Samsara Blues Experiment Premiere “Vipassana”; Reveal Art and Tracks for One with the Universe out May 12

Posted in audiObelisk on March 20th, 2017 by JJ Koczan

samsara blues experiment

As they returned home to Germany this past week from a South American tour and made ready to head out over the next month on a slew of European dates including festival stops at Under the Black Moon, Riff Ritual, and Desertfest in London and their native Berlin, Samsara Blues Experiment came one step closer to the release of their fourth full-length, One with the Universe. The album — confirmed for a May 12 release through Electric Magic Records with cover art by Michel Bassot newly unveiled below — arrives four years after the third Samsara Blues Experiment outing, Waiting for the Flood (review here), and finds the band pared down to a trio for the first time on a studio offering, returning to activity after several years away following a prolific run between 2009 and 2013, and embarking on some of their boldest and most progressive arrangements to date.

I haven’t heard One with the Universe in its entirety yet — as of this weekend, the master was still being finalized — but today I have the extreme pleasure of hosting the premiere of the 10-minute opening track, “Vipassana,” for your (and my) streaming enjoyment. Obviously, its my basis for the assessment above about the arrangements, and as the song plays through its jam-based course, one can hear that coming through in the synth provided by guitarist/vocalist Christian Peters, joined in the three-piece by drummer Thomas Vedder and bassist Hans Eiselt. At the same time, to go along with the core warmth of low end and natural push of the toms at the start and the airy guitar and echoing vocals that accompany, there also emerges some weightier tonality in the chorus that hits with a more aggressive underlying vibe. Dare I say “doomly?” I won’t guess how it plays out across the span of One with the Universe, which runs just under 47 minutes, but along with the synth sprawl that starts at about the halfway point, it’s something that turned my head listening to “Vipassana.”

I’ll hope to have a review up sometime between now and the May 12 release date, so I’ll save some of the rambling for that, but the name of the song, if you’re wondering, refers to the Buddhist notion of insight into the true nature of reality. Not exactly a toss-off scale on which to begin an album. Such purposes are welcome from Samsara Blues Experiment, who recorded the likewise ambitiously-titled One with the Universe with former bassist Richard Behrens (also of Heat), who also helmed the last outing. One looks forward to hearing how this spiritual searching resolves itself, or if it does at all, throughout the rest of the tracks.

Peters was kind enough to give some background on the making of “Vipassana,” and you’ll find his words, the complete album tracklisting, upcoming tour dates and more info under the player below.

Please enjoy:

Christian Peters on “Vipassana”:

‘Vipassana’ is the first song we did after Richard had left the band. It came out from a series of jam sessions. Pretty much this is all we did in the first rehearsals after Richard left: jamming, jamming and even more jamming. The song topic seems to be about growing up, or maybe growing up responsibly. Kind of a coming of age thing wrapped in heavy riffs and Pink Floydish-psychedelia, plus some kind of Indian raga theme. It’s pretty much what one can consider as ‘classic SBE’-material already, I think.

It may be interesting to know that Richard, who did not play any instruments, but again recorded the album, also contributed some nice ideas in the process, like having me play the backward solo or putting in some vintage tape-effects. we are all very happy with the outcome of this song in particular and hope you will enjoy. there is much more on the album.

samsara-blues-experiment-one-with-the-universeSAMSARA BLUES EXPERIMENT’s fourth ‘full piece of wax’ “One with the Universe“ is a culmination of all their works and truly a hard hitting cosmic invitation for floating into their universe of spiritual progression. The most evolutionary development compared to previous albums is the cosmic usage of analog synthesizers, keyboards and effects, while not losing focus on catchiness and well-rendered songwriting.

These five new epics subtly integrate flashes from Jimi Hendrix´ “Electric Ladyland“, Pink Floyd and Black Sabbath, with Canterbury Prog elements à la Caravan and the fuzzed-out riffs of Kyuss. “One with the Universe“ can not be put just into one genre: it is a multifaceted heavy rock album with tons of soul, courage and originality!

The album will be released on May 12th through Electric Magic Records.

TRACK LISTING:
1. Vipassana (10:43)
2. Sad Guru Returns (7:55)
3. Glorious Daze (6:01)
4. One with the Universe (15:03)
5. Eastern Sun & Western Moon (7:09)

– ARTWORK FROM MICHEL BASSOT –

EUROPEAN SHOWS:
25.03. Roma (IT), Defrag
31.03. Osnabrück, Westwerk
01.04. München, Under The Black Moon Festival
02.04. Leipzig, Werk 2
22.04. Barcelona, Riff Ritual Festival
29.04. Berlin, Desertfest
30.04. London (UK), Desertfest
12.05. Berlin, Zukunft am Ostkreuz (Stummfilm-Special)
13.05. Berlin, Zukunft am Ostkreuz (Albumrelease Parteeey)
14.05. Hamburg, Hafenklang
15.05. Wiesbaden, Schlachthof
16.05. Bielefeld, Forum
17.05. Nijmegen (NL), Doornroosje
18.05. Nantes (FR), Le Ferrailleur
19.05. Paris (FR), Backstage
20.05. Köln, Underground
11.08. Finkenbach, Finki Festival

