Fuzz Fest 4 Set for June 1-3 with Lo-Pan, BoneHawk, Child Bite, Cruthu and More

Posted in Whathaveyou on May 16th, 2017 by JJ Koczan

From June 1 through June 3, the Blind Pig in Ann Arbor, Michigan, will play host to Fuzz Fest 4. It’s a massive all-day-three-day event with 11 bands playing each night over the course of the Thursday, Friday and Saturday, and it features names like Child BiteLo-PanBoneHawkThe Amino Acids, Wild SavagesLavamothCruthuWizard Union and many others. I’ll admit that I don’t know everyone listed below, but from those I do and the glances I’ve made, it seems like a diverse bill that’s as wide-ranging as it is packed. Sometimes it’s nice to go, set up shop in a venue for three days, and let a whole shitload of new music come your way. I guess that’s my motivation in posting the lineup here. Been a while since I did that kind of thing.

Full roster of acts follows here, in case you’d like to do some homework:

fuzz-fest-4-poster

FUZZ FEST 4, GONNA DO IT SOME MORE!

Now in its fourth year, Fuzz Fest returns to the Blind Pig in Ann Arbor, Michigan to bring the people of the mitten state the high energy Rock N Roll they crave and deserve.
Headliners for this year’s installment are Child Bite on Thursday June 1, S.N.A.F.U. on Friday June 2nd, and the Amino Acids on Saturday June 3rd.

Jukebox Productions presents
FUZZ FEST 4!
June 1-3 at the Blind Pig!
3 nights, 2 stages, 33 bands, 11 bands each night.
$10 advanced tickets, $12 day of, Three day pass $20!

Lights by The Overhead Army.
Sponsored this year by VG Kids, ARBCO Records, Life in Michigan, and the Music & Arts Guild

THURSDAY JUNE 1
Child Bite
Human Skull
JUNGLEFOWL
Wild Savages
Bubak
minihorse
Duende
The Jackpine Snag
Warhorses
Visitors
The Gruesome Twosome

FRIDAY JUNE 2
S.N.A.F.U.
BoneHawk
Lo-Pan
Wizard Union
Stone Ritual
The Lucid Furs
Cruthu
Red Stone Souls
Rotokiller
Lavamoth
HELLGHiLLiES

SATURDAY JUNE 3
The Amino Acids
Caveman & Bam Bam Detroit
Sisters of Your Sunshine Vapor
Disinformants
Scissor Now
Skin Lies
Wiccans
Shells
Seritas
Steve Harvey Oswald

Day 1 – http://www.ticketweb.com/t3/sale/SaleEventDetail?eventId=7391915&pl=blindpig&dispatch=loadSelectionData

Day 2 – http://www.ticketweb.com/t3/sale/SaleEventDetail?eventId=7391925&pl=blindpig&dispatch=loadSelectionData

Day 3 – http://www.ticketweb.com/t3/sale/SaleEventDetail?eventId=7391935&pl=blindpig&dispatch=loadSelectionData

3 Day pass – http://www.ticketweb.com/t3/sale/SaleEventDetail?eventId=7391945&pl=blindpig&dispatch=loadSelectionData

https://www.facebook.com/events/1565187043497449/
https://www.facebook.com/fuzzfestmichigan/
http://www.blindpigmusic.com/

Junglefowl, Live at Fuzz Fest 3, June 11, 2016

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The Obelisk Presents: Burnin’ Turf II at Parisville Saloon, Ruth, MI, on June 3

Posted in The Obelisk Presents on February 13th, 2017 by JJ Koczan

I’m thrilled to count The Obelisk among the slew of sponsors for Burnin’ Turf II at Parisville Saloon in Ruth, Michigan, this June 3. After seeing the first installment come together last year and look like such a damn good time and catching wind of this year’s formidable lineup, it was a no-brainer to get involved in this small way immediately upon being asked, and between the chopper show, the van show, and the show-show itself, the event put together by the dudes from Bison Machine — who are also playing — looks like it’s going to be a killer party and something really special in a sense of more than just a show-up-and-stand-there-bands-changeover-gear kind of fest. All the better.

