Black Sabbath Extend Farewell Tour

Posted in Whathaveyou on October 28th, 2015 by H.P. Taskmaster

I think if Black Sabbath were going to extend their tour based on “overwhelming demand,” they probably wouldn’t ever be able to retire. Still, the forefathers of modern doom — and, less relevantly, metal as a whole — have added dates to their “The End” 2016 tour, which will head to Europe after completing an initial North American run and then circle back for summer dates in the US. It will be the band’s first run since 2013, when they came through heralding their first Ozzy Osbourne-fronted release in over 30 years, 13 (review here).

And yeah, I know you’ve seen this. Everyone’s seen it. Shit, it was trending on Thee Facebooks, so let alone those who’ve made riffs into a lifestyle, people who in no way give even the remotest shit about Black Sabbath have seen it. Consider it here for the ICYMI crowd and for posterity. Never know when you’ll want to refer back to it later. Or at least I will.

And yeah, no Bill Ward.

PR wire-esque info follows:

Black Sabbath (Photo by JJ Koczan)



Due to overwhelming demand, the road to THE END just got longer.

On the heels of their much-anticipated performances in North America, Australia, New Zealand and Europe, BLACK SABBATH will end the epic journey they began nearly five decades ago with another run of North American dates in fall 2016. These shows will follow a mix of summer headlining and festival performances throughout Europe.

The second run of North American dates kicks off August 17 at Jones Beach Amphitheater in New York and includes stops at the Hollywood Bowl in Los Angeles (where the band last performed a sold-out show on their wildly successful 13 world tour in 2014), Chicago, Philadelphia, Toronto, Detroit, and Dallas, among others, before wrapping September 21 at AK-Chin Pavilion in Phoenix, AZ.

The massive 2016 world tour by the greatest Metal Band of all time marks THE END for Ozzy Osbourne, Tony Iommi and Geezer Butler as they close the final chapter in the final volume of the incredible BLACK SABBATH story with this tour. BLACK SABBATH’s THE END farewell tour promises to surpass all previous tours and will feature the band’s most mesmerizing production ever.

When this tour concludes, it will truly be THE END, THE END of one of most legendary bands in Rock ’n Roll history…BLACK SABBATH

BLACK SABBATH’s 2016 Tour Dates are as follows:

1/20 Omaha, NE CenturyLink Center
1/22 Chicago, IL United Center
1/25 Minneapolis, MN Target Center
1/27 Winnipeg MN MTS Centre
1/30 Edmonton, AB Rexall Centre
2/1 Calgary, AB Scotiabank Saddledome
2/3 Vancouver, BC Rogers Arena
2/6 Tacoma, WA Tacoma Dome
2/9 San Jose, CA SAP Pavilion
2/11 Los Angeles, CA The Forum
2/13 Las Vegas, NV Mandalay Bay
2/15 Denver, CO Pepsi Center
2/17 Kansas City, MO Sprint Center
2/19 Detroit, MI The Palace of Auburn Hills
2/21 Hamilton, ON First Ontario Centre
2/23 Montreal, QC Bell Centre
2/25 New York, NY Madison Square Garden
2/27 New York, NY Madison Square Garden

4/15 Perth, AU Perth Arena
4/17 Adelaide, AU Entertainment Centre
4/19 Melbourne, AU Rod Laver Arena
4/23 Sydney, AU Allphones Arena
4/25 Brisbane, AU Entertainment Centre
4/28 Auckland, NZ Vector Arena
4/30 Dunedin, NZ Forsyth Barr Stadium

6/1 Budapest,Hungary Groupama Arena
6/8 Berlin, Germany Waldebuhne
**6/11 Donington, UK Download
6/13 Verona, IT Arena Di Verona
6/15 Zurich, Switzerland Hallenstadon
**6/17 Dessel,Belgium Grasspop
**6/23 Halden, Norway Tons of Rock
**6/25 Copenhagen, DE Copenhell
6/28 Vienna, Austria Stadthalle
6/30 Prague, Czech Rep. 02 Arena
7/2 Krakow, Poland Tauron Arena
7/5 Riga, Latvia Riga Arena
**7/7 Helsinki, Finland Monsters of Rock
**7/9 Stockholm, Sweden Monsters of Rock
7/12 Moscow, Russia Olympisky Arena
**Denotes festival appearance

