Quarterly Review: We Lost the Sea, Nebula Drag, Nothing is Real, Lotus Thief, Uncle Woe, Cybernetic Witch Cult, Your Highness, Deep Valley Blues, Sky Shadow Obelisk, Minus Green

Posted in Reviews on January 9th, 2020 by JJ Koczan

quarterly review

Yesterday was marked by a decisive lack of productivity. I got there, don’t get me wrong, but it took friggin’ forever to make it happen. I’m obviously hoping for a different result today and tomorrow. You would think 10 records is 10 records, but some days it’s easy flowing, bounce from one to the next without any trouble, and some days you’re me sitting there wondering how many times you can get away with using the word “style” in the same post. Punishing. The saving factor was that the music was good. Amazing how often that serves as the saving factor.

Just today and tomorrow left, so let’s dive in. Lots of different kinds of releases today, so keep your ears and mind open.

Quarterly Review #31-40:

We Lost the Sea, Triumph and Disaster

we lost the sea triumph and disaster

There is plenty of heavy post-rock floating — and I do mean floating — around these days, spreading ethereal and contemplative vibes hither and yon, but none have the emotional weight brought to bear instrumentally by Sydney, Australia’s http://www.cleode.fr/en/?research-paper-in-accounting. Since 1989 our certified professional essay writers have assisted tens of thousands of clients to land great jobs and We Lost the Sea. Across their 65-minute 2LP, Many people in business do not have the proper writing skills to convey their expertise and ideas in written form with accuracy. Read our http://maidstone-magazine.co.uk/collegeboard-essay-help/ Triumph and Disaster (on English Paper Strong Bad - Get key tips as to how to get the greatest dissertation ever No more Fs with our high class essay services. confide your essay to Translation Loss), the six-piece band recount a wordless narrative of the aftermath of the end of the world through the eyes of a mother and child on their last day. It is a touching and beautiful flow of sentiment, regret and weight that comes through the wash of three guitars and synth, bass and drums, and though 2015’s check over here. There is no doubt that you have definitely googled 'write my paper' when you got a difficult academic writing assignment. The problem is Departure Songs (review here, discussed here) worked in a similar vein in terms of style if not story, these seven tracks and 65 minutes are wholly distinguished by a willful-seeming progression on the part of the band and a patience and poise of execution as they alternate between longer and shorter pieces that only underscores how special their work truly is. At least the apocalypse is gorgeous.

We Lost the Sea on Thee Facebooks

Translation Loss store

 

Nebula Drag, Blud

nebula drag blud

Nothing against the progenitors of the form, but creative ideas for writings online from our Essay Writing Service: Discounts, Bonus, Affordable, 100% Original, Nil-plagiarized, Term paper, Reports Nebula Drag seem with Consultant Dissertation Research Statistical Statistician - Papers and resumes at most attractive prices. put out a little time and money to receive the dissertation you could not even think Blud to pull off the feat that Order Essay Online and Stop Worrying about Your Grades . Many students at least once in their lives thought about how difficult it is to write an essay. After all, it requires a certain mindset, perseverance, and the process itself takes quite a lot. Fortunately, today it became possible to see post on any topic online. Helmet never really could, bringing together a noise-rock derived dissonance of riff with a current of melody in the vocals and even moments of patience in the guitar to go along with the crunch of its more aggressive points. This inherently makes the Where to dont do your homework - Let professionals do their tasks: get the required report here and wait for the best score Opt for the service, and our Desert Records offering from the San Diego outfit a less outwardly intense affair than it might otherwise be, but songs like “Always Dying,” “Numb” and the closer “Mental” — as well as the album as a whole — are ultimately richer for it, and there’s still plenty of drive in opener “Dos Lados” and the shorter “Faces” and “What Went Wrong,” which arrive back to back on side B and lend the momentum that carries do my math homework websites The this link done with all my homeworks legal resume bar admission Nebula Drag through the remainder of the proceedings. It’s easy to hear to source url - Speedy world delivery and reasonably-priced drugs with no rx. Spend less money when buying from our drugstore. We make ordering Blud superficially and pass it off as noise or heavy rock or this or that, but Looking for dissertation editing services? Not sure where at get the http://www.dwec.ie/how-to-write-an-introduction-for-an-assignment/ services? You`re at the right resource, as we propose an Nebula Drag earn and reward deeper listens in kind.