Ticket presale starts on April 20, but today marks the official unveiling of the lineup, which you can see in the announcement below, which the festival sent down the PR wire.

One more time, let me say out loud how much I appreciate being involved in this. Thanks to Anthony Franchina and all at work behind the scenes on making it happen.

Here goes:

burnin turf ii poster

BURNIN’ TURF II – June 3rd 2017 Parisville Saloon – Ruth, MI

“We wanna be free! We wanna be free to do what we wanna do. We wanna be free to ride. We wanna be free to ride our machines without being hassled by The Man! … And we wanna get loaded. And we wanna have a good time. And that’s what we are gonna do. We are gonna have a good time… We are gonna have a party.” -Russ Tamblyn (The Wild Angels)

The Gassers R/C, Parisville Saloon and Bison Machine want you to hop on your bike, pack up your van, grab your friends, grab your tent, leave everything else behind and head up to Parisville for one of the best parties of the year. Burnin’ Turf has returned and its bigger than ever. Seven bands, chopper games, raffles, prizes, drink until you can’t stand because no one needs to leave. Set up camp and live it up because you came to the right place. Everyone is here for the same reason.

Pre-sale goes live on April 20th 2017
More info to come!

LINE-UP
Bison Machine
BoneHawk
Wild Savages
Red Stone Souls
Dead Feathers
Gear Jammer
Rip Vanripper

Heavy boogie vinyl spun by DJ Smoak

SPONSORS
Lowbrow Customs
Small Stone Records
Rerun Cycle Works
The Obelisk
Bombs Away Moto Works
Lucifer’s Death Squad
Strange Cycle
Moto Cantina
Rumbleville
Wonderland Tattoo

https://www.facebook.com/events/985074104958214/
http://www.brownpapertickets.com/event/2870480
https://bandsintown.com/event/13873337-burnin-turf-ii-pre-sale-ruth-parisville-saloon-2017?artist=Burnin%27+Turf+II+Pre-Sale&came_from=192

Bison Machine, Live at Culture Clash Records, May 2016

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Tomorrow’s Dream: 200+ of 2017’s Most Anticipated Releases

Posted in Features on January 23rd, 2017 by JJ Koczan

tomorrow's dream 2017

Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.

Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’

Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.

Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.

Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.

— Tomorrow’s Dream 2017 —

Presented Alphabetically

1. Abrahma, TBA

Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.

2. All Them Witches, Sleeping Through the War

all them witches sleeping through the warIf 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.

3. Alunah, Solennial

Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.

4. Arbouretum, TBA

I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.

5. Atavismo, Inerte

This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.

6. Bison Machine, TBA

In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.

7. Brothers of the Sonic Cloth, TBA

News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.

8. Cloud Catcher, Trails of Kosmic Dust

cloud catcher trails of kosmic dustOkay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.

9. Colour Haze, TBA

I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.

10. Corrosion of Conformity, TBA

Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?

11. Elder, TBA

I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.

12. Electric Wizard, TBA

Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.

13. John Garcia, The Coyote Who Spoke in Tongues

Out Jan. 28 on NapalmThe Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo BurnHermanoVista ChinoZun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.

14. Goya, Harvester of Bongloads

Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.

15. Ides of Gemini, TBA

Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.

16. Kind, TBA

Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.

17. Lo-Pan, In Tensions

lo-pan in tensionsYes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.

18. The Midnight Ghost Train, TBA

It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.

19. Monster Magnet, TBA

I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.

20. Mothership, High Strangeness

A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.

21. The Obsessed, Sacred

On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of WeinrichCostantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.

22. Orange Goblin, TBA

When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.

23. Pallbearer, Heartless

pallbearer heartlessDoomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.

24. Radio Moscow, TBA

Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.

25. Roadsaw, TBA

Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in KindWhite Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.

26. Rozamov, This Mortal Road

Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.

27. Samsara Blues Experiment, TBA

It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for DesertfestRiff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.

28. Seedy Jeezus, TBA

Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah MitchellTranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.

29. Shroud Eater, Strike the Sun

Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.

30. Sleep, TBA

If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.

31. Stoned Jesus, TBA

Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.