8/17 Wantagh, NY Nikon at Jones Beach Theater
8/19 Philadelphia, PA Susquehanna Bank Center
8/21 Washington DC Jiffy Lube Live
8/23 Holmdel, NJ PNC Bank Arts Center
8/25 Boston, MA Xfinity Center
8/27 Uncasville, CT Mohegan Sun Arena
8/29 Toronto, ON Molson Canadian Amphitheatre
8/31 Detroit, MI DTE Energy Music Theater
9/2 Indianapolis, IN Klipsch Music Center
9/4 Chicago, IL Hollywood Casino Amphitheatre
9/7 Dallas, TX Gexa Energy Pavilion
9/9 Albuquerque, NM Isleta Ampitheater
9/11 Salt Lake City, UT USANA Ampitheater
9/13 Portland, OR Sunlight Supply Arena
9/15 Oakland, CA Oracle Arena
9/17 Las Vegas, NV MGM Grand Garden Arena
9/19 Hollywood, CA Hollywood Bowl
9/21 Phoenix, AZ AK-Chin Pavilion

Black Sabbath, ‘The End’ Tour Announcement

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Alunah’s Call of Avernus Reissue Available to Preorder

Posted in Whathaveyou on April 3rd, 2015 by H.P. Taskmaster


Since no day is complete without a reminder of one’s getting old — beyond the fatigue, aches, malaise, etc., I mean — UK doomers Alunah will oversee a reissue of their 2010 album, Call of Avernus. Why does that make me feel old? Because I remember reviewing it when it first came out. Their full-length debut, it set the tone for the gorgeous and increasing lushness that would follow on their two subsequent outings, 2012’s White Hoarhound (review here) and last year’s righteous third, Awakening the Forest (review here), and while I guess it’s not unreasonable to put the record out there again — they, things get reissued after months, let alone years — it just doesn’t seem like that long ago that Call of Avernus showed up the first time.

HeviSike Records has made the LP — limited to 300 copies — available to preorder with new art and fancy one-per-customer limited-edition goodness. Orders went live yesterday and if they’re not already gone, no doubt they soon will be. PRC Music will have a new CD version of it out this year as well.

To the PR wire:

alunah call of avernus


Birmingham based Alunah are not part of any scene; instead they carve their own path merging elements of doom, psych and classic heavy rock with earthy hypnotic vocal melodies. HeviSike Records are proud to present this deluxe issue of their debut album, Call of Avernus, for the first time on vinyl.

Through the band’s relentless touring schedule, which has seen them tour with the likes of Saint Vitus, Fu Manchu & The Sword, Alunah have gained a dedicated following. With this and the success of ‘White Hoarhound’ (2012) and ‘Awakening The Forest’ (2014) interest has grown in their 2010 opus ‘Call Of Avernus’ along with demand for a vinyl release.

Recorded by esteemed producer Greg Chandler (Esoteric) and specifically mastered for the vinyl format by the legendary Tony Reed (Mos Generator), ‘Call of Avernus’ is offered in a limited run of 300.

Specifications: – All new album artwork – Deluxe Gatefold Sleeve – High Performance Coloured Vinyl (Ultra Clear or Olive Green) – Strictly Limited (100 Die Hard, 200 Limited Edition)

Pressing breakdown: Die Hard Edition – 100 Copies – UltraClear Vinyl – Exclusive to Limited Edition – 200 Copies – Olive Green Vinyl – Band and Distribution edition A CD issue is being handled by PRC Music.

Pre-order date: Thursday 2nd April 2015 Release date: Monday 11th May 2015

Alunah, Call of Avernus (2010)

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Alunah Premiere Lyric Video for “Awakening the Forest”

Posted in Bootleg Theater on March 12th, 2015 by H.P. Taskmaster


Here’s a fun fact: When I first put up the Top 30 of 2014, all exhausted and stupidly proud of myself for actually finishing the damn thing and so on, it did not include Alunah‘s 2014 third album and Napalm Records debut, Awakening the Forest (review here). A pretty egregious oversight, right? I thought so. More to the point, it haunted me. So much so that I couldn’t even listen to the record because I felt so guilty. Finally, I could stand it no longer and went back and put them in. They’re still not where they should be number-wise, but goddammit, at least they’re there. I felt like a damned fool.

If you’ve heard the record, you probably know why. With its organic-sounding blend of rolling doom riffs and laid back pastoral psychedelia, coupled with the themes of loss and nature-worship, Awakening the Forest was beautiful and poignant and underscored by the Birmingham, UK, four-piece’s memorable songwriting, cuts like “Heavy Bough,” “Awakening the Forest” and “Bricket Wood Coven” and “The Mask of Herne”and “Sourge and the Kiss” and “The Summerland” — oh wait, that’s ALL OF THEM — resounding in the consciousness, at once familiar and immediately Alunah‘s own, their identity hand-carved into each flowing progression.

