Promethean Misery Post “In Winter, We are Lost” Video; New Album out Sept. 22

Posted in Bootleg Theater on July 4th, 2018 by JJ Koczan

promethean misery

If you’re wondering what the hell I’m doing posting a morose, string-laden doom track about wintertime when it’s high summer, take a moment to consider that Promethean Misery — the one-woman project of multi-instrumentalist/vocalist Samantha Kempster — hails from Australia, and while it’s certainly a miserable humid swelter here on the Eastern Seaboard of the United States, a heat-wave causing old people to drop like the proverbial flies except that the flies aren’t at all dropping, they’re pretty much taking over the universe because ecosystems everywhere have gone haywire and that’s just how life is now, it’s winter in the great Down Under. Opposite side of the planet and all that. So if you’re the type to quibble as regards the seasonal appropriateness of your vibe, remember that in all cases context is everything.

Now then, Promethean Misery, which was founded by Kempster — whom I imagine calling “The Kempster” if we worked in an office setting; “Kempsterama” à la Rob Schneider on ’90s-era Saturday Night Live, and I’d be doing it in a friendly way though I assume Ms. Kempster actually wouldn’t be amused and I’d be reported to human resources sooner or later and duly admonished — ahead of a debut EP release in 2016, though her pedigree goes further back to joining the gothic death-doom outfit Lycanthia on cello for 2006’s Within the Walls EP and co-founding Myraeth in 2009. The key element that seems to tie her work together regardless of what outfit it’s with or the actual arrangements in play. The aforementioned 2016 EP, Before My Eyes, was largely piano-based, where the forthcoming Tied up in Strings LP from whence “In Winter, We are Lost” comes replaces guitar with violin, but either way, the brooding vibe proves worthy of Kempster‘s moniker for the project — you remember the story of Prometheus, right? “thanks for the fire, sorry about your entrails” — and the patience with which she brings her material to bear comes through masterfully in the 12-minute track.

The new album, out Sept. 22, will hit via PRC Music on a pretty quick turnaround less than a year from its sometimes-deathly predecessor, late-2017’s Ghosts, but if Kempster is working quickly to develop Promethean Misery, one can already hear the fruits of that labor in the progression from Ghosts tracks like “Hateful Red” and “Spirit’s Requiem” to the graceful unfolding of “In Winter, We are Lost” as heard in the new video below.

The quick announcement of the album’s release date follows. Please enjoy:

Promethean Misery, “In Winter, We are Lost” official video

We are very happy to offer you the brand new video / first single from the upcoming new album from Australia’s Doom Metal solo artist Samantha Kempster released under the PROMETHEAN MISERY moniker.

Pure doom melancholia… There are NO guitars on this new album… You’ll find a massive wall of distorted violins, drums, piano and wonderful vocal arrangements.

“Tied up in strings”, Your soundtrack for the Fall of 2018, will be unleashed on 09.22.2018.

This album will be available on CD and Digital, distributed worldwide by MVD / Planetworks.

Promethean Misery on Thee Facebooks

Promethean Misery on Bandcamp

PRC Music on Bandcamp

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Bones of Minerva Premiere Video for “Overcoming”

Posted in Bootleg Theater on June 27th, 2017 by JJ Koczan

bones of minerva

Spanish four-piece Bones of Minerva issued their debut album, Blue Mountains, earlier this year, and cast themselves in a place somewhere between heavy rock, psychedelia and more aggressive, loosely-metallic fare. One finds this position established in the opening track, “Overcoming,” which though it clocks in at under five minutes long moves from noise-inspired start-stop riffing and soaring melodies into a fervent push of growls and tonally dense nastiness. This line, between heavy rock and metal, can be finer and finer depending on how a given band wants to toy with it, and Bones of Minerva do well throughout their hook-laden, self-released first outing to vary their methods on an almost per-track basis, so that while “Overcoming” makes that shift, an upbeat rocker like “Fear is a Biscuit,” which immediately follows, does not.

Accordingly, the four-piece of vocalist Blue, guitarist Ruth, bassistbones of minerva blue mountains Chloé and drummer Koa don’t fall into a predictable pattern one way or the other. “Defenders” is pissed off almost to a blackened degree, but centerpiece “Eery Octopus” offers more drift, and in a mere 3:47, “Plastic Crown” efficiently ties the two sides together leading into the High Fighter-esque “Aces” and progressively-tinged finale “Whales.” Each cut has something different to offer that broadens the context of the record as a whole, and as their first full-length behind a 2014 EP titled Shot, the seven-song long-player both sees Bones of Minerva find their niche in terms of aesthetic and set themselves up for development going forward within that.

I’m not entirely sure where they’re headed or what exactly the ritual is in the video for “Overcoming,” but if they’re working on their own level, all the better as far as I’m concerned. Either way, I’m happy to host the premiere of the clip, which you’ll find below, followed by more background on the band, who’ll share the stage tomorrow night, June 28, at Wurlitzer Ballroom in their hometown with UK psych revelers Vodun. More info on that show can be found at the Thee Facebooks event page here.

Please enjoy:

Bones of Minerva, “Overcoming” official video

Bones of Minerva formed in 2013 in Madrid, Spain. Their eclectic sound is rooted in the genre of alt metal.

Formed by Blue (vocals), Chloé (bass), Koa (drums) and Ruth (guitars), they seek to merge heavy riffs with hypnotic rhythms, dreamy landscapes with vocals which range between shamanic and aggressive.

“Blue Mountains” is their first self-released album, after a previous Ep “Shot” in 2014, and they have thrown themselves completely into this new release, carrying out everything from the songwriting to the design and album art themselves. With it they intend to prove themselves and take their music as far as possible, with a raw live show which leaves no one indifferent. The band also does acoustic sets, adapting their music and using violin, acoustic guitar, percussion and even acapella vocals.

They are currently promoting the album, seeking to take their music as far as possible, with everything to gain and nothing to lose.

Bones of Minerva website

Bones of Minerva on Bandcamp

Bones of Minerva on Thee Facebooks

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