The Obelisk Presents: The Top 15 of 2015 So Far

Posted in Features on July 6th, 2015 by JJ Koczan

top 15 of 2015 so far the-rhinoceros-albrecht-durer

If 2015 ended tomorrow, I think you’d still have to say it was a pretty good year for heavy rock. Doom veered into a swath extremes — its own subgenres emerging almost one by one in a growing splinter that nonetheless continues to draw water from its roots — while the neo-stoner ignition of the West Coast continued its boom of new acts proffering classic groove. The East reveled in a progressive vision just waiting to be picked up by others, and in Europe, the ’70s traditionalist movement spread ever wider, essentially defining a modern sound in organic sounding, sometimes-vintage elements. Whether you’re going for crushing, oppressive barbarism or cosmos-bound blissouts, it is, in short, a good time to be alive.

Of course, 2015 doesn’t end tomorrow, and there’s still a whole lot of year to come. About half, as it happens. So, as has been the tradition around here for the last half-decade — and seems to be the tradition in a growing number of outlets; not taking credit or claiming to have invented anything, just noting a proliferation — it’s time to count down the best records of the year so far. There have been more than a handful of gems, and since in December I’m planning on doing a top 30, we’ll mark half the year with a top 15. Seems only fair.

Please note that this isn’t purely a critical evaluation, but a personal list, and that what I’ve put on most is as crucial a factor in my ranking as how important I think a given record is. You know the drill by now. Let’s go:

15. Stoned Jesus, The Harvest

stoned jesus the harvest

Self-released. Reviewed Feb. 20.

Kiev three-piece Find the best http://www.socio.msu.ru/?latex-package-for-phd-thesis resume samples to help you improve your own resume. Each resume is hand-picked from our large database of real resumes Stoned Jesus have a varied stylistic history, and their third outing, Accounting is one of those subjects that are very difficult while youíre immersed in the studying process óbut becomes easier, much like calculus, when you have a ďhelperĒ who can guide you through the challenging obstacles of worksheets to balance sheets and beyond. So when you are struggling with your studies, reach out for an chemistry homework help onlineer from our stellar agency. The Harvest was ultimately a success in large part because of its complete refusal to be defined. Atop a foundation of quality songcraft, the trio proffered a sound that was not necessarily experimental in terms of anti-structure noise or effects onslaughts, but bold in each of its forays outward from its heavy rock underpinnings.

 

14. Freedom Hawk, Into Your Mind

freedom hawk into your mind

Released by buy essays online uk for Affordable Prices. Oral health is an essential part of hygiene for every individual. We also assist with advising Small Stone. Reviewed June 26.

It has consistently taken me a while to get a hold on what Are you looking for a ďVisit WebsiteĒ committed to originality and high quality articles? No need to search any further! Premium Writing... Freedom Hawk are up to. The steady elements in their sound are held to so firmly that on the first couple listens, it seems to just be more of the same. But the more one digs in, the more there is to be found, and with Cambridge Phd Application Research Proposal online at professional essay writing service. Order custom research academic papers from the best trusted company. Just find a great help for Into Your Mind, the Virginia Beach trio overcome losing a member to create their most progressive outing to date, flourishes of psychedelia melding easily with their signature style of sunshiny riffing.

 

13. My Sleeping Karma, Moksha

my sleeping karma moksha

Released by How Can I Pay http://www.jadecoastjewelry.com/how-to-write-the-research-paper/ is that ethical? Yes we provide academic writing service with all the ethical code intact. Napalm Records. Reviewed May 12.

Five albums deep, Germany’s Pay Me To Do Your Homework will take your college Tests, Quizzes, Assignments, Writing Essays, Online Classes, and Full Courses! hop over to here? My Sleeping Karma are an act unto themselves. Their progress has been natural, fueled by a clear, varied sense of exploratory will, and the results on this year’s http://www.coogansbluff.de/?finance-masters-thesis. US-based service has hired native writers with graduate degrees, capable of completing all types of papers on any academic level. Moksha were nothing short of stunning. Branching out their arrangements might not be new to them, but the inclusion of horns, drones, percussion, etc., amid the central guitar, bass, keys and drums lent an almost orchestral feel to the flow between the tracks, and one can only hope they continue on their current path, because it is unquestionably the right one.

 

12. Death Alley, Black Magick Boogieland

death alley black magick boogieland

Released by Alpha dissertation acknowledgement exampless provides you the best in class, plagiarism free and value for money reports at your convenient time from expert writers. Tee Pee Records. Reviewed June 8.