Nebula Drag on Thee Facebooks

Desert Records on Bandcamp

 

Nothing is Real, Pain is Joy

nothing is real pain is joy

Los Angeles oppressive and misanthropic noise project Fast, affordable, top-quality recommended you reads. We analyze your product and service features. Research your customers. Then put together the right Nothing is Real manifested some of the harshest sounds I heard in 2019 on High-quality http://webtoys.cz/?quality-custom-term-paperss by PhDs available 24/7 with same-day delivery option. Enago provides medical proofreading, scientific Only the Wicked are Pure (review here), and the just-months-later follow-up, Economics Assignment Help and Online Tutoring with http://skolahustopece.cz/argument-essay-topics-on-education/, We have pool of qualified and experienced experts, who is ready for solve your Pain is Joy, reminds of the constant sensory assault under which we all seem to live. Across five extended tracks of increased production value — still raw, just not as raw — the band seems to be forming a coherent philosophical perspective in “Existence is Pain,” the guest-vocalized “Realms of Madness,” “Life is but a Dream,” “Pain is Joy,” and “We Must Break Free,” but if there’s a will to explain the punishment that is living, there’s not much by way of answer forthcoming in the sludgy riffing, grinding onslaught and surprising solo soar of “We Must Break Free,” instrumental as it is. Still, the fact that profession college essay writer and Answers Popular Algebra Textbooks See all Algebra textbooks Algebra 1 Common Core Pain is Joy allows for the possibility of joy to exist at all, in any form, ever, distinguishes it from its predecessor, and likewise the clearer sound and cogent expressive purpose. A focused attack suits Nothing is Real. I have the feeling it won’t be long before we find out where it takes the band next.

Nothing is Real on Thee Facebooks

Nothing is Real on Bandcamp

 

Lotus Thief, Oresteia

lotus thief Oresteia

If the name Oresteia isn’t immediately familiar, maybe “Agamemnon” will give some hint. San Francisco’s Lotus Thief, with their third full-length and second for Prophecy Productions, not only bring together progressive black metal, post-rock and drama-laced doom, but do so across eight-tracks and 38 minutes summarizing a 5th century Greek tragedy written in three parts. Ambitious? Yes. Successful? I’ll claim zero familiarity with the text itself, but for the eight-minute “Libation Bearers” alone — never mind any of the other immersive, beautiful wash the band emits throughout — I’m sure glad they’re engaging with it. Ambient stretches like “Banishment” and “Woe” and the barely-there “Reverence” add further character to the proceedings, but neither are “The Furies,” “Agamemnon,” “Sister in Silence” or subdued-but-tense closer “The Kindly Ones” lacking for atmosphere. Oresteia is grim, theatrical, stylistically forward-thinking and gorgeous. A perfect, perfect, perfect winter record.

Lotus Thief website

Prophecy Productions on Bandcamp

 

Uncle Woe, Our Unworn Limbs

Uncle Woe Our Unworn Limbs

Chugging, sprawling, and most of all reaching, the late-2019 debut LP, Our Unworn Limbs, from Ontario as-yet-solo-outfit Uncle Woe — composed, performed and recorded by Rain Fice — is one of marked promise, taking elements of modern progressive and cosmic doom from the likes of YOB‘s subtly angular riffing style and unfolding them across an emotionally resonant but still manageable 43-minute span. The stomp in “That’s How They Get You” is duly oppressive in following the opener “Son of the Queen,” but with the one-minute experiment “When the Night Fell Pt. 2” and jagged but harmonized “Mania for Breaking” ahead of 15-minute closer “Push the Blood Back In,” the record’s tumult and triumphs are presented with character and a welcome feeling of exploration. I would expect over time that the melodic basis and vocal presence Fice demonstrates in “Mania for Breaking” will continue to grow, but both are already significant factors in the success of that song and the album surrounding it, the first 20-plus minutes of which is spent mired in “Son of the Queen” and “That’s How They Get You,” as early proof of the sure controlling hand at the helm of the project. May it continue to be so.

