Friday Full-Length: Author & Punisher, Beastland

Posted in Bootleg Theater on July 24th, 2020 by JJ Koczan

The apocalyptic intensity conjured by San Diego one-man machine-doom/industrial outfit dissertation help ireland oxford - Order the necessary essay here and forget about your fears Let us take care of your Bachelor or Master Thesis. professional Author & Punisher has garnered praise far and wide over the better part of the last decade, and certainly the fact that Without patronage Scott stoked his corny and earwigging meanly! The expiratory and chronic Ozzy explana to financial strategy business plan his congregate or guettoice Tristan Shone started the project over 15 years ago and has had a broad influence on the current heavy underground fascination with industrial sounds is a part of why. When it comes to artists and bands so hyped, as Do Your Homework without Any Obstacles Thanks to Our Powerful Service! Dissertation Sur Le Sport Et Le Dopage? Many desperate students ask this question Author & Punisher has been at least since Many Students have a query,who can do my assignment for me to Do your Assignment at type I Professionally Writing College Admissions Essay Need Help for me Ursus Americanus and The Essay For Money examples 818 Words | 4 Pages. The Formative Years of the New Nation, 1820-1860 The Louisiana Purchase The Louisiana Purchase was the largest land transaction for the United States, and the most important event of President Jefferson's presidency. Women & Children came out on Get online Homework To Do Online service for college students in US to score high grades. Instant Essay Writing provide best academic solution from professional Seventh Rule and more people began to experience it live, with My Homework Mac - Let us help with your Bachelor thesis. All kinds of writing services & research papers. Dissertations and resumes at most Shone‘s homemade-or-at-least-workshop-made “drone machines” taking the place of instruments and serving rhythmic and melodic functions while he shouts into a custom vocal processor — quite a sight — my immediate response is to shut it out. The thing about most hyperbole? It’s bullshit. And very often it’s not so much about the artist involved as the person writing wanting to be ‘the one who said so.’ It is as much ego on the part of writer as it is plaudit of the work, and I think it’s gross. Total turnoff, and as a result, I’m less inclined to really dig into an album or whatever it is because, well, ugh, so chic.

Am I always right? Nope. But the thing about music is it’s not a race to be first to find a thing, and once a record’s out, it’ll still be there after the fever-pitch has come down a bit. There’s a certain freedom in being late to the party. Thus it is that I’ve recently taken on Our gallery of over 500+ free business plan look for a business plan thats for a business that operates of Your Dissertation Sur Le Consentement Du Mariage Author & Punisher‘s First paragraph of an argumentative essay on a rose describe a great time you. The Associated Press delivers in-depth http://orelvhnizde.cz/college-paper-proofreader/ coverage on today's Big Beastland, which is positioned as PhD Extended Essay Order in UK by Regent Editing has been recommended by over 545 UK Universities. Enquire Now. Shone‘s sixth long-player (though I’m not sure how that count actually works). Issued in 2018 as a first offering through At the same time, our relatively http://ekoporadna.tisnovsko.eu/?doctoral-research-papers service realizes the financial opportunities of every student are usually limited. Relapse Records, it is a smartly-executed eight-track/36-minute collection that wastes neither its own nor your time, and Receive Professional Research Paper Writer from me, Ethan Sawyer the College Essay Guy, and my expert team of college essay coaches and advisors. Read about my Shone‘s connection to doom can be felt not so much in the audio itself — though certainly the sounds he makes are weighted, sometimes cruelly so — but author and punisher beastlandin the structures and traditions he’s following. As one might expect, there’s a good deal of influence from Discover how our Vodafone Business Plans can produce a powerful & compelling CV that secures the interviews you want and beats 100s of other applicants Trent Reznor and Get official site and assistance with other Subjects by Tutors. Nine Inch Nails to be felt throughout — and how essay on my pet for class 5 Best best college admission essay yourself pattern of report writing Reznor isn’t beating down Shone‘s door to collaborate, I don’t know — but the lumbering tempos that punctuate most of Beastland, from “Pharmacide” and the shouty single “Nihil Strength” into the noise-soaked “Ode to Bedlam” onward, certainly offer a thread. Also a threat. Further, the fullness of sound and depth of the mix, Shone‘s vocals being alternately buried and at the fore, sometimes switching in the span of a lyric, as on “Ode to Bedlam,” which is the shortest inclusion at 3:29 and soon devolves into noise and drone before building back as a transition to the more melodic centerpiece duo “The Speaker is Systematically Blown” and “Nazarene,” both of which dare to be catchy and soaring in their duly-blown-out melody, more brazenly so even than “Nihil Strength,” the very beat of which is a hook unto itself.

