Buried Treasure: Tales of Armageddon in Boston

Posted in Buried Treasure on December 7th, 2012 by JJ Koczan

Similar to my thinking in going to the Six Organs of Admittance show last Friday, it seemed to me that if I’m going to be living up that way in the next year, I better get used to buying records in Boston. I’d been to Armageddon Shop there before, and I’ve visited the Providence store as well, but a return trip seemed warranted and The Patient Mrs. gave the all-clear, so off to Harvard Square we went.

Like a lot of places, Armageddon seems to be phasing out CDs in favor of donating the room to vinyl, which at this point I can’t even argue with. New records are coming out only on LP and CDs have lost preference to either end of the extreme — i.e. vinyl or digital, or both. Even as someone who would still rather have a CD than a record, I can understand the appeal. So it makes sense. It’s good business. And in the meantime, they still have a whole wall and then some dedicated to mostly used compact discs and I was happy to peruse the space once again while the crew put on the flute-laden tones of the last Blood Ceremony full-length.

I wound up with two discs for my effort, not really on the cheap but not exactly off it either. For $9.99, I got Black Spirit‘s Black Spirit and for $6.99, Endless Skies by Ashbury. The former is an Italian band and an album I posted about earlier this year, full of post-kraut progressive indulgences but not really off-putting or lacking unifying melody. The latter — and I’ll say this honestly — I bought because the art was badass. I looked at the wizard holding up his hand to gather the clouds about the village below, saw that it was a Vintage/Rockadrome reissue and decided there was no way to lose. A safe bet I was comfortable making.

Of the two, Black Spirit‘s album is the older. It came out in 1978, was their only release, and even this Ohrwaschl version is light on info. You get the lineup and the tracklist (inside the liner in what looks like a direct replica of the vinyl sleeve) and that’s pretty much it. The cover art — also righteous, but in a different way than Ashbury — appears twice, on the jewel case and the outside panels of the liner notes, and even under the CD tray as well, not to mention on the CD itself. It’s a lot of purple to live up to, but the music on the album’s five tracks gets driven home with a bluesy feel and some lightly accented vocals, and 12-minute closer “Old Times” is high-grade classic heavy rock that maybe could’ve come out five or six years earlier and been a hit, but I guess was a little behind the times for ’78.

Same applies to Ashbury, come to think of it, except with the Arizona duo they’re playing a kind of proto-metal that, by the time Endless Skies was released in 1983, the genre had moved past. “Vengeance” has a kind of metal-ness to its riff, but a song like “Take Your Love Away” is more Blue Öyster Cult than Judas Priest. Nothing against it, since the guitar playing is ace, the tracks groove and the whole thing has a vibe worthy of its wizard cover, and considering the side-of-the-van-worthiness of that wizard, that’s saying something. To imagine though that the mid-’70s arena melodies of “Madman” came out the same year as the first Slayer record makes it even more fascinating. In any case, I lucked out.

It wasn’t the biggest haul I’ve ever pulled in, not the stack of discs I sometimes come away with, but for the quality of what I got, I’d hardly call it a loss. Two albums that happen to share in being out of place for what they were doing at the time, the math actually works out pretty well. There was never any doubt, but I’m more or less certain that whenever I end up living there, it won’t be the end of my record buying habit. Good to know. If you’re so inclined, check out Armageddon Shop’s website here.

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Frydee Black Spirit

Posted in Bootleg Theater on February 24th, 2012 by JJ Koczan

I thought I’d try a little YouTube experiment to end off this week. Starting with Truckfighters‘ “Desert Cruiser,” I clicked through six different related videos, one to the next, and decided I’d roll with the one that had the purplest cover. And so we have the German-by-way-of-Italy Black Spirit with the track “Old Times” from their 1978 self-titled album. From what I can tell, it’s the only record they ever put out and though it’s got some keyboard flourish near the end, the sound is much more aligned to bluesy heavy rock of the earlier part of the decade than the prog indulgences of the latter.

It’s 10 minutes long, has no fewer than three jams, and rocks pretty hard. For a band I’d never heard before clicking through — and clicking some pretty funky-looking covers, to boot — I’ll more than take it. Well worth sticking around through the end, too.

Hard to believe, but February’s almost over, even with that extra day. Next week I’ll have the numbers up and the interview I did with Pallbearer bassist Joseph D. Rowland this past Wednesday, as well as Chris “Woody High” MacDermott‘s first “Spine of Overkill” column on the mysterious decade known as the ’80s, which most of us lived through but nobody remembers, and reviews of new records by Pale Divine, Conan and Greenleaf, the latter of which has been kicking my ass around the block for the last 18 hours or so. I’ve been through it five times already and am likely to go five more before the weekend’s out.

That’s especially true because I’ll be sitting in front of the computer the whole time anyway. I had wanted to review the Bobby Liebling documentary, Last Days Here, today, but decided to give myself an easier afternoon and do it tomorrow instead. Doesn’t do much for making the weekend the nonstop thrill ride it otherwise might be, but I still think it was the right call.

So I’m not actually signing off, since I’ll be posting tomorrow, but I figured screw it, might as well put a clip up anyway and say I hope you have a great and safe weekend, whether or not you’re endeavoring to step away from the keyboard. If you’re around and looking for something to do, the forum‘s always open.

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