Bottom line is the album was gorgeous and I was a jerk for leaving it out at first. Alunah‘s first two full-lengths, 2010’s Call of Avernus (review here) and 2012’s White Hoarhound (review here), are set to be reissued this year by PRC Music, and the band — vocalist/guitarist Soph Day, guitarist Dave Day, bassist Dan Burchmore and drummer Jake Mason — have set about writing for a fourth outing. I’m not sure I’d expect it before the end of 2015, but it’ll be welcome whenever it shows up. Until then, the band continues to do shows, and they have a new lyric video for the title cut from Awakening the Forest by Wil Henry, which you can check out below.


Alunah, “Awakening the Forest” lyric video

Alunah’s website

Alunah on Thee Facebooks

Alunah at Napalm Records

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Saturday Full-Length: Judas Priest, Stained Class

Posted in Bootleg Theater on December 27th, 2014 by H.P. Taskmaster

Judas Priest, Stained Class (1978)

The Judas Priest catalog has a few classics in it, or I guess they wouldn’t be Judas Priest, and while they’ve joined the ranks of those metal bands who seem to retire as often as not, there’s little arguing one can do with their early years — they’re the raw building blocks on which heavy metal would be constructed. And as much as Black Sabbath gets credit for inventing the sound, listening to a record like 1978’s Stained Class, there’s little doubt Priest played a major role in shaping the style and visual aesthetic of the genre.

Stained Class is the fourth Judas Priest album, following 1977’s Sin after Sin, 1976’s Sad Wings of Destiny and their 1974 debut, Rocka Rolla, which gets slagged a lot for not being as “metal” as what followed, but offers plenty for fans of heavy ’70s rock. Songs like “Better by You, Better than Me” (a cover of Spooky Tooth), “Exciter,” “Invader,” the ultra-badass “Saints in Hell” and “Beyond the Realms of Death” are monuments of the soon to rise New Wave of British Heavy Metal, arriving two years before Iron Maiden released their first album and roughly concurrent to Motörhead‘s 1977 self-titled debut. Sabbath at this point were falling apart, releasing Never Say Die in ’78 before the big split with Ozzy, and while early metal seemed to be floundering all around them, Judas Priest would emerge to lead the style into the ’80s, to what many still regard as its peak era.

Not a bad legacy to wind up with. Of course, the mob went wild when Priest issued British Steel in 1980 (1978’s Killing Machine appeared between Stained Class and that album), and that helped propel the Birmingham five-piece to their iconic status, but a couple years earlier, when Stained Class hit, it did so with more of a workman feel. Comprised at that point of guitarists Glenn Tipton and K.K. Downing, vocalist Rob Halford, bassist Ian Hill and drummer Les Binks, they were a band who knew what they were going for and who knew who they were even as pop consciousness shifted toward the rawer and less superficially pretentious punk of the day. I won’t take anything away from that either — if you ever hear me badmouth the Ramones, please alert the authorities that I’ve been kidnapped and replaced by a cyborg with shitty taste — but I think time has proved Judas Priest were right in sticking to their guns.

This is the last week-ending full-length of 2014, so I hope you enjoy.

Why Saturday and not Friday as usual? Well, The Patient Mrs. and I got home a little bit after midnight from about 72 hours straight of Xmas family time. It was delightful, and draining. A final two-hour trip north from Connecticut and by the time we got in, we didn’t even have energy enough to bring in presents from the car. It’ll happen today. Of course, not closing out the week before I went to bed wound up being the wrong choice since I was up until two and then up again from about 5:30 to 8 this morning — something just didn’t feel right — so I got mine in the end for veering from the routine even in this small way. Take that, me.

If you celebrated, I hope you had a good ol’ time. This week coming up is New Year’s, so things get even crazier. The Patient Mrs. and I will head back down to New Jersey in the middle of the week (Tuesday night, I believe) for more festivities and wahthaveyou, but I’ve also decided to close out 2014 with a bang around here. I’ve got stacks of CDs on my desk that have come in for review and it’s time to get them gone, so what I’ve decided to do is a series I’m going to call “Last Licks.” It’ll be 10 reviews per post (obviously each writeup will be relatively brief), Monday to Friday this coming week, rounding up stuff I want to get in before the year ends, and that’ll be that for 2014. Yeah, I know it’ll be 2015 by next Friday, but just roll with me on it. It’ll be good.

