Grim Reefer Fest 2024 Announces Initial Lineup; Tickets on Sale

Posted in Whathaveyou on January 18th, 2024 by JJ Koczan

I was lucky enough to attend the April 2023 edition of the Baltimorean all-dayer Grim Reefer Fest (review here), which featured Bongzilla as headliners and the likes of Sun Voyager and Holy Fingers, among others. Returning from last year’s bill for 2024 are Haze Mage, who are involved in organizing the fest — fair’s fair — and that’s it so far, though there are still two bands TBA, which tells me there’s probably a tour waiting to be announced or something like that. Sometimes it’s logistics as much as teasing with these lineup reveals.

But with the undebatable Weedeater in the top spot for 2024 backed by the atmospheric heavy rock of Black Lung, Yatra‘s we’re-the-death-metal-band-the-heavyheads-like extremity and Leather Lung‘s sludge metal party, along with High Leaf coming down from Philly, Foehammer up from VA and Bleak Shore, who just played their first show this past December, the day seems pretty packed even before you get to the two TBAs. It’ll be a fun one if you’re in the neighborhood on April 27, which you might consider being.

The announcement came down the PR wire thusly:

Grim reefer fest 2024

This April we return to the legendary Ottobar in Baltimore on Saturday April 27th for our 5th annual fest, bringing a very full day of the dankest & heaviest riffs around!

This year’s lineup includes:
Weedeater
Black Lung
Haze Mage
Yatra
Leather Lung
High Leaf
Foehammer
Bleak Shore

Plus we’ve got a couple more to still announce! Stay tuned!

Once again, the amazing Golden Grillz food truck will be parked outside all day and night to take care of all of your munchie needs!

Tickets are now available here: https://www.etix.com/ticket/p/62386586

Early birds get your tickets now! Prices for tickets go up after March 1st!
More details at GrimReeferFest.com

Poster by John DeCampos aka @ghost_bat_

Facebook event: https://fb.me/e/4LgCZ1iCo

https://www.facebook.com/GrimReeferFest
https://www.instagram.com/grimreeferfest/
https://www.youtube.com/channel/UC3BL9lkMWbIC2qaqWZ4LH8g
https://www.grimreeferfest.com/

Sun Voyager, Live at Grim Reefer Fest 2023

Tags: , , , , , , , , , , ,

Heavy Psych Sounds Fest 2023: Initial Lineups Announced for New York and Baltimore

Posted in Whathaveyou on May 19th, 2023 by JJ Koczan

Two bands left to announce, huh? Well, having been in Baltimore earlier this month to see them, Holy Fingers would sure as shit be a welcome addition to this bill, and if Heavy Temple are back from Europe by then (and I’m not sure they will be), they’d be my other pick, though certainly Heavy Psych Sounds wouldn’t be out of line to tap either Ecstatic Vision or Ruby the Hatchet for those spots, again pending their availability.

Whoever remains to be added, it’s already a pretty sick bill for Heavy Psych Sounds Fest 2023 in New York and Baltimore. Bongzilla‘s new record will be out by then, The Golden Grass put out a banger this year, that Gozu album is a beast, so yeah, toss in Lüger from Montreal and The Atomic Bitchwax who are always welcome, add even more cool bands, and it’s a Heavy Psych Sounds Fest. At the Saint Vitus Bar. I remember a time when nobody went to heavy rock shows in New York. Not a label from Italy is hosting a festival in Brooklyn. Time is very, very weird.

I’m gonna say that’s enough since you probably stopped reading anyhow, skimmed the lineup and clicked off, either to buy tickets or elsewhere. Safe travels, either way.

From the PR wire:

heavy psych sounds fest 2023 nybal

Heavy Psych Sounds Fest New York & Baltimore to take place on November 10-11th with Bongzilla, The Atomic Bitchwax and more; tickets on sale

In cooperation with Saint Vitus Bar and Savage Party, Heavy Psych Sounds Records take over the East Coast with the first edition of Heavy Psych Sounds Fest New York & Baltimore, to take place respectively at Saint Vitus Bar and Metro Gallery on November 10-11th, 2023. Ten bands are already confirmed, don’t wait to get your tickets!

“We are stoked to organize one of our HPS Fests on the US East Coast for the very first time! After conquering the West Coast in March, we are ready to rock the East Coast too!” says Rajko Dolhar from Heavy Psych Sounds.

