Quarterly Review: CHRCH, Bongripper, King Chiefs, Bonnacons of Doom, Boar, June Bug, Tired Lord, Bert, Zen Bison, Wheel in the Sky

Posted in Reviews on July 16th, 2018 by JJ Koczan

quarterly-review-CALIFORNIA-LANDSCAPE-Julian-Rix-1851-1903

You know the deal by now, I’m sure: 50 reviews this week between now and Friday, in batches of 10 per day. It’s an unholy amount of music, but those who really dig in always seem to find something cool within a Quarterly Review. Frankly, with this much to choose from, I’d certainly hope so. I’m not going to delay at all, except to say thanks in advance for coming along on this one. It’s got some core-heavy and some-not-really-core-heavy stuff all bundled next to each other, so yeah, your patience is appreciated. Okay. No time like the present. Let’s do it.

Quarterly Review #1-10:

CHRCH, Light Will Consume Us All

chrch light will consume us all

Yeah, yeah, yeah, the songs are long. Blah blah blah it’s heavy as whatever kind of construction equipment you could want to name. What’s even more striking about Los Angeles doomers CHRCH’s Neurot Recordings debut, Light Will Consume Us All, is the sense of atmosphere. The follow-up to 2015’s massively well-received Unanswered Hymns (review here) is comprised of three songs presented in descending time order from opener/longest track (immediate points) “Infinite” (20:41) to centerpiece “Portals” (14:50) and closer “Aether” (9:29) and it finds CHRCH refining the unremitting patience of their rollout, so that even when “Aether” explodes in its second half to charred blastbeating and abrasive screams, the ambience is still dense enough to feel it in one’s lungs. CHRCH keep up this level of progression and soon enough someone’s going to call them post-something or other. As it stands, their second album builds righteously on the achievements of their debut, and is a revelation in its bleakness.

CHRCH on Thee Facebooks

Neurot Recordings website

 

Bongripper, Terminal

bongripper terminal

Pressed up as ever in DIY fashion, Bongripper’s Terminal presents two gargantuan slabs – one per vinyl side – that only seem to highlight the strengths in the Chicago instrumentalists’ approach. The tones are huge, the grooves nodding, the impact of each kick drum forceful. Repetition is central, that feeling of aural mass and destructiveness, but neither is Terminal – comprised of “Slow” (25:11) and “Death” (18:15) – lacking a sense of atmosphere. After 21 minutes of grueling pummel, “Slow” devolves into droning layers of noise wash and quiet guitar to finish out, and “Death” seems to hold onto an echoing lead in its closing minutes that accomplishes much the same thing in broadening the atmosphere overall. I don’t know if the two songs were composed to fit together –the titles would hint yes – but they invariably do, and as “Death” unleashes a more insistent punch before turning to a post-YOB gallop, it reconfirms Bongripper’s worship-worthy place in the stoner doom milieu, how their sound can be so familiar in its threat and yet so much their own.

Bongripper on Bandcamp

Bongripper webstore

 

King Chiefs, Blue Sonnet

King Chiefs Blue Sonnet

Born as Chiefs ahead of their 2015 debut album, Tomorrow’s Over (review here), Arizona-based four-piece King Chiefs make their own first outing in the form of the easily-digestible desert rocker Blue Sonnet (on Roosevelt Row and Cursed Tongue Records), comprised of 10 tracks running just under 40 minutes of older-school laid back heavy, swinging easy on cuts like “Surely Never” and “Drifter” while still finding some Helmeted aggressive edge in the riffs of “Slug” and “Walk the Plank.” The overarching focus is on songwriting, however, and King Chiefs hone in cleverly on ‘90s-era desert rock’s post-grunge sensibility, so that their material seems ready for an alternative radio that no longer exists. Such as it is, they do just fine without, and hooks pervade the two-guitar outfit’s material in natural and memorable fashion all the way to five-and-a-half-minute closer “Shrine of the Beholder,” which embraces some broader textures without losing the structural focus that serves so well on the songs before it.