Samsara Blues Experiment on Thee Facebooks

Samsara Blues Experiment Tumblr

Samsara Blues Experiment on Instagram

Samsara Blues Experiment on Bandcamp

Electric Magic Records on Thee Facebooks

Electric Magic Records on Bandcamp

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The Obelisk Radio Adds: REZN, The Fërtility Cült, Cosmic Fall, Oceanwake, Jenzeits

Posted in Radio on March 14th, 2017 by JJ Koczan

the obelisk radio cavum

Granted, we’re still running on the backup server, but it’s been a couple weeks at this point anyway, so it’s time for a new round of adds to The Obelisk Radio. Some of this stuff is brand new, some isn’t out yet, and some is older, so it’s a pretty decent mix on that front, and between REZN, The Fërtility Cült and Cosmic Fall, I certainly think we’ve got heavy psychedelia covered. Fortunately there’s the longform doom extremity of Oceanwake and the kraut-worship electronics of Jenzeits (also longform, as it happens) to offer some balance, lest we go drifting off into the universe never to be heard from again. Can’t have that happening.

Before we dig in, thanks to Slevin as ever for his diligent work in keeping the Radio afloat. He’s got a drive recovery running now that will hopefully bring back everything that was there before. It’s been a whole thing, but progress is being made and I appreciate him tossing this stuff in with the backup material in the interim. Thanks to you as well for reading and listening.

The Obelisk Radio Adds for March 14, 2017:

REZN, Let it Burn

rezn-let-it-burn

All-caps Chicago-based newcomers REZN make their deceptively ambitious debut with Let it Burn, a self-released 10-songer checking in at a willfully sprawling 59 minutes that blends psychedelic drift, grunge fuckall and neo-stoner fuzz consumption to welcome effect. One gets shades of Mars Red Sky from opener “Relax,” but later doomer cuts like the blown-out cosmic smash of “Harvest the Void” or the rolling “Fall into the Sky” ensures the three-piece of bassist/vocalist Phil Cangelosi, drummer Patrick Dunn and guitarist/vocalist Rob McWilliams are working on their own wavelength, and flourish of sitar from McWilliams and Dunn on the dynamic raga-infused “Rezurrection,” as well as Dunn‘s percussion and Spencer Ouellette‘s modular synth in the two-minute interlude “Pipe Dream” that leads into the initial spoken sample of the Dead Meadow-style fuzzer “The Creature” only add further checked-out-of-life charm to the offering as a whole. “Relax” and “Wake” at the outset speak to some impulse on the part of the band to tie their material together, but that comes through even more as “The Creature” transitions into “Fall into the Sky” and the suitably-spacewalking “Orbit” leads to the noisy start of rumble-laden closer “Astral Sage” later on. REZN leave themselves room to grow into their approach in moments like these, and pieces like “Harvest the Void,” “The Creature” and “Wake” certainly speak to a memorable songwriting process in development, but Let it Burn already shows them a potent brew of weighted lysergics.

REZN on Thee Facebooks

REZN on Bandcamp

 

The Fërtility Cült, A Forest of Kings

the-fertility-cult-a-forest-of-kings

Nestled into the heavy hotbed of Tampere, Finland, The Fërtility Cült continue their progressive push into reverb-laden heft with late-2016’s A Forest of Kings, their third long-player behind 2013’s Heavenly Bodies and their 2011 debut, Eschatology (review here). In an admirably crowded scene, the five-piece are distinguished for their tonal breadth, use-not-overuse of echo-laden saxophone and organ and general willingness to meander without giving up an underlying principal of craft or direction. All of this is on display in the A Forest of Kings opener “Blood of Kings,” but the highlight of the album has to be the centerpiece “The City on the Edge of Forever” (taking its name from the highlight episode of the original Star Trek, written by Harlan Ellison), which successfully fuses jazzy rhythm with a patient, psychedelic execution to the sacrifice of neither. Also the longest inclusion at 10:58, it’s the umlaut-happy troupe’s most resonant melody and most singularly progressive stretch, but neither will I take away from the nod of “God of Rain,” which follows, or the manner in which the apex shuffle of closer “Cycles of Time” unfurls itself from the song’s initial subdued verses. Heady vibe throughout the total 46 minutes, as one might expect, but The Fërtility Cült‘s third is less self-indulgent than it might superficially seem, and their varied arrangements never fail to service what really matters to them, which of course is the material itself rather than the exercise of playing it. Rich and graceful when it wants to be, A Forest of Kings hones an endearing landscape without getting lost in it.