32. Stubb, TBA

Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.

33. Sun Blood Stories, It Runs Around the Room with Us

sun blood stories it runs around the room with usIt Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.

34. Ufomammut, TBA

Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.

35. Vokonis, The Sunken Djinn

Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.

Gonna Happen and/or Likely Candidates

Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.

Either way, while I’m spending your money, you might want to look into:

36. Against the Grain
37. Amenra
38. Atala
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
41. Beastmaker
42. Beaten Back to Pure
43. Blackout
44. Bretus
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
50. Cortez
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
54. Dealer
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
72. Greenbeard
73. Green Desert Water
74. Greenleaf
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
86. Mastodon
87. Merlin, The Wizard
88. Merchant
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
94. MotherSloth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
97. Orango
98. Papir
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
107. Sólstafir
108. The Sonic Dawn, Into the Long Night
109. Spelljammer
110. Spidergawd, IV
111. Steak
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
114. Summoner
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
118. Toke
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
121. Weedpecker
122. Youngblood Supercult, The Great American Death Rattle

Definitely Could Happen

Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.

So, you know, life.

Dig it:

123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
127. Bantoriak
128. Bask
129. BCAD
130. BoneHawk
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
139. Devil
140. Devil Worshipper
141. Duel
142. Dustrider
143. Egypt
144. Electric Moon
145. Elephant Tree
146. Farflung
147. The Flying Eyes
148. Freedom Hawk
149. Gozu
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
153. Horrendous
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
163. Mangoo
164. Mondo Drag
165. Monolord
166. Mountain God
167. The Munsens
168. Naxatras
169. Never Got Caught
170. Ommadon
171. Orchid
172. Ordos
173. Pilgrim
174. Poseidon
175. Purple Hill Witch
176. Ruby the Hatchet
177. Sasquatch
178. Satan’s Satyrs
179. Serpents of Secrecy
180. Shabda
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
188. Superchief
189. Tÿburn
190. YOB
191. Zone Six

Would be Awfully Nice

This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:

192. Across Tundras
193. Eggnogg
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
200. Kadavar
201. Kings Destroy
202. Lord Fowl
203. Lowrider
204. Masters of Reality
205. Om
206. Orodruin
207. Queens of the Stone Age

If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.

As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.

All the best.

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The Obelisk Presents: The Top 20 Short Releases of 2016

Posted in Features on December 30th, 2016 by JJ Koczan

the obelisk top 20 short releases

Please note: This post is not culled in any way from the Year-End Poll, which is ongoing. If you haven’t yet contributed your favorites of 2016 to that, please do.

Yeah, I know I said as much when the Top 20 Debut Albums of 2016 went up, but I take it back: this is the hardest list to put together. And to be honest, there’s a part of me that’s hesitant even to post it because I know as soon as I do someone’s going to be like, “No way you dick your entire existence is shit because you forgot Release X,” and very likely they’ll be right. Up to the very moment this post is going live, I’ve been making changes, and I expect I’ll continue to do so for a while after it’s out there.

So what’s a “short release?” That’s another issue. Pretty much anything that’s not an album. Singles, digital or physical, as well as EPs, splits, demos, and so on. The category becomes nebulous, but my general rule is if it’s not a full-length, it qualifies as a short release. Sounds simple until you get into things like, “Here’s a track I threw up on Bandcamp,” and “This only came out as a bonus included as a separate LP with the deluxe edition of our album.” I’m telling you, I’ve had a difficult time.

Maybe that’s just me trying to protect myself from impending wrath. This year’s Top 30 albums list provoked some vehement — and, if I may, prickishly-worded — responses, so I might be a bit gunshy here, but on the other hand, I think these outings are worth highlighting, so we’re going forward anyway. If you have something to add, please use the comments below, but remember we’re all friends here and there’s a human being on the other end reading what’s posted. Thanks in advance for that.

And since this is the last list of The Obelisk’s Best-of-2016 coverage, I’ll say thanks for reading as well. More to come in the New Year, of course.