King Chiefs on Thee Facebooks

Roosevelt Row Records website

Cursed Tongue Records website

 

Bonnacons of Doom, Bonnacons of Doom

bonnacons of doom bonnacons of doom

Heavy psychedelic experimentalism pervades the Rocket Recordings-issued self-titled debut album from Liverpool collective Bonnacons of Doom, rife with tripout ritualism and exploration of sound as it is, all chasing light and getting freaky in any sense you want to read it. Five tracks, each a voyage unto itself – even the bass-fuzzy push of shortest cut “Rhizome” (5:55) is cosmos-bound – feed into the larger weirdness at play that culminates in the undulating grooves of “Plantae” (8:39), which is perhaps the most solidified cut in terms of choruses, verses, etc., but still a molten, headphone-worthy freakout that pushes the limits of psychedelia and still holds itself together. If the album was a to-do list, it would read as follows: “Eat mushrooms. Get naked. Dance around. Repeat.” Whether you do or don’t is ultimately up to you, but Bonnacons of Doom make a pretty convincing argument in favor, and I don’t generally consider myself much of a dancer. Among the most individualized psych debuts I’ve heard in a long time.

Bonnacons of Doom on Thee Facebooks

Rocket Recordings on Bandcamp

 

Boar, Poseidon

Boar Poseidon

Poseidon, at six songs and 39 minutes, is the second long-player from Finnish four-piece Boar. Released on vinyl with no shortage of backing — Lost Pilgrims Records, Dissonant Society, Impure Muzik, S.K.O.D., Rämekuukkeli-levyt – it hurls forth a High on Fire-informed vision of noise rock on its opening title-track only to take on a slower roll in the subsequent “Shahar’s Son” and dig into massive crashing on “12.” Using echo to add a sense of depth all the while, they scream in tradeoffs à la Akimbo and boogie in “Featherless” and seem to find a post-metallic moment on “Dark Skies” before closing with the alternately brooding and scathing “Totally out of This World,” the song sort of falling apart into the feedback and noise that ends the album. There’s a persistent sense of violence happening, but it’s as much inward as outward, and though some of Boar’s most effective moments are in that rawness, there’s something to be said for the contemplation at the outset of “Shahar’s Son” and “12” as well.

Boar on Thee Facebooks

Boar on Bandcamp

 

June Bug, A Thousand Days

June bug A Thousand Days

Seemingly unrestrained by genre, the Lille, France-based duo June BugJune on vocals and multiple instruments and Beryl on backing vocals and multiple instruments – dig into some post-punk nudge on early cut “Reasons” from their debut album, A Thousand Days (Atypeek Music) after the folkish melodies of opener “Now,” but whether it’s the fuzzy indie vibes of “Freaks” or the harmonies, electronics and acoustic guitar of “Let it Rest,” or the keyboard-handclaps, lower tones and poppish instrumental hook of centerpiece “Mama,” there’s plenty of variety throughout. What ties the differing vibes and richly nuanced approach together is the vocals, which are mostly subdued and at times hyper-stylized, but never seem to fail to keep melodicism as their central operating method. That remains true on the subdued “Does it Matter” and the beat-laden “Silenced” at the album’s finish and brings everything together with an overarching sense of joy that holds firm despite shifts in mood and approach, making the complete front-to-back listen as satisfying as it might seem all over the place.

June Bug on Thee Facebooks

Atypeek Music website

 

Tired Lord, Demo

tired lord demo

Released by the band last year, the four-song Demo by San Francisco outfit Tired Lord has been picked up for an official cassette issue through From Corners Unknown Records and will reportedly be the only release from the black metal/sludge genre-benders. Presumably that means they broke up, rather than just refuse to ever record again, though the latter possibility intrigues as well and would be meta-black metal. Spearheaded by guitarist Bryce Olson, Tired Lord effectively bring a thickness of tone to charred riffing, and a balance between screams and growls brings a cast of general extremity to the material. So I guess this is the part where I’m supposed to regret their dissolution and wish they’d do a proper release. Fair enough for the brutal chug in “Serpent’s Ascent” and the 7:51 closer “Astaroth,” which one wouldn’t mind hearing fleshed out from their current form. Failing that, one of the 30 tape copies pressed of Demo seems like decent consolation. At least while they’re there for the getting and before Tired Lord go gleefully into that black metal demo tape ether where so many seem to dwell.

