Wolvserpent Celebrate Signing to Relapse by Giving Away Their Demo

Posted in Whathaveyou on November 14th, 2012 by H.P. Taskmaster

It’s good to celebrate the milestones in life, and to honor their announced signing to Relapse Records today, Idaho duo Wolvserpent have made their Perigaea demo available as a free download. Back in the day, that used to be called “sharing the love,” but in the case of Wolvserpent‘s bleak aural dreariness, we’ll probably have to come up with another name for it. Feel free to get creative while you peruse the PR wire info below and listen to the Bandcamp stream of the demo:

Wolvserpent Sign to Relapse Records

Relapse Records is extremely proud to announce the signing of Boise, Idaho’s mysterious occult duo WOLVSERPENT.  Formed in 2010, WOLVSERPENT consist of Blake Green (guitar, vocals, keys) and Brittany McConnell (drums, percussion, violin) playing a masterful mix of apocalyptic doom, avant-orchestral drone and blackened, sepulchral ambience.  The duo will enter the studio to record their sophomore full-length entitled PERIGAEA, a four song 80 minute opus, this November with producer/engineer Mell Dettmer (SUNN 0))), BORIS, ASVA, EARTH) in Seattle and in Idaho at in their home studio.

After a two year writing period, WOLVSERPENT first recorded the PERIGAEA 2012 demo (pronounced “pear-a-guy-a”) in Dec ’11-January 2012. Choosing initially not to release it….but to hold onto it for another 9 months and re-write it, they are now offering it as a free stream at Bandcamp and download via their official site here.  The upcoming full-length version of PERIGAEA will be an entirely different manifestation of the ideas heard on the demo.

WOLVSERPENT commented on the recent signing and new material:

“We are very pleased to be working with Relapse Records on this upcoming album. We are excited to join forces and foster the potential of our best work to date.

We don’t want to say much about the concept now. But we will say this: PERIGAEA is inspired by the four stages of existence and with that, the phases of humanity within the Earth and the greater Universe. PERIGAEA explores and reinforces our qualities and struggles as humans in this life. Our relationship with the Earth and our place as spiritual beings in what some believe is the final phase of this cycle. There are many names for it, one of those names is ‘Kali Yuga,’ the age of Kali, the dark age. The serpent that eats it’s own tail will once again devour itself and give to itself a new birth and a fresh start.”

This demo represents the early stages and younger concepts of PERIGAEA. We decided to set new standards for ourselves, working longer and investing more in our music, allowing the pieces to breathe and gain new life. Created from the strength and seeds of ideas past, this demo has served as the roots from which we have grown.  We want to share this process of growth with our fans. We have taken Wolvserpent’s concepts to the stone and sharpened our vision.”

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audiObelisk: Stream Uzala & Mala Suerte’s New Split 7″ in its Entirety

Posted in audiObelisk on November 6th, 2012 by H.P. Taskmaster

In mid-November, King of the Monsters Records will release a new split 7″ between Uzala and Mala Suerte. Now, if like me you’ve lost all sense of time and space, that sounds like a really long way away, but you’ll pardon if I blow your mind and say that mid-November is next week. So yeah, it’s sooner than you might think.

This isn’t the first time I’ve streamed material from Uzala. The Boise, Idaho/Portland, Oregon, psychedowner four-piece premiered the cassette-only “Cataract” from their self-titled debut here late last year, and it was awesome. Their album was unremittingly atmospheric, biting fuzz off Electric Wizard and adding a touch of newer West Coast fuckall, Darcy Nutt‘s vocals keeping a mystique in the croon while bassist Nick Phit (ex-Graves at Sea) thickened the tonal lurch into a fine oozing mess.

Their new track for this split, dubbed “Burned,” follows a similar but developed course, and pairs well with the more stripped down riffing of Austin, Texas-based doomers Mala Suerte. The cut they contribute, “The Veil of Secrecy,” takes a conspiracy-minded political bent, calling for — among other things — an end to the Federal Reserve, vocalist Gary Rosas noting in its opening lines that, “The road to Utopia is paved/With the bones and blood of the common man.” I guess that settles that.

When I posted the news that this split 7″ was coming, the response cool enough that I asked permission to host the release in its entirety for streaming, and I was lucky enough that said permission was granted. You’ll find “Burned” and “The Veil of Secrecy” on the player below, followed by info from the PR wire and a preorder link. Dig it:

 

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King of the Monsters has announced the upcoming release of one of the heaviest splits of 2012 – a 7″ collaboration between Boise fuzz-doom shamans UZALA and Austin, TX’s own psych-minded doom fiends MALA SUERTEPreorders are now up on the label website, and orders will ship in early November. The split features a brand-new track from each band, as well as mind-blowing cover art, courtesy of UZALA chanteuse, axe-slinger, and celebrated tattoo artist Darcy Nutt and MALA SUERTE vocalist Gary Rosas.

The release is limited to 500 copies, with the first 100 available on black/white split vinyl and the remaining 400 entombed in obsidian black.