The Fërtility Cült on Thee Facebooks

The Fërtility Cült on Bandcamp

 

Cosmic Fall, Kick out the Jams

cosmic-fall-kick-out-the-jams

Mostly-instrumentalist trio Cosmic Fall — based in Berlin and comprised of guitarist/vocalist Mathias, bassist Klaus and drummer Daniel — formed in 2016 and worked quickly to turn around First Fall (discussed here), their first full-length of improv-based works. Kick out the Jams arrives with a fittingly quick turnaround and brings forth seven new pieces in its digital form, topping 93 minutes in its total space-bound push. More impressive than the quantity of the work — though I won’t take away from the sprawling appeal (or the delightful, influence-on-our-sleeve pun in the title) of the 21-minute “Earthfull” or 19-minute opener “Saturn Highway” — is the chemistry that seems to have immediately found root in Cosmic Fall‘s sound. They take a forward step in these tracks, to be sure, and there are more steps to be taken — a band like this, in the best case scenario, does not stop progressing, their material only comes to unfold more as a musical conversation between old friends; see Electric Moon — but as Kick out the Jams plays through its extended, immersive runtime, cuts like “Interstellar Junction” and “Stairway Jam” feel especially bold in how open they are in allowing the listener to hear that process happening. Songs are varyingly active — only “White Stone” (4:42) is under 11 minutes long — and allow for Mathias to lead the way into the spaciousness of “Purple Weed” while Daniel‘s toms propel “Cosmic Conclusion” at the album’s finish, but the core message behind Cosmic Fall less than a year into their tenure is one of ambition and the band’s deep motivation to develop the already palpable dynamic they have going. One can only look forward to hearing where their adventures take them and, indeed, where they take their audience.

Cosmic Fall on Thee Facebooks

Cosmic Fall on Bandcamp

 

Oceanwake, Earthen

oceanwake-earthen

With Earthen on ViciSolum Records, Finnish progressive death-doomers Oceanwake complete a trilogy that began on their 2013 debut Kingdom and had its second installment with 2015’s Sunless (review here). I’m not entirely sure what the overarching theme tying the releases together is — perhaps hearing the debut would help, but it’s not easily tracked down — but Earthen expounds on the blend of extremity, poise and emotional resonance the Luvia five-piece proffered their last time out, arriving as two massive tracks, opener “A Storm Sermon” (21:09) and closer “In Amidst the Silent Thrones” (24:04), both of which work in movements that shift between crushing, grueling doom and gorgeous, airy melodies. A depth of emotionalism isn’t necessarily anything new in the style — countrymen from Skepticism to Swallow the Sun have been morose for a long time — but what Oceanwake bring is a fluidity in their transitions and a sense of purpose to their songwriting beyond the usual miseries. Thus, like Sunless before it, Earthen emerges to bring significant character to familiar elements, drifting at times and explosive at others, but always under complete control, never wandering without a reason, and basking in low end that has to be heard to be believed. Earthen might fly under a lot of radars, but it shouldn’t be missed by those with an affinity for the extreme ends of doom. One hopes the now-completed trilogy project won’t be the sum total Oceanwake‘s output together.

Oceanwake on Thee Facebooks

ViciSolum Records on Bandcamp

 

Jenzeits, Jenzeits Cosmic Universe

Jenzeits-Cosmic-Universe

Jenzeits may be a new incarnation, but the project stems from a familiar source. Relocated from North Carolina to San Francisco — also, apparently, to the cosmos itself — multi-instrumentalist Chad Davis (Hour of 13SetAnuThe Sabbathian, etc.) offers up two massive synthesized soundscapes on Jenzeits Cosmic Universe, as both “Alpha” (25:00) and “Omega” (21:53) channel krautrock exploration and progressive indulgence. A due amount of the release is given to hypnotics, as one might expect — that is, it’s an easy one to put on and zone out — but Davis isn’t without some sense of motion either as he makes his way through “Alpha” and the rightfully more foreboding “Omega,” the latter delving into a movement of key runs backed by wind swirl calling to mind any number of horror and/or retro-horror soundtracks, and even minor shifts in the elements at work at any given moment become more pronounced in the grand context of the whole work. Davis usually has his hands in a number of outfits (and a number of genres) at any given time — an Hour of 13 resurgence is pending, for example — but Jenzeits‘ debut is engaging in its textures and feels like a journey just beginning.

Jenzeits on Thee Facebooks

Jenzeits on Bandcamp

More to come as we get The Obelisk Radio back up and running at full capacity. I’ve purchased a new hard drive toward that end, so we’ll have even more room to work with as well. Will update when there’s an update.

Till then, thanks again for reading and listening.

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Samavayo Premiere “Cross the Line” Video; Tour and Festival Dates Announced

Posted in Bootleg Theater on March 14th, 2017 by JJ Koczan

samavayo

Last spring, Berlin-based heavy rock three-piece Samavayo reinforced their willingness to cross genre lines with their fifth album, Dakota (review here). With a strong sense of drive behind their crunching tones, they brought together elements of noise rock, heavy riffing and flourish of Middle Eastern progressions that only further distinguished their material. Recorded by Richard Behrens (Heat, formerly Samsara Blues Experiment) and released through Setalight Records, it was angular in its purpose — that is, prone to sharp edges on a sonic level — but flowed smoothly throughout and brought the band to a place that emphasized the consideration put into their songwriting without coming across as navelgazing in its sound.