So much potential, so much vitality at the heart of this debut from Homework help through online websites. Do my homework for me Ė surprisingly beneficial advantages of cooperating with How Much Does A Custom Written Paper Cost Per Page help services. Death Alley. The Amsterdam-based four-piece (interview here) stormed out of the gate with a ripper of a debut, and just when you seemed to have it all figured out, they hit the ignition on a 12-minute full-impulse space rock thrust, a guest vocal appearance from How to order a PhD thesis from an online source? It is quite understandable for students to seek online sources to dissertation and thesis writing. Students have a tough Farida Lemouchi (a former bandmate of Professional Speech Writers Prepare to the success of the writerís production and your speech presentation. checks and Death Alley guitarist pay written paper offers outstanding research help for students all over the world! Only original papers Experienced writers ? 24/7 Customer Oeds Beydals in i really need help with my college essay Dissertation On Pilgrimage Tourism Online cheap dissertation writing services dating research paper writing procedure The Devil’s Blood) adding both mystique and emotional resonance to what was already a stunning track. With all the riotousness preceding,¬† http://www.pilgerweg-mecklenburgische-seenplatte.de/?dissertation-methode-eco - Helping students with essays for over 10 years. Using only the best British writers, you provide the guidelines, we do the rest. Black Magick Boogieland¬†readily¬†lived up to its righteous title.

 

11. Mondo Drag, Mondo Drag

mondo drag self titled

Released on RidingEasy Records and Kozmik Artifactz. Reviewed Jan. 8.

Midwestern-turned-West-Coast heavy psych rockers Mondo Drag may have taken their time in releasing their self-titled sophomore outing, which followed their 2010 debut, New Rituals (review here), and was recorded in 2012, but it’s easy to imagine that’s because they wanted the circumstances to be as special as the album itself, recorded with a fleeting five-piece lineup that included the one-time rhythm section of Radio Moscow who wound up leaving to further their then-nascent project, Blues Pills. Even without that lineup shift as a factor, the late ’60s vibe Mondo Drag brought out across the release proved eminently listenable and has held up on repeat visits.

 

10. Cigale, Cigale

cigale self-titled

Self-released. Reviewed May 4.

A gorgeous, shimmering and melodically resonant debut from the Dutch four-piece Cigale, their self-titled gracefully maintained tonal presence and warmth while also enacting a psychedelic sprawl and grooving serenity that acted like the landscape in which the songs took place. It was a rich, bright vibe, and an utter joy to behold, tracks like “Harvest Begun,” “Feel the Heat” and “Eyes Wide Shut” proving as memorable as they were inviting. Having two former members of the much-missed fuzz rock outfit¬†Sungrazer may have initially turned some heads in their direction, but¬†Cigale‘s first album proved they’re an outfit with their own personality, their own development to undertake, and already much to offer.

 

9. The Machine, Offblast!

the machine offblast

Released by Elektrohasch Schallplatten. Reviewed May 28.

The awaited return of The Machine brought the band’s fifth album and a further-refined sense of maturity in their processes, as well as intrigue as to where they might be headed, two dual modes of open-ended jamming and more structured songwriting playing off each other in the extended ‚ÄúChrysalis (J.A.M.)” and “Come to Light” and the more verse/chorus stylizations of “Dry End” and “Off Course.” To be perfectly honest, I doubt The Machine will ultimately pick one side over another, since if Offblast! proved anything it’s that they can easily handle either or both, but as they continue to grow, it’s encouraging to have their style establish itself as so multi-faceted.

 

8. The Atomic Bitchwax, Gravitron

the atomic bitchwax gravitron

Released by Tee Pee Records. Reviewed April 20.

First time I pressed play on Gravitron was a real “oh shit!” moment. The last release from NJ stalwarts The Atomic Bitchwax was 2011’s The Local Fuzz (review here), a single-song full-length instrumental riff onslaught that had its charm but was inherently divorced from the appeal of the band’s songwriting. Not only does Gravitron re-factor that in with songs like “Roseland,” “It’s Alright,” “Coming in Hot” and “Ice Age Hey Baby,” among others, but it hits with kick-in-the-ass production force and an all-out heaviness that 2008’s¬†TAB4¬†showed the three-piece steering directly away from. Just a killer record. Utterly void of pretense. No bullshit. No need to rely on anything more than chemistry, and with the¬†Bitchwax, that’s plenty.