So that’s 50 reviews next week. Keep an eye out. Ha.

I also have some news to catch up on, so I’ll work that in where and when I’m able, and we’ll have the results of the Readers Poll — did you get your list in? — hopefully on the first, but maybe the second if Slevin is busy or tells me to screw off, which he’d be well within his rights to do. It’s been a close race the whole month and has been exciting to watch, and I’m thankful to everyone that’s taken part so far.

Thanks also to everyone who shared the lists that went up this week and the podcast as well. I know it wasn’t much for quantity of posts the last couple days, but I hope the quality made up for some of that.

Alright, I’m going to get more coffee and spend the remainder of this lovely day sitting on my ass. Enjoy the holiday weekend. Be safe, have fun, and we’ll see you back here Monday to close out 2014 in style.

Please check out the forum and radio stream.

The Obelisk Forum

The Obelisk Radio

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Alunah, Awakening the Forest: Spirits Invoked

Posted in Reviews on October 14th, 2014 by H.P. Taskmaster


Birmingham doomers Alunah make their debut on Napalm Records with Awakening the Forest, their third album. It’s been a long two years since their sophomore outing, White Hoarhound (review here), left such a resounding impression — four since their debut, Call of Avernus (review here), was released — and in that time, some things have changed and others haven’t. The four-piece have traded out bassists, bringing Dan Burchmore aboard, and clocked considerable road time in support of their material, touring in the UK and Europe that’s resulted in a considerable forward movement in their songwriting. Their overarching approach, however, is consistent, as is their presentation. Awakening the Forest, like its predecessor, was recorded by Esoteric‘s Greg Chandler and mastered by Mos Generator‘s Tony Reed, and there’s sonic cohesiveness as a result between the two records. Likewise, Alunah‘s latest maintains the band’s penchant for themes of nature worship, guitarist/vocalist Soph Day here using metaphor and, one imagines, some escapism in coping with the loss of her father, songs like opener “Bricket Wood Coven,” “Heavy Bough” and “The Summerland” evoking an organic feel in lyric and tone alike, a fuller-sounding production from Chandler not taking away from the underlying warmth in Day‘s tone or that of her fellow guitarist David Day, the foursome rounded out by Jake Mason on drums. All told, Awakening the Forest‘s six tracks cover 45 minutes of expansive, rolling doom given an otherworldly feel by Soph‘s echoing vocals and fluid movement between and within the individual pieces.

It breaks about evenly into two vinyl sides and works that way as well, but I prefer a linear, CD-style listen because it underscores two elements working very much in Awakening the Forest‘s favor: The languidness of groove and the immersiveness of the record as a whole. You could put a platter-flip between “Awakening the Forest” and “The Mask of Herne” — which is the shortest cut included at 5:53 — but I’ll take it front-to-back and really dig into the chance to get lost in Alunah‘s rollout, slower here than on the last album overall but with choruses no less memorable or engaging, an overarching sleepy-woods feel pervading each cut in succession, beginning with “Bricket Wood Coven,” which oozes out choice, open-feeling riffing for its eight-minute entirety, Soph telling tales of a high priestess calling the moon, and by the time it’s over, the spell has been duly cast. The subsequent “Heavy Bough,” while shorter and somewhat more uptempo, is ultimately no less ethereal, and with “Awakening the Forest” and “The Mask of Herne” following — the latter referring to the antlers donned by Herne the Hunter, a ghost said in English folklore to haunt Windsor Forest, referenced in the album’s cover art — Alunah‘s hypnosis is long since complete, the title-track offering a high point in its hook, early soloing and spacious post-midpoint jam, and the latter launching Awakening the Forest‘s second half with particularly graceful vocal layering and a steady affirmation that the consuming fuzz on the songs prior was no fluke. Not that there was any doubt, but the reassurance is welcome all the same ahead of the closing duo, “Scourge and the Kiss” and “The Summerland.”