From Corners Unknown Records on Thee Facebooks

From Corners Unknown Records website

 

BerT, Relics from Time Zero

bert relics from time zero

Lansing, Michigan, trio BerT – bassist Phil Clark and brothers Ryan (guitar) and Rael (drums) Andrews – broke up. They even put out a posthumous rare tracks release in 2017’s The Lost Toes (review here), so what’s left? Well, another album, of course. Intended as a sequel to the sci-fi narrative of the never-released long-player Return to the Electric Church, the five-track/35-minute Relics from Time Zero is unfinished, sans vocals where they might otherwise be, and basically a look at what might’ve been had the band not dissolved. For those prior-exposed to the once-prolific heavy rock bizarros, some of the proceedings will seem familiar: riffs are plentiful and fluid in their tempo changes from driving rock to droned-out stomp, and there seems to be about 1.5 of them in the four-minute “In the Cave of the Batqueen,” so but for the fact that it’s not done, I’d just about call it business as usual for BerT. I know they’re done and all, but I still wouldn’t mind hearing these songs with some lyrics, let alone the record this one was intended to follow-up. Either way, even defunct, BerT remain on their own wavelength.

BerT on Thee Facebooks

BerT on Bandcamp

 

Zen Bison, Krautrocker

zen bison krautrocker

Classic-style heavy rock riffing pervades opener “Blow My Mind” (5:47) and the subsequent “Backseat Lovers” (5:15) – somewhere between Stubb and Radio Moscow — on Zen Bison’s debut LP, Krautrocker, but as the five-track/42-minute self-release moves into the 11-minute title-track, guitarist/vocalist Philipp Ott, bassist Steffen Fischer and drummer Martin Konopka – joined by organist Hans Kirschner and percussionist Bobby Müller –move into deeper-grooving and more psychedelic fare. That turn suits the mostly-live-recorded outfit well on the longer instrumental piece, and that leads to a side B with the likewise-sans-vocals “La Madrugada” (9:56) and the closing cover of Don Nix’s blues rocker “Going Down” (10:24), jammed out at the end in its middle and end with quick return to the chorus between. There isn’t much on Krautrocker one might actually consider krautrock in the traditional sense, but there’s certainly plenty of rock to go around on the impressive and varied first offering from the Rostock trio.

Zen Bison on Thee Facebooks

Zen Bison on Bandcamp

 

Wheel in the Sky, Beyond the Pale

wheel in the sky beyond the pale

From opener “Rivers of Dust” onward, Wheel in the Sky’s second album, Beyond the Pale (on The Sign Records), proffers classy and classic digs, informed by a heavy ‘70s uptempo spirit on its title-track and moving into more complex volume and arrangement shifts in “Burn Babylon Burn” (video premiere here) and a poppy, goth-informed hook on “The Only Dead Girl in the City,” all the while held together through a quality of songwriting that even the band’s 2015 debut, Heading for the Night (review here), seemed to hint toward. It’s a mover, to be sure, but Wheel in the Sky execute their material with poise and a sense of clear intention, and no matter where they seem to go, their tonality and natural production assures the listener has an easy time tagging along. Might be a sleeper for some, but there are going to be people who really, really dig this album, and I’ve got no argument with them.

Wheel in the Sky on Thee Facebooks

The Sign Records website

 

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Bongripper Announce New LP Terminal out July 6

Posted in Whathaveyou on June 18th, 2018 by JJ Koczan

bongripper

The two 20-minute songs that comprise Bongripper‘s new album, Terminal, are respectively dubbed ‘Slow’ and ‘Death.’ So you know, points for accuracy and whatnot. The Chicago instrumentalist riffcrushers have made preorders available for the outing through their own webstore as well as a host of others, including Burning World Records in Europe, and they’ve got tour dates scheduled following the release date on July 6 — including two nights at Saint Vitus Bar in Brooklyn, the first of which will feature them playing 2010’s Satan Worshipping Doom in full. They’ll be in Finland later this year for Blowup Festival, which may or may not be part of a larger European tour still to be announced.

Their last album, 2014’s Miserable (review here), was as excellent as he was destructive, and to expect anything less of Terminal would be folly. Bongripper‘s manifestations of hopelessness always have a tendency to remove air from the lungs.