MALA SUERTE’S “The Veil of Secrecy” is an older fan favorite, recorded in winter 2012. The UZALA song was recorded at Type Foundry in Portland, OR in August 2011 with Alex Yusimov at the helm, mixed by Blake Green at WOLVSERPENT STUDIOS, and mastered by Mell Dettmer. 

Preorder here: http://kingofthemonstersrecords.bigcartel.com/product/uzala-mala-suerte-split-7-preorder

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Uzala and Mala Suerte Team up for Split 7″ Due Next Month

Posted in Whathaveyou on October 26th, 2012 by H.P. Taskmaster

It’s been a while since we heard anything from the camp of Austin, Texas-based doomers Mala Suerte, whose 2009 offering, The Shadow Tradition (review here), still gets broken out for periodic plays. But the PR wire brings the latest! It seems as though they’ve teamed up with Boise cult wizards Uzala (track stream here) for a split 7″ that’ll be out on King of the Monsters Records next month.

Behold the story, preorder link and whathaveyou:

Doom Sorcerers UZALA Announce Split w/ Sludge Destroyers MALA SUERTE via King of the Monsters

King of the Monsters has just announced the upcoming release of one of the heaviest splits of 2012 – a 7″ collaboration between Boise fuzz-doom shamans UZALA and Austin, TX’s own psych-minded doom fiends MALA SUERTE. Preorders are now up on the label website, and orders will ship in early November. The split features a brand-new track from each band, as well as mind-blowing cover art, courtesy of UZALA chanteuse, axe-slinger, and celebrated tattoo artist Darcy Nutt and MALA SUERTE vocalist Gary Rosas.

The release is limited to 500 copies, with the first 100 available on black/white split vinyl and the remaining 400 entombed in obsidian black.

MALA SUERTE’S “The Veil of Secrecy” is an older fan favorite, recorded in winter 2010. The UZALA song was recorded at Type Foundry in Portland, OR in August 2011 with Alex Yusimov at the helm, mixed by Blake Green at WOLVSERPENT STUDIOS, and mastered by Mell Dettmer.

TRACKLISTING
Uzala – Burned
Mala Suerte – The Veil of Secrecy

Preorder here: http://kingofthemonstersrecords.bigcartel.com/product/uzala-mala-suerte-split-7-preorder

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audiObelisk: Uzala Premiere Cassette-Only Bonus Track From Self-Titled Album

Posted in audiObelisk on December 13th, 2011 by H.P. Taskmaster

The cultish and furry-toned drone of Portland (and Idaho) foursome Uzala will be familiar to anyone pulled by the gravity of Megaton Leviathan‘s Water Wealth Hell on Earth, but on their self-titled debut vinyl/tape, Uzala are less concerned with expansive, infinite exploration than they are refining the process and cutting it into songs. Uzala‘s Uzala sounds open and rough in its production, but at the core there is a base of structure — it’s in there somewhere — that allows the noise a foundation to rest and build upon.

That winds up making a big difference as the album progresses. The lead vocals of guitarist Darcy Nutt provide an ethereal mood worthy of the latest incarnation of The Wounded Kings or Jex Thoth, but the black metal influences worked in by guitarist Chad Remains, who also provides backing screams behind Nutt‘s varied crooning on midsection songs like “Fracture” and “Wardrums,” put Uzala in a category more their own: definitively doomed, but working on an expanded definition of what that means.

At its strongest points, though, Uzala‘s Uzala is slow and classically menacing. Drummer Stephen Gere varies his tempo but seems to lumber no matter the speed, and bassist Nick Phit (ex-Graves at Sea, Atriarch) offsets the riffs with doomly groove, adding depth to the fuzz and reverb-soaked guitar lines and furthering the sense of ritual brought out in Nutt‘s singing.

The album is limited to 333 LPs through At War with False Noise and on cassette via Witch Sermon Productions. I was lucky enough to be given permission to host the cassette-only bonus track, “Cataract” for your streaming, which you’ll find on the player below, followed by some PR wire info. Please enjoy:

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At long last, the blistering debut recording from one of the most-talked about doom bands of the past year is nearly within our grasp! Boise/Portland vintage doom merchants Uzala have aligned themselves with At War With False Noise and Witch Sermon Productions to unleash their monumental debut. The self-titled album will be manifested in wax by At War With False Noise, while Witch Sermon will handle the cassette version (which will feature a special bonus track, “Cataract”). Featuring Nick Phit (formerly of Graves at Sea, Atriarch) on bass, Uzala‘s lineup is rounded out by drummer Stephen Gere, guitarist/hellish vocalist Chad Remains, and chanteuse & axe-slinger Darcy Nutt (a world-renowned tattoo artist and devastating talent).

The  album’s crushing, velvety fuzzed-out sound is attained by a Blake Green (Wolvserpent) production and mastering by long-time At War with False Noise cohort Andy Lippoldt of Persistence in Mourning. The simply amazing artwork was created by vocalist /guitarist Darcy Nutt, while layout and design was summoned by Stephen O’Malley.

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