Heavy Psych Sounds Fest New York 2023
Saint Vitus Bar – 1120 Manhattan Ave, Brooklyn, NY 11222
BUY TICKETS

Heavy Psych Sounds Fest Baltimore 2023
Metro Gallery – 1700 N Charles St, Baltimore, MD 21201
BUY TICKETS

With BONGZILLA
THE ATOMIC BITCHWAX
HIGH REEPER
THE GOLDEN GRASS
GEEZER
BLACK LUNG
WITCHPIT
COSMIC REAPER
GOZU
LÜGER
+ two more bands TBA

https://www.facebook.com/HEAVYPSYCHSOUNDS
http://www.heavypsychsounds.com
https://heavypsychsoundsrecords.bandcamp.com

The Atomic Bitchwax, Live at Freak Valley 2022

Tags: , , , , , , , , , , , , ,

Hoflärm 2023 Makes First Lineup Announcement

Posted in Whathaveyou on February 6th, 2023 by JJ Koczan

Based in Seelbach, Germany, the Hoflärm Festival will host its fifth edition this August, as seemingly every weekend of Europe’s Spring and Summer fest season seems to increasingly have something going on somewhere at sometime. A glut of cool events is nothing to complain about for anyone who remembers a couple years back when there was nothing — which, as much as one tries to repress those particular memories, I still do — and the lineup here is right on in terms of vibe with Acid King, Mars Red Sky, Messa and Elephant Tree so far at the top of the bill with RotorSwan Valley Heights, Mondo Generator, Grin, Black Lung, Eremit, Madmess, Old Horn Tooth and Kvinna rounding out and a few black boxes on the poster like the rest of the lineup has been redacted for the purposes of protecting classified information.

And I won’t argue with Hoflärm adding another six or seven bands, but, I mean, this is already pretty killer on first blush. You’ll note this takes place over three days, so spreading the 20 bands out over that long, it seems like a pretty laid back kind of deal — at least until Mondo Generator starts ripping into Kyuss tunes, but that’s fun too — and not necessarily as overwhelming as some multi-stage fests in Europe and elsewhere. This is the five-year anniversary of the fest, and to see Acid King and Mars Red Sky alone, it’s already got me daydreaming, so I take that as a win.

Details follow as per Hoflärm‘s socials:

Hoflärm – 5th Anniversary – GO FOR THE RIDE

Join us this year for the 5th stony ride to Hoflärm 2023! We are very happy to announce the first bands of the line-up today! We also announce the start of the presale for 05.02.2023 at 5 pm!

https://www.eventbrite.com/e/hoflarm-2023-tickets-532032201637

Started in 1993, we are more than proud to welcome Acid King! The band around Lori S. looks back on 30 years of band history and will bring their new Album to Marienthal in August.

Mars Red Sky and Elephant Tree will drive you into the sunset with their all time classics like Strong Reflection or Wither! We’re already feeling the vibe around the yard!

A very special highlight we are looking forward to is Messa. The Italian doom band combines the raw and rough sides of doom with the warm summer evenings of the Hoflärm.

Just last year, stoner legend Nick Oliveri visited us with his band Stöner. Nick liked it and had reason enough to come knocking on our door again in 2023. We are looking forward to Mondo Generator, Mr. Oliveri!

We also have visitors from Berlin again, on the one hand we are happy to welcome Rotor, our tractors are running at Vollast! But on the other hand also Grin! We can’t imagine a Hoflärm without Jan, Sabine and Andre! In 2021 the three played with Earth Ship, in 2022 with Slowshine. This year, however, only Sabine and Jan will be on stage, Andre will mingle with the audience while Grin plays their crushing riffs.

Black Lung and Madmess will bring you through our hot afternoons with their heavy psych rock!

Doom over Marienthal: Eremit and Old Horn Tooth will be blasting the darkest riffs into your ears! Live Slow Die Old!

Last but not least, we are happy to welcome 2 bands that have played at the Hof in the past! Swan Valley Heights and Kvinna! Kvinna was the band that opened the first Hoflärm, who of you was there and can remember?

Stay tuned for even more announcements! We have more Bands, as well another Headliner & Co Headliner to announce!