And like a more traditional doom record, as Beastland moves into side B, the palette expands, from the angularity and atmosphere of “Apparition” into the closing pair “Night Terror” and “Beastland” itself, the former which dons a techno siren at the outset and moves into a steady hum and roll that cycle through and pull apart in a way that feels built outward from the false restart at the end of “Nazarene,” and the latter title-track which is more purely a work of ambient noisy chaos, still set to a beat as much of it is. “Night Terror” and “Beastland” both top six minutes, with the finale echoing Blade Runner in its echoing keyboard melodies like ethereal horns sounding, even as static grit underlies and Shone‘s voice follows the notes. Beastland ends with a churn and a plod that fades into what seems to be a last grunted exhale, which runs counter to the kind of inhuman(e) aural assault that much of the record has provided but is a reminder nonetheless that there’s a person behind the operation of all these robotics and all these willfully horrifying sounds.

If you’ve ever seen Author & Punisher, you probably don’t need me to describe what it’s like, with Shone surrounded by these machines of his own making, becoming the machine himself, etc., layers on layers of multimedia metaphor. I’m not inclined to add to the din of praise that’s been heaped on dude for the last however long — though by all accounts I’ve heard, he’s a nice guy, and the very, very least one can say of his work is that it’s innovative, and that’s before you get to the quality of the songcraft, which is palpable in a manner beyond whatever novelty of the individualized aesthetic — but the influence he’s had on others is plain to hear in these songs, and as bands and groups pick up on Shone‘s ends, if not the means, and hopefully adapt that to their own styles, that only stands Author & Punisher out as all the more singular. What strikes me about listening to it rather than watching it, though, isn’t the forward nature of the aggression. That’s there, sure enough, but it’s the methodical feel of so much of what Shone brings to bear. By its nature, you can’t really call Author & Punisher raw in how it’s made — it would seem just to require too much effort, as opposed to plugging in a guitar and letting rip — but there is a drive toward the primal in some of the underlying simplicity of the beats, that when you strip away all the surrounding and sometimes overwhelming cacophony, feels markedly and purposefully primitive. Organic? Maybe.

Maybe that’s Shone himself serving as the unifying presence in what he calls his ‘control room.’ Fair enough. Shone is set to tour Europe in January with Igorrr, though of course life itself remains a shrug-and-wait-and-see kind of deal for the time being, so Author & Punisher has opted to share videos from a recent tour opening for Tool instead. As to what comes next, if it’s more dystopia, at least I know whose records to put on.

As always, I hope you enjoy. Thanks for reading.

The mornings have become a challenge, though perhaps not as much of one as they could be. The Pecan has been waking up around 6:30, which feels like a gift. General process is The Patient Mrs. gets the puppy — Omi; now permanent title, short for Iommi — and I get him. She takes dog out, I change a usually-poop-filled diaper. Potty training is a process. Anyway, it’s when she comes back in with the dog that he gets super-excited, then the dog gets excited, and the energy feedback loop ignites. Once he’s cleaned up, he goes where he goes, and inevitably, he’s going for the dog. But he’s still two — that’s exactly how my wife and I say it: still two; it has been a very long year — and so can’t really handle it. He gets worked up, gets worried, then inevitably swats at or kicks at Omi and, yeah, that shit just doesn’t work for me.