Warning comes from the band’s social medias:

bongripper terminal

BONGRIPPER – TERMINAL LP/CD/Digital (2018)

Bongripper is set to release their seventh full-length album, ‘Terminal’, on July 6, 2018. This is the follow up to 2014’s ‘Miserable.’ The album was recorded, mixed and mastered by Bongripper’s Dennis Pleckham at Comatose Studio with artwork from Sam Alcarez, the artist behind the band’s merchandise throughout the years. ‘Terminal’ will be released through their label, The Great Barrier Records on all vinyl, CD and digital formats.

Track Listing:
1. Slow 20:15
2. Death 20:06

Bongripper is doing their first US East Coast Tour in a decade in support of the new full-length. This includes a special performance of ‘Satan Worshipping Doom’ in its entirety at Saint Vitus in New York City. They will also be appearing at Modified Ghost Festival in Vancouver and Blowup Festival in Helsinki, Finland. Tour tickets are on sale Friday, March 30.

THE TERMINAL TOUR 2018
5/25 – Vancouver, BC – Modified Ghost Festival
7/13 – Chicago, IL – The Metro – Record Release Show
7/20 – Columbus, OH – Ace of Cups
7/21 – Chapel Hill, NC – Local 506
7/22 – Richmond, VA – Strange Matter
7/23 – Washington, DC – Atlas Brew Works
7/24 – Philadelphia, PA – Kungfu Necktie
7/25 – New York, NY – Saint Vitus: Satan Worshipping Doom in Entirety
7/26 – New York, NY – Saint Vitus
7/27 – Pittsburgh, PA – Migration Festival
10/12 – Helsinki, Finland – Blowup Festival

https://www.facebook.com/bongripperdoom
https://twitter.com/Bongripperdoom/
https://bongripper.bandcamp.com/
https://bongripper.bigcartel.com/

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The Decemburger 2017 Lineup Announced; Promises “Medium-Rare Mayhem”

Posted in Whathaveyou on October 16th, 2017 by JJ Koczan

As someone who’s worked professionally to produce them, I know how difficult it can be to come up with a good tagline, headline, whatever you want to call it. As simple as it is to receive the directive, ‘Oh hey, just go ahead and give me something concise and maybe astoundingly witty that nonetheless sums up an entire idea/story/product/anything in three or four words,’ materializing that is much, much harder to do.

Accordingly, I tip my virtual hat to Dust Presents and The Decemburger 2017 for coming up with the tagline “Medium-Rare Mayhem,” which not only conveys the fact that, yes, the event will feature a hamburger-eating contest like it did last year, but captures as well the humor and good nature behind the festival as a whole. “Medium-Rare Mayhem?” Pink in the middle, maybe a little bloody? Fucking delicious? Probably. Sign up to eat a bunch of sliders and find out.

Show is at the Hi-Dive in Denver, Colorado, on Dec. 16 and will be headlined by Bongripper and also feature sets from Call of the Void, the Primitive Man-related projects Nightwraith and Vermin WombSerial Hawk and Weeed coming down from Washington, AbramsThe Munsens and Sceptres. Killer show. Once again, looks like it’s gonna be a great time. If you’re in Denver or you can get there, it’s a pre-holiday blowout that I only wish I was involved in presenting.

Info follows from the PR wire:

the decemburger 2017

DUST Presents: THE DECEMBURGER 2017

“Medium-Rare Mayhem”
Denver, CO

The second annual installment of DUST Presents’ The Decemburger returns to Denver, Colorado, Saturday, Dec. 16, 2017 at the Hi Dive, a staple for good times in Denver’s South Broadway neighborhood. The 2017 lineup leans more toward the metal spectrum of “heavy” in comparison with last year’s event (featuring The Shrine, The Well, Zig Zags, Malahierba, and more).

Chicago’s crushing doom-metal legends, Bongripper, will headline the sophomore iteration of The Decemburger, supported by a prime selection from Denver’s booming metal scene, including Call Of The Void, Vermin Womb (featuring Ethan McCarthy of Primitive Man), Abrams, the Munsens, Nightwraith (current and former members of Primitive Man, Vimana, Black Sleep of Kali, Rottenness, Collapse, and more), and Sceptres.