Event page: https://facebook.com/events/s/hoflarm-2023-5th-anniversary/583432620099196/

https://www.facebook.com/Hofcafe.Hoflaerm
https://instagram.com/hoflaerm/
https://www.hoflaerm.de/

Mars Red Sky, “Strong Reflection” official video

Tags: , , , , , , , , , , , , , ,

Krach am Bach 2023 Adds Elder, Minami Deutsch, Black Lung, Psychlona and Baron Crâne to Lineup

Posted in Whathaveyou on January 24th, 2023 by JJ Koczan

The below update from the 2023 Krach am Bach Festival was posted with the emoji penguins, and hell’s bells, I’m leaving them there. Why would I take them out? Sometimes bands, labels, etc., go over the top and there’s 75 horns-ups or black hearts or whatever else. Not Krach am Bach. Three penguins on each side of their headline, and that’s it. They keep it classy, and I’ll say that mentality extends to the fest’s lineup as posted as well. Joining the ranks of the previously announced Russian CirclesTemple FangSliftZementElephant TreeGlasgow Coma Scale and Slomosa are the five listed above: ElderMinami DeutschBlack LungPsychlona and Baron Crâne, and, well, if that doesn’t say “VIBE” to you with six-penguin clarity, I’m not sure what to tell you. I hear it comes in waves, and this is one worth surfing.

I guess class is one of those things that happens when you put on a festival 28 times. Wouldn’t know personally, but that class extends to having donated some 27,000 Euros to various organizations in Germany of funds collected in 2022, and that’s perhaps even more badass than the 2023 lineup below, which it should be noted isn’t finished. I’ve never really written about Krach am Bach before — nothing personal, I’m just only one person and they seem to have done fine without my blah blah — but looking back at their lineup history, I probably should have. And if you happen to be in Beelen come August, it seems like the kind of place you’d probably be welcome even as a stranger. Again, “VIBE.”

So vibe on it:

Krach am Bach 2023 poster square

Krach am Bach 2023 – 04 + 05 August 2023

Beelen, Hörster 7

(#128039#)(#128039#)(#128039#) It Comes In Waves (#128039#)(#128039#)(#128039#)

Hot news for the 28. Krach am Bach Festival

Newly included:

Elder [US | Progressive Stoner]
Minami Deutsch [JP | Herb/ Psyche]
BLACK LUNG [US | Doom/ Fuzz]
Psychlona [GB | Stoner]
Baron Crâne [FR | Heavy Psychedelic]

… and who else is like this?

Russian Circles [US | Post Rock/ Metal]
Elephant Tree [UK | Psych/ Doom]
SLIFT [FR | Space/ Stoner]
Slomosa [NO / Desert Rock]
Glasgow Coma Scale [GER / Post Rock]
Temple Fang [NL / Psychedelic]
Zement [DE / HERB]

Tickets: https://shop.paylogic.com/3a7c6c2b810e424fb99f31ba88d14927/

Event: https://fb.me/e/2nDQTPftp

Thank you for the amazing artwork by Missfelidae Illustration

https://www.facebook.com/krachambach
https://instagram.com/krachambach
https://krachambach.de/

Elder, Innate Passage (2022)

Tags: , , , , , , , ,

Maryland Doom Fest 2023 Announces Lineup

Posted in Whathaveyou on October 31st, 2022 by JJ Koczan

It’s a big ‘un. And if you’re like me, there are a couple names that stick out from the poster below, particularly Earthride and The Skull. Both are tribute sets, of course. The Skull frontman Eric Wagner passed away in 2021 after complications from a covid-19 infection and the loss of Earthride‘s Dave Sherman just a couple months ago continues to be keenly felt in and beyond the confines of the scene he called home. Karl Agell (ex-C.O.C.) will step in for The Skull, while Scott Angelacos of Hollow Leg is set to front a rotating cast of players for Earthride. You would be hard-pressed to find a more fitting occasion for honoring one’s own, except perhaps this gig in a couple weeks.

Plenty of familiar, returning acts as well as newcomers. Hippie Death Cult and will travel from the Pacific Northwest, Switchblade Jesus and Doomstress make an appearance (not the first for either) from Texas, and Red Mesa come straight out of the capital-‘desert’ Desert. Meanwhile, Faith in Jane, Black Lung, Bloodshot, Mangog, Mythosphere, Thonian Horde, Spiral Grave and plenty of others represent the Maryland home team, High Leaf and Thunderbird Divine trip down from Philly, Curse the Son (CT) and Guhts (NY) come from farther north, Hollow Leg make the trip out from Florida, and Lo-Pan, Doctor Smoke and Brimstone Coven head over from the Midwest. That’s just off the top of my head. I’m not sure there’s ever been a MDDF pulling so many bands from different parts of the country, though of course international bands have featured in the past as well.