Uncle Woe on Thee Facebooks

Uncle Woe on Bandcamp

 

Cybernetic Witch Cult, Absurdum ad Nauseam

cybernetic witch cult absurdam ad nauseam

Guitarist/vocalist Alex Wyld, bassist Doug MacKinnon and drummer Lewis May have processed the world around them and translated it into a riffy course of sci-fi and weirdo semi-prog thematics across Absurdum ad Nauseam. What else to call such a thing? At eight songs and 52 minutes, it stands astride the lines between heavy rock and doom and sludge in lengthier pieces like “The Cetacean,” “The Ivory Tower” and the finale “Hypercomputer Part 2,” yet when it comes to picking out discernible influences, one has to result to generalizations like Black Sabbath and Acrimony, the latter in the rolling largesse of “Spice” and “The Myth of Sisyphus” later on in the outing and the vocal effects there particularly, but neither is enough to give a sense of what Cybernetic Witch Cult are actually about in terms of the modernity of their approach and the it’s-okay-we-know-what-we’re-doing-just-trust-us vibe they bring as they rush through “Cromagnonaut” after the intro and “Hypercomputer Part 1.” I’m inclined to just go with it, which should tell you something in itself about the band’s ability to carry their listener through. They earn that trust.

Cybernetic Witch Cult on Thee Facebooks

Cybernetic Witch Cult on Bandcamp

 

Your Highness, Your Highness

Your Highness Your Highness

Heavy blues meets heavy metal on Your Highness‘ self-titled and self-released third album, collecting eight tracks that divide evenly across two sides of an LP, each half ending with a longer piece, whether it’s “Black Fever” (9:00) on side A or “Kin’s Blood” (14:14) on side B. Through these, in full-throttle movements like opener “Devil’s Delight” and “Rope as a Gift” and in nestled-in groovers like “The Flood” and “To Wood and Stone,” Your Highness don’t shy away from bringing a sense of atmosphere to their material, but maintain a focus on burl, gruffness and tonal weight, an aggressive undercurrent in a song like “Born Anew” — the riff to which is nonetheless particularly bluesy — being emblematic of the perspective on display throughout. It moves too fleetly to ever be considered entirely sludge, but Your Highness‘ 51-minute span is prone to confrontation just the same, and its ferocious aspects come to a head in satisfying fashion as the wash of crash pays off “Kin’s Blood,” shouts cutting through en route to a finish of acoustic guitar that lands as a reminder to release the breath you’ve been holding the whole time. Heavy stuff? Why yes, it is.

Your Highness on Thee Facebooks

Your Highness on Bandcamp

 

Deep Valley Blues, Demonic Sunset

Deep Valley Blues Demonic Sunset

Italy’s fervor for stoner rock is alive and well as represented in Demonic Sunset, the eight-song/34-minute debut full-length from Catanzaro’s Deep Valley Blues. Their sound works out to be more heavy rock than the desert one might imagine given the album cover, but that influence is still there, if beefed up tonally by guitarists Alessandro Morrone and Umberto Arena (the latter also backing vocals), bassist/vocalist Giando Sestito and drummer Giorgio Faini, whose fluid turns between propulsion and swing enable a song like “Dana Skully” to come together in its verse/chorus transitions. The penultimate nine-minute “Tired to Beg For” is an outlier among more straight-ahead songwriting, but they use the time well and close with the acoustic-led “Empire,” an encouraging showcase of sonic breadth to follow up on the start of “Lust Vegas” and a widening of the melodic range that one hopes Deep Valley Blues push further on subsequent releases. Centered around issues of mental health in terms of its lyrics, if somewhat vaguely, Demonic Sunset is a first LP that extends its focus to multiple levels while still keeping its feet on the ground in a way that will be familiar to experienced genre heads.

Deep Valley Blues on Thee Facebooks

Deep Valley Blues on Bandcamp

 

Sky Shadow Obelisk, The Satyr’s Path

sky shadow obelisk the satyrs path

You can toss a coin as to whether Sky Shadow Obelisk are death-doom or doom-death, but as you do, just keep an eye on the bludgeoning doled out by the solo-project of Rhode Island-based composer Peter Scartabello on his latest EP, The Satyr’s Path, because it is equal parts thorough and ferocious. Flourish of keys and melody adds a progressive edge to the proceedings across the five-track release, particularly in its two instrumentals, the centerpiece “Ouroboros” and the first half of closer “Shadow of Spring,” but amid the harnessed madness of “Chain of Hephaestus” — which from its lyrics I can only think of as a work song — and the one-two of “The Serpent’s Egg” and the title-track early on, those moments of letup carry a tension of mood that even the grand finish in “Shadow of Spring” seems to acknowledge. It’s been since 2015 that Scartabello last offered up a Sky Shadow Obelisk full-length. He shows enough scope here to cover an album’s worth of ground, but on the most basic level, I’d take more if it was on offer.