At 8:39 and 9:05, respectively, “Scourge and the Kiss” and “The Summerland” are the two longest songs on the album, and paired next to each other they make the trance-inducing aspects of earlier cuts all the more apparent. In its structure and focus on the chorus, “Scourge and the Kiss” stands in line with “Awakening the Forest” and “Bricket Wood Coven” as another strong execution of Alunah‘s songwriting, trading off brooding quietness with bigger-toned riffs and layered leads between the two intertwining guitars over the rhythmic foundation from Burchmore and Mason. In its vocals and in those leads, it gives heavy psychedelic flourish to what the band has already accomplished, and in the context of the album, it keeps the momentum moving forward, but the larger impression is made my the closer, which delves as close as Alunah have come to minimalism. A linear build begins soft and sentimental with the guitars, and immediately the focus is on atmosphere more than anywhere else on Awakening the ForestSoph delivers her first vocals shortly before three minutes in, and though weightier distortion kicks in around the halfway point, a patient sensibility holding firm as “The Summerland” works its way toward its payoff. It never loses its contemplative, melancholy spirit, and that’s how Awakening the Forest ends. They don’t force an adrenaline surge where one doesn’t want to be, and above all, the final moments of Awakening the Forest seem honest in their intent and emotional portrayal. Whatever pagan elements might be at work throughout, Alunah‘s third album doesn’t veer from its human core, and for that, and for its marking the continued growth of the band and their coming into own in what they do, moving beyond their influences to an increasingly individualized approach, Awakening the Forest is their strongest outing yet.

Alunah, “Heavy Bough” official video

Alunah on Thee Facebooks

Alunah at Napalm Records

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Alunah Premiere “Heavy Bough” from New Album Awakening the Forest

Posted in Whathaveyou on August 28th, 2014 by H.P. Taskmaster


I don’t mind telling you I’ve been waiting for Alunah‘s new album for what feels like I really long time. The reality of the situation is that the Birmingham four-piece’s third offering and Napalm Records debut, Awakening the Forest, arrives just two years after their previous full-length, White Hoarhound (review here), but as I’ve continued to enjoy that record since first hearing it, my affection for it only growing with the passing months, it seems much longer. I’m not sure what my ideal follow-up to White Hoarhound would’ve sounded like — or, more to the point, I can’t think of a way in which Awakening the Forest isn’t it.

For those who, like me, were fans of the last one or of 2010’s Call of Avernus (review here) before that, the riffs of Dave and Soph Day retain their bounce, and new bassist Dan Burchmore falls in step thickly with drummer Jake Mason to craft a lumbering but still nod-ready groove. At the same time, there’s clear progression evident. alunah awakening the forestThe band is more patient, the pieces that make up the memorable six songs more languid. In general, they sound like they’ve been working since White Hoarhound came out, which of course is precisely the case whether one thinks in the sense of getting on the road for shows or bringing in Burchmore and solidifying their lineup. Alunah come across as more comfortable with their psychedelic side — fitting for their consistently pastoral thematic — but Awakening the Forest presents some of their most doomed material as well.

To wit, the rollout of “Heavy Bough.” At just under six minutes, it’s among the shortest songs on Awakening the Forest (only “The Mask of Herne” is shorter, and by five seconds), and marked out by the lead and rhythm interplay of Soph and Dave‘s guitars as well as Soph‘s riff-riding verse and more open chorus. On an album full of hooks, “Heavy Bough” stands out for its nature worship and for its still-grounded take, sandwiched between the more ethereal opener “Bricket Wood Coven” and the side A finale title-track, but if it’s the first you’re hearing of the album, then its primary function will be to remind of just how easily an Alunah track can get stuck in your head. If this is your first experience with the band, all the better you’ve found them at this moment.

Please find “Heavy Bough” on the player below, and enjoy:

Alunah will release Awakening the Forest on Oct. 6 in the UK and Oct. 7 in North America. The album was recorded by Greg Chandler (Esoteric) and mixed and mastered by Tony Reed (Mos Generator), and is available now to preorder. More info at the links.

Alunah on Thee Facebooks

Alunah at Napalm Records

Napalm Records

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Godflesh Announce A World Lit Only by Fire Album Details; Stream New Song

Posted in Whathaveyou on August 5th, 2014 by H.P. Taskmaster

The new Godflesh album exists. It’s really coming out and you’re really going to be able to hear it. It’s called A World Lit Only by Fire, and it will be released through Justin Broadrick‘s Avalanche Recordings as the first Godflesh LP since 2001’s Hymns. Due Oct. 6, it will be the follow-up to earlier 2014’s Decline and Fall EP (review here), which stood as testament to the undiminished intensity of Godflesh‘s sound and their unwillingness to ignore a decade-plus of musical evolution since their last time out. It is an album very, very much worth looking forward to.