Here we go:

scissorfight chaos county

The Obelisk Presents: The Top 20 Short Releases of 2016

1. Scissorfight, Chaos County EP
2. Earthless / Harsh Toke, Split
3. Mars Red Sky, Providence EP
4. Mos Generator, The Firmament
5. Soldati, Soldati
6. Monolord, Lord of Suffering / Die in Haze EP
7. Wren, Host EP
8. Goya, The Enemy EP
9. The Sweet Heat, Demo
10. River Cult, Demo
11. Stinkeye, Llantera Demos
12. Megaritual, Eclipse EP
13. Ragged Barracudas / Pushy, Split
14. Mindkult, Witchs’ Oath EP
15. Iron Jawed Guru, Mata Hari EP
16. Brume, Donkey
17. Bison Machine / Wild Savages / SLO, Sweet Leaves Vol. 1 Split
18. BoneHawk / Kingnomad, The Second Coming of Heavy: Chapter Three Split
19. Wicked Gypsy, EP
20. Love Gang, Love Gang EP

Honorable Mention

An expansive category as ever. In addition to what’s above, the following stood out and no doubt more will be added over the course of the next few days. If you feel something is missing, please let me know.

Presented alphabetically:

Cambrian Explosion, The Moon EP
Candlemass, Death Thy Lover EP
Cultist, Cultist EP
Danava, At Midnight You Die 7″
Dos Malés, Dos Malés EP
Druglord, Deepest Regrets EP
Fu Manchu, Slow Ride 7″
Geezer, A Flagrant Disregard for Happiness 12″
Gorilla vs. Grifter, Split
Holy Smoke, Holy Smoke! It’s a Demo!
Karma to Burn, Mountain Czar
LSD and the Search for God, Heaven is a Place EP
Pallbearer, Fear and Fury
Reign of Zaius, Planet Of…
Sea of Bones / Ramlord, Split
Shallows, The Moon Rises
The Skull, EP
Snowy Dunes, “Atlantis Part I” digital single
Sun Voyager / The Mad Doctors, Split
Valborg, Werwolf 7″

Notes

Was it just the raw joy of having Scissorfight back? No, but that was for sure part of it. It was also the brazenness with which the New Hampshire outfit let go of their past, particularly frontman Christopher “Ironlung” Shurtleff, and moved forward unwilling to compromise what they wanted to do that made their Chaos County so respectable in my eyes. Having always flourished in the form, they delivered an EP of classic Scissorfight tunes and issued a stiff middle finger to anyone who would dare call them otherwise. They couldn’t have been more themselves no matter who was in the band.

At the same time, it was a hard choice between that and the Earthless / Harsh Toke split for the top spot. I mean, seriously. It’s Earthless — who at this point are the godfathers of West Coast jamadelica — and Harsh Toke, who are among the style’s most engaging upstart purveyors, each stretching out over a huge and encompassing single track. I couldn’t stop listening to that one if I wanted to, and as the year went on, I found I never wanted to.

I was glad when Mars Red Sky included the title-track of the Providence EP as a bonus cut on their subsequent album, Apex III (Praise for the Burning Soul), both because it tied the two releases together even further and because it gave me another opportunity to hear it every time I listened to the record. Their short releases have always shown significant character apart from their full-lengths, and this was no exception. I still tear up when I hear “Sapphire Vessel.”

To bounce around a bit: Had to get Mos Generator on the list for the progressive expansion of the live-recorded The Firmament. Stickman was right to put that out on vinyl. Both Monolord and Goya provided quick outings of huge riffs to sate their respective and growing followings, while Megaritual’s Eclipse basked in drone serenity and the debut release from Sergio Ch.’s Soldati provided hard-driving heavy rock with the particular nuance for which the former Los Natas frontman is known. It’s the highest among a slew of first/early outings — see also The Sweet Heat, Wren (Host was their second EP), River Cult’s demo, Stinkeye, Mindkult, Iron Jawed Guru, Brume, Wicked Gypsy and Love Gang.

Ultimately, there were fewer splits on the list this year than last year, but I’ll credit that to happenstance more than any emergent bias against the form or lack of quality in terms of what actually came out. The BoneHawk and Kingnomad release, the Ragged Barracudas and Pushy split, and that heavy rocking onslaught from Bison Machine and company were all certainly welcome by me, and I’ll mention Gorilla vs. Grifter there too again, just because it was awesome.