There are always some shakeup between the first announcement and the final lineup, but so far so good here. Any way it works out, Maryland Doom Fest has nothing to prove at this point. Guaranteed banger.

Here’s the poster (oy) and the lineup, the latter in alphabetical order:

Maryland Doom Fest 2023 sq

 

Maryland Doom Fest 2023

June 22-25 – Frederick, MD

We are proud to present to you The Maryland DooM Fest 2023 lineup roster and 2023 promotional art!!!!

We showcase over 50 kickass bands bringing you heavy riffs over these #4daysofdoom!!

The centerpiece art was created by Joshua Adam Hart (Earthride, Unorthodox, Revelation, Chowder, Stout, to name a few).

Josh is a career tattoo artist and is currently scheduling appointments at Triple Crown Towson Tattoo. Schedule to get ink from him at info@triplecrowntowson.com

The incredible flyer layout, coloring, and design is by our very talented Bill Kole (make sure to check out his band Ol’ Time Moonshine)!!

Above the Treachery, Akris, Black Lung, Bloodshot, Bonded by Darkness, Borracho, Brimstone Coven, Cobra Whip, Conclave, Crowhunter, Curse the Son, DeathCAVE, Doctor Smoke, Doomstress, Double Planet, Dust Prophet, Earthride, Faith in Jane, False Gods, Flummox, Fox 45, Future Projektor, Gallowglas, Grim Reefer, Guhts, Helgamite, High Leaf, Hippie Death Cult, Hog, Hollow Leg, Hot Ram, Las Cruces, Leather Lung, Lo-Pan, Mangog, Mythosphere, Orodruin, Red Mesa, Severed Satellites, Shadow Witch, Smoke the Light, Spiral Grave, Switchblade Jesus, The Skull, Thonian Horde, Thousand Vision Mist, Thunderbird Divine, Unity Reggae, VRSA, Weed Coughin, Wizzerd

https://www.facebook.com/MdDoomFest/
www.marylanddoomfest.com

Lo-Pan, “Ascension Day” live at Maryland Doom Fest 2019

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

The Obelisk Show on Gimme Metal Playlist: Episode 88

Posted in Radio on July 8th, 2022 by JJ Koczan

the obelisk show banner

Well, in the aftermath of reviewing 100 albums over the span of 10 days, there was just about no way I wouldn’t have enough to fill out a Gimme Metal playlist, and hey guess what? I was only like six days late turning it in! At least the playlist. Voice tracks I think I cut on Tuesday. I honestly have no idea.

But in any case, it didn’t feel as late as last time because it wasn’t, and I’m glad to be featuring a smattering of some of what stood out to me from the finished-today QR, plus a new Dreadnought track that I got excited about because the album announcement came in while I was putting the playlist together and I couldn’t not include it. Probably won’t be the last time.

But if you see/hear/want to dig more on any of this stuff, you can either look for the review or just tap and Google that shit. I think there were maybe two (maybe) bands who weren’t on Bandcamp easily accessible, so everyone else, it’s all right there for you. Plus here, all newly written up in my typical turnt-brain-to-goo Quarterly Review style.

Thanks if you listen and thanks for reading.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at: http://gimmemetal.com.

Full playlist:

The Obelisk Show – 07.08.22 (VT = voice track)

Witchfinder The Maze Endless Garden
0N0 Clay Weight Unwavering Resonance
Church of the Sea Odalisque Odalisque
Dreadnought Midnight Moon The Endless
VT
Faeries Fresh Laces Faeries
My Diligence Celestial Kingdom The Matter, Form and Power
Supplemental Pills Freedom March Volume 1
Kaleidobolt Ultraviolent Chimpanzee This One Simple Trick
Black Lung Hollow Dreams Dark Waves
The Cimmerian Silver and Gold Thrice Majestic
Astral Pigs Our Golden Twilight Our Golden Twilight
Carson Dirty Dream Maker The Wilful Pursuit of Ignorance
Kadavermarch 1,000 Yard Stare Into Oblivion
Electric Mountain A Fistful of Grass Valley Giant
VT
Øresund Space Collective Deep Breath for the EARTH Oily Echoes of the Soul

The Obelisk Show on Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is July 22 (subject to change). Thanks for listening if you do.