 

7. Brothers of the Sonic Cloth, Brothers of the Sonic Cloth

brothers of the sonic cloth self titled

Released by Neurot Recordings. Reviewed March 3.

Right now, Brothers of the Sonic Cloth are my band to beat for Debut of the Year, and I’m quite frankly not sure how anyone is going to be able to do it, so if list time comes in Dec. and you see Tad Doyle‘s trio marked out as such, know that it’s been that way in my head for some time. The three-piece of Doyle, bassist Peggy “Pegadeth” Tully and drummer Dave French arrived with a roar, and even when their self-titled let up sonically, the atmosphere remained viscerally heavy. Six years having passed since the release of¬†their first demo (review here), I wasn’t sure there was ever going to be an album, but then to have¬†Brothers of the Sonic Cloth¬†show up and enact such thorough demolition only made it more impressive.

 

6. High on Fire, Luminiferous

high on fire luminiferous

Released by eOne Heavy. Reviewed June 15.

It can’t possibly be a surprise to have Luminiferous show up somewhere on this list. The seventh long-player by High on Fire had all the rage and bombast in “Slave the Hive” and “The Black Plot” that have become the band’s hallmarks over their 17 years together, but branched out progressively as well in songs like “The Cave” and “The Falconist,” the latter of which was brazenly catchy and about as emotionally direct as the band has ever gotten, their general modus being — and in that song too, just to a lesser extent — a metaphor-laced lyrical approach. That song was a triumph and so was the album as a whole; the second collaboration with producer Kurt Ballou building on the rampaging victories¬†of 2012’s¬†De Vermis Mysteriis (review here) while also showing growth on the part of one of modern metal’s most pivotal bands.

 

5. Kings Destroy, Kings Destroy

kings destroy self titled

Released by War Crime Recordings. Reviewed April 15.

Hitting¬†more or less concurrent with¬†a vinyl release of their prior album, 2013’s A Time of Hunting (review here), Kings Destroy‘s Kings Destroy is not at all coincidentally titled. Over the course of now three full-lengths, the New York five-piece — about whom I feign no impartiality, let it be noted — have distinguished themselves with a sound neither noise, nor doom, nor heavy rock, but drawing on elements of all three when it suits their purposes with chemistry built from years of being in bands together of various stripes and in various genres. What stands the self-titled out from their past work, in part, is that it is the closest they’ve yet come to capturing their live sound in the studio, and accordingly,¬†it’s a volatile kind of heavy that bends aesthetic to its will rather than capitulating to expectations of any sort. I don’t think they’re done growing by any stretch, but¬†Kings Destroy¬†feels like an arrival front-to-back.

 

4. Colour Haze, To the Highest Gods We Know

colour haze to the highest gods we know

Released by Elektrohasch Schallplatten. Reviewed Jan. 6.

This one was almost a sneak-attack. German heavy psych forerunners Colour Haze released To the Highest Gods We Know, their 11th full-length, in Dec. 2014 on CD (the vinyl was in 2015, which is what we’re counting in this instance), with very, very little fanfare of any sort. There was a track premiere here that came shortly after the album was announced, but I think it was officially out less than a month after its existence was made public, which for a band of Colour Haze‘s stature and influence was surprising. Less devoted to¬†grandeur than¬†2012’s 2CD She Said (review here), it nonetheless pushed the band’s sound forward and found them experimenting in their studio, particularly on the string-quartet-inclusive finale title-track, which offset jams like “√úberall” and the laid back highlight “Call” with a rhythmic oddness that was somehow still¬†Colour Haze‘s own. I couldn’t help but wonder where it was leading, but that doesn’t mean it wasn’t masterful in its own right.

 

3. Goatsnake, Black Age Blues

goatsnake black age blues

Released by Southern Lord Recordings. Reviewed May 19.

Goatsnake didn’t have it easy going into their third album. It had been 15 years since their sophomore outing, Flower of Disease, 11 since their last EP, and five since they first started playing shows again. Expectations? Through the roof. Among heavy rock heads, a new¬†Goatsnake¬†was like seeing the mountaintop. I mean, a big fucking deal and then some. Then the record hits, and there’s just about no way it can live up to the anticipation, but god damn if¬†Goatsnake¬†not only¬†finally¬†put out a third album, but one that was better than I think anyone could’ve hoped for. Hearing¬†Pete Stahl¬†with however many backup singers he had on “Another River to Cross” et. al. was like finding an animal in its native habitat, and between his soul,¬†Greg Anderson‘s riffs, bassist¬†Scott Renner‘s low end rumble and drummer¬†Greg Rogers‘ roll,¬†Black Age Blues¬†won almost immediately and then spent the rest of its 47 minutes throwing itself a victory party. “Elevated Man,” “House of the Moon,” “Jimi’s Gone,” “Grandpa Jones,” almost on a per-track basis,¬†Goatsnake¬†added to the reasons they’ve been so heralded despite a decade-plus’ absence from the studio.

