Bismuth Announce The Slow Dying of the Great Barrier Reef Due Nov. 2; Premiere Album Trailer

Posted in Bootleg Theater, Whathaveyou on September 27th, 2018 by JJ Koczan

bismuth

You only get a taste of it in the album trailer by Chariot of Black Moth streaming at the bottom of this post, but the 32-minute title-track of Bismuth‘s upcoming second full-length, The Slow Dying of the Great Barrier Reef, is heavy enough that you’ll be mopping your melted brain cells off the floor after they leak out your damaged ears. Provided you still have enough coordination to do so after the onslaught of noise and tonal weight. The Nottingham-based bass/drum duo will release the album Nov. 2 through no fewer than four labels — Dry Cough Records, Tartarus Records, Medusa Crush Recordings and Rope or Guillotine — and hearing it leaves little mystery as to why they’d garner such populous backing. Comprised just of the title-track and the subsequent six-minute scathe of noise-doom in “Weltschmerz,” it works around the theme of climate change and human impact on the planet, so yes, it is quite fucking grim. Quite fucking grim indeed. Just like our prospects for making it out of the next two centuries with a civilization intact. Good work, my fellow fuckwads.

Bassist/vocalist Tanya Byrne, when she’s not rumbling out the extreme-sludge chaos of Bismuth‘s low end alongside drummer Joe Rawlings in a bevvy of splits with the likes of UndersmileGnaw Their Tongues and Legion of Andromeda — significant company to keep, all of them — works as a volcanologist, and wrote the lyrics for The Slow Dying of the Great Barrier Reef in consideration of exactly what the title describes. Not subtle, but certainly a devastating aural interpretation of a continually devastated ecosystem. You”ll find some comment from her below relating to the album, followed by the release info, followed by the trailer premiere.

All thanks to the mighty and seemingly-carbon-free-but-still-probably-somehow-toxic PR wire. Remember, kids. We’re all complicit:

Bismuth The Slow Dying of the Great Barrier Reef

Tanya Byrne on The Slow Dying of the Great Barrier Reef:

Last year I’d been reading a lot about climate change and the impacts it has been having on various parts of the world. There are particular habitats that act as warning flags for other ecosystems, because they are more sensitive to subtle changes. The Great Barrier Reef is one such area: It has been experiencing drastic changes due to a rise in global sea temperatures. In recent years, up to 70 percent of the reef has experiencing bleaching. The corals die, and as less survive every year, the extent of the reef decreases.

My hope is that through listening to this album, listeners will be prompted to do their own research into the effects that our species are having on this planet, and to rely less on the over-simplification of this issue that is so often presented by media outlets or political parties. Their soundbites are good for quotes, but not for explaining this complex and interconnected problem. As an environmental scientist, I try to be hopeful for the future, but I feel optimism can only be gained if all countries and political parties stop blaming each other and start working together to prevent further degradation of our planet.

The current political discourse on how to reduce our impact on ecosystems is stuck in semantics, all while these systems degrade. I believe we can reduce our impact, and I am hopeful that solutions will be found. However, many of these solutions are halted, while governments argue over who is to blame. The album title makes reference to the fact that climate change is affecting this habitat extremely, and inaction is one of the biggest causes of its decline.

Heavy/ slow duo, BISMUTH’s upcoming album, titled The Slow Dying of the Great Barrier Reef, will be released on November 2 via a collaboration between four independent labels; Dry Cough (UK), Rope or Guillotine (NL), Medusa Crush (CA), and Tartarus Records (NL) who will jointly share release duties.

The two piece are based in Nottingham, featuring Joe Rawlings on drums and Tanya Byrne on bass/vocals. The Slow Dying of the Great Barrier Reef is their second full length release, and is in many ways a continuation of earlier work; a strong focus on multiple layers and frequencies coming together to create an enveloping and often oppressive sound is very much BISMUTH’s MO.

The Slow Dying of the Great Barrier Reef is a two song opus with quite self explanatory subject matter, lyric-wise. Outside of the band, Byrne, is a volcanologist with a passion for environmental science.

The title track is a 32 minute behemoth, which stays true to BISMUTH’s own description – heavy with a core of fragility. The second track, Weltschmerz is – musically and thematically – a continuation of the first. Whilst their songs lean towards being lengthy, the message and passion behind them never diminishes.