It rocked, in other words. I guess I’m trying to say it rocked.

The trio of guitarist/vocalist Behrang Alavi, bassist/vocalist Andreas Voland (also Moog) and drummer/percussionist/vocalist Stephan Voland haven’t been shy about getting out to support Dakota, and next month, they’ll hit the road on a tour through Germany, France, Switzerland, Austria and the Czech Republic ahead of showing up in the UK for a slot at Desertfest London 2017. Good gig to get, but it’s hardly their last. Summer festival season awaits in Europe, and July will find Samavayo back in action at the long-running Stoned from the Underground as well, and it seems likely more are to follow (also more precede, hello Hell over Esslingen).

At the same time, and perhaps to herald their departure, Samavayo have put together an artfully shot new video for the track “Cross the Line” from Dakota that is premiering today. You get to see the band playing as silhouettes and you get to see people with boxes on their heads — are they robots? — and other such fun whatnots, but of course the star is the song itself, which shows off where Samavayo are sound-wise and the penchant for working under a variety of influences that stands them out so much from their peers.

Please find it below, followed by their tour dates, and enjoy:

Samavayo, “Cross the Line” official video

Cross The Line is the first official video of the latest album Dakota from the German stoner rock band Samavayo. The song is currently also the first of their live set.
“The audience gets carried away by that song and its sound right at the beginning of our shows,” says singer and guitarist Behrang Alavi. “The song also has a message: We can’t cross the red line of humanity and decency, because there won’t be a way back from it. We need to find empathy and get rid of ruthlessness and greed.”

In cameraman and director Johannes Plank Samavayo found the perfect fit to visualize that message. He mobilized the antagonists of his upcoming movie “Eva Ost.” The “TV-Men,” whose heads are actual TVs, illustrate a society poisoned by consumption and ownership. In the video the tv screens show some cuttings that can be understood as political statements and therefore build up a new meta level. The message is: “Nobody can run from this change. Our brains are already poisoned.”

Credits:
Director / Camera / Editor / Production | Johannes Plank
Assistant Director | Florence Freitag
Gaffer | Yannick Spiess
Production Design | Mihan Torabi
Camera Assistant | Ranav Adhikari
Set Runner | Siddarth Thapa
Catering | Anne Berger
Drivers | Andreas Voland, Christian Schmalfuss
Musicians | Behrang Alavi, Stephan Voland, Andreas Voland
TV-Men (Berlin) | André Schröder, Ricardo Ziege, Richard Volkmer, Simon Höhne, Mustafa Bozbalak
TV-Men (Plauen) | Christian Dressel, Stephan Stumpf, Alexander Enskat, Rico Gemeinhardt

Many thanks to the venue “Zukunft am Ostkreuz.” MEKU Film © 2017

Samavayo “Cross the Line” tour:
Mar 16 Zentralcafé Nuremberg, GER *
Mar 17 Immerhin Wurzburg, GER *
Mar 18 Dirty+Dancing Osnabrück, GER *
Mar 24 Zukunft am Ostkreuz, Berlin, GER **
Mar 25 Spring Rocks! 2017, Wolfenbüttel, GER
Apr 03 AKK Karlsruhe, GER ***
Apr 04 L’Elastic Bar, Strasbourg, FR
Apr 05 Dr. Feelgood, Paris, FR ****
Apr 06 Café Faust, Stuttgart, GER ****
Apr 07 Gaswerk, Winterthur, CH ****
Apr 08 The Bruch Brothers, Luzern, CH ****
Apr 12 Alte Mälzerei, Regensburg, GER
Apr 14 Kramladen, Vienna, A ***
Apr 15 Kain Prague, CZ ***
Apr 16 Bajkazyl, Brno, CZ ***
Apr 28 Little Devil, Tilburg, NL
Apr 29 Desertfest 2017 London, UK
Apr 30 Hopla, Cologne, GER
May 11 Sabotage Dresden, GER
May 12 Hell over Esslingen, Esslingen Am Neckar, GER
Jul 13 Stoned from the Underground, Erfurt, GER
Jul 14 Steinbruchfestival 2017, Mühlheim, GER
* with Operators
** with Mother Engine
*** with Shotgun Valium
**** with Hellroom Projectors

Samavayo tour event page

Samavayo on Thee Facebooks

Samavayo on Bandcamp

Samavayo at Setalight Records

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Operators Announce New Album Revelers Due in May

Posted in Whathaveyou on March 10th, 2017 by JJ Koczan

operators

They’ve shifted from a six-piece to a five-piece since putting out their second album, Contact High (review here), late in 2013, but as this Spring finds organ-laced Berlin heavy rockers Operators making a return with their third outing, Revelers, that’s not the only change at hand. Not that I’ve heard it yet or anything, but the new record — the six tracks of which arrive half a decade after the band’s self-titled debut (review here) — feels immediately more textured in its intentions than anything they’ve done before.