 

2. Elder, Lore

elder lore

Released by Armageddon Shop and Stickman Records. Reviewed Feb. 19.

On the level of achievement alone, Elder‘s Lore will be the album of the year for many, and there are times (such as right now) when I listen to it and question whether or not it isn’t also my pick for that honor, but wherever it falls on whatever list, far more important is what the Massachusetts/Rhode Island/New York trio manage to accomplish across their third LP’s formidable five-track/59-minute span, songs like “Compendium” and “Deadweight” bridging a rarely approached gap between heavy and progressive rocks while maintaining a flow consistent with the psychedelic vibing of 2011’s Dead Roots Stirring (review here) but grown outward in another aesthetic direction and no sooner setting foot on the ground than seeming to master it in a flurry of blinding turns, sprawling soundscapes and clarity of mind that found perhaps its greatest expression in the centerpiece title-track, the 15-minute “Lore” itself, which I’ve no doubt will stand among if not atop the best songs of 2015 when the year is over and encapsulates the ambition and the corresponding breadth of¬†Elder‘s songwriting, the trio of guitarist/vocalist¬†Nick DiSalvo,¬†bassist¬†Jack Donovan, and drummer¬†Matt Couto rising as one of the East Coast’s most pivotal acts, with a sound completely their own.

 

1. Acid King, Middle of Nowhere, Center of Everywhere

acid king middle of nowhere center of everywhere

Released by Svart Records. Reviewed March 19.

I use the word “molten” pretty regularly to describe an album or song that seems to just ooze its way out of the speakers or shift seamlessly between its songs, but Acid King set an entirely new standard for the term with Middle of Nowhere, Center of Everywhere. Their first outing for Svart and their first release in a decade, its 55 minutes were a riff-rolling nirvana of lurching fuzz and tonal excellence, the guitar of¬†Lori S. at the fore accompanied by¬†Mark Lamb‘s bass and¬†Joey Osbourne‘s drums, the swing of which propelled a highlight track like “Coming down from Outer Space” right back into it, while elsewhere on the record, “Silent Pictures,” “Red River” and “Infinite Skies” torched stoner conventions into a new space-biker rock, culminating in the heavy psych of “Center of Everywhere,” which seemed to emanate from the place it was describing, at once empty and full. More than just a welcome return after a long dearth of releases,¬†Middle of Nowhere, Center of Everywhere¬†found¬†Acid King¬†progressed even beyond where they were with 2005’s¬†III, though more than anything else, what makes it my top pick for the year so far is the fact that I can’t seem to walk away from it for too long before going back, and ultimately, that’s what it all comes down to with his kind of thing. I’ve yet to find a standard to which these songs don’t live up.

Honorable Mention:

A few others worth noting. The¬†Sun Blood Stories¬†album (streamed here) continues to resonate. Also¬†Monolord,¬†Valkyrie, Lamp of the Universe,¬†Garden of Worm,¬†Wo Fat‘s live record, The Midnight Ghost Train‘s Cold was the Ground and¬†Ufomammut‘s¬†Ecate. The¬†Black Rainbows¬†was a joy, as was¬†Spidergawd‘s second LP, and while I still feel like I haven’t given it its due, the¬†Sumac¬†won many over and should get a mention.¬†Steve Von Till‘s solo outing and the latest from¬†Enslaved are worth seeking out as well for anyone who hasn’t heard them yet.

More to Come:

The year’s only half over, which is kind of a scary thought but true nonetheless. Watch out in the coming months for new stuff from¬†Bloodcow,¬†All Them Witches,¬†Clutch,¬†Graveyard,¬†Zun,¬†Sacri Monti (if that one’s not already out),¬†Snail,¬†Uncle Acid, and¬†Kind. The new¬†Kadavar¬†is a sure-fire top tenner, and between that, the potential for a new¬†Neurosis¬†album and stuff like¬†Magnetic Eye Records‘¬†Electric Ladyland [Redux], there’s no way the book is written on the best of 2015.

So stay tuned.

And if I’ve still got your attention, thanks for reading.
 

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