The 2017 bill also features a pair of standout acts from Washington. Serial Hawk, a hypnotically heavy three-piece metal group from Seattle, whose 2015 full-length out on Bleeding Light Records achieved global recognition, will join Weeed from Bainbridge Island, WA and their energetic brand of heavy, psychedelic rock in rounding out the bill.

Not to be overshadowed by the sonic mania, the burger-eating contest for which the event is named will also return, with heightened competition (following 2016 champion Andrew Renfrow’s crushing victory) and a larger purse – cash, trophy, merch, framed prints and more. Contest entry can be purchased as a separate ticket that includes festival entry. (Burger-eating contest limited to 10 contestants!)

Tickets: www.thedecemburger2017.eventbrite.com
Doors 3pm, Show 4:30pm, 18+

Flier by Sam Pierson

https://www.facebook.com/events/297498814060287/
https://www.facebook.com/dustpresents/
https://www.instagram.com/dustpresents/
https://www.eventbrite.com/e/the-decemburger-2017-tickets-38128648815

Bongripper, Miserable (2014)

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Days of Darkness Lineup Finalized: Om to Headline Second Night; Captain Beyond, Boris, Cavity, Crypt Sermon and More Added

Posted in Whathaveyou on March 9th, 2017 by JJ Koczan

The first lineup announcement for the inaugural Days of Darkness festival came through last month and brought with it confirmation that the autumnal two-dayer presented by the crew behind the Maryland Deathfest wasn’t screwing around either on scale — Neurosis headlining — or in scope, bring on board multi-genre acts from across a swath of underground styles. Well, the lineup is now complete. Om join Neurosis as headliners, and Cirith Ungol act as classic metal counterpart to the previously-announced Manilla Road near the top of the bill. Sizable additions like Captain Beyond, and Boris join the likes of WarningDälek and Elder — whose new album will be out by then — and Bongripper and Unearthly Trance find further tonal-onslaught companionship with word that Cavity will take part. All in all it looks like a pretty fucking good show.

Tickets are on sale now, and though they might not go before Maryland Deathfest proper, held in May as ever, I would be surprised if there were any left by the time Oct. 28 and 29 gets here. I’d think Neurosis or Om could probably sell out Rams Head on their own, never mind with the stellar support cast they’re both given across the Saturday and Sunday event. Bringing in Om has me wondering if maybe they’ll have a new record release coming up — that’s a long trip to the East Coast — but that might just be wishful thinking on my part. Either way, they’ll of course find welcome once they hit the stage, because they’re Om, and only jerks don’t like Om. That’s science. It’s proven.

Here’s the poster and the lineup as posted by the fest, as well as the link to get tickets:

days-of-darkness-2017-final-poster

Maryland Deathfest presents: Days of Darkness Festival

October 28 & 29, 2017
@ Rams Head Live, Baltimore, MD

Saturday, October 28th:
Neurosis
Manilla Road
Captain Beyond
Perturbator
Elder
Cavity
Dance with the Dead
Dälek
Computer Magic
Crypt Sermon
Alms

Sunday, October 29th:
Om
Cirith Ungol
Warning
Boris
GosT
Unearthly Trance
Le Matos
Bongripper
Magic Sword
Night Demon
Asthma Castle

No refunds. All sales final!

https://www.eventbrite.com/e/days-of-darkness-festival-tickets-31832083619
https://www.facebook.com/events/257886397969977/
http://www.facebook.com/daysofdarknessfestival
https://www.facebook.com/MarylandDeathfest/

Om, Live at Saint Vitus Bar 2015

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Days of Darkness Festival First Lineup Announcements: Neurosis, Warning, Elder, Unearthly Trance and More to Play

Posted in Whathaveyou on February 10th, 2017 by JJ Koczan

Expand or die, right? Certainly the idea isn’t a new one for the crew behind the famed Maryland Deathfest, which already has brand extensions in place in California and the Netherlands, but the newly-announced Days of Darkness Festival — for which early-bird tickets are on sale circa now — feels immediately different. Set for late October at the Rams Head Live, for one thing, it takes place in Baltimore, the home-base of the Maryland Deathfest itself. Second, it abandons the “Deathfest” title, in favor of the less genre-adherent “Darkness.” Third, its lineup seems way more of the doomed/post-metal/psychedelic/classic metal variety than any of the extremity one might find at the other Deathfest-promoted fests. These things make Days of Darkness 2017 distinct. The fact that Neurosis headline and Warning will appear playing Watching from a Distance in its entirety — something they’re also doing at Roadburn this April — means they mean business.