Still plenty of riotousness happening, as “Pusher” demonstrates in the stream at the bottom of this post, and I don’t think you put a song called “Fuzz Muncher” on your record if you’re going full-prog, but there’s a sense of their approach maturing in “Leveled Reveler,” “Messina” and especially 10-minute closer “Rolling Hitch” that works to expand the dynamic of tempo changes throughout and the vibe of the songs overall.

René Hofmann from Wight recorded and contributes guitar and vocals on that last track, and the band has sent over copious other info on the forthcoming LP, for which they’re crowdfunding a pressing as we speak. Check it out:

operators revelers

Operators – Revelers

We are the heavy rock band OPERATORS from Berlin, Germany – loud guitars, organ, sweat ‘n pure joy! We run this band completely independently since 2009, have recorded two albums entirely on our own and played 140 gigs. Yes, we’re in it for the music! Now we want to publish our new album ‘Revelers’ for and with you – it is already recorded! (photo: Fabian Willi Simon)

We want to release our new album Revelers together with you, without taking any detours!

We’ve consciously decided for crowdfunding and not for a record label. It is important for us to have 100% control over the publishing of our record, just as we have over songwriting and recording. Also, contracts with labels often run over 7 or 10 years – we want to be independent. We have already built a strong and steady connection to you and our crowd through our shows and this next step is only logical now.

This is not about donations, about doing some album at some time, this is about an album that is already finished and is about to be printed and pressed as we speak. This very album can be pre-ordered now for reasonable prices.

Revelers – that’s one hell of a 38 minute Rock’n’Rollercoaster! The album’s diverse six songs shimmer in different colours. The interplay of drums, bass, guitar, organ and vocals shines in the 3 rollicking minutes of “Pusher” and fully unfolds in the 10 captivating minutes of “Rolling Hitch”.

Facts about the record:
– Recorded, mixed and produced by René Hofmann (Wight)
– René Hofmann also contributed backing vocals and a guitar solo (on ‘Rolling Hitch’)
– recorded October 27-30 2016 at Lui Hill Studio, Darmstadt, Germany
– additional vocals recorded in November and December in Darmstadt and Berlin
– mastered by Tony Reed
– 6 songs and 38 minutes strong
– release in mid-May
– artwork by Johannes Walenta/Kopfüber (organ player for Stonehenge)

Tracklist ‘Revelers’:
01 Leveled Reveler (7:50)
02 Pusher (3:04)
03 Messina (7:15)
04 Walkin’ On Air (4:54)
05 Fuzz Muncher (4:43)
06 Rolling Hitch (10:04)

Operators’ upcoming gigs:
March 16 – Nürnberg, Zentralcafé w Samavayo & Zen Meister
March 17 – Würzburg, Immerhin w Samavayo
March 18 – Osnabrück, Dirty Dancing w Samavayo & Isoptera
May – Berlin record release (to be confirmed)
July 16 – RED SMOKE FEST, Pleszew, Poland (Operators are announced on March 10)

https://www.startnext.com/en/operatorsberlin
https://operators.bandcamp.com/
http://www.facebook.com/OPERATORSberlin

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Samsara Blues Experiment Post One with the Universe Teaser Clip

Posted in Bootleg Theater on February 24th, 2017 by JJ Koczan

SAMSARA BLUES EXPERIMENT

It’s only a minute-long teaser clip, but there are still some things to learn from the first actual glimpse at the new and much-awaited fourth album from Berlin heavy psych trio Samsara Blues Experiment. For one thing, the title. They’ve given the record the ambitious name One with the Universe, and in unfurling that alone, the band speak to their spiritual and cosmic leanings that have been at their root since the days of their 2008 demo (review here), which they’ve continued to refine ever since, and are among the defining features of their approach.

Then we get to the actual audio of the thing itself. I haven’t heard any full songs from the record or gotten word of titles, but we’re treated to a moment of key-laced jamming, a laid back rhythmic bounce given bluesy flavor that makes a comfortable-seeming bed for a few vocal lines. The first burst of guitar tone is raw, and the drums and bass also feel suitably natural in a way that has me wondering just how much improvisation is going to be a factor across One with the Universe. That’s not to say there isn’t a sense of direction — unless I’m mistaken, it’s Christian Peters handling guitar and keys, and since they’re both going at the same time, some layering must’ve taken place at some point — but Hans Eiselt‘s bass fills feel remarkably organic in how it adds to the overall fluidity and Thomas Vedder‘s drumming accents the guitar and keys with classic-style dynamics.

Bottom line? I was looking forward to hearing the new Samsara Blues Experiment. A lot. I still am. A lot.

Check out the teaser below, followed by the three-piece’s upcoming tour dates in South America and Europe. One with the Universe will be out this May on Electric Magic Records.

Enjoy:

Samsara Blues Experiment, One with the Universe teaser

samsara-blues-experiment-one-with-the-universe-banner

4th SBE-album is coming…

Movie scenes from “The Blue Bird” (1918).