One more time, thank you for reading, and if you have something to add, please do so in the comments below. Your civility in that regard is appreciated.

This is the last of my lists for 2016, but the Readers Poll results are out Jan. 1 and the New Year hits next week and that brings a whole new round of looking-forward coverage, so stay tuned.

As always, there’s much more to come.

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BoneHawk & Kingnomad, The Second Coming of Heavy — Chapter Three: Carousers and Revelers

Posted in Reviews on August 1st, 2016 by JJ Koczan

the-second-coming-of-heavy-chapter-three-bonehawk-kingnomad

It would seem that as Ripple Music‘s split series presses forward in number it’s doing likewise in sound. As well it should. The Second Coming of Heavy — Chapter Three once again brings together two acts on a single LP, two bands in the earlier stages of their career but who each seem to be working toward making a stylistic mark.

Topped off as were the prior editions (and reportedly all those still to come) with artwork by Joseph Rudell and Carrie Olaje, this next installment in the ambitiously-titled run pairs Michigan heavy rockers BoneHawk and Swedish semi-cultist harmonizing newcomers Kingnomad, who represent the biggest geographic leap The Second Coming of Heavy has yet taken — they’re the first non-US band to be featured — and a coinciding stylistic shift, nestling as they do into a storytelling laid back fuzz never quite given to boogie rock, but definitely taking some cues from that scene as well as garage doom, finding a place between the two almost immediately and residing there comfortably until the jammy trip-out on closer “The Suicide King.” For them, this represents the first physical release they’ve had since getting together, and for BoneHawk, their four songs here provide a follow-up to their well-received 2014 debut LP, Albino Rhino, of which Ripple also did a pressing earlier this year.

The two bands share little in common tonally or conceptually apart from a basic affinity for riffs, but those who’ve followed The Second Coming of Heavy through its first two chapters with Geezer and Borracho (review here) and Supervoid and Red Desert (review here) should come into this matchup with fairly open expectations. Thus far, Ripple has done well in finding complementary but still distinct acts.

Prior to this, BoneHawk issued a Spring 2016  7″ honoring Thin Lizzy, and right at the start of their first track on side A, “The Scout,” that vibe comes through in the dual guitars Matt Helt (also vocals) and Chad Houts (also backing vocals), who are joined in the immediate bounce and shuffle by bassist Taylor Wallace and drummer/backing vocalist Jay Rylander, though their tones are of course thicker and more purposefully fuzzed, and they owe perhaps more of their raucous, party-style vibe to Red Fang. That’s an easy tag these days for upbeat heavy rock bands, and I think Red Fang‘s reach is still expanding, but it’s by no means the end of the story for BoneHawk, who cast their identity in the classic rock interplay of guitar and remind of the also-predatory-fowl-minded Virginian troupe Freedom Hawk on second cut “Fire in the Sky,” which slows the roll from the opener a bit in order to bask in a smooth nod that comes not at the expense of a hook, but rather to enhance it.

bonehawk kingnomad

In terms of tempo, they play this back and forth twice, and in doing so demonstrate a clear attention to presentation that I would imagine extends to their live show as well. Either way, “Los Vientos” — driven by Rylander‘s creative drumming — revives the forward momentum of the opener while stepping away a bit from the party vibe of the opener, the energy of which is maintained through pacing but not necessarily mood. “Aurora,” their six-minute finale, starts with an introductory bassline from Wallace and digs into a fluidity marked by toy piano flourish in its chorus and and a funky groove in the second half that gives way to double-guitar freakery deftly brought back to earth before the ending fade.

An aesthetic shift is quick to perceive as Kingnomad‘s “Lucifer is Dead” lurches to life with warm-toned fuzz, laid back roll and vocals one might be tempted to call shoegazing were they not so intricately harmonized. They craft a hook around the title-line, and the song, which the band — guitarist/vocalist Mr. Jay, bassist Maximilian, guitarist Marcus and drummer Mr. N — has stated was the first thing they wrote together, explores these textures somewhere between Dead Meadow and the eerie melodicism of Ghost, but brings something rawer to it as well in the shuffling second half of the track and on the trippier fuzz of “Sibylline Oracles” as well.

