and you’d be silly to expect anything less from this new track, which comes accompanied by the Scorpions cover “Animal Magnetism” and will be out Dec. 8 through the esteemed imprints H42 Records and Ripple Music.

Yeah, it’s good news. I don’t know about you, but I’m taking it as an excuse to put on last year’s third full-length, Atacama (review here), and give that another visit just for the hell of it. Man, I dig this record. A lot. I thought Oculus (review here) did some really important work in establishing the group as a three-piece, but there’s so much character in Atacama‘s songs — it seems to really be the point when Borracho became the band they’ve wanted to be all along. I hope their next one pushes even further toward those ends, though I happen to know there’s some other stuff in the works before they get there.

For example, this:

BORRACHO’S BORDER CROSSING NEW 7″-Vinyl COMING THIS DECEMBER

A SPECIAL LOW, HEAVY ANNOUNCEMENT

In Summer 2015 Mario came over to us with the idea releasing their both songs ‚Border Crossing‘ and ‚Animal Magnetism‘, a really astonishing Scorpions cover version, on a 7“-vinyl! Now 2 years later we teamed up with the magic Ripple Music and the project comes to an end, and we are happy to announce the baby is born early december 2017. Look Out the presale will start later this month!

Release Date: December 8th
Presale Start on: November 21th. 9 p.m German time
Exclusive Stream of ‘Crossing Border’ on The Obelisk: November 20th
The neon-yellow and the clear-blue and a special limited testpress edition (lim. 20) you can preorder from Nov. 21th (9 p.m German time) in our Shop. The clear-orange edition you can only get from Ripple Music.

Borracho is a three piece heavy rock band from Washington, DC. In the five years since releasing their 2011 debut Splitting Sky, they have become a staple of the Mid-Atlantic — and US — stoner rock scene. 2013’s follow up Oculus highlighted a band in metamorphosis, moving the band forward sonically with a leaner lineup, but continuing their emphasis on song construction and memorable melodies. With a substantial offering in Ripple Music’s 2015 inaugural Second Coming of Heavy, Chapter One, the band showed their continued commitment to the almighty riff, and plenty of variety in their approach, even within only 22 minutes of scathing rock. In 2016 they released their third LP Atacama with our friends in Kozmik Artifactz.

https://www.facebook.com/BorrachoDC/
https://twitter.com/borracho_DC
https://www.instagram.com/borrachomusic/
http://www.borrachomusic.com/
http://borracho.bandcamp.com/
http://www.h42records.com/
https://www.facebook.com/H42Records
https://twitter.com/H42Records

Click Here to Download

 

Consider this your usual disclaimer that, like any of this site’s coverage of year-end whatnottery, this podcast is by no means attempting to capture all of 2016’s best tracks. It is, however, over four hours long, and frankly that seems like enough to ask. If you decide to take it on and sample what I found to be some of the best material to come down the line over the last 12 months, please know you have my thanks in advance. For what it’s worth, it was a lot of fun to put together, and that’s not always the case with these.

But about the length. I’ve done double-sized year-end specials for a while now. It’s always just seemed a fair way to go. And the last few at least have been posted the week of the Xmas holiday as well, which for me is of dual significance since it just so happens four hours is right about what it takes to drive from where I live to where my family lives, so when I look at this massive slew of 34 acts, from the riff-led righteousness of Wo Fat and Curse the Son to the crush of Mammoth Weed Wizard Bastard and SubRosa to the psychedelic reaches of Zun and Øresund Space Collective (who probably show up in podcasts more than anyone, oddly enough), I also think of going to see my family, which has become my favorite part of the holidays.

Whatever associations you might draw with it, I very much hope you enjoy listening. Thanks for taking the time.

Track details follow:

First Hour:

0:00:00 Wo Fat, “There’s Something Sinister in the Wind” from Midnight Cometh
0:09:35 Greenleaf, “Howl” from Rise Above the Meadow
0:14:57 Elephant Tree, “Aphotic Blues” from Elephant Tree
0:20:49 Brant Bjork, “The Gree Heen” from Tao of the Devil
0:26:27 Sergio Ch., “El Herrero” from Aurora
0:29:44 Child, “Blue Side of the Collar” from Blueside
0:35:31 Geezer, “Bi-Polar Vortex” from Geezer
0:43:59 Zun, “Come Through the Water” from Burial Sunrise
0:49:27 Baby Woodrose, “Mind Control Machine” from Freedom
0:54:11 Curse the Son, “Hull Crush Depth” from Isolator
0:59:31 Borracho, “Shot down, Banged up, Fade Away” from Atacama

Second Hour:

1:05:50 Scissorfight, “Nature’s Cruelest Mistake” from Chaos County
1:09:19 Truckfighters, “The Contract” from V
1:16:30 Spidergawd, “El Corazon del Sol” from III
1:21:24 Fatso Jetson, “Royal Family” from Idle Hands
1:26:13 Worshipper, “Step Behind” from Shadow Hymns
1:30:57 Mammoth Weed Wizard Bastard, “Y Proffwyd Dwyll” from Y Proffwyd Dwyll
1:39:42 Druglord, “Regret to Dismember” from Deepest Regrets
1:46:34 Moon Coven, “New Season” from Moon Coven
1:52:03 Gozu, “Tin Chicken” from Revival
1:59:49 Year of the Cobra, “Vision of Three” from …In the Shadows Below

Third Hour:

2:06:53 The Munsens, “Abbey Rose” from Abbey Rose
2:14:56 Lamp of the Universe, “Mu” from Hidden Knowledge
2:21:26 1000mods, “On a Stone” from Repeated Exposure To…
2:26:45 Church of the Cosmic Skull, “Watch it Grow” from Is Satan Real?
2:30:43 Vokonis, “Acid Pilgrim” from Olde One Ascending
2:37:35 Slomatics, “Electric Breath” from Future Echo Returns
2:43:02 Droids Attack, “Sci-Fi or Die” from Sci-Fi or Die
2:47:20 King Buffalo, “Drinking from the River Rising” from Orion
2:56:51 Comet Control, “Artificial Light” from Center of the Maze

Fourth Hour:

3:06:37 Øresund Space Collective, “Above the Corner” from Visions Of…
3:22:51 Naxatras, “Garden of the Senses” from II
3:33:14 SubRosa, “Black Majesty” from For this We Fought the Battle of Ages
3:48:23 Seedy Jeezus with Isaiah Mitchell, “Escape Through the Rift” from Tranquonauts

Total running time: 4:07:32

 

Thank you for listening.

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