Compared to the core Maryland Deathfest, which runs four days at this point, the two for Days of Darkness feels a bit like testing the waters, and indeed that may be exactly what’s happening, but while a number of heavy festivals have popped up and disappeared after one shot — whither thou, Planet Caravan? — far fewer have the kind of production machine behind them as this one. Accordingly, one looks forward with great anticipation to seeing how Days of Darkness 2017 continues to develop its lineup and set itself apart not only from the central Deathfest brand, but also the slew of heavy fests in what seems to still be a surging US sphere.

More to come, in other words. Here’s the initial word in the meantime:

days-of-darkness-festival-poster

Maryland Deathfest presents: Days of Darkness Festival

October 28 & 29, 2017 @ Rams Head Live – Baltimore, MD

Lineup:
Neurosis
Warning (Watching from a Distance set)
Manilla Road
Elder
GosT
Unearthly Trance
Dälek
Bongripper

A limited amount of early bird passes go on sale this Friday, February 10th at 11 am EST. Save the link:
https://www.eventbrite.com/e/days-of-darkness-festival-tickets-31832083619

Many more bands will be announced soon!

https://www.facebook.com/events/257886397969977/
http://www.facebook.com/daysofdarknessfestival
https://www.facebook.com/MarylandDeathfest/

Warning, Watching from a Distance (2006)

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Bongripper Announce European Tour with Ghold

Posted in Whathaveyou on February 5th, 2016 by JJ Koczan

bongripper

A busy few months ahead for Chicago riffers Bongripper as they head to Europe and the UK in May/June to play Temples Festival after a slot at Maryland Death Fest on May 16. The Temples appearance coincides with a tour alongside Ghold presented by the festival, as Bongripper continue to make choice appearances in support of 2014’s crusher, Miserable (review here). Ghold will reportedly have a new album out this year, and though I’ve yet to see reports of a new Bongripper, they’ll also be taking part in the Psycho Las Vegas fest in August alongside everyone and their cousin.

The PR wire has it like this:

bongripper euro tour

TEMPLES FESTIVAL PRESENTS: BONGRIPPER & GHOLD EUROPEAN TOUR; GHOLD TO RELEASE NEW ALBUM INFO SOON

Temples Festival extend their influence outside of Bristol by presenting to you the Bongripper and Ghold EU tour. Smouldering, smeared and summoning, this one is for all purveyors of the low-end, distorted and uncompromisingly heavy sonic. This mammoth monolithic juggernaut will bulldoze through France, Belgium, Germany, the Netherlands and the UK. The full set of dates can be found below:

TEMPLES FESTIVAL PRESENTS: BONGRIPPER & GHOLD EU TOUR 2016
29/05/2016 Le Ferrailleur, Nantes, FR
30/05/2016 Glazart, Paris, FR
31/05/2016 VK Club, Brussels, BE
01/06/2016 UT Connewitz, Leipzig, DE
02/06/2016 Cassiopeia, Berlin, DE
03/06/2016 Patronaat, Haarlem, NL
04/06/2016 Temples Festival, Bristol, UK (BONGRIPPER ONLY)
05/06/2016 Star & Garter, Manchester, UK

Ghold took command of the Sunday stage at the 2015 edition of Temples Festival and are welcomed as the lead support for the first full “Temples Festival Presents” tour. Devastating and haunting, this triad of rhythmic ritualists recently finished recording their follow-up to 2015’s Of Ruin and more info on that will be incoming shortly…

Gnarled instrumental quartet Bongripper released their latest album, Miserable, last summer and this tour will see their Temples Festival debut. Expect witnesses to be suffocated by their weighty, wallowing riffs.