More developed in terms of the two guitars working together, “Sibylline Oracles” also brings in an organ and ends with acoustic strum, so the growing reach of the band becomes evident barely 10 minutes into their half of the split, which can only serve them well going forward. “God of Stone and Sand” revels in its spacious tonality and imbues a classic stoner riff with a sense of individualized personality thanks to more harmonies in the vocals, while “The Suicide King,” as noted, steps back to let a jammier, more psychedelic feel take hold. Like BoneHawk before them, Kingnomad have crafted an easy flow to their portion of the LP, and much to their credit as a new band, they don’t give into the cliche of having “The Suicide King” set up for a linear build, showing patience and a will to let their songs go where they want to go.

Easy to get why Ripple would include both bands as they seek to expand the definition of the “heavy” whose coming they’re heralding, and as The Second Coming of Heavy — Chapter Three rounds out, one looks forward even more to the next collection for the increase in scope this one represents. This second coming — and I’ve quibbled about the numerology in each of these reviews so far, so you’ll pardon me if I skip it this time — is only growing more multifaceted, like heavy rock itself.

BoneHawk & Kingnomad, The Second Coming of Heavy — Chapter Three (2016)

BoneHawk on Thee Facebooks

BoneHawk on Bandcamp

Kingnomad on Thee Facebooks

Kingnomad on Bandcamp

Ripple Music on Thee Facebooks

Ripple Music on Bandcamp

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BoneHawk Announce West Coast Tour

Posted in Whathaveyou on July 7th, 2016 by JJ Koczan

bonehawk-700

Michigan heavy rockers BoneHawk have announced their first tour of the West Coast, set to start July 15 in Chicago as they make their way out and toward Portland, Oregon, before swinging south and back around to finish curiously far away from where they started, in Nashville, Tennessee. They go supporting two new offerings, a Thin Lizzy tribute vinyl and a split with Sweden’s Kingnomad recently released as part of Ripple Music‘s The Second Coming of Heavy series (review pending). They’re keeping good company along the way in Ripple compatriots Blackwülf and the run includes a stop at Summer Spell IV in San Bernadino, where they’ll join The Great Electric Quest, Red Wizard, Desert Suns and others.

Dates and info came down the PR wire:

bonehawk-tour-poster

BoneHawk – West Coast Shows, New Split LP & More!

It is our most devious pleasure to announce Kalamazoo, Michigan’s BoneHawk will be hitting the hot pavement for their first ever, extensive West Coast tour (from July 15-July 30)! This coming on the heels of Hornacious Wax’ release of their “Southbound – a Tribute To Thin Lizzy” 7” EP and Ripple Music’s “The Second Coming of Heavy – Volume III” split LP with Sweden’s Kingnomad.

BoneHawk released their “Albino Rhino” album on vinyl only on Hornacious Wax Records in October 2014 to much acclaim, selling out 2 pressings quickly. The record is on its third pressing of wax and saw worldwide issue on compact disc on Ripple Music in April of this year, garnering new listeners in the process. But the band has toured extensively as of yet (responsibilities can be a bummer sometimes, right?!)…until now! And we’re glad to announce they’re bringing their high energy, fuzzed out, guitar harmony soaked live show to the West Coast this July!

“We’re super stoked that we were able to sell so many copies of ‘Albino Rhino’ on our own,” guitarist Chad Houts said. “But it’s been almost 2 years since we released it, so we’re even more stoked by the ‘Second Coming’ split LP (on Ripple Music) and the Thin Lizzy tribute – both of which have led us to get off our asses and out on the road!”

“We plan on getting out of Michigan a whole lot more through the rest of this year and into next year,” guitarist/vocalist Matt Helt added. “Touring has been a long time coming for us, and we hope to have a new record out next Spring and more touring to go with it.”

The band will have plenty of wax with them on tour (probably most of it in their ears, so speak loudly)! Please follow along with them on all social media, if you’re so inclined (listed below for your convenience).