BISMUTH UK tour dates:
23.11 – Nottingham
24.11 – Manchester
25.11 – Glasgow
26.11 – Edinburgh
27.11 – Liverpool
28.11 – Leeds
29.11 – Birmingham
30.11 – Cardiff
01.12 – London
02.12 – Bristol
03.12 – Brighton

All dates are with VILE CREATURE.

The Slow Dying of The Great Barrier Reef is released on November 2nd via Dry Cough (UK), Rope or Guillotine (NL), Medusa Crush (CA), and Tartarus Records (NL).

https://www.facebook.com/bismuthslow/
https://bismuthslow.bandcamp.com
www.drycoughrecords.com/product/bismuth-slow-dying-pre-order
https://ropeorguillotine.bandcamp.com/album/the-slow-dying-of-the-great-barrier-reef
https://medusacrushrecordings.bandcamp.com
https://tartarusrecords.com

Bismuth, The Slow Dying of the Great Barrier Reef album trailer

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Desertfest London 2018 Adds Second Weedeater Set, Primitive Man, Suma, Bison, Bismuth and Moloch to Lineup

Posted in Whathaveyou on January 16th, 2018 by JJ Koczan

Not that Desertfest London 2018 wasn’t already plenty heavy — I mean, fucking Napalm Death are playing — but pretty much anytime you add Suma and Primitive Man to anything, you’re going to jump into a different weight class entirely when it comes to tone. The Swedish noise-bludgeoners and Denver’s most wanted aggressors are just two of the six acts confirmed for this year’s Human Disease Promo / When Planets Collide stage, which is traditionally where one finds some of Desertfest London’s most vicious and brutal fare. It would seem 2018 is no different in this regard.

Oh, and Weedeater topping it all off with a set specifically comprised of early material? Nice touch. No way in hell that’s going to be anything other than a good time.

From the Desertfest site:

desertfest london 2018 human disease promo when planets collide stage

WEEDEATER, PRIMITIVE MAN AND MORE FOR HUMAN_DISEASE_PROMO / WHEN PLANETS COLLIDE STAGE!

Yet again, we’ve got our good friends from Human_Disease_Promo and When Planets Collide rolling in with their annual heavy stage. As ever, they’ll be delivering a slab of pure brutality this year bringing 6 new bands to the bill as well as a special second set from the previously announced Weedeater. Staggerin’ Matt tells us more about what to expect at The Underworld on Sunday 6th May below.

“This year we’ve gone for an all out colossus of weighty heaviness for the Human_Disease_Promo / When Planets Collide Stage at Desertfest 2018.

Along to top proceedings we have North Carolina reefer riff rascals Weedeater coming in for a special set – their second appearance of the weekend – heading up the Underworld to play a packed bowl of tracks from the earliest strains of their career. It’s gonna be a low down dirty hoot.

Backing them up will be the obscenely punishing, abrasive blows of Denver’s most crushing Primitive Man, stomping and hard driving riffs from Canadian bruisers Bison, a lush hammering pysche vortex in the form of Swedish outfit Suma, joining from St. Louis, the engulfing intensity of destructive filthsters Fister, Nottingham D.I.Y. downers / viscous sludge nasties Moloch and the gigantic cavernous rumblings of UK duo Bismuth.

All said it’s likely the heaviest lineup we’ve ever forged together for the Underworld to bear witness to, so come join us all day on the Sunday to have ya brain fried up and handed back as a pile of stewed mush! It’s gonna be bloody loud in there!”

With this latest set of additions to Desertfest 2018 and more still to come, on top of the dozens of great bands already announced, this year’s heavy weekender looks to bigger than ever. Don’t miss your chance to be at the UK’s premier underground festival. Book your tickets today.