Tickets are on sale now. It’s time to deluge yourself in the unrelenting.

www.templesfestival.co.uk
http://www.ghold.co.uk/
https://www.facebook.com/gholdband/
http://www.bongripper.com/
https://bongripper.bandcamp.com/
https://www.facebook.com/BONGRIPPER-283936697383/

Bongripper, Miserable (2014)

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Psycho Las Vegas Announces Initial Lineup

Posted in Whathaveyou on January 20th, 2016 by JJ Koczan

psycho las vegas banner

In the fine tradition of, well, last year’s Psycho fest, 2016’s Psycho Las Vegas has announced an overwhelmingly impressive initial group of acts for its lineup, including some of the finest North America has to offer and choice imports. Notable in that category are Candlemass, The Crazy World of Arthur Brown, Colour Haze, Mars Red Sky, Belzebong, Øresund Space Collective and The Cosmic Dead, and they’re joined by returning figureheads Sleep and Pentagram, who headlined the 2015 Psycho California fest, along with YOB, Down, Mudhoney, Acid King, Fu Manchu and a whole host of others listed below.

The truly insane part about Psycho Las Vegas is that, like last year with Psycho California, the lineup is staggered, so this isn’t it. On Valentines Day, the festival will announce its full lineup of acts, which I’m just going to go out on a limb and assume includes everyone else on earth, and then after that, in March, they’ll follow up again with the headliners. So what we learn today is that 2015’s headliners will have someone playing over them. I don’t know who, or how that could be possible, but you can bet your ass I’m anxious to find out.

All the details so far unveiled about Psycho Las Vegas, as well as the link to purchase tickets, appear below:

psycho las vegas poster

PSYCHO LAS VEGAS 2016

Neon Knights arrive and ignite the the city of light in a sleepless celebration of heavy culture. High rollin’ low lifes will low roll the high life at the world famous Hard Rock Hotel and Casino in “Sin City”, Las Vegas. For three straight days, from August 26th through the 28th, born losers win as Psycho Las Vegas holds a rock steady hand of bands, performance artists, tattoo artists, art exhibits, a black light chamber, custom van and chopper show, pinball arcade, and much more.

Psycho Las Vegas sins and grins two blocks south of the strip at the expansive Hard Rock Hotel and Casino. The high-octane Rock ‘n’ Roll-themed casino resort hosts three stages; The Joint, which is a main stage, Vinyl, the rock club and out under the desert night sky is the second main stage, The Pool Stage. Experience live music, 24 hours a day.

In between bands and bets, ride outside to the venue’s open lot and witness the most bitchin’ rides this side of Death Valley at Psycho’s first ever custom van and chopper show!

Psycho Las Vegas features some of the most revered screen printed poster artwork with an exclusive exhibition from commissioned Psycho Las Vegas artist David D’Andrea. D’andrea, who returns to Psycho for a second year, created all the official festival artwork. Attendees will be able to eternally commemorate the event on their own walls with signed, limited edition works from D’Andrea.

Psycho Las Vegas acts and events were co-curated with music scene stalwart Sean “Pellet” Pelletier. (“Last Days Here” documentary) “Thief Present’s ‘Psycho’ festivals are visionary and have consecutively been the number one music event I’ve want to attend since they’ve started”, said Pellet. “I’ve been dreaming about putting on a cool culture and music festival for quite some time and I jumped at the chance to help us all go psycho in Las Vegas! The event is a celebration of subculture and a spiritual gateway for all of us into sonically connected sub-genres of heavy rock that hopefully, some of which, may be new to our senses. I’m booking bands that I’ve always personally wanted to see and have requested setlists that we’ve all wanted to hear.”