Behold BoneHawk’s July 2016 West Coast tour:

-Friday, July 15 @ the Township in Chicago, IL w/Bionic Caveman and Thee Arthur Layne
-Saturday, July 16 @ Lefty’s in Des Moines, IA w/Office & Sundog
-Sunday, July 17 @ Cowboy Saloon in Laramie, WY w/Bondurant
-Wednesday, July 20 @ the Liquor Store in Portland, OR w/Pseudoboss & Old Kingdom
-Thursday, July 21 @ the Hemlock in San Francisco, CA w/Blackwulf & the Living
-Friday, July 22 @ the Tower Bar in San Diego, CA w/Archons, Loom & Beira
-Saturday, July 23 @ Summer Spell IV @ the Office Saloon in San Bernardino, CA w/ Red Wizard, the Great Electric Quest, Desert Suns & many more
-Monday, July 25 @ Strangers in El Centro, CA
-Tuesday, July 26 @ Yucca’s in Phoenix, AZ
-Wednesday, July 27 @ Depot O’Bar in Lubbock, TX
-Thursday, July 28 @ Hi-Tone’s in San Antonio, TX w/Lawman & the Bolos
-Friday, July 29 @ the Grotto in Fort Worth, TX w/Southern Train Gypsy
-Saturday, July 30 @ the Young Avenue Deli in Memphis, TN w/Stone Rangers (members of Heavy Eyes) & Native Blood

https://www.facebook.com/bonehawkkzoo/
https://www.instagram.com/bonehawk_band/
https://twitter.com/bonehawkmusic
http://bonehawk.bandcamp.com
http://bonehawk.bigcartel.com

BoneHawk & Kingnomad, The Second Coming of Heavy: Chapter Three (2016)

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The Second Coming of Heavy — Chapter Three out June 24

Posted in Whathaveyou on May 16th, 2016 by JJ Koczan

Ripple Music is keeping pace with its split series The Second Coming of Heavy. The second installment — or chapter, as it were — included cuts from Supervoid and Red Desert (review here), while the first paired Geezer and Borracho (review here). For the third, it’s Sweden’s Kingnomad and Michigan good-timers BoneHawk doing the honors, and the limited-run LP (300 copies) will be released June 24. I don’t know if Ripple‘s plan is one per year, two per year or “as often as we feel like,” but they’re working at a good clip to get through the series, which last I heard was going to have 10 installments, all of them already booked.

Info from the PR wire on The Second Coming of Heavy — Chapter Three follows, as well as tracks from Kingnomad (who I hadn’t heard before but sound awesome) and BoneHawk (less of a surprise, but still cool), which you can stream:

the second coming of heavy chapter iii kingnomad bonehawk

The return of Ripple Music’s The Second Coming Of Heavy; Chapter III | New split album from BoneHawk and Kingnomad

The Second Coming Of Heavy; Chapter III is released on vinyl on 24 June 2016

Already recognised as one of the world’s leading purveyors of Rock ‘n’ Roll, Stoner, Doom and Heavy Psych, Ripple Music upped the ante in 2015 with the arrival of one of the year’s most ambitious projects, The Second Coming Of Heavy.

Serving as an ongoing showcase for some of the best and heaviest bands emerging from the underground, each instalment shines a light on those worthy of your attention. Consisting of one, 12” slab of multicoloured vinyl with full colour sleeves and inserts, the series is designed to be saved and treasured, like a fine anthology of books. So much so, when the albums are filed next to each other, the complete collection of aligned spines forms a mind-blowing image direct from the underground.

Following on from the series’ first instalment released last summer featuring Geezer and Borracho, and February’s Chapter II’s split between Supervoid and Red Desert, the latest chapter, released this June offers up new music from hard hitting Michigan quartet BoneHawk and Sweden’s Kingnomad.