SAMSARA BLUES EXPERIMENT LIVE DATES:
SOUTH AMERICA TOUR – MARCH 2017:
03/02 – Santiago, CL @ La Capilla
03/03 – Buenos Aires, AR @ The Roxy Live
03/04 – Montevideo, UR @ Bluzz Live
03/05 – Córdoba, AR @ Refugio Guernica
03/08 – Porto Alegre, BR @ RIFF.E Bar
03/09 – Florianópolis, BR @ Célula Showcase
03/10 – Belo Horizonte, BR @ Stonehenge Rock Bar
03/11 – São Paulo, BR @ Inferno Club
03/12 – Rio de Janeiro, BR @ Hocus Pocus Fest

EUROPEAN SHOWS:
25.03. Roma (IT), Defrag
31.03. Osnabrück, Westwerk
01.04. München, Under The Black Moon Festival
02.04. Leipzig, Werk 2
22.04. Barcelona, Riff Ritual Festival
29.04. Berlin, Desertfest
30.04. London (UK), Desertfest
12.05. Berlin, Zukunft am Ostkreuz (Stummfilm-Special)
13.05. Berlin, Zukunft am Ostkreuz (Albumrelease Parteeey)
14.05. Hamburg, Hafenklang
15.05. Wiesbaden, Schlachthof
16.05. Bielefeld, Forum
17.05. Nijmegen (NL), Doornroosje
18.05. Nantes (FR), Le Ferrailleur
19.05. Paris (FR), Backstage
20.05. Köln, Underground
11.08. Finkenbach, Finki Festival

Samsara Blues Experiment on Thee Facebooks

Samsara Blues Experiment Tumblr

Samsara Blues Experiment on Instagram

Samsara Blues Experiment on Bandcamp

Electric Magic Records on Thee Facebooks

Electric Magic Records on Bandcamp

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Desertfest Berlin 2017: Elephant Tree, Avon, Domkraft, Bellhound Choir and Desert Mountain Tribe Added

Posted in Whathaveyou on February 21st, 2017 by JJ Koczan

desertfest-berlin-2017

Can we talk honestly about Desertfest Berlin 2017 for a minute? You want to know the terrible truth? Of course you do. You love terrible truths. The terrible truth is I should’ve gone to this fucking festival years ago. I should’ve been there when Gozu went from London to Berlin. I should’ve tagged along with Lo-Pan on their European run. I should be campaigning to go over and embed myself with Lowrider or somebody this year, and even now I’d be about four years late in getting there. At least. Stupid. No money, no time. My loss. Always.

These lineups get stronger and stronger and I sit my fucking cubicle and daydream. That’s what happens. That’s the terrible truth. I’m gonna miss Desertfest Berlin again this year, and London, and Freak Valley, and Duna Jam and Desertfest Belgium and Athens, and Keep it Low and the fests Heavy Psych Sounds is throwing, and a bunch of cool shit in the US — Desert Generator, all that stuff happening in Colorado, Montana, Oregon, the Days of Darkness this fall in Baltimore — because basically I suck. There you have it. The terrible truth. I’m terrible.

Oh yeah, and Desertfest Berlin 2017 has new lineup adds. Here they are:

desertfest-berlin-2017-elephant-tree

As promised, here come 5 new bands that we are proud to add to the DesertFest Berlin 2017 line-up! On Friday 28th, Desert Mountain Tribe (Uk), Elephant Tree (Uk) & Bellhound Choir (Dk). On Saturday 29th Domkraft (Swe) and on Sunday 30th, Avon Desert Rock (Usa). 3-day passes and Saturday tickets are sold out, but we still have a few for Friday and Sunday! Hurry up if you want to be part of this year’s Desertfest Berlin: http://www.desertfest.de/tickets-desertfest-berlin

Desert Mountain Tribe got off to a flying start with early standout track ‘Coming Down’, which was featured on Reverb Conspiracy Volume 2. The band quickly progressed to perform at leading festivals within the psych community and finally released their debut album “ Either That Or The Moon” in the spring of 2016 to a wealth of positive notices. They are now about to release new material…

Desert Rock trio Avon is Alfredo Hernández (Kyuss, Queens of the Stone Age, Yawning Man), James Childs (Airbus, Little Villains) and Charles Pasarell (WAXY). They made their debut early in 2016 with “Mad Marco”, a full-length collection distinct in its still-inimitable Californian style. The music is psychedelic, raw, melodic and has something to say. So if you like heavy desert rock, then you have come to the right place. They will be back with new tunes in April.

Elephant Tree are a relatively new band blasting a combination of ballsy blues rock and heavy riffs, who, after cutting their teeth in the London metal scene, have established a place within the current growing Stoner Metal genre. Their self-tilted sophomore released in April 2016 is spaced out, bizarre, unafraid to expand what doom can be, and featured in many “top of 2016” lists… You guys don’t know them yet, check it out now!