Sky Shadow Obelisk on Thee Facebooks

Yuggoth Records on Bandcamp

 

Minus Green, Equals Zero

Minus Green Equals Zero

Following up on a 2015 self-titled the material on Minus Green‘s sophomore album, Equals Zero, would seem to have at least in part been kicking around for a couple years, as the closer here, “Durial” (11:22) was released in a single version in 2016. Fair enough. If the other three cuts, opener “Primal” (9:58), “00” (11:51) and the penultimate “Kames” (10:08), have also been developed over that span, the extra rumination wouldn’t seem to have harmed them at all — they neither feel overthought to a point of staleness nor lack anything in terms of the natural vibe that their style of progressive instrumentalist heavy psychedelia warrants. The procession unfolds as a cleanly-structured LP with two songs per side arranged shorter-into-longer, and their sound is duly immersive to give an impression of exploration underway without being entirely jam-based in their structure. That is, listening to “00,” one gets the feeling it’s headed somewhere, which, fortunately it is. Where it and the record surrounding go ultimately isn’t revolutionary in aesthetic terms, but it is well performed and more than suitable for repeat visits. Contrary to the impression they might seek to give, it amounts to more than nothing.

Minus Green on Thee Facebooks

Kerberos Records website

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Nebula Drag to Release Blud Sept. 27

Posted in Whathaveyou on August 23rd, 2019 by JJ Koczan

nebula drag (Photo by Chad Kelco)

When I finally dug into it — because I’m late to the party, always — I was genuinely into Nebula Drag‘s 2016 self-titled debut (review here), and you know what? I kind of dig the track they’ve shared so far from the upcoming Blud as well. Hey y’all, I think I might like this band. How about that?

Preorders are up now for Blud, which the based-in-San-Diego-more-in-geography-than-in-sound Nebula Drag will release through Desert Records on Sept. 27, and the songs “Always Dying” and “We all Want to Know” offer chunky-style riffing and a kind of melodified take on ’90s noise rock that hits a sweet spot of heavy without coming across as stylistically redundant or faceless. They’ve got dates booked out west, as one will, and that includes a weekender in the desert next month that I’ll just go ahead and assume is gonna be a good time celebrating the new offering.

That Vegas date is TBA. Somebody call John Gist from Vegas Rock Revolution! Dude should be on that.

Here’s the album info and the aforementioned tracks:

nebula drag blud

Nebula Drag – Blud

Nebula Drag is a psycho-delic three piece rock band from San Diego, CA. Definitely not your typical Southern California band… Nebula Drag’s music gives a nod to Stoner Metal and Psych Rock—all with a sound that is uniquely their own. The haunting and blistering riffs paired with the thunderous drumming comprises the heart of this band. Add the melodic and spaced out vocals to the mix and let a listening journey of the highest caliber begin.

Nebula Drag will be releasing their second album “Blud” on Desert Records in September 2019. Their first self-titled album was released in 2016, and they also released a 3 song ep “Always Dying” in 2017. The band also contributed to the San Diego Gimme Danger compilation in 2018, released by Fresh Pots Music.

Tracklisting
1. Dos Lados
2. Knives
3. Always Dying
4. Dogs or Gods
5. We All Want to Know
6. Faces
7. What Went Wrong
8. Numb
9. Infinite Vacation
10. Mental

2019 Performance Dates:
9/10 – The Merrow – San Diego, CA
9/14 – Tower Bar – San Diego, CA
9/26 – T.B.A. – Las Vegas, NV
9/27 – Time Out Lounge – Tempe, AZ
9/28 – Sister Bar – Albuquerque, NM

Nebula Drag is:
Corey Quintana – Guitar/Vocals
Stephen Varns – Drums
Garrett Gallagher – Bass

https://www.facebook.com/NebulaDragz/
https://www.instagram.com/nebuladrag/
https://nebuladrag.bandcamp.com/
https://www.facebook.com/desertrecordlabel/
https://desertrecords.bigcartel.com/
https://desertrecords.bandcamp.com

Nebula Drag, Blud (2019)

Tags: , , , , ,