Gmme Metal website

The Obelisk on Facebook

Tags: , , , , , , , , , , , , , , , ,

Quarterly Review: The John Denver Airport Conspiracy, Clara Engel, Cormano, Black Lung, Slowenya, Superlynx, Øresund Space Collective, Zone Six, The Cimmerian, Ultracombo

Posted in Reviews on July 1st, 2022 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

Today’s Friday, and in most but a decreasing number of circumstances, that means a Quarterly Review is over. Not this one. Remember, doublewide means it goes to 100 albums. The really crazy part? It could go longer. I could add another day. It could go to 11! Have I done that before?

Probably. That Spinal Tap reference is too obvious for me to have never made it. In any case, I’ve got something booked for Monday after next already, so I won’t be adding another day, but I could just on the releases that came in over the last couple days. Onto the list for next time. Late September/early October, I think.

If you’re hurting for Quarterly Review in the meantime? Yeah, stick around. There’s a whole other week coming up. That’s what I’ve been saying. Have a great weekend and we’ll pick back up on Monday with another 10 records.

Quarterly Review #41-50:

The John Denver Airport Conspiracy, Something’s Gotta Give

John Denver Airport Conspiracy Something's Gotta Give

Hail Toronto psych. The John Denver Airport Conspiracy released Something’s Gotta Give as a 16-tracker name-your-price Bandcamp download nearly a year ago, and vinyl delays give squares like yours truly who missed it at the time another opportunity to get on board. The 14-song LP edition runs 42 minutes, and it’s time well spent in being out of its own time, a pedal steel Americana-fying the ’60s drift of “Comin’ Through” while “Jeff Bezos Actually Works for Me” pairs garage strum-and-strut with a cavernous echo for an effect like shoegaze that looked up. “2000 November” and closer “The Lab” dares proto-punk shimmy and “Green Chair” has that B3 organ sound and lazy jangle that one can’t help but associate with 1967, “Ya, I Wonder” perhaps a few years before that, but “The Big Greaser” works in less directly temporal spaces, and the whole album is united by an overarching mellow spirit, not totally in a fog because actually the structures on some of these songs are pretty tight — as they were in the 1960s — but they’ve definitely and purposefully kept a few screws loose. Their sound may solidify over time and it may not, but as a debut album, Something’s Gotta Give is deceptively rich in its purpose and engaging in its craft and style alike. I wish I’d heard it earlier, I’m glad to have heard it now.

The John Denver Airport Conspiracy on Instagram

Cardinal Fuzz Records webstore

Little Cloud Records website

 

Clara Engel, Their Invisible Hands

Clara Engel Their Invisible Hands

Clara Engel‘s experimentalist folk songwriting moves into and across and over and through various traditions and methods, but their voice is as resonant, human and unifying as ever, and that’s true from “O Human Child” through the softly echoing guitar pieces “Golden Egg” and “High Alien Priest,” the more ethereal “Glass Mountain,” and so on, while excursions like “I Drink the Rain,” “Cryptid Bop” and “Dead Tree March” earlier add not only instrumental flourish but an avant garde sensibility consistent with Engel‘s past work, even if as songs they remain resoundingly cohesive. That is to say, while founded on experimentalist principles, they are built into songs rather than presented in their rawest form. The inclusion of organ in finale “The Devils are Snoring” is striking and complements the minimalist vocals and backing drone, but by then Engel has long established their ability to put the listener where they wants, with the image of “Rowing Home Through a Sea of Golden Leaves” duly poetic to suit the music as demonstration. Gorgeous, impassioned, hurt but striving and ever moving forward creatively. Engel‘s work remains a treasure for those with ears to hear it. “I Drink the Rain” is an album unto itself.

Clara Engel on Facebook

Clara Engel on Bandcamp

 

Cormano, Weird Tales

Cormano Weird Tales

Though the initial push of doomer riffing and melodic vocals in the post-intro title-track “Weird Tales” reminds a bit of Apostle of Solitude, the hooky brand of heavy wrought by Chilean three-piece Cormano — vocalist/guitarist Aaron Saavedra, bassist/backing vocalist Claudio Bobadilla, drummer/backing vocalist Rodrigo Jiménez — on their debut full-length is more about rock than such morose proceedings, and in fact it’s the prior intro “La Marcha del Desierto” that makes that plain. They’ll delve into psychedelic airiness in “El Caleuche” — the bassline underneath a highlight on its own — and if you read “Bury Me With My Money” as a capitalist critique, it’s almost fun instead of tragic, but their swing in “Urknall” and the roll of “Rise From Your Grave” (second Altered Beast reference of this Quarterly Review; pure coincidence) act as precursor to the thickened unfurling of “Futuere” and “A Boy and His Dog,” a closing pair that reinforce Cormano‘s ultimate direction as anything but settled, the latter featuring a pointedly heavy crash before a surprisingly gentle finish. Will be curious to see where their impulses lead them, but Weird Tales is that much stronger for the variety currently in their influences.