Among the first string of live acts announced will be hard rock legends, BLUE OYSTER CULT with a set heavy on their early songs that have inspired so many great bands over the years. Mark Arm and Steve Turner, also both of Green RIver-fame, will remind us why MUDHONEY are heralded as essential grandfathers of grunge. English psych rock pioneer, THE CRAZY WORLD OF ARTHUR BROWN returns to America with a performance sure to highlight where groundbreaking artists such as Kiss, Alice Cooper, and Ghost may have gotten some of their ideas. We’ve reunited proto-metal masters TRUTH AND JANEY who will appear for an exclusive live set to celebrate the 40th anniversary of their underground classic debut, “No Rest For The Wicked”! “A Band Called Death” documentary film stars DEATH, pulsate the pool stage and will show us why they are finally considered one of the first Detroit punk bands. Germany’s top psychedelic stoners COLOUR HAZE have chosen the festival for a rare US manifestation that’s sure rise us all high above the neon. Swedish doom metal ministers CANDLEMASS come crushing in yet another one of Psycho Las Vegas’s special performances. Stay tuned for the announcement of even more acts, over 60 in total, over the next few months.

Thief presents
Friday, August 26, 2016 at 12:00 PM – Sunday, August 28, 2016 at 12:00 AM (PDT)
Las Vegas, NV

SLEEP
BLUE ÖYSTER CULT
CANDLEMASS
DOWN
THE CRAZY WORLD OF ARTHUR BROWN
MUDHONEY
COLOUR HAZE
PENTAGRAM
FU MANCHU
ACID KING
DEATH (Detroit)
YOB
BELZEBONG
ORESUND SPACE COLLECTIVE
DANAVA
TRUTH AND JANEY
GOLDEN VOID
JUCIFER
BONGRIPPER
MARS RED SKY
A STORM OF LIGHT
CAVE OF SWIMMERS
THE COSMIC DEAD

ACCOMMODATIONS
Join the bands and crew at the Hard Rock Hotel & use the code: Psych16 at checkout to recieve 30% off your rooms.

ANNOUNCEMENT SCHEDULE
1/20 – “Warm up” Tickets Onsale 8am pst
2/14 – Full Lineup (60+ acts)
3/15 – Headliners Revealed
5/4 – Van/Chopper & Alt Exhibitions

http://www.eventbrite.com/e/psycho-las-vegas-2016-tickets-20777507083
WWW.PSYCHOLV.COM
WWW.HARDROCKHOTEL.COM

Sleep, Live at Psycho California

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Roadburn 2015: Sets from Bongripper, SubRosa, Thou, Acid Witch, Admiral Sir Cloudesley Shovell, Der Weg Einer Freiheit, KEN mode, Death Hawks and Mugstar

Posted in audiObelisk on June 30th, 2015 by JJ Koczan

bongripper at roadburn 2015 (Photo by JJ Koczan)

I was especially eager to see Bongripper at the Afterburner at this year’s Roadburn. They had played a couple nights before as well (that set is streaming here), performing their 2014 album, Miserable (review here), in its entirety, but I’d had to miss that set and knew going into the fest that I wanted to see them one way or another follow-up on the performance they gave in 2012, which had been chest-shakingly heavy.

No regrets, of course. They proved to be devastating and I’m anxious to revisit the set today via the newly released live stream. Also included in this latest of the four-so-far batches is a bunch of stuff I missed, including two of the most-talked-about bands of the entirety of Roadburn 2015: SubRosa and Thou. The former outfit played the first day and I continued to hear about them through to Sunday, while Thou‘s atmosludge devastated the crowd at Het Patronaat and were bandied about as one of the highlights of the whole fest.

Along with performances by Acid WitchDeath HawksMugstar (another one whose name I kept hearing), Admiral Sir Cloudesley ShovellDer Weg Einer Freiheit, and KEN mode, this makes for a pretty diverse round of streams. If you get to dig into any or all of them, I hope you enjoy:

Acid Witch – Live at Roadburn 2015

Admiral Sir Cloudesley Shovell – Live at Roadburn 2015

Bongripper – Live at Roadburn 2015 (Afterburner)

Death Hawks – Live at Roadburn 2015

Der Weg Einer Freiheit – Live at Roadburn 2015

Kenmode – Live at Roadburn 2015

Mugstar- Live at Roadburn 2015

Subrosa – Live at Roadburn 2015

Thou – Live at Roadburn 2015

Special thanks to Walter as always for letting me host the streams. To read all of this year’s Roadburn coverage, click here. For the first, second and third batches of streams, click here and then click here and then click here.

Roadburn’s website

Marcel Van De Vondervoort on Thee Facebooks

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