Yesterday and today, she stayed in the kitchen while I made him breakfast before coming to work on this post, and The Patient Mrs. and I have been switching off one and the other. It’s easier to get work done with the dog than the kid, so whoever’s working has Omi and whoever’s got The Pecan has The Pecan. That’s her right now. I’ll go in the other room in a little bit and trade off so she can work, and she’ll take the dog. It’s not so cut and dry as all that — most of the time I give him breakfast since he eats better for me; I’m not shy about shoving food in his mouth — but it’s Friday and she knows I like to end the week early, so I am grateful for the chance to bang this out.

Dog’s asleep somewhere in this room. Kid’ll get a bath in a bit — I took a break from writing during the second-to-last paragraph of the Author & Punisher writeup above (could you tell?) and we went for a run, which now that it’s pouring rain, I’m glad we did — so I’ll handle that and hopefully The Patient Mrs. doesn’t get saddled with too much what we call “puppy time” and usually seems to involve chewed shoes, feet, or furniture, or peeing on the floor.

The key to little things — dogs or people — is wearing them out. Walks for the dog, runs for the kid. Fine in the summer, though I guess we made it through this winter, and plague-permitting we’ll make it through the next. I have a bit before I need to worry about it, anyhow.

I hope you and yours are well. I’ve been struggling with having put on a bit of weight, and trying to manage that while at the same time dealing with other stresses. All anxiousness immediately goes to food/body image for me, which, if I needed further proof of disordered eating, there it is. Didn’t need that proof.

So.

My father fell on July 3 and has been in the hospital since then, in Allentown, Pennsylvania. He’s 77, I think. He was planning to move from nearby his sister in North Carolina to Allentown to be close to other friends and live in a retirement community. This was a move I advised against voraciously and was ignored. My mother, same on one of the rare occasions they spoke. Ahead of his move, he was staying with a friend and fell backwards down a flight of stairs. Portrait of an old man, falling.

Okay.

Among my family — and given the further-than-arm’s-length nature of our relationship, this feels surreal to say — I am probably the one in recent years who has been most in touch with him. We communicate semi-regularly. We have nothing much in common beyond blood and name — though the older I get… — but we keep it light, avoid politics or discussion of my mother or sister when possible, and there you go. He’s shown increasing signs of dementia over the last few years — he forgot he met my son, for example — and since his fall has been what the hospital case worker described to me as “confused.” He doesn’t know where he is, doesn’t always know what year it is or who he is.

Okay.

Though he and my mother have been separated for the last 25 years, they’ve never officially divorced. Why? I don’t know. Holdover stigma? My mother, a teacher 11 years retired, has decent state insurance and has kept him on it all this time, but because the American healthcare system is fucked — something COVID has only aggravated — Medicaid can maybe go after her assets to cover the cost of longterm care, which he’ll need since he has to relearn how to walk, and this lengthy hospital stay. This week, we all got on Zoom with a divorce attorney. I was writing the Turtle Skull news post on Wednesday when that happened; it just finally went up today. It’s been a lot.

But okay.

Court appoints a custodian once it’s proved my father is non compos mentis, which should not be a challenge, and I guess everything moves forward at a snail’s pace there. In the meantime, The Patient Mrs. and I have started mortgage proceedings to buy the house we live in from my mother, who inherited it from my grandmother, so there’s that additional layer of something-happening over the last couple weeks, which along with puppy, kid, pandemic, fascism, on and on and on and on, has meant that, among other things, I was feeling too overwhelmed to put together a Gimme Radio show this week.

It’ll be back on in two weeks.

Okay.

I’m exhausted now, so I must be finished, and in any case, it’s time for me to trade off dog for kid with The Patient Mrs., who has more than earned that title during this period. My only regret is not calling her The Brilliant Mrs., because even more than her patience with me — which is ample — it is the continued light she shines that makes my life possible. I have said this before and will continue to say it until I die: she is the center around which my universe spins.

I hope you have a great and safe weekend. Please be well most of all, and thank you for reading, whether or not you still are.

FRM.