Cormano on Facebook

Cormano on Bandcamp

 

Black Lung, Dark Waves

Black Lung Dark Waves

Like the rest of reality, Baltimorean heavy psychedelic blues rockers Black Lung have undergone a few significant changes in the last three years. Guitarist/vocalist Dave Cavalier (also Mellotron) and drummer/synthesist Elias Schutzman (also Revvnant, ex-The Flying Eyes) bid farewell to fellow founding member Adam Bufano (guitar, also ex-The Flying Eyes) and brought in Dave Fullerton to fill the role, while also, for the first time, adding a bassist in Charles Braese. Thus, their first record for Heavy Psych Sounds, the J. Robbins-produced/Kurt Ballou-mixed Dark Waves is a notable departure in form from 2019’s Ancients (review here), even if the band’s core methodology and aesthetic are the same. The sound is fuller, richer, and more able to hold the various Mellotrons and other flourishes, as well as the cello in “Hollow Dreams” and guest vocals on “Death Grip” and guest keys on “The Cog” and “The Path.” Taking inspiration from modern global uncertainties sociopolitical, medical and otherwise, the band put you in a mind of living through the current moment, thankfully without inducing the level of anxiety that seems to define it. Small favors amid big riffs. With shades of All Them Witches and further psychedelic exploring transposed onto their already-a-given level of songwriting, Black Lung sound like they’re making a second debut.

Black Lung on Facebook

Heavy Psych Sounds website

 

Slowenya, Meadow

Slowenya Meadow

Make a big space and fill it with righteousness. Finland’s Slowenya are born out of an experimentalist hotbed in Turku, and the three-piece do justice to an expectation of far-out tendencies across the nonetheless-concise 31 minutes and six songs of Meadow, their second long-player in as many years. There’s an undercurrent of metal as “Synchronized” holds forth with a resilient, earthy chug, but the melodicism that typifies the vocals running alongside is lighter, born of a proggy mindset and able to keep any overarching aggression in check. With synths, samples, and ambient sounds filling out the mix — not that the massive tonality of the guitar and bass itself doesn’t do the job — a breadth is cast from “Intro” onward through “Nákàn” and the gone-full-YOB swell of “Irrevocable,” which is yet another of the tracks on Meadow one might hear and expect to be 20 minutes long and instead is under seven. The penultimate “Transients” pushes deeper into drone, and “Resonate and Relate” (7:53) caps Slowenya‘s impressive second LP with a due blend of melodic wash and lurching rhythmic physicality, the screams into a sudden stop effectively carrying the threat of more to come. You want to hear this.

Slowenya linktr.ee

Karhuvaltio Records on Facebook

 

Superlynx, Solstice EP

Superlynx Solstice

As their growing fanbase immediately set about waiting for their third full-length after 2021’s Electric Temple, Norwegian heavy-broodgaze trio Superlynx issued at the very end of the year the Solstice EP, combining covers from Saint Vitus, Black Rebel Motorcycle Club, Nat King Cole (because obviously he’d be third on that list) and Nirvana with two originals in “Reorbit” and “Cosmic Wave.” As bassist/vocalist Pia Isaksen has already put out a solo release in 2022, drummer Ole Teigen has a blues band on the side among other projects, and one assumes guitarist Daniel Bakken is up to something else as well, Solstice serves as a welcome holdover of momentum after the album. It’s worth the price of admission (eight Euro) for the take on Nirvana‘s “Something in the Way” alone, but the so-slow-it-sounds-like-it’s-about-to-fall-apart “Reorbit” and the leadoff adaptation of “Born Too Late” enforces that song’s message with a modernized and made-even-more slogging sense of defeat. Maybe we were all born too late. Maybe that’s humanity’s fucking problem. Anyway, after you get this, get Isaksen‘s solo record as Pia Isa. You won’t regret that either, especially with the subdued vibe in some of the material on this one.