Bellhound Choir is songwriter, singer and guitarist Christian Hede Madsen (ex Pet The Preacher). He released his debut album “Imagine The Crackle” last year, and is now about to release his second effort, “Worried Kid”: a contemporary blues album dealing with the struggles and winding roads of the soul… A record comprised of songs in their most basic form, without filter, without vanity; songs that leads the way into a very human universe, that will unfold, as one gives back.

Domkraft, whose name combines the Swedish “DOM” for judgement and “KRAFT” for power, blasts forth towering dirges of annihilating doom, mindbending psychedelia, and hypnotic minimalism. Their first full-length “The End of Electricity” was released in November 2016 and is a spacious yet crushing mix of grinding riffs, syrupy warmth, blistering power and inexorable motion. Check out their unique vibe as soon as possible !

Also confirmed for our 2017 edition: SLEEP, SAINT VITUS, JOHN GARCIA BAND, BONGZILLA, SAMSARA BLUES EXPERIMENT, MARS RED SKY, STONED JESUS, LOWRIDER, FARFLUNG, WOLVES IN THE THRONE ROOM, DEATH ALLEY, TOUNDRA, MAMMOTH MAMMOTH, 1000MODS, SUMA, RUBY THE HATCHET, ECSTATIC VISION, THE COSMIC DEAD, TUBER, SATAN’S SATYRS, PONTIAK, WUCAN, GIOBIA, DUEL, GOLD, VENOMOUS MAXIMUS, THE WELL, GLITTER WIZARD, BASK, ODD COUPLE, RIFF FIST, TSCHAIKA 21/16 + more acts still to be unveiled.

http://www.desertfest.de/tickets
https://www.facebook.com/DesertfestBerlin
http://woolheads.com/shop-2/festivalmerchandise/desertfest-berlin-2016-early-bird-ticket-action-1/
https://shop3.ticketscript.com/channel/html/get-products/rid/4MGC3S6H/eid/327518/validity/any_day/language/en

Elephant Tree, “Attack of the Altaica” Live, Feb. 8, 2017

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Samsara Blues Experiment Confirm May Album Release; Announce More European Touring

Posted in Whathaveyou on February 7th, 2017 by JJ Koczan

Have I mentioned yet how much I’ve enjoyed watching the 2017 resurgence of German heavy psych rockers Samsara Blues Experiment take shape? I’d hope at least the sheer amount of posting I’ve done about it thus far would give some indication, but if not, it’s been one of my favorite aspects of this year so far, and no, I haven’t actually heard anything of their impending fourth album yet. A May release date has been confirmed — in all-caps, no less — by the Berlin trio, and they’ve just announced another round of European touring, this time alongside Kaleidobolt, to go with their previously-noted dates in South America and Germany, as well as slots at fests far and wide.

They give some indication below there might be more still to come, which is fair since as you’ll note a lot of this takes place before the record actually hits, but almost entirely write off the possibility of a return trip to the US. Sad and understandable both. I’ve wanted to talk to band-frontman Chris Peters about their experiences here for the last couple years and I’m hoping an interview for the upcoming LP provides that opportunity. We’ve got some time yet before the release, but needless to say I’ve already been bugging him about it. “Send me your record,” and so forth.

Here’s the latest from the band. The shows with Kaleidobolt are presented by Sound of Liberation:

samsara-blues-experiment-tour

Friends of the blues,

This year we will do some touring which at some point will coincide with the release of our – new, fourth album – in MAY.

02.03. – 12.03. Chile, Uruguay, Argentina, Brasil dates!
You know, you know, you know…
03/02 – Santiago, CL @ La Capilla
03/03 – Buenos Aires, AR @ The Roxy Live
03/04 – Montevideo, UR @ Bluzz Live
03/05 – Córdoba, AR @ Refugio Guernica
03/08 – Porto Alegre, BR @ RIFF.E Bar
03/09 – Florianópolis, BR @ Célula Showcase
03/10 – Belo Horizonte, BR @ Stonehenge Rock Bar
03/11 – São Paulo, BR @ Inferno Club
03/12 – Rio de Janeiro, BR @ Hocus Pocus Fest

25.03. Roma (IT), Defrag
31.03. Osnabrück, Westwerk
01.04. München, Under The Black Moon Festival
02.04. Leipzig, Werk 2
22.04. Barcelona, Riff Ritual Festival
29.04. Berlin, Desertfest
30.04. London (UK), Desertfest

— ACHTUNG uebelst HOT —
12.05. Berlin, Zukunft am Ostkreuz (Stummfilm-Special)
13.05. Berlin, Zukunft am Ostkreuz (Albumrelease Parteeey)

— MORE and more and more —
14.05. Hamburg, Hafenklang
15.05. Wiesbaden, Schlachthof
16.05. Bielefeld, Forum
17.05. Nijmegen (NL), Doornroosje
18.05. Nantes (FR), Le Ferrailleur
19.05. Paris (FR), Backstage
20.05. Köln, Underground

Athens (GR) is confirmed, yet to be announced!

11.08. Finkenbach, Finki Festival

…there may be more.