Here’s the PR wire with artwork, a new song, and more about it:


Industrial metal innovators Godflesh have announced the details of their highly anticipated full length A World Lit Only By Fire, set for an October 6 release on their own Avalanche Recordings label. The album arrives on the heels of June’s Decline And Fall EP, which was met with widespread acclaim for its effortless synthesis of the duo’s fan-favoured early albums, themselves groundbreaking genre experiments that pioneered an integration of electronic music’s bombastic rhythms, metal’s bludgeoning force, and post punk’s aural atmospherics. Whereas the new EP succeeded by fulfilling listener expectations, the full length exceeds them; delivering a full force exploration of the furthest boundaries of Godflesh’s extreme sonics, and then pushing beyond them, detailing the rich musical experience accrued in the dozen year span and countless musical projects (Jesu, Final, Vitriol, Greymachine, Techno Animal, etc.) between recordings.

The duo, comprised of legendary talents of Justin Broadrick (also of Jesu, JK Flesh, Techno Animal, Pale Sketcher, and more) and GC Green, formed in 1988 in the same fertile Birmingham, UK scene that forged the talents of Napalm Death, Carcass, and Head of David among many others. Initially disbanding in 2002, the band resumed live performances in 2010 and began the arduous work of crafting a follow up to 2001’s Hymns. The resultant self-recorded ten song set mounts the thin line between high definition clarity and raw, visceral heaviness, inducing a meditative state via seething minimalism that hinges on ritualistic riff repetition and the tenuous membrane between anxiety-inducing dissonance and cathartic minor key melody.


1. New Dark Ages
2. Deadend
3. Shut Me Down
4. Life Giver Life Taker
5. Obeyed
6. Curse Us All
7. Carrion
8. Imperator
9. Towers of Emptiness
10. Forgive Our Fathers


Tue 09.12.14 The Haunt Brighton
Wed 10.12.14 Garage London
Thu 11.12.14 Rescue Rooms Nottingham
Fri 12.12.14 Sound Control Manchester
Sat 13.12.14 Art School Glasgow


Godflesh, “New Dark Ages” from A World Lit Only by Fire

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Alunah Reveal Awakening the Forest Album Art and Details

Posted in Whathaveyou on July 17th, 2014 by H.P. Taskmaster

Kind of a news-heavy day, but I’d be remiss if I left out Birmingham’s Alunah, whose album details have just been made public via the PR wire. Their third outing and their Napalm Records debut, Awakening the Forest, is set for release in October and will boast six new cuts of their heavy riffs and peacefully rolling doom. After digging their 2010 Call of Avernus debut (review here) and especially 2012’s sophomore outing, White Hoarhound (review here), this is one I’m genuinely looking forward to, so if the album art and tracklisting coming out puts the record itself a step closer, then all the better.

Awakening the Forest was recorded by Greg Chandler of Esoteric and mastered by Mos Generator‘s Tony Reed. A video is also reportedly in the works. More to come, but for now, once more unto the PR wire:

ALUNAH Unveil Details of Upcoming Album

Birmingham’s Stoner Rock Doomsters ALUNAH are set to release a new album via Napalm Records in October 2014. Following their previous releases Call Of Avernus and White Hoarhound it’s finally time for a new masterpiece. The band centered around guitarist & singer Sophie Day have now unveiled first details of artwork, title, track listing & release dates!

Awakening The Forest is set to be released on October 6th in the UK & October 7th USA/CAN and forges forward with hard guitars, pumping heavy grooves and a sound that will make fans of this genre, fans of this album!

Check out the track listing for Awakening The Forest:
1. Bricket Wood Coven
2. Heavy Bough
3. Awakening The Forest
4. The Mask Of Herne
5. Scourge And The Kiss
6. The Summerland

ALUNAH on the upcoming album Awakening The Forest:

“We are delighted to introduce our 3rd album “Awakening The Forest” to our old, new and future friends. Recorded by Greg Chandler and mixed/mastered by Tony Reed, we are extremely proud of this album. We are also very lucky to have worked with the exceptional illustrator Michael Cowell who brought our songs to life visually in the CD and LP package. Napalm Records have been very supportive of us throughout the whole process, and we hope that you guys love the album as much as we do. Our video for “Heavy Bough” and also a short film with Michael talking about the artwork are coming soon; both shot and directed by Rhodri Thomas at Elvaston Castle in Derbyshire, England.”

For More Info Visit:

Alunah, Live at the Unicorn, London, May 28, 2014

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