Superlynx on Facebook

Dark Essence Records website

 

Øresund Space Collective, Oily Echoes of the Soul

oresund space collective oily echoes of the soul

The always-hit-record ethic of multinational conglomerate jammers Øresund Space Collective pays dividends once again as Oily Echoes of the Soul emerges publicly — it was previously released in a different form to Bandcamp subscribers — as carved from a session all the way back in 2010. At the time I’m pretty certain all members of the band actually lived in Denmark, but sitarist K.G. Westman, who appeared here while still a member of Siena Root, is from Sweden, so whatever. Ultimately the affair is less about where they’re from than where you’re going while hearing it, which is off to a laid-back, anything goes psychedelic improvisation, beginning with the funky and suitably explorational, half-hour-long opener “Bump and Grind ØSC Style” before moving into the sitar-led “Peace of Mynd” (13:27) and the 24-minute title-track’s organic surges and recessions of volume; proggy, ’70s, and unforced as they are. Before twang-happy and much shorter closer “Shit Kickin'” (4:10), the 15-minute “Deep Breath for the EARTH” offers affirmation of the project’s reliably expansive sound. I’ve made no secret that I listen to this band in no small part for the emotionally and/or existentially soothing facets of their sound. Those are on ready display here, and I’ll be returning to this 12-year-old session accordingly.

Øresund Space Collective on Bandcamp

Space Rock Productions website

 

Zone Six, Beautiful EP

ZONE SIX BEAUTIFUL

Recorded in Dec. 1997 at Zone Six‘s practice space, the two-song Beautiful EP portrays a much different band than Zone Six ultimately became, with Australian-born vocalist Jodi Barry and then-Liquid Visions members Dave “Sula Bassana” Schmidt (bass, effects), Hans-Peter Ringholz (guitar, noise) and drummer/recording specialist Claus Bühler as well as keyboardist/etc.-ist Rusty and bringing two longform, molten works of pioneering-at-the-time heavy psychedelia. I mean, we’re talking 20 years ahead of their time, at least, here. It’s still forward-thinking. The guitars and breathy vocals in “Something’s Missing” are a joy and “Beautiful” plays off drone-style atmospherics with intermittently jazzy verses and a more active rhythm, winding guitar and pervasively spaced mindbending. Imagining what could’ve been if this record had been finished, one could repaint the scope of 2010s-era European heavy psychedelia as a whole, but on their own, the two extended inclusions on the 23-minute EP are a gorgeous glimpse at this fleeting moment in time. It is what it says it is.

LINK

TO THE PAST

 

The Cimmerian, Thrice Majestic

The Cimmerian Thrice Majestic

Thrice Majestic and four-times barbarous comes this debut EP release from Los Angeles’ The Cimmerian, a new trio featuring Massachusetts expat David Gein (ex-bass, The Scimitar, etc.) on guitar, and the brand of heavy that ensues readily crosses the line between metal and doom, as the galloping “Emerald Scripture” reinforces directly after the eight-minute highlight and longest groover “Silver and Gold.” Drummer David Morales isn’t shy with the double-kick and neither should he be, and bassist/vocalist Nicolas Rocha has a bark that reminds of Entombed‘s L.G. Petrov, and that is not a compliment I’m ever going to hand out lightly. Lead cut “Howls of Lust and Fury” promises High on Fire-ist thrash in its opening, but The Cimmerian‘s form of pummel goes beyond any single point of inspiration, even on this presumably formative suckerpunch of an EP, which balances intensity and nod in the finishing move “Neck Breaker,” a last growl perhaps the most brutal of all. Fucking a. More of this.

The Cimmerian on Facebook

The Cimmerian on Bandcamp

 

Ultracombo, Season II

Ultracombo Season II

You could probably sit and parse out where Ultracombo are coming from — geographically, it’s Vincenza, Italy — in terms of sound on the sequentially titled follow-up to 2019’s Season I (review here), but to do so denies the double-guitar five-piece credit for the obvious efforts they’ve put into making this material their own. Those efforts pay off in the listening experience of the five-tracker, which runs 25 minutes and so offers plenty enough to make an impression. Witness the slowdown in centerpiece “Umanotest” or the keyboard-or-keyboard-esque lead in the back half of the prior “Follia,” the added jammy feel in “Specchio,” the this-is-the-difference-the-right-drummer-makes “12345” or the return of the synth and an added bit of playfulness before the big ending in — what else? — “La Fine.” That this EP manages to careen and pull such hairpin turns of rhythm is a triumph unto itself. That it manages to do so without sounding like Queens of the Stone Age feels like a fucking miracle. “Dear Ultracombo, Hope you’re well. Time to make an album. Put in an interlude or two depending on space. Sincerely, some dude on the internet.”