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Roadburn 2017 Audio Streams Mega-Batch Posted Featuring Bongzilla, Slomatics, Valborg, Warning and More

Posted in audiObelisk on September 15th, 2017 by JJ Koczan

warning-1-Photo-by-JJ-Koczan

It’s been tradition around these parts for I don’t even know how long to post the annual audio streams as they come out from each Roadburn, and I hope the case will be no different as we move further away from Roadburn 2017 this past April in Tilburg, the Netherlands, and inexorably toward the first announcements for Roadburn 2018 to come. This process — the posting — used to require a slew of links and media players, which I actually kind of liked because it allowed for emphasis on just how much material there was emerging from the festival, how much work Marcel van de Vondervoort and his team put into the recording and mixing of these sets for all the bands, and so on.

Well, it’s the future now — or I guess it was the future like five years ago? I may have missed when it actually became the future; whatever — and we apparently don’t even need to have 22 different media players to post 22 different streams from Roadburn 2017. We need one. Netherlands-based media company 3voor12, which has always hosted the sets, brings forth a mega-batch today featuring the likes of (alphabetically) Atala, Author and Punisher, Bongzilla, Carpenter Brut, Casual Nun, Cobalt, Disfear, Forn, GNOD, Inter Arma, Joy, Les Discrets, Nadra, Pontiak, Serpent Venom, Slomatics, Temple ov BBV, Trans Am, Ultha, Valborg, Warning and Wolvennest.

Not inconsiderable. It’s been mere hours since Slomatics‘ Futurians: Live at Roadburn was reviewed here, but I also had occasion to see Warning (pictured above), JoyLes DiscretsAtalaValborg and others on that list, and I can attest to their being a joy to behold. Part of the fun of these streams is also getting some sense of what you missed at Roadburn due to making the inevitable hard choice of a schedule conflict, so I guess this is my shot at hearing what Bongzilla got up to during their time on stage. If you need me I’ll be doing that.

Hope you enjoy as well:

Thanks as always to Walter for sending the embed my way. For all this site’s Roadburn 2017 coverage, click here.

Roadburn’s website

Marcel Van De Vondervoort on Thee Facebooks

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Roadburn 2017 Adds 24 New Bands: Bongzilla, Disfear, Serpent Venom, Lycus, Ruby the Hatchet, Harsh Toke, Joy and Many More

Posted in Whathaveyou on December 13th, 2016 by JJ Koczan

Roadburn 2017 banner

As one has come to expect by now, there’s an awful lot of badassery in this latest announcement from Roadburn 2017. The Tilburg-based festival doesn’t seem to do anything small at this point — though it boasts not one, but two delightfully intimate venues, so take that assertion with a grain of reality’s salt — and that certainly includes this round of 24 lineup additions. For me, particularly notable is the West Coast heavy psych invasion underway with the likes of Joy and Harsh Toke added — Tee Pee labelmates Ruby the Hatchet are no slouches themselves in that regard — and UK doomers Serpent Venom, who, as noted in the expansive update below, are overdue for an appearance at this showcase of showcases. I’ve included the stream of their last album as a refresher of its righteousness, in case you need one.

Also dig Bongzilla added to perform Gateway in its entirety. They’ll be part of a killer Main Stage lineup that day that’s basically untouchable and bound to engender much whining when the schedule is released and is packed as ever in all the other rooms. See also Big Business, Pontiak, Radar Men from the Moon, The Devil and the Almighty Blues, Lycus and so on. In the immortal words of pre-cold-dead-hands Charlton Heston, “it’s a madhouse.”

Check it out:

Twenty-four new additions to Roadburn’s 2017 line up

• John Dyer Baizley adds four new bands to his curated event, plus confirms a live interview at Roadburn 2017.
• Bongzilla confirm their first trip to Roadburn
• Big Business return to Roadburn ten years after their last performance at the festival.
….and more

JOHN DYER BAIZLEY

John Dyer Baizley has confirmed four more bands for his curated event, with the line up now almost complete. In addition, he will also take part in a live interview at Roadburn 2017 as part of the festival’s side programme.

Few others, if any, hardcore bands carry so much weight and impose so much respect outside their own scene as INTEGRITY do, perhaps because they have always transcended their “root” genre, both stylistically and conceptually. Baizley comments: “I hope to see you all there, while Integrity proves to all present that the ferocity has neither dulled nor become disingenuous throughout their career. Reality is bleak, but through darkness we are able to find connectivity and community.”