Still no US-dates tho. We are very sorry. Honestly. If at some point somebody who will be decent and honest enough offer his or her touring help ~ without just thinking of how many money he or she can make with us ~ I may be happy to share ideas and work it out, but for now our so far experience says: foggetaboutit.

So, always remember: Drushba means friendship.

All is one. Peace!

https://www.facebook.com/events/385024388507943/
https://www.facebook.com/samsarabluesexperiment/
http://sbe-official.tumblr.com/
http://instagram.com/samsarabluesexperiment
https://samsarabluesexperiment.bandcamp.com/

Samsara Blues Experiment, Waiting for the Flood (2013)

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Desertfest Berlin 2017 Adds Farflung, Giöbia, Duel and Glitter Wizard

Posted in Whathaveyou on February 1st, 2017 by JJ Koczan

A couple weeks ago when Desertfest Berlin 2017 announced Saint Vitus as its final headliner, the festival noted that it was in the process of partnering with other promoters on smaller shows to surround the fest proper and, ultimately, enrich it. I’m assuming that this teaming up with Italian imprint Heavy Psych Sounds to bring Farflung, Giöbia, Duel and Glitter Wizard to the bill is the first realization of that idea. Hard for them to pick a better first pairing, frankly. I’ve gone on at length about the depth of work Heavy Psych Sounds has done over the last however many years, so I’ll spare you that, but suffice it to say they’ve more than earned this showcase, and if anything, they could no doubt add to it easily.

Still, a cool addition for Desertfest Berlin 2017. From the PR wire:

desertfest berlin 2017 hps bands

Desertfest Berlin 2017: FARFLUNG, GIÖBIA, DUEL, GLITTER WIZARD (Heavy Psych Sounds Records)

“HEAVY PSYCH SOUNDS” NIGHT

We are thrilled to announce four more bands today, all invited by the Italian label Heavy Psych Sounds Records! Heavy Psych Sounds specializes in Heavy Psych, Stoner, Retro Rock, Vintage Rock, Proto Punk, Sludge, Acid Rock, Doom, Space Rock, 70 Rock, Garage Psych and Fuzz Blues. They released more than 50 albums with great bands such as Nick Oliveri, Karma To Burn, Black Rainbows, Farflung, Fatso Jetson, Mos Generator, The Freeks, Glitter Wizard, Wedge, Sgt Sunshine and many more!

FARFLUNG (USA)
Internationally recognized as torchbearers in the contemporary space rock scene, Los Angeles-based cult band Farflung is ready to bring the universe sound at DesertFest Berlin! Imagine, as if the bastard child of Amon Duul ii and Hawkwind arose from the ashes of America… stark and glimmering… bathed in the energetic glow of the Stooges… one last cup raised to the lunatics and wishing for wounds… They have set their course for the farthest reaches of the universe…

GIÖBIA (IT)
Giöbia has been one of the most influential psychedelic bands in Italy over the last years. Seduced by the lysergic side of the ‘60s, by exotic mantras and the evocative power of space-rock, Giöbia is a band with many facets and one only faith, that is to turn every encounter with sound into a psychedelic experience.

DUEL (USA)
Duel is heavy psychedelic stoner doom metal from Austin, Texas, hugely influenced by the darker sounds of early 70’s Proto-metal. The band features two ex Scorpion Child (Nuclear Blast) members. Their sound is menacing and brutally old school. Total purists, their tunes cut right to the bone with heavy, deep groove and blistering tone. Tough and Loud! Hard rock as it should be!

GLITTER WIZARD (USA)
This band of California rifflords pillage the best of vintage hard rock while keeping their laser eyes on the future, creating a unique brand of oddball psychedelia. Their onstage performance is a glammed-up force to be reckoned with and they’ve been taking their act on the road from the West Coast all the way to Europe.

Previously confirmed for this year’s DESERTFEST BERLIN: SLEEP, JOHN GARCIA & BAND (playing songs from Kyuss to Slo Burn), SAINT VITUS, BONGZILLA, SAMSARA BLUES EXPERIMENT, MARS RED SKY, LOWRIDER, 1000MODS, STONED JESUS, TOUNDRA, ECSTATIC VISION, SUMA, MAMMOTH MAMMOTH, THE COSMIC DEAD, PONTIAK, TUBER, SATAN’S SATYRS, WUCAN, VENOMOUS MAXIMUS, THE WELL, GOLD, RIFF FIST, ODD COUPLE, TSCHAIKA 21/16.

DESERTFEST BERLIN 2017 will feature more than 50 bands in total! Remember that you have until Wednesday, February 1st to buy your tickets for 85€ (visit our Website, or use the links below in this release). After that, the weekend pass will be 95 €.

http://www.desertfest.de/tickets
https://www.facebook.com/DesertfestBerlin
http://woolheads.com/shop-2/festivalmerchandise/desertfest-berlin-2016-early-bird-ticket-action-1/
https://shop3.ticketscript.com/channel/html/get-products/rid/4MGC3S6H/eid/327518/validity/any_day/language/en

Giöbia, Magnifier (2015)

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