Desertfest London 2018
4th-6th May in Camden Town, London
3-day pass (£115) now on sale AT THIS LOCATION

Our special split payment plan is available until December 12th!
Pay half of your ticket now and the other half in January. Find more info HERE.

http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/
https://twitter.com/DesertFest
https://www.instagram.com/desertfest_london/

Weedeater, Live at Desertfest London 2014

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Bismuth to Release Unavailing Nov. 25

Posted in Whathaveyou on October 27th, 2015 by JJ Koczan

bismuth

Slow and low UK skullbashers Bismuth will release their debut album, Unavailing, on Nov. 25. Among the noteworthy factoids concerning the release is the following: There are no fewer than five labels involved. Frickin’ five. Meanwhile, there are only two people actually in the band, which with a bit of quick arithmetic tells us that there are quite literally more than twice as many imprints standing behind Bismuth‘s first album as there are people in the band. It’s not every group who can make such a claim.

A four-track 2LP — presumably that’s one per side — recorded and mixed by Chris Fielding (Conan) at Skyhammer StudioUnavailing will be out on Dry CoughDe GraanrepubliekBox RecordsTartarus Records and Viral Age. The band is comprised of bassist/vocalist Tanya Byrne and drummer Joe Rawlings. The numbers do not lie.

Into the void with you:

bismuth unavailing

Bismuth – Unavailing: Double LP and cassette released Nov 25th

Unavailing is the debut album by aptly named Nottingham duo, BISMUTH.

“Bismuth has long been considered as the element with the highest atomic mass that is stable. However, in 2003 it was discovered to be weakly radioactive: its only primordial isotope, bismuth-209, decays via alpha decay with a half life more than a billion times the estimated age of the universe. Bismuth often appears as beautiful iridescent, spiral-stepped crystals.” This sums up the sound of the band well.

Like their namesake, the music that Bismuth create is incredibly dense, slow and heavy, but with moments of subtle, ethereal beauty. Bismuth balance stripped down ‘less is more’ approach to songwriting with a ‘more is more’ approach to amplification, volume and fuzz to create a crushing and monolithic sound.

Unavailing consists of four epic tracks recorded and mixed at Skyhammer Studios by Chris Fielding, and mastered by James Plotkin. It will be presented as a double LP in an edition of 300 copies as a cooperative release between the band, De graanrepubliek, dry cough, box records and viral age, with tartarus records handling the cassette version.

https://www.facebook.com/bismuthslow
www.bismuthslow.bandcamp.com
www.degraanrepubliek.com
www.drycoughrecords.com
www.box-records.com
www.tartarusrecords.com
viralagerecords.blogspot.com

Bismuth, Live at SOAN 25/07/2014

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Bismuth and Undersmile Split Available for Preorder

Posted in Whathaveyou on November 13th, 2013 by JJ Koczan

As far as I’m concerned, this one gets a twofold fucking a: It exists and you can hear it now. Disgruntled sludgers Bismuth and drone-minded nightmare-conjurers Undersmile have partnered, each with a vinyl side of their own brand of sonic madness. Put some Tony Roberts art on it, press it to tape and LP, and you’re good to go. Tartarus Records has the beast available for preorder and that’s great, but what’s even better is being able to listen to its low end drag before you make your purchase.

This is the first I’m hearing of Bismuth and it’s pretty clear from “Collapse” that I need to go back and check out their 2012 Eternal Marshes demo. For Undersmile, they follow-up the split with their acoustic alter ego, Coma Wall, with a 23-minute behemoth of a track as tonally huge as it is melodically disturbed. It’s not easy listening, but I dig the challenge.

Preorder link, Tony Roberts artwork and the standard Bandcamp player follow, hot off of the PR wire:

TAR023 Bismuth / Undersmile split

Amp worship meets agonizing doom. Finally a split release between two of UK’s heavyweights in female fronted doom and sludge. Bismuth from Nottingham offer Collapse, a worthy follow-up to the Eternal Marshes demo tape, released last year. More bleak drone landscapes and torturous vocals by Tanya. Undersmile from Witney chose for an atmospheric approach on their side of the split and came up with Titanaboa; a dark, nightmarish beast of a track. Truly their best offering so far. The artwork was made by the amazing Tony Roberts, which fits perfectly with both bands.

FFO: Khanate, Corrupted, Bell Witch, Ensorcelor.

The LP is a co-release between Graanrepubliek Records, Tartarus Records and At War With False Noise

Pressing info:

100 gold cassettes
100 red/black vinyl (mailorder only)
200 black vinyl

Preorder the cassette, vinyl & special bundles here: http://tartarusrecords.com/album/split-2

Bismuth/Undersmile, Split LP (2013)

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