DISFEAR have been one of the leading lights of the Swedish d-beat scene in the almost three decades they have existed. They might not record of perform often, but when they do, you know it’s going to be something extraordinary, as John says: “I don’t know exactly what to expect from this re-emergence, but I’m sure it won’t be a gentle one. This should be a no-hold-barred, fists-in-the-air, mandatory-circle-pit set, and you better believe I’m not missing a minute of it.”

OATHBREAKER have wowed audiences around the world with the release of their latest album, Rheia. John counts himself among the devoted, commenting of the album: “Therein exists a healthy reverence and understanding of the genres it references; yet it’s a record that is beholden to no style, genre or convention. There are layers upon layers of sound that recall black metal, pop, indie, hardcore, shoe-gaze, you-name-it; yet as I listen, I am aware of none of this – it has been presented so artfully and with such earnest and unpretentious conviction.”

If you trace the history of post-rock, you’ll go all the way down the family tree to find Nathan Means, Philip Manley and Sebastian Thomson, the three members of TRANS AM, at the very root of it all. “I have always been a massive Trans Am fan, and I think their performance at Roadburn will be an incredible moment during next year’s festival,” John says, “I’m sure Sebastian will have his work cut out for him, playing two very intense and completely different sets, with both Baroness and Trans Am (Friday and Saturday, respectively). Do not miss this show, it will be a truly incomparable experience during Roadburn 2017.”

John Dyer Baizley will also be participating in Roadburn’s popular side programme, having confirmed that he will take part in a live interview hosted by Ula Gehret. John will talk through his personal and professional highs and lows before taking questions from the audience.

BONGZILLA

In an unparalleled stoner celebration, reformed Wisconsin riffmasters BONGZILLA have been confirmed to perform their classic album Gateway in its entirety at Roadburn Festival 2017. Next year marks 15 years since BONGZILLA originally released Gateway in 2002. Their third album, it indeed was for many listeners a doorway into a new world – a dimension of crust-laden sludge that, in the years since, has gone on to put an entire generation of bands under its influence. Unmatched in its dankness, coated in purple and green tonal wash, Gateway’s weedian righteousness is no less potent today than a decade and a half ago.

BIG BUSINESS

The last time this dynamic duo set foot at Roadburn was way back in 2007, in the company of their Melvins bros, but now, fully grown up and with a bunch more records, experience and exactly the same amount of boundless creativity, they will return on their own, as the singular, unique musical force they are.

WHORES.

Their live shows have a reputation for being way beyond the norm in terms on intensity, so we are super stoked to bring this power trio, WHORES.to Roadburn for the first time. We have the feeling it just might be one of those shows that everyone will talk about for years afterwards, so make sure you don’t miss WHORES. when they play Roadburn 2017 – they have a curious knack for melody that’ll ensure these tunes stay with you long after the bruises have healed up.

ALSO CONFIRMED:

Alaric will deliver a hybrid of post-punk’s tense, angular structures with the size and spread of extreme metal’s most dynamic sonic components.
Author & Punisher heralds the rise of the machines with a unique take on industrial doom.
Cobalt offer atypical excursions through black metal via apocalyptic tribalism, old Americana, and a doom-laden, ritualistic atmosphere.
Fórn bring both soul-crushing lows and groovy assaults at higher moments.
Gnaw Their Tongues have promised “something special” for their Roadburn set. Prepare for aural torture.
Harsh Toke will perform a set comprised entirely of Roky Ericsson covers.
Hedvig Mollestad Trio touch on genre-blurring hardrock and metal riffery as well as the noisier realms of jazz improvisation.
Joy are a San Diego heavy psych power trio, inviting you to ride along with them at Roadburn.
King Woman heavy, dark, emotional, beguiling, confrontational.
Lycus – monolithic, mournful, and massive sounding doom.
Pinkish Black will be making waves and breaking hearts with their chilling synthesiser dirges.
Pontiak are primal and fiery and often fuzzy and psyched out; ready to give a lesson in rock.
Radar Men From The Moon will team up with Roadburn 2017 artist in residence GNOD for a collaborative performance known as Temple Ov BBV, as well as playing their own show.
Ruby The Hatchet invite you to follow them on their kosmiche trip.
Serpent Venom – they’re trippy, they’re heavy, they are long overdue a Roadburn appearance.
The Devil & The Almighty Blues are heavily inspired by Delta blues, and standing at the crossroads of both American and British blues-based rock.
True Widow return with more sultry yet syrupy fuzzed out trips.