The Second Coming Of Heavy; Chapter III will get an official vinyl release on 24th June 2016 and is limited to 300 copies in three alternative versions (100 of each) – The Resurrection Edition, The Risen OBI and The Ascension Edition.

https://bonehawk.bandcamp.com/
https://www.facebook.com/bonehawkkzoo/
https://www.instagram.com/bonehawk_band/
https://www.facebook.com/kingnomadofficial/
https://kingnomad.bandcamp.com/releases
https://www.instagram.com/kingnomadofficial/
http://www.ripple-music.com/
https://www.facebook.com/Ripple-Music-369610860064/
https://ripplemusic.bandcamp.com/

BoneHawk, “The Scout”

Kingnomad, “Lucifer is Dead”

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BoneHawk Release Albino Rhino on Ripple Music

Posted in Whathaveyou on April 26th, 2016 by JJ Koczan

bonehawk

Michigan heavy rockers BoneHawk have issued their debut album, Albino Rhino, via Ripple Music. The awaited offering follows behind a late-2014 self-released edition and a limited vinyl run through Hornacious Wax Records. There was a second pressing of that, but like the first one, it went quickly. No word on a third for the LP, but Ripple‘s CD edition is out now, and to the best of my knowledge it’s the first compactular discus edition, and no doubt its reception will be as here-and-gone as was the vinyl.

The PR wire brings copious background for those who’d dig in:

bonehawk albino rhino

BoneHawk: Share brand new album from hard hitting Michigan quartet, out now on Ripple Music

The story of BoneHawk is one that started as early as third grade, in an unassuming Kalamazoo school, where guitarist/vocalist Matt Helt and guitarist Chad Houts first met and bonded instantly over a shared appreciation of video games, pizza, poster girls and rock and roll. At the age of fourteen, Helt, already an accomplished drummer would jam along with Houts in the family’s basement to songs handpicked from the pair’s ever growing record collections. As the years passed by with each feeding the other on a steady diet of thrash metal and classic rock, when Helt eventually succumbed to the bug and traded in his drum set for a guitar, the duo quickly discovered that being in a band meant everything.

After toiling in various local outfits for years, around 2006 Helt and Houts formed Mesa with close friend Joel Wick (Quixote, Jihad), with the three deciding to put together something that paid homage to the heavy riffs they discovered as teens growing up in the mid 90s. Specifically, that beguiling breed of heavy rock directly influenced by the mighty Black Sabbath. The band would only release one record during this period, a 7” on Michigan’s UFO Dictator Records before breaking up to clear a path for the official formation of BoneHawk in 2011.

Helt and Houts envisioned combining Iron Maiden and Thin Lizzy-esque harmonies with the straight-up grooves of Sabbath, Led Zeppelin and the twin guitar assault of Judas Priest and Kiss. Enlisting old band mate Chris Voss on bass, after the departure of Wick the trio set about recording their debut album Albino Rhino, with Helt taking on vocal duties and returning to the drum stool.

Recorded and mixed by Jim Diamond at Ghetto Recorders in Detroit and initially released as a limited run of ‘Albino vinyl’ through Hornacious Wax Records in 2014, with newly appointed personnel in the form of drummer Jay Rylander and bassist Taylor Wallace (formerly of Wilson) the band played packed out local shows in support of the record. In less than two months all double LP copies of Albino Rhino had sold out, calling for a second ‘Ultraviolet Purple’ pressing and leaving Ripple Music boss Todd Severin in no doubt about the band’s true potential.

“We’re thrilled to be working with Bonehawk,” explains Severin. “From the moment I heard their two guitar blitz I was hooked on their sound. Albino Rhino is a masterwork of modern harmony guitar and post NWOBHM heaviness, with real stoner grit. A true gem of an album and we’re excited to be involved in the worldwide release of this CD.”

To order a copy of BoneHawk’s Albino Rhino on CD visit Ripple Music:
http://ripplemusic.bigcartel.com/product/bonehawk-albino-rhino-cd

https://bonehawk.bandcamp.com/
https://www.facebook.com/bonehawkkzoo/
https://www.instagram.com/bonehawk_band/
https://twitter.com/bonehawkmusic
http://www.ripple-music.com/
https://www.facebook.com/Ripple-Music-369610860064/
https://ripplemusic.bandcamp.com/

BoneHawk, Albino Rhino (2014/2016)

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