Ultracombo on Facebook

Ultracombo on Instagram

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Black Lung Sign to Heavy Psych Sounds; New Album Coming Soon

Posted in Whathaveyou on March 17th, 2022 by JJ Koczan

Baltimorean three-piece Black Lung have signed on to release their coming fourth album through Heavy Psych Sounds. After issuing 2019’s Ancients (review here) through Ripple Music and Noisolution and restructuring their lineup, a change in venue of proliferation makes sense. The band has maintained a steady focus on Europe all along, as you can see below in their bio, and considering Heavy Psych Sounds is the foremost heavy imprint on that particular continent, they’re a good match.

For whatever it’s worth, this makes sense to me, and in terms of the label’s roster, I can’t think of a band who approach heavy atmospherics in quite the same way, so all the better. Everybody’s stoked. Me too.

This is the announcement of the announcement. As for the announcement? Well that’s coming soon. March 23 seems about right. Here’s the announcement about it:

black lung

HEAVY PSYCH SOUNDS signed the heavy psych doom band BLACK LUNG for the new album // presale + first track premiere March 23rd!!!

PRESALE + first track premiere: MARCH 23rd

We are so stoked to announce that the heavy psych doom riffers BLACK LUNG has signed a worldwide deal with Heavy Psych Sounds for their new album !!!

SAYS THE BAND:

“We are very excited to start this new chapter of the band by signing to Heavy Psych Sounds. Since I met Gabe almost a decade ago on tour with The Flying Eyes, I’ve been blown away by how HPS has grown into a name brand of the heavy music world through the sheer ambition. During the long pandemic slumber, we’ve been busy at work on the upcoming album and crafting a fresh sound with our first ever bass player, Mac Hewitt. We can’t wait to unleash this new album and new lineup onto the world through our partnership with Heavy Psych Sounds.”

BIOGRAPHY

In the winter of 2014, the trio of Adam Bufano, Elias Schutzman (both founding members of The Flying Eyes) and multi-instrumentalist Dave Cavalier emerged from Baltimore as Black Lung. The band quickly set themselves apart in the crowded field of psych-doom and heavy-blues bands by eschewing a bass guitarist, instead finding the backbone of their sound in the interchange of fuzzed-drenched guitars, deep driving drum beats, and Cavalier’s raw, blues-tinged vocals. Following the release of their self-titled debut in 2014, Black Lung embarked on their first European tour. The tour was capped with a performance at the Rockpalast Crossroads Festival, broadcast on German national television.

In 2016 Black Lung released their sophomore album, See The Enemy, on Noisolution Records. Produced by J. Robbins, guitarist and frontman for post-punk icon Jawbox (and producer for The Sword and Clutch), See The Enemy saw the band building on the strengths of their debut while at times pushing into garage-psych territory in the vein of The Black Keys and Jack White. They followed the release with a headlining European tour, notably appearing at Freak Valley Festival and Desertfest Belgium alongside bands like Graveyard, Dead Meadow and All Them Witches.

After several more years of touring and songwriting, Black Lung returned with Ancients in 2019.Produced by Frank Marchand (producer for The Obsessed), Ancients found the band taking even more adventurous departures from doom and psych-rock tropes. The album was followed by another successful release tour in the EU and in late 2019, guitarist Adam Bufano amiably departed the band. Shortly thereafter, guitarist Dave Fullerton (member of the post-rock trio Deaf Scene) joined the fold only to find the world turned upside down by Covid-19.

Despite the setbacks and ripples of doubt across the whole of the music industry in 2020 and 2021, Black Lung pushed forward with their new lineup and quietly stayed hard at work on their fourth album. For the new release, the band was inspired to leave behind the power trio convention and add bass player Mac Hewitt (ex-The Flying Eyes) into the mix. Produced by J. Robbins and mixed by Kurt Ballou (member of Converge and Grammy winning producer for High On Fire), the new album will drop in 2022 on Heavy Psych Sounds Records.

BLACK LUNG is
Dave Cavalier – guitar, vocals
Elias Schutzman – drums
Dave Fullerton – guitar
Mac Hewitt – bass

https://www.facebook.com/blacklungbaltimore
https://www.instagram.com/blacklungband/
https://blacklungbaltimore.bandcamp.com/
heavypsychsoundsrecords.bandcamp.com
www.heavypsychsounds.com
https://www.facebook.com/HEAVYPSYCHSOUNDS/

Black Lung, Ancients (2019)

Tags: , , ,