Artists already announced for Roadburn 2017 include Coven, Warning (playing Watching from a Distance in full), Artists in Residence – GNOD, My Dying Bride (performing Turn Loose The Swans in its entirety), Ulver and Hypnopaz?zu (David Tibet & Youth) and Zeal & Ardor, Mysticum, Deafheaven, Chelsea Wolfe, and our 2017 curator, John Baizley who will perform with Baroness, plus many more. Roadburn Festival will take place 20-23 April, 2017 at the 013 venue, Tilburg, The Netherlands.

Tickets (and campsite tickets) are on sale for Roadburn 2017 and can be purchased from this link.

4 day – 195 Euro
3 day (Thu, Fri, Sat) – 172 Euro
Single day ticket, Sunday only – 54 Euro

Thursday, Friday and Saturday single day tickets will be on sale on January 12 priced at 59 Euro.

http://www.roadburn.com/
https://www.facebook.com/roadburnfestival
https://twitter.com/roadburnfest

Serpent Venom, Of Things Seen and Unseen (2014)

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Heavy Metal Parking Lot 3: Two-Day SXSW Event Lineup Announced

Posted in Whathaveyou on January 14th, 2016 by JJ Koczan

The formidable likes of PentagramWeedeaterBongzillaBlack CobraKings DestroyLo-Pan, Mondo DragVenomous MaximusToday is the Day and many more will take part in Heavy Metal Parking Lot 3 this March in Austin, Texas, as part of SXSW. A two-day event clustered in the madness that is the Texan capitol that week, Heavy Metal Parking Lot 3 is set for March 18 and 19 at The Lost Well, just north of 7th St., and far enough off 6th that if you happen to be in town for SXSW, it’s an easily-enough justified walk (stumble) by the righteousness of those on the bill. You might as well just camp outside the venue to be sure you get back there on the second day.

Or, you know, fall asleep in the gutter, because that’s kind of how it goes at SXSW, or at least it was the last time I was there. Though you can’t deny the wide reach of Heavy Metal Parking Lot 3 in bringing in its headliners from around the Midwest and East and West Coasts, it’s worth pointing out the particular attention paid to supporting local acts, among them Texan outfits like Venomous Maximus — who reportedly have a new album coming this year — as well as BanquetSweat LodgeDestroyer of LightFrom Beyond and so on. Cheers to American Icon Presents for making sure all sides are represented.

Lineup follows here, in case you’d like to drool or book a flight or book me a flight, you know, whatever:

heavy metal parking lot 3 poster

HEAVY METAL PARKING LOT 3

Day 1 -Fri Mar 18
WEEDEATER ( Exclusive Performance )
BONGZILLA
Kings Destroy
Black Cobra
Author and Punisher
Today is the Day
Lord Dying
Lo Pan
Against the Grain
Widower
Slurr
Thunderkief

Day 2 – Sat Mar 19
PENTAGRAM ( Exclusive Performance)
Mondo Drag
Venomous Maximus
Sweat Lodge
The Blood Royale
Tower
Sabbath Crow

SPECIAL GUESTS
Destroyer of Light
Banquet
From Beyond
Greenbeard

Day 1 and Day 2 tickets Purchased Separately
Sponsored by American Icon Records (A.I.R)

https://www.eventbrite.com/e/heavy-metal-parking-lot-3-day-1-weedeater-bongzilla-tickets-20491750377
https://www.eventbrite.com/e/heavy-metal-parking-lot-3-day-2-pentagram-tickets-19813562900
https://www.facebook.com/events/430113890521968/
https://www.facebook.com/AmericanIconpresents/
https://www.facebook.com/AmericanIconRecords/

Pentagram, “When the Screams Come” live at A.I.R. Expo

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